33 Movies Like Furiosa: A Mad Max Saga (2024) (Page 2)

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Death often gets a bad rep in movies. When The Grim Reaper comes for the main character, they usually try to run away from it or steer clear of the light. But in Tuesday, Death is a welcome warm embrace. According to the immortal being, who appears as a hip-hop-loving macaw here, most people even beg for the absolute relief of it. Tuesday is like a modern-day fable in how it teaches us how to appreciate mortality and finality, as odd as that may sound. Indeed, it should be exhausting to be exposed to this much morbidity, but Tuesday has a way of honoring the end of a person’s life in creative and shocking ways. It’s also, refreshingly, unsentimental about it, a feat bolstered by its smart script and impressive all-around performances.

Genre: Drama, Fantasy

Actor: Arinzé Kene, Ellie James, Ewens Abid, Hugh Futcher, Jay Simpson, Julia Louis-Dreyfus, Justin Edwards, Leah Harvey, Lola Petticrew, Nathan Amzi, Nathan Ives-Moiba, Taru Devani

Director: Daina Oniunas-Pusić

Rating: R

By all appearances, Eliza and Louis have a charming marriage. They’re casual and good-humored in the morning and full of passion in the evening. So when Eliza finds a love note addressed to her husband one day, naturally, she freaks out. She enlists the help of her eccentric family and sets off to Manhattan, where they all try to get to the bottom of the affair; what follows is an endearingly awkward adventure around town.

Though the film often meanders both in plot and dialogue, the expert ensemble keeps things compelling with their convincing chemistry and wry, visual humor. Coupled with lush images of ‘90s New York and brilliantly droll writing, The Daytrippers is a joyride of a film, as unassuming as it is enthralling. 

Genre: Comedy, Drama, Family, Mystery

Actor: Adam Davidson, Amy Stiller, Anne Meara, Campbell Scott, Carol Locatell, Douglas McGrath, Hope Davis, Liev Schreiber, Marc Grapey, Marcia Gay Harden, Marcia Haufrecht, Parker Posey, Pat McNamara, Paul Herman, Peter Askin, Stanley Tucci, Stephanie Venditto

Director: Greg Mottola

Rating: R

If you’ve seen the bone-chilling Oscar-winning film The Zone of Interest, then The Commandant's Shadow isn’t just supplementary but necessary viewing. It interviews and interrogates the son of SS officer Rudolf Höss, who describes his childhood in Auschwitz as “idyllic,” and parallels his life with that of an Auschwitz survivor and her family. They’re not asked “gotcha” questions, though there are some moments where Höss’s family members’ insularity shocks you. Instead, everyone is given the time and space to reflect honestly about the pain and trauma that continues to live on in their families. It’s a difficult film to sit through, but insightful and ever-so-resonant in an age where mass torture and genocide continue in many parts of the world.

Genre: Documentary, History, War

Actor: Anita Lasker-Wallfisch, Hans-Jürgen Höss, Kai Höss, Maya Lasker-Wallfisch

Director: Daniela Völker

Rating: PG-13

It’s immediately apparent that there are more carefully made documentaries out there than Remembering Gene Wilder. The film is riddled with pixelated photos for one, and the overall tone is fawning for another. But Wilder is too great of a man to be affected by mediocre filmmaking, and so Remembering Gene Wilder still makes for an entertaining and insightful watch despite its small faults. The film is less about his life and more about his work—a chronological account of his career with nuggets of wisdom for performers, comedians, and writers tucked neatly in between. It still dives into his personal life, to be sure, but as Wilder will readily admit, his creative decisions spell out all you need to know about him.

Genre: Documentary

Actor: Alan Alda, Alan Zweibel, Ben Mankiewicz, Burton Gilliam, Carol Kane, Eric McCormack, Gene Wilder, Gilda Radner, Harry Connick Jr., Mel Brooks, Michael Gruskoff, Mike Medavoy, Peter Ostrum, Rain Pryor, Richard Pryor, Zero Mostel

Director: Ron Frank

Rating: NR

Within seconds of the cold open, the documentary establishes a curious, playful angle to learning about the gut. Giulia Enders, our primary expert and narrator, speaks conversationally with such infectious passion about the gut. The animation styles are diverse and adorable, and the visualization of ideas as a whole is magnetic, making this as much an educational as it is an artistic tribute to the subject. And at its core is a simple idea: having a balanced diet is good for the microbiomes in your gut. All roads leading to that point have been taken care of to create a friendly and fascinating documentary.

Genre: Documentary

Actor: Giulia Enders

Director: Anjali Nayar

Rating: PG-13

This excellent new drama is about three indigenous Māori women and their upbringing in colonial New Zealand.

