38 Movies Like Get Out (2017) On Kanopy (Page 2)

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

Genre: Drama, Thriller

Actor: Aaron Blakely, Alex Manette, Andy Gershenzon, Annie O'Sullivan, Ashley Gerasimovich, Blake DeLong, Caitlin Kinnunen, Daniel Farcher, Erin Darke, Ezra Miller, Francesca Murdoch, Georgia X. Lifsher, J. Mallory McCree, J.J. Kandel, James Chen, Jason Shelton, Jasper Newell, Jeffrey Mowery, Jennifer Kim, John C. Reilly, Jose Joaquin Perez, Joseph Basile, Joseph Melendez, Kenneth Franklin, Kimberley Drummond, Lauren Fox, Leland Alexander Wheeler, Leslie Lyles, Louie Rinaldi, Mark Elliot Wilson, Maryann Urbano, Paul Diomede, Paul Marra, Polly Adams, Rebecca Dealy, Rock Duer, Rocky Duer, Simon MacLean, Siobhan Fallon Hogan, Suzette Gunn, Tilda Swinton, Ursula Parker

Director: Lynne Ramsay

Rating: R

This drama was the first feature written and directed by an out Black lesbian, Cheryl Dunye, and it is an absolute joy: a cheeky faux-documentary that ingeniously blends lesbian dating life with a historical dive into Black actors in 30s Hollywood.

Dunye plays Cheryl, a self-effacing version of herself, an aspiring director working at a video store who begins to research an actress known as the Watermelon Woman for a documentary. The more Cheryl dives into her research, the more she sees parallels between her subject and her own relationship. 

As incisive as it is funny, The Watermelon Woman shares some common ground with other major indie debuts of the era like Spike Lee’s She’s Gotta Have It and funnily enough Kevin Smith’s Clerks, but Dunye’s style is wholly her own and a dazzling treat to experience.

 

Genre: Comedy, Drama, Romance

Actor: Brian Freeman, Camille Paglia, Cheryl Clarke, Cheryl Dunye, David Rakoff, Guinevere Turner, Irene Dunye, Lisa Marie Bronson, Sarah Schulman

Director: Cheryl Dunye

Twisted yet deep. Sad yet interesting. Slow yet exhilarating. A Ghost Story is an incredible artistic achievement. With hardly any dialog, and breathtakingly long takes in its first half, it manages to bring you in its own creepy world and not let go until you feel completely lonely. Starring Rooney Mara and Casey Affleck as a loving couple who are hit with a horrible tragedy, the beginning is slow, and it's not a plot driven movie, but if you give it a chance it will blow your mind.

Genre: Drama, Fantasy, Romance

Actor: Augustine Frizzell, Barlow Jacobs, Brandi Price, Brea Grant, Carlos Bermudez, Casey Affleck, Chris Gardner, David Lowery, David Pink, Giovannie Cruz, Grover Coulson, Jonny Mars, Kenneisha Thompson, Kesha, Kesha Rose Sebert, Liz Cardenas, Liz Cardenas Franke, Liz Franke, McColm Cephas Jr., Nikita Patel, Rob Zabrecky, Rooney Mara, Sonia Acevedo, Will Oldham, Yasmina Gutierrez

Director: David Lowery

Rating: R

For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally. 

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate. 

Genre: Documentary, War

Actor: Abdul Jabbar Al-Kubeisi, Donald Rumsfeld, George W. Bush, Hassan Ibrahim, Josh Rushing, Muafak Tawfik, Nabeel Khoury, Omar Al-Issawi

Director: Jehane Noujaim

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

Genre: Horror, Mystery

Actor: Bae Yong-geun, Cho Han-cheul, Chun Woo-hee, Do-won Kwak, Han-Cheol Jo, Heo Jin, Hur Jin, Hwang Jung-min, Hwang Seok-jeong, Hwang Suk-jung, Jang So-yeon, Jeon Bae-soo, Jeong-min Hwang, Jo Han-chul, Jo Yeon-hee, Jun Kunimura, Jung-min Hwang, Kim Do-yoon, Kim Hwan-hee, Kim Ki-cheon, Kim Ki-chun, Kwak Do-won, Lee Jung-eun, Lee Seon-hee, Lee Sun-hee, Lee Yong-nyeo, Moon Chang-gil, Park Seong-yeon, Park Sung-yeon, So-yeon Jang, Son Kang-gook, Sung-yeon Park, Woo-hee Chun, Yoo Soon-woong, 赵汉哲

