154 Movies Like Furiosa: A Mad Max Saga (2024) (Page 2)

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Grounded by Lesley Manville and Timothy Spall’s powerhouse performances, this gut-wrenching family drama from Mike Leigh is an acting juggernaut. Penny and Phil are a working-class couple whose marriage is rapidly deteriorating and pushed to the brink when their son, played by a young James Corden, is hospitalized. 

While Manville and Spall are centered as the leads, Leigh draws a staggering amount of depth from Corden as well as a young Sally Hawkins who plays a neighbor. Despite being one of Leigh’s grimmest films, there is still a profound sweetness lingering at the edges as the story teeters between despondency and hope.

Genre: Comedy, Drama

Actor: Alan Williams, Alex Kelly, Alison Garland, Badi Uzzaman, Ben Crompton, Brian Bovell, Daniel Mays, Daniel Ryan, Di Botcher, Diveen Henry, Dorothy Atkinson, Edna Doré, Emma Lowndes, Gary McDonald, Heather Craney, Helen Coker, James Corden, Jean Ainslie, Joe Tucker, Kathryn Hunter, Leo Bill, Lesley Manville, Marion Bailey, Mark Benton, Martin Savage, Matt Bardock, Maxine Peake, Michele Austin, Oliver Golding, Parvez Qadir, Paul Jesson, Peter Stockbridge, Robert Wilfort, Russell Mabey, Ruth Sheen, Sally Hawkins, Sam Kelly, Timothy Bateson, Timothy Spall, Tracy O'Flaherty

Director: Mike Leigh

Rating: R

An old friend shows up on the doorstep of a happy family home and brings a whirlwind of trouble with him. Charles Burnett’s startling parable is tinged with magic and creeping danger. It digs into the tensions between African American folklore of the rural South and the assimilated middle-class lifestyle out West. 

This rift takes the form of Harry, whose disquieting presence throws his old friend Gideon’s Los Angeles home into disarray. Danny Glover is captivating as the devilish visitor, delivering each line with playful ease and simmering menace. Burnett’s sly narrative doesn’t boil down to good and evil but instead offers a layered and enigmatic exploration of identity.

Genre: Drama

Actor: Carl Lumbly, Cory Curtis, Danny Glover, Davis Roberts, DeForest Covan, DeVaughn Nixon, Ethel Ayler, Jimmy Witherspoon, Julius Harris, Mary Alice, Paul Butler, Paula Bellamy, Reina King, Richard Brooks, Sheryl Lee Ralph, Sy Richardson, Vonetta McGee, Wonderful Smith

Director: Charles Burnett

Taking 23 years until its completion, The Tragedy of Man is quite possibly the most ambitious film ever made, not just in its animation, but also in its scope. It’s quite fitting, as an adaptation of the classic Hungarian play, as Imre Madách’s story sets out to question not just the individual’s purpose, but the purpose of humanity as a whole, with writer-director Marcell Jankovics giving life to the play through the historical art styles of past civilizations that shifted today’s Western world, as well as adding what has happened after the play’s publication in 1861. While the film’s length can be daunting, being the Western animated feature in the world, the dialectic hits at the heart of this absurd existence, informed by the cynicism formed after Hungary’s fall of communism in 1989. The Tragedy of Man isn’t an easy film to watch, considering the themes, but it’s an interesting vision of humanity, illustrated in such an interesting way.

Genre: Animation, Drama, History

Actor: Ágnes Bertalan, Mátyás Usztics, Piroska Molnár, Tamás Széles, Tibor Szilágyi

Director: Marcell Jankovics

All the synopses going around the internet won’t fail to let you know that The Falls takes place at the height of the COVID-19 crisis. The film is certainly marketed that way, with commercial posters featuring the leads in ubiquitous face masks, socially distanced from the blurred crowd. 

But interestingly, The Falls is not just a situational, pandemic-era story. More than anything else, it tells the story of Pin-wen and Xiao Jing, mother and daughter who, despite previously living a life of comfort, are now dealt with unfavorable circumstances (exacerbated but not entirely caused by the pandemic). Now, they are forced to navigate life with only each other, and it’s in the isolation they instate from the rest of the world do they forge a genuine and heartwrenching bond any and all family members will immediately recognize and perhaps even sympathize with. 

