7 Movies Like Fear Street: 1666 (2021)

While quite testing for viewers, this is one of the craziest, most high-energy movies you'll ever watch. In this incredible German drama, child actor Helena Zengel plays Bernadette aka Benni, a traumatized 9-year-old child who tends to lash out and has been repeatedly suspended from every school she went to. Benni is a so-called “Systemsprenger” (which is the original German title). A system crasher is a child so uncontrollable and aggressive that, over time, she falls through the grid of special schools, foster care, and social work facilities. Despite the best efforts of her designated social worker, Frau Bafané, played by Gabriela Maria Schmeide, she is turned down by everyone, testing the patience of her surroundings, wherever she goes. A trip with Micha (Albrecht Schuch), a tough boxer and anger-management trainer, turns out to be the last resort. Directed by Nora Fingscheidt, System Crasher is intense, punky, and wild with an almost eerie sense of authenticity. Its devastating effect is helped along by its unique, hyperactive camerawork. Much like the social workers themselves, you might have a hard time keeping professional distance to all this. This intense drama will stay with you for a long time.

Genre: Drama

Actor: Albrecht Schuch, Axel Werner, Barbara Philipp, Bärbel Schwarz, Bruno Thiel, Cederic Mardon, Gabriela Maria Schmeide, Gisa Flake, Helena Zengel, Imke Büchel, Jana Julia Roth, Julia Becker, Lisa Hagmeister, Louis von Klipstein, Maryam Zaree, Matthias Brenner, Melanie Straub, Moritz Thiel, Peter Schneider, Roland Bonjour, Steffi Kuhnert, Tedros Teclebrhan, Till Butterbach, Victoria Trauttmansdorff

Director: Nora Fingscheidt

Rating: 12

Les Glaneurs et la Glaneuse (The Gleaners and I) is one of the late Agnès Varda’s great documentaries. The film follows “gleaners”—scavengers and collectors of discarded garbage or abandoned items—from the French countryside into the city. The first of Varda’s subjects recalls, “Gleaning, that’s the old way,” marking a clear distinction: old versus new, rural versus urban, wasted versus repurposed.

Fans of Varda will recognize the signature tenderness with which she approaches both her subjects and their objects. Those new to her work will be sure to find something familiar in this documentary: a film largely about loss, but which approaches its ideas of modernization and time with humor and lightness. Among the rubble, there is joy yet to be found—and in this documentary, there is a great comfort, too, to be gleaned.

Genre: Documentary

Actor: Agnès Varda, Agnès Varda, Bodan Litnanski, François Wertheimer, François Wertheimer

Director: Agnès Varda, Agnès Varda

Rating: 0, Not Rated

Even if you aren't familiar with the original, Tony Award-winning Broadway production from Lin-Manuel Miranda, this adaptation of In the Heights is still infused with the same infectious energy and loaded with many of the same eclectic songs. This is musical theater at its most fundamental (cheesy, us-against-the-world romance; unstoppable optimism) and also at some of its most unique—with old-school Broadway numbers mixing seamlessly with hip hop, Latin dance, and cheery 2000s pop. But beyond its music, In the Heights offers a gorgeous tapestry of stories about life in a proud immigrant community and the challenges of staying rooted to home while reaching for the stars.

Genre: Drama, Family, Music, Romance

Actor: Anthony Ramos, Ariana Greenblatt, Christopher Jackson, Corey Hawkins, Daphne Rubin-Vega, Dascha Polanco, Dean Scott Vazquez, Gregory Diaz IV, Javier Muñoz, Jimmy Smits, Leslie Grace, Lin-Manuel Miranda, Marc Anthony, Mateo Gómez, Melissa Barrera, Olga Merediz, Olivia Perez, Patrick Page, Ryan Woodle, Seth Stewart, Stephanie Beatriz, Susan Pourfar, The Kid Mero, Valentina

Director: Jon M. Chu

In The Kid Detective, Adam Brody stars as Abe Applebaum, a once-beloved child prodigy turned pathetic P.I. stuck in the glory days of his past. At 32 years old, he’s still solving petty mysteries and coasting on his parents’ money, but things start to change when he is finally dealt with a real, adult case: a murder that confounds even the local police. As Abe uncovers more details about the case, he also unwittingly finds a connection to his traumatic past and begins a long-overdue coming-of-age journey. 

Released during the first year of the pandemic, The Kid Detective understandably flew under the radar when it first came out, garnering sufficient critical praise but not enough fanfare. It will no doubt find a second life among film lovers, though; it’s too smart and riveting to go unnoticed. Most impressive is how director Evan Morgan, in his feature debut, deftly balances multiple genres in a movie that often feels as if Wes Anderson's The Royal Tenenbaums, Roman Polanski's Chinatown, and modern stoner humor were somehow rolled into one. The gags consistently amuse, the drawn-out mysteries pay off, and the human element persists throughout. Adam Brody, himself a kid celebrity back in the day, expertly carries this delightful and sobering film. 

