15 Movies Like Four Weddings and a Funeral (1994)

With Howards End, the magic trio of producer Ismail Merchant, director James Ivory, and writer Ruth Prawer Jhabvala converted yet another turn-of-the-19th-century EM Forster novel into exquisite cinematic form. Ravishingly shot and performed to career-best heights by many of its cast, Howards End loses nothing of the elegance we expect from a period drama, and yet it also feels thoroughly modern. The film charts the tragic entwining of three families: the progressive and intellectual middle-class Schlegel sisters, the much more traditionally minded and wealthier Wilcox family, and the Basts, a down-on-their-luck working-class couple. It’s the liberally minded Schlegels who cross the class divide of 1910 London to bring these two distant social circles so close to each other, but it’s the old-world values of the Wilcoxes that make that meeting a tragic one. Simmering with rich emotion and crackling with class politics, Howards End is the crowning glory of the Merchant Ivory powerhouse and the rare perfect period drama.

Genre: Drama, Romance

Actor: Adrian Ross Magenty, Allie Byrne, Anne Lambton, Anthony Hopkins, Barbara Hicks, Brian Lipson, Crispin Bonham-Carter, Emma Thompson, Gerald Paris, Helena Bonham Carter, James Ivory, James Wilby, Jemma Redgrave, Jo Kendall, Joseph Bennett, Margery Mason, Mark Payton, Mark Tandy, Mary McWilliams, Nicola Duffett, Patricia Lawrence, Peter Cellier, Prunella Scales, Sally Geoghegan, Samuel West, Simon Callow, Susie Lindeman, Vanessa Redgrave

Director: James Ivory

Rating: PG

Not only is this multi-award-winning drama seriously star-studded, Robert Downey Jr., Rosario Dawson, Channing Tatum, and Shia LaBeouf also deliver superb performances. With two Sundance Awards and many other nominations in its pocket, A Guide to Recognizing Your Saints is based on the eponymous memoir by author, director, and musician, Dito Montiel, who recalls his violent childhood on the mean streets of Queens in the 1980s (LaBeouf plays the young Dito), as he visits his ailing father after 15 years away in Los Angeles (Downey Jr. plays present-day Dito). It is also real-life Dito's directorial debut, recalling the loose, improvisational style of 70s cinema a'la Scorcese. The powerful plot is told through flashbacks and fourth-wall bending monologues, while the eccentric directing style makes for a raw and immediate experience. The energy of this coming-of-age drama is off the charts!

Genre: Crime, Drama

Actor: Adam Scarimbolo, Chance Kelly, Channing Tatum, Chazz Palminteri, Dianne Wiest, Eléonore Hendricks, Eric Roberts, Federico Castelluccio, Gilbert Cruz, Jermel Wilson, Laila Liliana Garro, Martin Compston, Melonie Diaz, Olga Merediz, Peter Anthony Tambakis, Robert Downey Jr., Rosario Dawson, Scott Michael Campbell, Shia LaBeouf

Director: Dito Montiel

Rating: R

IRA terrorists kidnap a British soldier to negotiate an exchange for one of their own imprisoned members. Among them is Fergus (Stephen Rea), whose ambivalence is amplified by his interactions with the hostage soldier Jody (Forest Whitaker) while guarding him. After the terrorists' plan goes awry, Fergus tracks down a woman Jody spoke of during his captivity, only to become confronted with even more complications.

The film, its cast and crew won a slew of awards and nominations in 1993, including the Academy award for Best Original Screenplay. It's a knockout. Each act presents an increasingly challenging psychological and emotional conflict for Fergus: conflicts that require him to question the choices he makes and his beliefs, even about himself. It’s a dark but deeply touching thriller that is ultimately unforgettable.

Genre: Crime, Drama, Romance, Thriller

Actor: Adrian Dunbar, Andrée Bernard, Birdy Sweeney, Breffni McKenna, Bryan Coleman, Forest Whitaker, Jack Carr, Jaye Davidson, Jim Broadbent, Joe Savino, Miranda Richardson, Ralph Brown, Ray De-Haan, Stephen Rea, Tony Slattery

Director: Neil Jordan

Many comedians use humor as a way to ease into more serious subject matter, though there always exists a risk that a comedy special can skew too far down the silly or the self-reflective route. Mike Birbiglia has come about as close to the perfect balance as possible, in this recording of his one-man Broadway show at the Vivian Beaumont Theater. Key to this is the fact that Birbiglia tells one very cohesive story throughout these 77 minutes, frequently branching off to other humorous anecdotes but always returning with a pensive self-consciousness to the real possibility of him dying sooner than he'd want.