Director: Hong-jin Na, Na Hong-jin

Rating: Not Rated, TV-MA

This is a really weird movie starring Colin Farrell and Nicole Kidman. They play a wholesome and well-off couple where Farrell is a heart surgeon. The movie starts with him taking care of a teenager called Martin, who's not related to him or seems to have any real connection with him. It later turns out that Martin shares a special bond with the surgeon, a bond that will threaten his family in unexpected ways. The camera work and direction by Yorgos Lanthimos (The Lobster, The Favourite) offset the weirdness to offer an intriguing experience.

Genre: Drama, Mystery, Thriller

Actor: Alicia Silverstone, Anita Farmer Bergman, Barry G. Bernson, Barry Keoghan, Beverly Kristy, Bill Camp, Bryant Bentley, Carly Tamborski, Charles Poole, Colin Farrell, David Pittinger, Denise Dal Vera, Drew Logan, Dylan Keith Adams, Herb Caillouet, Jerry Pope, Joanne Popolin, John Newsom, John W. Harden, Lea Hutton Beasmore, Megan Chelf Fisher, Michelle Dobrozsi, Ming Wang, Nicole Kidman, Raffey Cassidy, Robert Gerding, Steven Schraub, Sunny Suljic, William C. Ingram

Director: Yorgos Lanthimos

Rating: R

This movie is pretty much in every regard a Norwegian Kill Bill. It’s a dark gory comedy where, naturally, the substitute for Uma Thurman doing damage is an emotionless Stellan Skarsgård. After his son is killed by a drug gang, Skarsgård’s character, fresh off a win of a “citizen of the year” award, embarks on a ruthless journey to track and kill the murderers. This takes place in one of the most remote areas in Norway, where the main character works as a snowplow driver. You guessed it, some people will get snowplowed. Seems familiar? That’s because this year it was turned into a horribly sub-par American movie called Cold Pursuit, with, ugh, Liam Neeson.

Genre: Action, Comedy, Crime, Thriller

Actor: Anders Baasmo Christiansen, Arben Bala, Arthur Berning, Atle Antonsen, Birgitte Hjort Sørensen, Birgitte Hjort Sorensen, Bjørn Moan, Bruno Ganz, David Sakurai, Espen Reboli Bjerke, Gard B. Eidsvold, Goran Navojec, Hildegun Riise, Jack Moland, Jakob Oftebro, Jan Gunnar Røise, Jon Øigarden, Jon Øigarden, Julia Bache-Wiig, Kåre Conradi, Kristofer Hivju, Leo Ajkic, Martin Furulund, Miodrag 'Miki' Krstović, Miodrag Krstović, Ola G. Furuseth, Pål Sverre Hagen, Peter Andersson, Sergej Trifunović, Stellan Skarsgård, Stig Henrik Hoff, Thomas Hildebrand, Tobias Santelmann

Director: Hans Petter Moland

Rating: R

By all outward appearances, The Villages—a massive and manicured retirement community in Florida—looks like it does offer paradise to its aging residents, as promised. The list of activities is endless, the seniors are all partnered up. “It’s like going back to college,” as one of them puts it, where people from all over the country come together to create a new life with each other. 

But of course, nothing comes that easy, not even death. Some Kind of Heaven follows certain residents (and one committed trespasser) as they grapple with the slipperiness of fulfillment in their later years. It gets very eerie when the film's bleak messages are contrasted with the home's vibrant Floridian colors and the residents' plastered smiles. But the eeriness adds to the overall intrigue and pull of the documentary. Darren Aronofsky (Black Swan) co-produces this fascinating film.

Genre: Documentary, Drama

Director: Lance Oppenheim