154 Movies Like Furiosa: A Mad Max Saga (2024) (Page 5)

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Feminism has made plenty of strides in multiple areas, but even in the era of free love, talking about sex was difficult, and certain figures were dismissed just because of it. The Disappearance of Shere Hite reexamines the titular forgotten feminist figure that simply focused on the female orgasm, giving a second look at her immediate rise and fall in the American media, and the reasons for her leaving the country. With Dakota Johnson’s soft voice, an excellent selection of archival footage, and Hite’s deeply personal words, the film paints a portrait of a mild-mannered, self-possessed woman, but it also reveals the heartbreakingly repetitive vitriol that affects these open discussions today.

Genre: Documentary

Actor: Dakota Johnson, Shere Hite

Director: Nicole Newnham

The thought of the end of the world and everything as we know it is scary, but going through it, and somehow surviving, can be a much more depressing idea. What do you do now? O-Bi, O-Ba: The End of Civilization is aptly titled, as its characters remain stuck inside a dome after a nuclear war, but the way the survivors’ hopes are warped, manipulated, and used against them can feel eerily familiar, and the way Piotr Szulkin unpacks this through Soft’s journey crafts a bleak, yet necessary examination of the fantasies we need in order to live in peace.

Genre: Drama, Science Fiction

Actor: Adam Ferency, Elżbieta Zającówna, Henryk Bista, Jerzy Stuhr, Kalina Jędrusik, Krystyna Janda, Leon Niemczyk, Marek Walczewski, Mariusz Dmochowski

Director: Piotr Szulkin

Often deemed as South Asian John Wick, Monkey Man, of course, has plenty of the stylish action that’s been captivating today’s filmmakers and audiences alike. Dev Patel, now writing and directing alongside leading the film, created a crazy combination of action sequences that mess around with perspective, that’s fuelled by insane choreography, and that take the best from the action thriller greats, but it also mixes in such unique ways, with his one man crusade expanding into an unforgettable folklore-inspired counter campaign against a corrupt, nationalist administration. It’s not a perfect film, but Monkey Man is such a bold debut that marks Patel as a director to watch.

Genre: Action, Thriller

Actor: Adithi Kalkunte, Ashwini Kalsekar, Brahim Achabbakhe, Dev Patel, Makrand Deshpande, Pitobash, Sharlto Copley, Sikandar Kher, Sobhita Dhulipala, Vipin Sharma, Winai Wiangyangkung, Zakir Hussain

Director: Dev Patel

Rating: R

Hit Man is many things—a romance, neo-noir, comedy, and thriller. And though it sometimes feels like it doesn’t quite reach its full potential in all those areas, it’s hard not to be blown away by Powell’s Rolodex of characters and his palpable chemistry with Arjona. The story itself isn’t as sturdy as I hoped it would be, but it’s supported by a strong, funny script co-written by the ever-reliable Linklater (who I suspect is behind the deep existential ruminations) and Powell (who must’ve supplied the cache of modern jokes), ultimately making Hit Man a smart, funny, and deeply pleasurable watch.

Genre: Comedy, Crime, Romance

Actor: Adria Arjona, Anthony Michael Frederick, Austin Amelio, Bryant Carroll, Donna DuPlantier, Eleanor Threatt, Evan Holtzman, Glen Powell, Gralen Bryant Banks, Jo-Ann Robinson, Jordan Salloum, Julia Holt, Kate Adair, Kim Baptiste, Mike Markoff, Molly Bernard, Morgana Shaw, Retta, Richard Robichaux, Ritchie Montgomery, Roxy Rivera, Sanjay Rao, Sara Osi Scott, Stephanie Hong

Director: Richard Linklater

Rating: R

Given the country’s divisive politics, a second civil war seems plausible, inevitable even. But even though Civil War, the film, takes place in this kind of world, its main focus is on the four journalists who race through the country to get the scoop on a fascist president who’s bound to be ousted anytime soon. We only get hints at the specific causes and developments of the war, but what we do get is an unsettlingly close look at the human toll of it, as well as the realities of reportage—crushing PTSD, ethical responsibilities, and all. It’s a brilliant movie if you set your expectations right.

Genre: Action, Drama, Thriller, War

Actor: Alexa Mansour, Brian Philpot, Cailee Spaeny, Dean Grimes, Edmund Donovan, Evan Holtzman, Evan Lai, Greg Hill, James Yaegashi, Jared Shaw, Jeff Bosley, Jefferson White, Jesse Plemons, Jin Ha, John Newberg, Jojo T. Gibbs, Juani Feliz, Justin Garza, Justin James Boykin, Karl Glusman, Kirsten Dunst, Martha B. Knighton, Melissa Saint-Amand, Nelson Lee, Nick Offerman, Robert Perry Bierman, Robert Tinsley, Simeon Freeman, Sonoya Mizuno, Stephen McKinley Henderson, Tim James, Vince Pisani, Vinnie Varon, Wagner Moura

Director: Alex Garland

Rating: R

Though it doesn't provide a more holistic view of Chinese society even in the context of work and industry, Ascension remains an impressive collection of images that manage to be both awe-inspiring and disconcerting. The film deliberately chooses not to take a stance on any of the things we see on screen, which makes for a uniquely challenging experience for the active viewer; many images that we might initially describe as dystopian here are usually followed by scenes that remind us of the humanity working within these capitalist structures. What you really end up learning from Ascension may be limited in scope, but getting to see modern life presented this way is still a unique opportunity.