Genre: Drama, Family

Actor: Alyssa Chia, Chen Yi-wen, Chen Yiwen, Gingle Wang, Guan-Ting Liu, Huang Hsin-Yao, Kuan-Ting Liu, Lee-zen Lee, Liang-Tso Liu, Shao-Huai Chang, Shau-Ching Sung, Tiffany Hsu, Waa Wei, Yang Li-yin, Yi-Wen Chen

Director: Chung Mong-hong

Rating: Not Rated

Marona’s Fantastic Tale is a rich story about life and death and everything in between, told entirely through the eyes of a dog. With breathtaking visuals and unmatched empathy, the film implores us to think about what might count as joyous and heartbreaking for our four-legged friends. Told normally and in any other way, we might not care as much, but in a story as artful and compassionate as this, we can't help but listen. 

Unlike other films about pets, Marona’s Fantastic Tale isn’t cutesy—its art is dizzying and demanding, but beautiful nonetheless. And isn't afraid to confront tragedy (in fact, it begins with it). But it buoys reality with dreamy art sequences and even finds humor along the way. All in all, it’s a mature film that poses big existential questions that will intrigue adults as well as kids.

Genre: Animation, Drama, Family

Actor: Annie Mercier, Bruno Salomone, Georges Claisse, Isabelle Vitari, Lizzie Brocheré, Maïra Schmitt, Nathalie Boutefeu, Thierry Hancisse

Director: Anca Damian

Is there anything more lovely than hearing Martin Scorsese talk about cinema? Maybe it’s just the film nerds in us– we are, after all, always on the hunt for A Good Movie to Watch– but it’s just wonderful to hear Scorsese talk about movies, especially from directors he loves and are inspired by. Made in England: The Films of Powell and Pressburger is about the influence of The Archers, and while it’s mostly a straightforward documentary, director David Hinton makes it something like a cohesive film course on the directors, with Scorsese as lecturer. Oftentimes letting the directors’ shots and music speak for themselves, with Scorsese adding needed context, it won’t be a surprise that Made In England would be a treat for film nerds, but it also would be a great introduction for casual viewers, or viewers that want to start watching classic films, like those of The Archers.

Genre: Documentary

Actor: David Niven, Deborah Kerr, Emeric Pressburger, Kim Hunter, Martin Scorsese, Michael Powell, Roger Livesey

Director: David Hinton

, 2022

The film unfolds in the rhythm of a cow’s life: birth, mating, feeding, milking, checkups. Soon, these events become regular occurrences. Instead of showcasing the more ‘spectacular’ parts of these animal lives in order to build a narrative that's engaging in a more conventional sense, British director Andrea Arnold opts for intimacy through banal instances. Even if female cows are symbolic of labour (reared for milk, meat, and reproduction), the actual cows in the documentary are not actors in a traditional sense. Yet, Cow opens up the dialogue about the on-screen role of animals beyond the call for activism. In it, the protagonists dictate the camera movements and positions just as any other human subject would, but since Arnold is an intuitive and sharp filmmaker, she embraces the opportunity to challenge cinema's status quo. A beautiful addition here is the presence of pop music needle drops, through which the film jolts us into being more attentive, helping us to experience everything we consume in everyday life unperturbed (milk, meat, or pop songs) anew.

Genre: Documentary

Actor: Lin Gallagher

Director: Andrea Arnold

Those unfamiliar with James Hamilton would be forgiven for asking “Why him?” Why does he get a documentary? What makes this photographer so special? But a few minutes in, those questions are immediately replaced with the more appropriate, “Well, why not him?” Hamilton’s work spans decades, and they capture in rich detail a New York that’s long gone, as well as an alternative form of journalism that used to thrive back then (in print no less!), but can now only be found few and far between. It’s enough to see his work, sectioned here in order of their appearance in iconic publications like Harper’s Bazaar, The Village Voice, and New York Observer. Still, they’re complemented by moving images and illuminating interviews beautifully shot in 35mm. Uncropped is reminiscent of other documentaries that also capture New York in its heyday, a distinguished roster that includes films like All The Beauty and the Bloodshed, Paris is Burning, and The Automat. But Uncropped, like Hamilton, has a distinctive edge that marks it as an instant classic. By the end, you can’t help but think, what a rich life Hamilton’s lived, and how lucky we are to see through his vivid, imaginative lens.