Genre: Comedy, Drama, Mystery

Actor: Adam Brody, Alan Catlin, Alicia Brand, Amalia Williamson, Avery Esteves, Barbara Rajnovich, Bethanie Ho, Brent Skagford, Bruce McFee, Dallas Edwards, David Rosser, Deborah Tennant, Devin Myler, Giovanna Moore, Isaac Kragten, Jake Bell-Webster, Jesse Noah Gruman, Jonathan Whittaker, Kaitlyn Chalmers-Rizzato, Kaleb Horn, Kevin Hoffman, Kira Gelineau, Lisa Truong, Marcia Bennett, Marcus Zane, Marlaina Andre, Maurice Dean Wint, Peter MacNeill, Sarah Sutherland, Sharon Crandall, Sophia Webster, Sophie Nélisse, Sophie Nélisse, Steve Gagne, Tracy Rowland, Tyler Duke, Tzi Ma, Wayne St-George, Wendy Crewson

Director: Evan Morgan

Rating: R

Miranda’s Victim often feels like two different movies smushed into one. On the one hand, it tells the story of how Trish finds the courage to speak up against her abuser, who happens to be a person of color. On the other hand, it shows us the legal intricacies that led to the founding of what we now know as Miranda Rights. In better hands, these two stories (one emotional and one technical) could’ve worked well together, and they would’ve spoken to the intersectionality at the heart of this complicated case. But instead of going for nuance, instead of exploring the complex racial and gender politics that inform this case, Director Michelle Danner goes in all sorts of odd directions as if herself confused about what the focus should be. 

Breslin is heartbreaking and powerful as Trish, but she’s only given so much to act with. Despite being based on a real person, her character is reduced to trauma and tears—a caricature of abuse—and nothing more. The movie is at its strongest when it converts into pure courtroom drama by the third act. Suddenly, it’s brisk and intelligent, bolstered by the compelling one-two punches of the judge (a commanding Donald Sutherland) and the two lawyers (Ryan Philippe, a revelation, and Luke Wilson, only slightly better here than in his earlier turn in Legally Blonde). As a story about violation and abuse, there’s surprisingly little compassion to be found, despite the title. But as a legal drama, it’s as informative as it can be. 

Genre: Drama, History

Actor: Abigail Breslin, Andy Garcia, Brent Sexton, Brian Colin Foley, Dan Lauria, Donald Sutherland, Emily VanCamp, Enrique Murciano, James Healy Jr., Jann Ellis, Josephine Hies, Joshua Bowman, Kyle MacLachlan, Luke Wilson, Michael Mulheren, Mireille Enos, Najah Bradley, Nolan Gould, Ryan Phillippe, Sheilagh Weymouth, Taryn Manning

Director: Michelle Danner

With plenty of films disavowing romance, sometimes, at the end of the day, you just want to curl up in bed to a cheesy romcom that earnestly believes in the power of true love. Wedding Games is one such romcom coming from Brazil, where the two lovers try to make their destination beach wedding perfect, despite multiple logistical mishaps along the way. It’s a totally generic wedding day story. It’s lighthearted fluff that doesn’t dive deep and contains all the familiar plot twists and comedic shenanigans, but it looks good and it’s done well. Wedding Games might not be particularly groundbreaking, but it’s not bad.

Genre: Comedy, Romance

Actor: Ana Carbatti, Andre Mattos, Antônio Pitanga, Bruno Jablonski, Cristina Pereira, Dan Ferreira, Dandara Mariana, Estevam Nabote, Evaldo Macarrão, Gabriela Dias, Grace Gianoukas, Jean Pedro, Katiuscia Canoro, Leandro Léo, Lellê, Luellem de Castro, Marcello Melo, Maureen Miranda, Negra Li, Paulo Miklos, Raissa Chaddad, Roney Villela, Serjão Loroza, Stepan Nercessian, Tatiana Tiburcio, Thelmo Fernandes, Vilma Melo, Yuri Marçal, Zeze Motta

Director: Sílvio Guindane

As documentaries go, They Called Him Mostly Harmless is pretty standard, if not forgettable, fare. There isn’t a lot of information regarding the case it focuses on, so it relies heavily on interviews with related persons and “internet sleuths” who have taken it upon themselves to solve the mystery of this hiker’s identity. It moves slowly, bogged even further down by unnecessary backstories that do nothing to get us closer to cracking the case. To be sure, it’s impressive that the missing man in question was able to scrub all evidence of his existence in this digital age, but the documentary fails to build on that intrigue and instead gives us something that sputters till the end.

Genre: Documentary

Director: Patricia E. Gillespie