Genre: Documentary

Director: Jessica Kingdon

When power shifts from one hand to the other, there’s a sense of possibility that can happen. It’s this sense of hope that drives Platform, and at the start, it seemed like the four teenagers of the Fenyang Peasant Culture Group had the world as their oyster, being free to play any new play, or even the new rock-n-roll that was popular in the era. However, Platform also depicts this shift as somewhat of a tragedy. Sure, it takes a while to get there, with writer-director Jia Zhangke taking jumps across years to check in on the troupe, and really, the lives the kids end up living aren’t terrible ones to live in. But, in contrast with the hopes the kids had, and knowing the slow pace that change came to their town, Platform reveals how lost and confused their generation felt, and how the train for freedom and liberation seemed to arrive too late for them.

Genre: Drama, History

Actor: Han Sanming, Liang Jingdong, Tian Yi Yang, Wang Bo, Wang Hongwei, Zhao Tao

Director: Jia Zhangke

In the years since Fan Girl's original release in the Philippines, its ultimate message and execution has become polarizing: is it enough that the film shows the corruption of a parasocial relationship into an abusive one, without offering much hope? Is its vision of justice actually constructive or disappointingly limited? No matter where you fall, it's exciting that a movie can stir up these kinds of questions through a bizarre dynamic between characters, in a place that's clearly set somewhere between reality and delusion. The narrative is circular and frustrating for a reason—a constant push and pull as the titular fan girl keeps getting drawn back into the celebrity's orbit—and the film only grows more disturbing with each repetition.

Genre: Drama, Thriller

Actor: Bea Alonzo, Camille Penaverde, Charlie Dizon, Gie Onida, Micko Laurente, Milo Elmido Jr., Mina Cruz, Paulo Avelino, Sheenly Gener

Director: Antoinette Jadaone

Rating: PG-13

There's an elephant lurking in the room from the outset of Biosphere, in which two men are the last survivors of an apocalypse: how will humanity live on? Best friends Billy (Mark Duplass) and Ray (Sterling K. Brown) have only survived thanks to the ingenuity of Ray, who built the glass dome in which they live, insulated from whatever it is that’s keeping the sky perpetually black outside. But the dome’s protective glass increasingly needs patching up, and their last female fish (responsible for the continuation of their food supplies) has just died, setting their clocks ticking.

What happens next — to the remaining male fish and humans — is an astonishing evolution that speaks to the strangeness of nature, which will break its most rigid laws in pursuit of its ultimate goal: furthering the species. Biosphere undergoes a similar metamorphosis: while its zany twist (which we won’t spoil) seems to direct it towards gross-out bro-comedy territory, it transforms, surprisingly, into something more profoundly philosophical. Like the dome, Biosphere’s structure isn’t as solid as it could be — it often meanders — but, with its thoughtful meditations on gender, sexuality, and evolution in all its forms, it’s easy to forgive this quirky indie gem that flaw.

Genre: Comedy, Drama, Fantasy, Science Fiction

Actor: Mark Duplass, Sterling K. Brown

Director: Mel Eslyn

Time travelling movies tend to be flashy with its sci-fi wonder, but Aporia takes a more grounded approach to the time altering genre. Instead of time travelling, the protagonists have a mundane, almost lo-fi machine, that almost seems disappointing, but is no less life-altering. Of course, to the grieving Sophie, who lost her husband, it’s easy to understand why she would take the chance to get her husband back again. But the film takes a grounded and realistic approach as Sophie spirals into an unrelenting series of regret and trolley problems, each time she chooses to use the machine. While the pacing may be a tad slow, and the events can feel a bit mundane, Aporia is a startlingly poignant reminder of how each ordinary moment, if changed, can be completely life altering.

Genre: Drama, Science Fiction

Actor: Adam O'Byrne, Coel Mahal, Dionne Audain, Edi Gathegi, Elohim Nycalove, Faithe Herman, Jeffrey Sun, Judy Greer, Lisa Linke, Mann Alfonso, Payman Maadi, Rachel Paulson, Veda Cienfuegos, Whitney Morgan Cox

Director: Jared Moshé

Rating: R

Pain, in and of itself, is terrible, but more so when you can’t determine the solution. The River is centered around the mysterious neck pain that a young man suffers out of the blue, but through writer-director Tsai Ming-liang’s lens, the pain is made much more poignant as it seems he’s all alone in dealing with the issue, alienated from others, tainted from something that was supposed to be life-giving, yet he’s not the only one that’s lonely. While the film takes the characters’ means in finding connection to the extreme, The River does capture the pain of modern day loneliness.

