368 Movies Like Fight Club (1999) (Page 9)

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An incredible documentary about Matt Green, a man who decided to walk every street in New York City. That’s more than 8000 miles (more than the diameter of Earth) that he had been walking for six years up to the point of making this movie.  

Matt stops. And that’s the beauty of this documentary, where the filmmaker joins him for part of the journey. You quickly realize that the intrigue is not so much about Matt’s challenge, but about who he meets and what kind of experiences he goes through. You also realize (if you didn’t already) that New York is a place of unimaginable size, with incredibly lively and diverse human stories. Plus lots of other forms of life too: Matt doesn’t have a fixed place, so he cat-sits for shelter.

Fun fact: this is the first movie that actor Jesse Eisenberg ever produced!

Genre: Documentary

Actor: Matt Green

Director: Jeremy Workman

Rating: PG-13

The Painter and the Thief opens with a great hook: an artist tracks down and confronts the man who stole her painting. In a surprising turn, the two become close and develop an intimacy that deepens when she begins to paint the troubled man.

Yet, director Benjamin Ree pushes past where other documentarians would have been content to stop, and instead begins to deconstruct the very narrative we’ve followed up till now. At its core, this is a film about the way we tell stories about ourselves and others, and how often people don’t fit into the neat categories we set out for them.

Genre: Documentary, Drama

Actor: Bjørn Inge Nordland, Karl-Bertil Nordland

Director: Benjamin Ree

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This is a half-hour documentary about Cuban-American artist Carmen Herrera. She is one of the oldest artists working today, close to being 100 years old. Her story is fascinating because she only became successful in her 80s, although she never stopped working her whole life. There are many reasons as to why her work went unnoticed for so long and they’re all examined here. But the best thing about this movie is Herrera’s outlook on life and what drives her every day.

Genre: Documentary

Actor: Carmen Herrera

Director: Alison Klayman

Rating: N/A

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Su-ki-da is a Japanese romantic drama about Yu and Yosuke, a girl and a boy studying in the same school. Their odd friendship develops as Yu starts following Yosuke to the meadow, where he goes to play his guitar. As the years go on, Yu and Yosuke grow apart — until a night of coincidence reunites them. Throughout the movie, there are a lot of silent moments shared between the two protagonists, which sometimes make for an awkward watch. But the soft sound of guitar and views of the lush meadow will be sure to fill you with serenity.

Genre: Drama, Romance

Actor: Aoi Miyazaki, Eita, Eita Nagayama, Hidetoshi Nishijima, Hiromi Nagasaku, Maho Nonami, Nao Ōmori, Ryō Kase, Sayuri Oyamada

Director: Hiroshi Ishikawa

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Michael Jackson’s death triggers the sudden unraveling of a young imam’s buttoned-up life in this idiosyncratic Egyptian character study. The news of the singer’s passing sets Khaled (Ahmed El-Fishawy) straining against reawakened memories of his youth as a mullet-sporting MJ fanatic, before his joyful creative spark was stamped out by two disparate forces: a mocking, macho dad who punished Khaled for his vulnerability and the conservative uncle who took him under his wing.

Sheikh Jackson mostly takes place across two intertwining timelines: Khaled’s free-spirited adolescence and his adulthood, which has so far been defined by a self-flagellating, fire-and-brimstone brand of Islam. These two strands form a neat illustration of the binary options Khaled was led to believe he had to choose from — but, as the movie’s title hints, he might not have to choose at all, a revelation that doesn’t come easy because it flies in the face of everything he’s been taught. Free from the judgemental impulses of Western cinema when it comes to characters like Khaled, Sheikh Jackson is both an introspective portrait of the universal struggle of defining one’s own identity and a refreshingly nuanced look at how that experience might play out in the modern Arab world.

Genre: Drama

Actor: Ahmed Al Fishawy, Ahmed Malek, Amina Khalil, Basma, Bassma, Dorra, Hazem Ehab, Ibrahim Farah, Maged El Kedwany, Mahmoud Al Bezzawy, Mahmoud El-Bezzawy, Mahmoud Gomaa, Omar Ayman, Salma Abu Deif, Yasmin Raeis, Yasmine Raeis, حازم إيهاب, محمود البزاوي

Director: Amr Salama

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Light-hearted and compassionate, Raining Stones is one of Ken Loach’s lesser-known films. It’s also one of his funniest, telling the story of an unemployed chancer trying to raise enough money to buy his daughter her first Communion dress. Desperate for the cash, he falls foul of ruthless loan sharks.

As ever, Ken Loach is keenly attuned to the concerns of the working class, as he finds humour even in the most depressing of circumstances. The dialogue is natural, funny, and yes, profane. He also gets excellent performances from the non-professional actors in the cast, with club comedian Bruce Jones superb in the lead.