Genre: Documentary

Actor: Alexandra Jacobs, James Hamilton, Joe Conason, Mark Jacobson, Sylvia Plachy, Thulani Davis, Thurston Moore, Wes Anderson

Director: D.W. Young

Rating: NR

Nothing Compares weaves a poignant story about one of the most misunderstood artists of our time, Sinéad O’Connor. The iconoclast first made waves in the '80s with her catchy music, but she quickly reclaimed the reins of her own fame and used her platform to champion marginalized causes, long before pop stars were expected to do so. The documentary zeroes in on this part of O’Connor's life: what prompted her to music and how she used it as a tool of activism. The answers are multi-faceted and handled here with extreme grace. Like the many from her generation, O’Connor struggled with religion and abuse, such was the Catholic Church's hold on Ireland at the time time. The film contextualizes her once-shocking moments and reveals how they were all grounded on things she cared about. It’s a beautiful piece of work that reassesses and redeems a wronged artist who was ahead of her time.

Genre: Documentary, Drama, Music

Actor: Ariana Grande, Billie Eilish, Bob Dylan, Bob Marley, Chuck D, Gay Byrne, George H. W. Bush, Joe Pesci, John F. Kennedy, John Maybury, Kathleen Hanna, Kurt Cobain, Michael Hutchence, Peaches, Pope John Paul II, Sinéad O'Connor, Skin, Tim Robbins

Director: Kathryn Ferguson

Rating: Not Rated

Only a writer of Albert Brooks’ comedic and perceptive talents could turn the premise of an insecure middle-aged man having romantic trouble into something genuinely funny and poignant. Brooks appears as his signature brand of self-loathing boomer here: he plays John Henderson, a middling novelist who's recently gone through a second divorce. When he finds himself in the unenviable position of having to start afresh in his forties, John first decides he needs to get to the bottom of his recurring failures with women. In keeping with the neurotic preoccupations of his characters, Brooks has John take the psychoanalytic approach by going back to the source: his mother. 

To better get to the root of his hang-ups, John temporarily moves back in with Mrs Henderson, whom Debbie Reynolds plays as a hilariously blithe foil to her manic, insecure son. Brooks and Reynolds’ fractious rapport is tortuously true to life: John finds her petty habits maddening, while she doesn’t seem to understand his life or his work — an obliviousness that, it turns out, might run the other way, too. Cleverly turning the self-obsessions of its lead character on its head, Mother is a wry comedy full of insight and unexpected sweetness.

Genre: Comedy, Drama

Actor: Albert Brooks, Anne Haney, Billye Ree Wallace, Debbie Reynolds, Ernie Brown, Greg Bronson, Harry Hutchinson, Isabel Glasser, James Gleason, Joey Naber, John C. McGinley, Kimiko Gelman, Laura Weekes, Lisa Kudrow, Matt Nolan, Michael Moertl, Paul Collins, Peter White, Richard Assad, Rob Morrow, Rosalind Allen, Spencer Klein, Vanessa Williams

Director: Albert Brooks

Rating: PG-13

With a title like this, it was expected that Do Not Expect Too Much from the End of the World would be critical of today’s current circumstances, but the film takes a more startling approach. Radu Jude’s longest narrative feature is a day in the life of a disgruntled, underpaid production assistant, and as she drives between interviewees injured from work accidents, the film alternates between the black-and-white, terribly mundane reality, her Tiktok-filtered satirical rants as Bobiță, and an old colored film of a Romania decades past. It's a cynical depiction of how vulgar it is to be alive today, but it’s also more honest as Jude refuses to cling to the past.