Genre: Drama, Romance

Actor: Ann Hui, Chen Chao-jung, Chen Shiang-Chyi, Lee Kang-sheng, Lu Yi-Ching, Miao Tian, Yang Kuei-Mei

Director: Tsai Ming-liang

Nanpakal Nerathu Mayakkam might not immediately make sense to audiences new to director Lijo Jose Pellissery, but it’s still an interesting film that depicts Tamil culture. Also known as Like an Afternoon Dream, the contemplative bilingual film is centered around a prejudiced Malayali tour guide who wakes up as another man, specifically someone fluent in Tamil, and walks into the nearby village. Through vignettes focused on the village inhabitants, the film slowly unravels the dynamics between each of the villagers, flitting back to the tour bus on occasion to see how they’re faring. While some of the comedy goes over viewer’s heads, especially for people unfamiliar with the state, the slow-paced film feels like a fond memory from Pellissery. The film doesn’t explain anything at all, in the same way strange dreams refuse to do.

Genre: Comedy, Drama, Fantasy

Actor: 'Poo' Ram, Ashokan, Ashwanth Ashokkumar, G. M. Kumar, Mammootty, Namo Narayanan, Rajesh Sharma, Ramachandran Durairaj, Ramya Pandian, Ramya Suvi, Thennavan, Vipin Atley

Director: Lijo Jose Pellissery

When Moviepass announced that it would allow you to watch at least one theater film a day for just $10/month, the deal seemed too good to be true. And it was, though it wouldn’t be apparent till a couple years later after top executives Mitch Lowe and Ted Farnsworth burned through the company’s funding and ultimately ran the company down to the ground. That’s one story MoviePass, MovieCrash tells, that of a business that bit too much than it could chew. But the documentary also brings to the fore the overlooked story of Stacy Spikes and Hamet Watt, the company’s Black co-founders who built something special and innovative, but who were shoved off in a frustrating move of greed and racial politics. That’s the more interesting part of the film, especially since Spikes eventually reclaims what’s his. It’s also what gives the documentary more heart than the usual tale of a business’s downfall.

Genre: Documentary

Actor: Daymond John, Hamet Watt, Mitch Lowe, Stacy Spikes, Ted Farnsworth

Director: Muta'Ali Muhammad

Most computer screen films take the horror film route as a cautionary tale about technology and how we use it. However, when the world was on lockdown, one screenlife film takes a look at its positive side. Simple, straightforward, and comforting, Language Lessons celebrates technology as a means for connection. Through surprise Spanish lessons purchased by his husband, Adam (Mark Duplass) forms a friendship with his instructor Cariño (Natalie Morales). At times, watching the film feels like listening into someone else’s Zoom call, however, their back-and-forth feels engaging because of Morales and Duplass’ chemistry. And when loss hits, on both sides, it’s only natural that their relationship deepens as they console each other. Expressive without being melodramatic and intimate without being too pushy, Language Lessons is a rare optimistic take towards the way we connect to each other through technology.

Genre: Comedy, Drama, Romance

Actor: Desean Terry, Mark Duplass, Natalie Morales

Director: Natalie Morales

Rating: Not Rated

With Netflix producing countless true crime documentaries, you’d be forgiven for dismissing How to Rob a Bank as usual, forgettable fare. But the documentary ever so slightly curbs cliches by focusing on a theme—in this case Hollywood, in honor of Scurlock’s pseudonym and love of movies—without losing sight of the bigger picture. Which is to say, directors Seth Porges and Stephen Robert Morse go all in the movie theme without giving way to cheesiness, mostly by honing in on Scurlock’s favorite films like Heat and Point Blank and effectively replicating the thrill of those action classics. It uses fine, storyboard-like illustrations that are mostly entertaining and nostalgic but occasionally quite beautiful, and borrows the same synth soundtrack from the said films. But it even though it initially sets Scurlock as the anti-hero, a Robin Hood of the times, its sympathies lie with the victims, the traumatized bank tellers and goers. It’s a smartly made and engaging film, complete with the quintessential shootouts and elaborate heists, and it thankfully doesn’t let the talking heads do all the work.

Genre: Crime, Documentary

Actor: Al Pacino, Chezca Vega, Gavin Langelo, Jeff Bezos, Jordan Burtchett, Keanu Reeves, Kevin Costner, Kurt Ostlund, Lesley Mirza, Lori Petty, Maia Rose Michaels, Mark Biggins, Morgan Freeman, Patrick Swayze, Randy Lee, Robert De Niro, Scott Patey, Tristan McKinnon, Val Kilmer

Director: Seth Porges, Stephen Robert Morse

Rating: R