The story is split into two timelines: the present, where two of them are trying to protect their ancestral land from a government project, while the third, Makareta, is wandering aimlessly through a big city. And the past, the story of how they got separated and how Makareta got taken away by a residential-school-like orphanage.

It's a heartbreaking tale, one of how a people can be ravaged by colonialism and decades of discrimination. But being focused on the personal lives of the three women, it’s also heartwarming and deeply humane.

Genre: Drama

Actor: Ana Scotney, Briar Grace Smith, Calvin Tuteao, Chelsie Preston Crayford, Cian Elyse White, Cohen Holloway, Erroll Anderson, Freya Milner, Gentiane Lupi, Jim Moriarty, Jonathon Hendry, Kirk Torrance, Miriama Smith, Rachel House, Richard Falkner, Sylvia Rands, Tanea Heke, Tioreore Ngatai-Melbourne

Director: Ainsley Gardiner, Briar Grace Smith

In the same festival where she showcased her screenwriting chops, Rachel Sennott also showcased her dramatic side in I Used to Be Funny, a difficult drama that garnered less acclaim than Bottoms (2023). It’s understandable– while both films have a witty, gen-Z slant in its comedy, this drama is much harder to balance and heavy to watch, dealing with mental health and PTSD. The non-linear narrative occasionally does make the film feel a tad disjointed as well. However, there’s a care and a warmth from Ally Pankiw’s direction that makes this exploration of Sam’s complex trauma feel heartfelt, and Sennott holds each scene with compelling charisma.

Genre: Comedy, Drama

Actor: Caleb Hearon, Dan Beirne, Dani Kind, Ennis Esmer, Hannah Spear, Jason Jones, Kathy Imrie, Matia Jackett, Miguel Rivas, Olga Petsa, Rachel Sennott, Sabrina Jalees

Director: Ally Pankiw

Rating: NR

With whole franchises dedicated to cars and motorcycles, cinema has often regarded these individually-piloted machines as intrinsically linked with masculinity. Ustaad is the latest Telugu love letter to motorcycles and planes, as these have shaped protagonist Surya Sivakumar’s life. In debut writer-director Phanideep’s hands, Surya’s journey to becoming a commercial airline pilot is a long one, as Ustaad details Surya’s first motorbike, first romantic relationship, and the way he overcame his fear of heights. It’s a fun drive, and there’s plenty of moments where Phanideep’s style feels free and unrestrained. However, it’s a drive that takes too long, with predictable beats that have been seen before.

Genre: Action, Comedy, Romance

Actor: Anu Hasan, Gautham Vasudev Menon, Kavya Kalyanram, Ravi Shiva Teja, Ravindra Vijay, Sri Simha Koduri, Venkatesh Maha

Director: Phanideep

The concept of Maaveeran is downright brilliant. As the timid comic strip writer is forced to be as brave as the hero he created, there’s something here that encourages its audience to listen to the yearnings already inside them. It allows for some cartoonish comedy that comes across as earnest. However, there's a certain hesitancy in the writing that makes the film’s second half a letdown. The film sticks too long to its protagonist’s cowardice that there’s so little time to wrap everything up. It’s still entertaining till the end, but a better sense of pacing would have kept the first half’s riveting comedy, and would have made a better case for being a hero.

Genre: Action, Drama

Actor: 'Jeeva' Ravi, Aditi Shankar, Balaji Sakthivel, Dhileban, Madhan Kumar Dhakshinamoorthy, Monisha Blessy, Mysskin, Ravi Teja, Saritha, Semmalar Annam, Sivakarthikeyan, Sunil Varma, Suresh Chakravarthy, Vijay Sethupathi, Yogi Babu

Director: Madonne Ashwin

Painfully intimate and told with very, very little dialogue, All Dirt Roads Taste of Salt resembles the experience of flipping through a photo book and pausing to admire every page. Which is to say that this is a film that requires not only one's complete attention but—like many other arthouse dramas—a willingness to sit with the mundane until it reveals something more profound. The nearly silent nature of its storytelling can be a little awkward, given how lifelike the rest of the movie is, but one should hopefully get used to the idea that this is an attempt to represent something closer to memory than reality. Whether or not the experience sticks or strikes an emotional chord, it's all beautifully put together, with lush cinematography, impeccably detailed sound design, and thoughtful sequencing of one image after another.

Genre: Drama

Actor: Charleen McClure, Chris Chalk, Kaylee Nicole Johnson, Moses Ingram, Reginald Helms Jr., Sheila Atim, Zainab Jah

Director: Raven Jackson

Rating: PG

There is some dissonance here. A heavy coming of age backstory serves as the foundation to an otherwise straightforward, even feel-good plot involving fighting and protecting kaiju. The film doesn’t do the best job merging the shiny animations and cute story beats with the threat of the kaiju and the weight of the atmosphere set early on. Individually, however, each side is enjoyable, with the strained father-son relationship in particular being a worthwhile endeavor and full of honesty. But all things considered, there isn’t a whole lot of tension here, even for a film intended for younger audiences, making its 2-hour runtime unnecessarily long given everything it lacks.