This filmed version of Birbiglia's show doesn't give a full idea of its multimedia qualities (Birbiglia occasionally has words and images projected onto the curved screen behind him, which he also physically interacts with), but the comedian's sincere style of storytelling more than makes up for the lack of audiovisual tricks we're permitted to see. And don't get it confused: this is a very funny stand-up special, whose jokes always come from the most unexpected places—it also just happens to contain some truly moving moments that come out of nowhere, but make total sense alongside all the laughter.

Genre: Comedy

Actor: Mike Birbiglia

Director: Seth Barrish

Rating: PG-13

Strictly Ballroom is an energetic, fun and hilarious movie. Baz Lurhman does an incredible job telling the story of a rebellious young dancer who just wants to dance his own steps in the face of conformity. When he finds an inexperienced yet determined dance partner it's the beginning of an unexpected love story like no other. This movie isn't like the usual rom-com, it has colour, vitality and passion. It's a Moulin Rouge but with even more character, and the work that put Lurhman on the map for everyone.

Genre: Comedy, Drama, Romance

Actor: Antonio Vargas, Armonia Benedito, Barry Otto, Bill Hunter, Gia Carides, John Hannan, Kris McQuade, Lauren Hewett, Pat Thomson, Paul Bertram, Paul Mercurio, Peter Whitford, Pip Mushin, Sonia Kruger, Steve Grace, Tara Morice, Todd McKenney

Director: Baz Luhrmann, Baz Lurhman

Rating: PG

«When comedians get a bit older they do a movie with “emotions” in it. Here’s mine.» Flight of the Conchords’ Jemaine Clement on Twitter. People Places Things is exactly that, a funny yet heartfelt comedy. Will Henry, A New York City graphic novelist walks in on his girlfriend cheating on him at their kids’ birthday party. A year later, Will is struggling to define his new life as a single parent while still getting over his breakup. Smart, honest, and led by Jemaine Clement, this film will strike you in its simplicity but will hold you with its charm.

Genre: Comedy, Drama, Romance

Actor: Aundrea Gadsby, Celia Au, Derrick Arthur, Dionne Audain, Gia Gadsby, Jemaine Clement, Jessica Williams, Matthew Maher, Michael Chernus, Nancy Eng, Paul Castro Jr., Regina Hall, Stephanie Allynne

Director: Jim Strouse

Rating: R

Muriel is a young social outcast who spends her time obsessively planning a dream wedding without ever having been on a date. Her life is flipped upside down when she steals $15,000 from the family business to go on a tropical getaway. This brilliant comedy is memorable as much for Toni Collete’s breakout role as it is for its snarky subversion of rom-com tropes.

Muriel’s Wedding arrived in a wave of bright and brash Australian comedies of the early 90s like Priscilla Queen of the Desert and Strictly Ballroom. And like these counterparts, its heightened reality gives way to a surprising and heartbreaking emotional core. Director PJ Hogan would go on to direct My Best Friend’s Wedding - a fun but watered-down imitation of the surprising storytelling that made this a cult classic.

Genre: Comedy, Drama, Romance

Actor: Annie Byron, Barry Crocker, Basil Clarke, Belinda Jarrett, Bill Hunter, Cecily Polson, Chris Haywood, Dan Wyllie, Daniel Hepner, Daniel Lapaine, Darrin Klimek, Di Smith, Frankie Davidson, Fred Rouady, Gabby Millgate, Geneviève Picot, Gennie Nevinson, Heather Mitchell, Jacqueline Linke, Jeanie Drynan, John Gaden, John Walton, Jon-Claire Lee, Julian Garner, Kevin Copeland, Kirsty Hinchcliffe, Kuni Hashimoto, Louise Cullen, Matt Day, Penne Hackforth-Jones, Pippa Grandison, Rachel Griffiths, Richard Carter, Richard Sutherland, Rob Steele, Robert Alexander, Robyn Pitt Owen, Roz Hammond, Scott Hall-Watson, Sophie Lee, Susan Prior, Toni Collette, Vincent Ball