Genre: Comedy, Crime, Drama

Actor: Anna Jaskolka, Anne Martin, Bruce Jones, Gemma Phoenix, George Moss, Jack Marsden, Jimmy Coleman, Julie Brown, Karen Henthorn, Lee Brennan, Little Tony, Mike Fallon, Ricky Tomlinson, Ronnie Ravey, Stephen Lord, Susan Cookson, Tom Hickey, Tony Audenshaw, William Ash

Director: Ken Loach

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Emily (Evanna Lynch), a strange, unique girl does not receive the long awaited letter from her father on her birthday. Sick of worrying, she decides to break away from home to visit him in the psychiatric institution where he stays. The plan requires the help of Arden (George Webster), a boy from school who is ready to drop everything and accompany her on a journey that quickly becomes as adventurous as it is heartfelt. In this film, director Simon Fitzmaurice take will take you on a trip through the beautiful Irish landscape to find nothing else but simple and true love.

Genre: Drama, Romance

Actor: Ali White, Ally Ni Chiarain, Barry McGovern, Catherine Walsh, Cathy Belton, Declan Conlon, Deirdre Mullins, Dónall Ó Héalai, Evanna Lynch, George Webster, John Travers, Martin McCann, Meghan Jones, Michael Hough, Michael Smiley, Millie Donnelly, Stella McCusker

Director: Simon Fitzmaurice

Rating: Not Rated

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Alexander Sokurov might best be known for Russian Ark, his grand single-take jaw-dropper featuring over 2,000 actors. In a way, Mother and Son is the exact opposite, featuring only two, and instead of traversing hundreds of years of history, it wades through a singular moment in time. This intimate and hypnotic piece of slow cinema trails a son taking care of his dying mother out in the beautiful countryside.

Sokurov’s frames mirror impressionist paintings, while the mix of slow movement and sparse dialogue creates heartbreaking poetry. So many films casually employ death like a light-switch - on and off and out of mind. Sokurov instead confronts it as a corrosive force that bends time to its will and pulls both the dying and the grieving into its grasp.

Genre: Drama

Actor: Aleksei Ananishnov

Director: Aleksandr Sokurov

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This informative documentary about the former president of the Soviet Union Mikhail Gorbachev is set against modern-day interviews with him that span 6 months. Sitting opposite of him is the Gorbachev equivalent in filmmaking: Werner Herzog. The prolific director asks interesting questions and narrates events that illustrate Gorbachev's forgotten importance: ending the cold war, a push for denuclearization and avoiding bloodshed during the fall of the Soviet Block. The fact that Gorbachev is loved by so many, including Herzog - who at some point actually says "I love you" - might be the only problem with this documentary. It's a great reminder of why people loved the Soviet leader, a phenomenon otherwise known as "Gorbymania", but it does very little in portraying him in a critical light.

Genre: Documentary

Actor: George H. W. Bush, James Baker III, Margaret Thatcher, Mikhail Gorbachev, Werner Herzog

Director: André Singer, Werner Herzog

Rating: Not Rated

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If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

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An intriguing, funny and rather bizarre movie which serves as a fantastic introduction to 'new-wave' German cinema. Featuring a cast of young talented actors and excellent direction, this movie takes place around the time the Berlin wall fell and East and West Berlin were still united. Christiane, a devout socialist activist in East Berlin suffers an accident which leaves her in a coma, during which time the Berlin wall comes down and Western capitalism encroaches on her beloved East Berlin. Fearing that she may relapse into a coma after waking up, her doctors warn that she must remain calm and not endure any shocks. Despite the somewhat contrived premise, the film really takes off from this point as her son Alex and his friend aim to hide this fact from her, by faking news reports on the television, coming up with excuses for a giant Coca Cola banner and a whole host of other amusing exploits to prevent her from knowing. While categorised as a comedy, it is also a moving portrayal of a loving family enduring great, historic change.

Genre: Comedy, Drama, Romance

Actor: Alexander Beyer, Armin Dillenberger, Arndt Schwering-Sohnrey, Bojan Heyn, Burghart Klaussner, Christine Schorn, Chulpan Khamatova, Daniel Brühl, Eberhard Kirchberg, Ernst-Georg Schwill, Florian Lukas, Fritz Roth, Hanna Schwamborn, Hans-Uwe Bauer, Jochen Stern, Jürgen Holtz, Jürgen Vogel, Katrin Saß, Marc Bischoff, Maria Simon, Martin Brambach, Mennan Yapo, Michael Gerber, Michael Gwisdek, Peter Kurth, Rainer Werner, Stefan Walz, Svea Timander