Genre: Action, Animation, Family, Science Fiction

Actor: Artt Butler, Bret Marnell, Brittany Ishibashi, Christopher Sean, François Chau, Frank Buckley, Gedde Watanabe, Jonathan Groff, Julia Harriman, Julia Kato, Keone Young, Lee Shorten, Mayumi Yoshida, Paul Nakauchi, Rob Fukuzaki, Tamlyn Tomita, Vic Chao

Director: Shannon Tindle

Rating: PG

Directed by Indonesian filmmaker Mouly Surya (Marlina the Murderer in Four Acts), Trigger Warning is a technically impressive film that boasts beautiful cinematography and a handful of skillfully choreographed action sequences. Unfortunately, it’s let down by a mediocre and occasionally inconsistent script, as well as a less-than-stellar lead performance by Jessica Alba. Alba’s stunt double does well enough, but the actress herself is too lightweight to hold her own scenes. The CGI-ridden cold open doesn’t do it any favors too, sadly setting the tone of this promising but ultimately disappointing film.

Genre: Action, Thriller

Actor: Aaron Matthews, Alejandro De Hoyos, Anthony Michael Hall, Ben Smith-Petersen, Ben Vazquez, Crystal Mayes, Daniel Norris, David DeLao, David Loving, Efka Kvaraciejus, Gabriel Basso, Gianna Gallegos, Hari Dhillon, Jake Weary, James Cady, Jerry G. Angelo, Jessica Alba, Josh Horton, Juanita Trad, Kaiwi Lyman, Kieran Gallagher, Kyle Potter, Luis Valladares, Mark Webber, Matthew Blood-Smyth, Monica Sanchez, Nadiv Molcho, Ross Kohnstam, Stephanie Jones, Tait Fletcher, Tone Bell, Yvette Fazio-Delaney

Director: Mouly Surya

Rating: R

Eye of the Storm may not directly address COVID-19, but the film clearly draws similarities to the latest pandemic with the 2003 outbreak of the SARS virus. Panic, confusion, and miscommunication over the latest news are shared experiences between the two. These experiences are seen between the interlocking stories of the people quarantined in the hospital, and it’s easy to feel the fear and frustration surrounding them all. The film presents the issues of the overwhelmed healthcare system quite well, but its last moments leave a lot unresolved. While the film figures out the virus’ origin in its universe, the film leaves the healthcare workers’ stories hanging. It understandably reflects the uncertainty present with COVID-19, but it makes the film’s ending feel unsatisfying.

Genre: Drama

Actor: Chen Chia-kuei, Chia-Kuei Chen, Chloe Xiang, Chun-Chih Huang, Hsieh Ying Shiuan, Jing-Hua Tseng, Lou Yi-an, Simon Hsueh, Tzu-Chien Kuo, Wang Bo-chieh, Yung-Cheng Chang

Director: Chun-Yang Lin

Ordinary people don’t choose to join a war, but oftentimes, they are dragged into it, forced to fight, and become victims of it because of people in power. Adrishya Jalakangal takes this idea in a dystopic future, where war has turned India into a police state, and mixes in a watchman who’s able to talk with the dead. While the message is necessary and the idea is novel, the execution feels uneven, as the anti-war and magic realist elements feel like elements from what should be two separate movies. Alongside the sluggish pace and the dialogue that’s a tad too on the nose, it’s hard to get through Adrishya Jalakangal when it can’t decide what it wants to focus on.

Genre: Drama, Thriller

Actor: Indrans, Krishnan Balakrishnan, Nimisha Sajayan, Tovino Thomas

Director: Bijukumar Damodaran

A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers discovered it in Jerry and Rita Alter’s estate sale. The Thief Collector is less interested in the painting itself  — in fact, it's openly dismissive about its artistic value — and more curious about how it fell into the hands of the mysterious couple, who frequently took exotic trips around the world despite their modest teacher incomes.

There are certainly intriguing questions raised by the Alters’ possession of the painting and compelling evidence that places them as the thieves, but this documentary can’t offer any convincing original theses of its own. It does try, by suggesting that the short stories Jerry wrote — about more thefts and gorier crimes — were thinly disguised autobiographical recollections, but it finds nothing to back these theories up except for a few loosely relevant anecdotes from relatives. With too many what-ifs to go on, it all makes for an intriguing but ultimately unsatisfying deep dive.

Genre: Crime, Documentary, Drama

Actor: Glenn Howerton, Matt Pittenger, Sarah Minnich, Scott Takeda

Director: Allison Otto