Genre: Comedy, Drama

Actor: Adina Cristescu, Adrian Nicolae, Andi Vasluianu, Dorina Lazăr, Ilinca Manolache, Ioana Iacob, Katia Pascariu, László Miske, Nicodim Ungureanu, Nina Hoss, Ovidiu Pîrșan, Rodica Negrea, Șerban Pavlu, Uwe Boll

Director: Radu Jude

A nostalgic look at '90s Belarus brings to bear a sharp generational divide. Evalina is a young DJ living in Minsk with her mother, but dreaming of Chicago, the birthplace of House music. Her attempts to gain a US visa land her in a small factory town, where the tensions between her modern lifestyle and old-time traditions boil over.

This promising debut from director Darya Zhuk features a mesmerizing palette of saturated colors and some striking shots calling to mind the work of Douglas Sirk, a star-making turn from lead actress Alina Nasibullina, and a dry wit that keeps the film lithe. At times, the somewhat heavy-handed script gets in the way, but Zhuk’s vivacious filmmaking is a pleasure.

Genre: Drama

Actor: Alina Nasibullina, Anatasiya Garvey, Artem Kuren, Ivan Mulin, Yura Borisov, Yuriy Borisov

Director: Darya Zhuk

Teenagers forced to grow up quickly and spend their prime years wiling away at garment factories sounds like a grim reality, and it is, but in Youth (Spring), Chinese documentarist Wang Bing captures more than just the inherent tragedy of young labor. Here, they build friendships, find love, discover an affinity for their craft, stand up for themselves against exploitative bosses, and look for ways to have fun. Even if it’s just as simple as eating street food, spending the night at an internet cafe, or finding nice clothes, we’re with them in every way. Though it’s never explicitly political, the documentary makes you think about the conditions that put the kids there in the first place, such as our insatiable need for cheap and trendy clothes, governments turning a blind eye to child labor, and a skewed system that favors these above people’s—especially young people’s—well-being and welfare.

Genre: Documentary

Director: Wang Bing

Su-ki-da is a Japanese romantic drama about Yu and Yosuke, a girl and a boy studying in the same school. Their odd friendship develops as Yu starts following Yosuke to the meadow, where he goes to play his guitar. As the years go on, Yu and Yosuke grow apart — until a night of coincidence reunites them. Throughout the movie, there are a lot of silent moments shared between the two protagonists, which sometimes make for an awkward watch. But the soft sound of guitar and views of the lush meadow will be sure to fill you with serenity.

Genre: Drama, Romance

Actor: Aoi Miyazaki, Eita, Eita Nagayama, Hidetoshi Nishijima, Hiromi Nagasaku, Maho Nonami, Nao Ōmori, Ryō Kase, Sayuri Oyamada

Director: Hiroshi Ishikawa

A young woman’s coming-of-age threatens to topple the uneasy hierarchy of her family in this striking debut from Croatian director Antoneta Alamat Kusijanović. The trigger for Julija’s (Gracija Filipović) angsty rebellion is the arrival of her parents’ enigmatic wealthy friend, Javi (Cliff Curtis), whom her controlling father Ante (Leon Lučev) is hoping to squeeze a juicy investment out of. Part of hot-headed Ante’s strategy involves playing on Javi’s still-simmering feelings for Ante's wife Nela (Danica Čurčić) — a dicey game to play when you have a temper like his. It’s also a very manipulative one, and the film lives in the atmosphere of claustrophobia that comes with being a woman in Ante’s life. Though her mother seems resigned to acceptance, Julija yearns for liberation, and it’s her burgeoning awareness of her own power as a woman that fires this drive for freedom. With its stunning Adriatic setting and haunting underwater sequences — the family are keen spearfishers — Murina is a film of natural beauty and human ugliness, a slow burn of a psychological drama that uses volatile teenage emotions as its incendiary fuel.

Genre: Drama

Actor: Cliff Curtis, Danica Curcic, Goran Grgić, Gracija Filipović, Ivana Živković, Jonas Smulders, Klara Mucci, Leon Lucev, Marina Redzepovic, Milan Štrljić, Mislav Čavajda, Nancy Abdel Sakhi, Nikša Butijer, Zoran Tadić

Director: Antoneta Alamat Kusijanović