Director: P.J. Hogan

Rating: R

A Room with a View is downright beautiful. Amidst the impressionistic scenery of Florence’s and England’s countrysides, paired with iconic classical opera, some of Britain’s best actors bare the feelings of their snobbish, upper-class characters in stylish and historically-accurate costumes. But all of these elements aren’t just silly decorations. Like the novel it’s based on, the characters’ refined and respectable veneer, and their insistence on propriety, is a front that hides the feelings stirring in their gut, particularly that of the lovers George Emerson (Julian Sands) and Lucy Honeychurch (Helena Bonham Carter). Inevitably, these feelings can’t be contained– they can only be examined. And when Emerson earnestly declares his love, it’s so powerful to be seen as one’s self rather than as decoration.

Genre: Drama, Romance

Actor: Amanda Walker, Daniel Day-Lewis, Denholm Elliott, Fabia Drake, Helena Bonham Carter, Isabella Celani, James Wilby, Joan Henley, Judi Dench, Julian Sands, Kitty Aldridge, Luigi Di Fiore, Maggie Smith, Matyelok Gibbs, Mia Fothergill, Patricia Lawrence, Patrick Godfrey, Peter Cellier, Peter Munt, Rosemary Leach, Rupert Graves, Simon Callow

Director: James Ivory

Rating: Not Rated

Far from feeling like English literature homework, this version of Shakespeare’s romantic comedy of errors fizzes with vitality and wit. Kenneth Branagh directs and stars in his own sumptuous adaptation, which also features a banquet of dashing talent in their prime, including Emma Thompson and a winning Denzel Washington.

Even amongst the film’s superlative ensemble (which also features a melodramatically villainous Keanu Reeves and Michael Keaton as a farcically inept policeman), Thompson stands out for her instinctive grasp of Shakespeare’s genius and easy ability to lift it off the page and give it sparkling life. As Beatrice, she deals out wry cut-downs of Branagh’s vain Benedick, all while trying to suppress the roiling romantic tension that nevertheless persists between them. It might not be set to the music of ABBA, but with Patrick Doyle’s radiant score, an intoxicatingly beautiful Tuscan setting, and an infectious, non-stop party vibe, the joyous Much Ado About Nothing feels more akin to Mamma Mia than any of cinema’s other Shakespeare adaptations.

Genre: Comedy, Drama, Romance

Actor: Alex Lowe, Andy Hockley, Ben Elton, Brian Blessed, Chris Barnes, Conrad Nelson, Denzel Washington, Edward Jewesbury, Emma Thompson, Gerard Horan, Imelda Staunton, Jimmy Yuill, Kate Beckinsale, Keanu Reeves, Kenneth Branagh, Michael Keaton, Patrick Doyle, Phyllida Law, Richard Briers, Richard Clifford, Robert Sean Leonard

Director: Kenneth Branagh

Written and directed by the film’s star, Albert Brooks, Defending Your Life imagines an afterlife in which purgatory is a courtroom, and whether you’ll be saved or damned is judged based on the life you led on Earth.

Did you live courageously, or did you live fearfully? Were you ashamed, meek, afraid of being vulnerable? Or did you risk some tender part of yourself in order to connect with others, to meaningfully impact another life?

Daniel Miller (Brooks) discovers he may not have lived as boldly as he assumed. In the afterlife and awaiting his day in afterlife court, he meets Julia (Meryl Streep, in what is possibly one of her most captivating roles), who is kind and thoughtful and a capital-G Good person. Of course, it’s only after dying that Daniel tunes in to the great possibility of a life not lived on autopilot. But is he too late to atone for his unexamined life—or is there time yet for a second chance?