Director: Wolfgang Becker

Rating: R

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Anyone who's seen All That Heaven Allows will naturally be skeptical that a movie claiming to be an homage to Douglas Sirk’s sumptuous masterpiece will live up to the heights of its inspiration. It’s a ballsy move, molding your film so closely to a peerless classic, but Todd Haynes transcends thin pastiche to be a genuinely great film of its own. Where Sirk’s movie charts the social scandal caused by an upper-class widow (Jane Wyman) falling in love with her gardener (Rock Hudson), Haynes sharpens the conflict by recasting the couple as an interracial one (played by Julianne Moore and Dennis Haysbert). What’s more, Haynes brings her husband back from the dead and into the closet to give Far From Heaven another angle through which to tackle the repression and stigma and explore the characters' rocky pursuit of happiness. If that sounds like the stuff of melodrama, it is — Far From Heaven is proudly of that genre, cracking through the veneer of suburban perfection to find roiling tension and repressed desire underneath.

Genre: Drama, Romance

Actor: Barbara Garrick, Betsy Aidem, Bette Henritze, Brian Delate, C.C. Loveheart, Celia Weston, Chance Kelly, Declan Baldwin, Dennis Haysbert, Dennis Quaid, Duane McLaughlin, Ernest Rayford, Geraldine Bartlett, J.B. Adams, James Rebhorn, Joe Holt, Johnathan McClain, Jordan Nia Elizabeth, Julianne Moore, June Squibb, Kevin Carrigan, Lindsay Andretta, Matt Malloy, Michael Gaston, Mylika Davis, Olivia Birkelund, Patricia Clarkson, Ryan Ward, Stevie Ray Dallimore, Susan Willis, Ted Neustadt, Viola Davis, Virl Andrick

Director: Todd Haynes

Rating: PG-13

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Dhuin is evidently influenced by the Iranian filmmaker whose work its characters discuss: Abbas Kiarostami. Featuring non-professional actors and full of long observational takes that center everyday conversations in the life of an aspiring actor in a small Northern Indian city, it’s guided by the same social realist impulses that shaped Kiarostami’s work. What’s more, it even ends on an explicit reference to Close-Up. 

But what elevates Dhuin above homage is the acute internal struggle it depicts. Set during COVID lockdown, the film follows Pankaj (Abhinav Jha) as he works on his acting in a bedroom adorned with images of Hollywood stars, chafing against the much less glamorous reality of the home he shares with his financially struggling parents. He's on the cusp of having enough money to fulfill his dream and move to Mumbai (where he hopes to advance his career), but several meetings with puffed-up filmmakers who are visiting from Mumbai give Pankaj a new perspective on the world he’s desperate to join. A testament to the torment of difficult choices, Dhuin also gently offers an alternative to the trope of abandoning home for the big city, suggesting that there might be greater beauty in the reality of where you’ve always been than the places you dream of.

Genre: Drama

Actor: Abhinav Jha, Prashant Rana

Director: Achal Mishra

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Spike Lee’s semi-autobiographical film is a loving and nostalgic ode to the Brooklyn of his childhood. It also happens to be his sweetest work and while overshadowed by the explosive Do The Right Thing, remains an easy contender for one of his very best. The world of Crooklyn is told through the eyes of Troy, a young girl growing up with her four brothers, and her mother and father in a cramped brownstone. 

Lee’s Brooklyn is a colorful delight set aloft by a swooning soul soundtrack. His ability to capture the vibrant magical tones and textures of the city feels as complete as ever, and marvelous performances from Alfre Woodard and Delroy Lindo as Troy’s parents help create a touching and all-encompassing experience. 

Genre: Comedy, Drama

Actor: Alfre Woodard, Arthur French, Bokeem Woodbine, Carlton Williams, Carmen Tillery, Christopher Knowings, Christopher Wynkoop, Dan Grimaldi, Danielle K. Thomas, David Patrick Kelly, Delroy Lindo, Emelise Aleandri, Frances Foster, Gary Perez, Harvey Williams, Hector M. Ricci Jr., Isaiah Washington, Ivelka Reyes, Joie Lee, José Zúñiga, Keith Johnson, Kewanna Bonaparte, Manny Perez, Maurie A. Chandler, Michele Shay, Mildred Clinton, Norman Matlock, Omar Scroggins, Patriece Nelson, Peewee Love, Raymond Reliford, Rene Ojeda, Richard Whiten, RuPaul, Sharif Rashed, Spike Lee, Taneal Royal, Tiasha Reyes, Tracy Vilar, Tse-Mach Washington, Ulysses Terrero, Vondie Curtis-Hall, Zelda Harris

Director: Spike Lee

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For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally. 

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate. 

Genre: Documentary, War

Actor: Abdul Jabbar Al-Kubeisi, Donald Rumsfeld, George W. Bush, Hassan Ibrahim, Josh Rushing, Muafak Tawfik, Nabeel Khoury, Omar Al-Issawi, Samir Khader, Tom Mintier

Director: Jehane Noujaim

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