Genre: Comedy, Drama, Fantasy, Romance

Actor: Albert Brooks, Alex Sheafe, Arell Blanton, Art Frankel, Bob Braun, Buck Henry, Cathleen Chin, Clarke Coleman, Clayton Norcross, Clifford Einstein, David Purdham, Ernie Brown, Ethan Embry, Gary Ballard, Gary Beach, George D. Wallace, George Wallace, Glen Chin, Greg Finley, Hal Landon Jr., Ida Lee, James Eckhouse, James Paradise, Jennifer Barlow, Jennifer Barlow Grodsky, Jerry Prell, Jim McKrell, Joey Miyashima, Julie Cobb, Ken Thorley, Kristopher Kent Hill, Lee Grant, Leonard O. Turner, Lillian Lehman, Marilyn Rockafellow, Mary Pat Gleason, Maxine Elliott Hicks, Meryl Streep, Michael Durrell, Newell Alexander, Noley Thornton, Nurit Koppel, Peter Schuck, Rachel Bard, Raffi Di Blasio, Rip Torn, Roger Behr, Ronald L. Colby, S. Scott Bullock, Sage Allen, Shirley MacLaine, Sidney Chankin, Susan Walters, Time Winters, Wil Albert

Director: Albert Brooks

In The Kid Detective, Adam Brody stars as Abe Applebaum, a once-beloved child prodigy turned pathetic P.I. stuck in the glory days of his past. At 32 years old, he’s still solving petty mysteries and coasting on his parents’ money, but things start to change when he is finally dealt with a real, adult case: a murder that confounds even the local police. As Abe uncovers more details about the case, he also unwittingly finds a connection to his traumatic past and begins a long-overdue coming-of-age journey. 

Released during the first year of the pandemic, The Kid Detective understandably flew under the radar when it first came out, garnering sufficient critical praise but not enough fanfare. It will no doubt find a second life among film lovers, though; it’s too smart and riveting to go unnoticed. Most impressive is how director Evan Morgan, in his feature debut, deftly balances multiple genres in a movie that often feels as if Wes Anderson's The Royal Tenenbaums, Roman Polanski's Chinatown, and modern stoner humor were somehow rolled into one. The gags consistently amuse, the drawn-out mysteries pay off, and the human element persists throughout. Adam Brody, himself a kid celebrity back in the day, expertly carries this delightful and sobering film. 

Genre: Comedy, Drama, Mystery

Actor: Adam Brody, Alan Catlin, Alicia Brand, Amalia Williamson, Avery Esteves, Barbara Rajnovich, Bethanie Ho, Brent Skagford, Bruce McFee, Dallas Edwards, David Rosser, Deborah Tennant, Devin Myler, Giovanna Moore, Isaac Kragten, Jake Bell-Webster, Jesse Noah Gruman, Jonathan Whittaker, Kaitlyn Chalmers-Rizzato, Kaleb Horn, Kevin Hoffman, Kira Gelineau, Lisa Truong, Marcia Bennett, Marcus Zane, Marlaina Andre, Maurice Dean Wint, Peter MacNeill, Sarah Sutherland, Sharon Crandall, Sophia Webster, Sophie Nélisse, Sophie Nélisse, Steve Gagne, Tracy Rowland, Tyler Duke, Tzi Ma, Wayne St-George, Wendy Crewson

Director: Evan Morgan

Rating: R

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

With other available resources that tell a more well-balanced story of Tina Turner's life (notably, the 2021 documentary Tina), What's Love Got to Do with It shouldn't, by any means, be used seen as the definitive portrait of the American-Swiss singer. Still, while this 1993 biopic, insists on depicting violence instead of dissecting it, there's something to be said about how uncompromisingly it shows us what an abusive relationship can look like. As a plea to see beyond the public personas of celebrities, the film makes for an effective statement—especially because of a truly despicable turn from Laurence Fishburne, and the power that steadily builds within Angela Bassett.

Genre: Drama, History, Music

Actor: Angela Bassett, Barry Shabaka Henley, Bo Kane, Chi McBride, Cora Lee Day, Damon Hines, Daniel McDonald, Jackie O'Brien, Jenifer Lewis, Khandi Alexander, Laurence Fishburne, Michael Colyar, O'Neal Compton, Patricia Sill, Penny Johnson Jerald, Phyllis Yvonne Stickney, Rae'Ven Larrymore Kelly, Richard T. Jones, Rob LaBelle, Rose Jackson, Shavar Ross, Sherman Augustus, Suli McCullough, Timmy Cappello, Tina Turner, Vanessa Bell Calloway, Virginia Capers

Director: Brian Gibson