488 Movies Like Eternal Sunshine of the Spotless Mind (Page 28)

For the unfamiliar, isekai is the fantasy subgenre where a character is transported into a different world. Usually, this is just one transfer, with an everyday character being transferred to a more fantastical world. Doctor Elise isn’t just a reverse isekai– with a surgeon transported to medieval royalty– it also happens to be a double isekai– the titular doctor was initially royalty in the same country before her stint as a medical doctor. While we don’t get to see Elise’s growth as a surgeon, it’s refreshing to see an isekai anime celebrate the simple privileges of ordinary modern life, namely the medical knowledge that we take for granted, and the lack of absolute power that corrupts most characters. The ridiculously successful surgeries might be the ludicrous fantasy that drives Doctor Elise, but it’s lovely to see knowledge and power used for the common good, rather than the superiority complex common in isekaied protagonists.

Genre: Animation, Sci-Fi & Fantasy

Actor: Daisuke Ono, Hiro Shimono, Megumi Han, Satoshi Hino, Soma Saito, Yohei Azakami, Yoshimasa Hosoya, Yui Ishikawa

Rating: TV-14

It jumps out at you, all the vibrant illustration styles that the show evokes: The Amazing World of Gumball, Gravity Falls, and others, in a vaguely vaporwave aesthetic. Its use of horror tropes and spirits is made friendly for kids—a cute pug being central to the plot and all—but there is enough here to say that it’s generally for older kids, 7 and up. Its portrayal and representation of LGBTQ+ struggles is done gently, and one of the best aspects of the larger narrative. An expectation of a haunted house fantasy adventure series for kids won’t betray curious audiences, but there’s more fun to be had than the title implies.

Genre: Animation, Kids

Actor: Alex Brightman, Emily Osment, Kathreen Khavari, Kody Kavitha, Miss Coco Peru, Zach Barack

Rating: TV-Y7

I’ve seen my fair share of true crime documentaries, and a major complaint I have is about how directors tend to overdramatize the story, so much so that it achieves the opposite effect for me. I feel desensitized and irate when the music swells to usher in yet another cliffhanger. So it’s refreshing to see almost none of that in Cowboy Cartel, which is well-edited and gripping enough to keep you hooked till its finale. Of course, the downside to stripping a crime story of sensationalism is that it can get boring in its straightforwardness. This happens more than a few times in Cowboy Cartel, and it doesn’t help that its main interviewee, FBI Agent Scott Lawson, recounts events in a sleepy and monotonous tone. Still, it’s tightly edited, well-researched, and intriguing case. The documentary itself may not always match its energy, but when it does, it’s a show that’s very hard to put down.

Genre: Crime, Documentary

Rating: TV-MA

It’s a Hallmark welcome from the get-go, as we open to a flashback of the day a family breaks apart, then quickly transitioning to present time with workaholic Abby and all her work drama. The lines are universally cheesy, stiff, and generally atrocious (and that’s with the Hallmark consideration). There is some sincerity and gentleness to the handling of the parents’ separation, as well as the family side of the drama. But the same can’t be said for the reconnection of the two ex-lovers. The three sisters’ dynamic is arguably the biggest spark the show produces, which is a shame given it’s a tertiary priority compared to the lovey dovey story.

Genre: Drama, Romance

Actor: Andrew Francis, Barbara Niven, Brendan Penny, Diane Ladd, Emilie Ullerup, Jesse Metcalfe, Laci J. Mailey, Laci Mailey, Meghan Ory, Robert Buckley, Treat Williams

Rating: TV-PG

Aspiring boxer Kim Gun-woo (Woo Do-hwan) befriends fellow rookie Hong Woo-jin (Lee Sang-yi) during the heights of Covid-19. After a ruthless loan shark, Kim Myung-gil (Park Sung-woong) cons Gun-woo's mother into taking a predatory loan, they team up with a moneylender (motivated by his own painful history with Myung-gil) to shut down his schemes for good. 

As with many South Korean revenge action thrillers, Bloodhounds sheds light on the economic exploitation of the working class. Standard, to the point of being predictable, the fight for justice feels formulaic and quickly paced due to its oversimplified and convenient plot. With an abundance of zestful action scenes and empathic beats, the series delivers enough on its promised premise.

Genre: Action & Adventure, Crime, Drama

Actor: Choi Si-won, Choi Young-jun, Heo Joon-ho, Jeong Da-eun, Kim Sae-ron, Lee Hae-yeong, Lee Sang-yi, Min Kyung-jin, Park Hoon, Park Min-jung, Park Sung-woong, Ryu Soo-young, Tae Won-seok, Woo Do-hwan, Yoon Yoo-sun

Director: Kim Joo-hwan

Rating: TV-MA

Mexico City, 1970. Héctor Belascoarán leaves his stable office job and beautiful (but unhappy) marriage to pursue the adrenaline-filled life of a private detective. The police are useless, Héctor points out, not to mention corrupt and often in on the crime, so it's up to him to tackle the many unsolved cases that haunt the city he loves.

Because he thinks himself a hero, Héctor narrates each episode in that nostalgic noir way, but the catch is that he is, in fact, no slick savior. Hector is still a rookie, prone to blunders and miscalculations, but his perseverance saves the day. In this way Belascoarán, PI is both a tribute and a sendup of detective films of yore; it references the genre in style and substance, but it isn't above joking about it either. It's proof that you can challenge viewers without sacrificing the laughs, and vice versa. 

Genre: Crime, Drama

Actor: Andrés Parra, Irene Azuela, Luis Gerardo Méndez, Paulina Gaitan

Director: Ernesto Contreras, Hiromi Kamata

Rating: TV-MA

The presentation is high energy and aggressive (in a fun way), conveying both the competitive and communal nature of a barbecue cook-off show. But something about it is just anxiety triggering. Some challenges and time limits feel arbitrary, falling back on “well, it’s a challenge” to justify itself. The huge cash prize is a given, but it just feels more high stress than it needs to be, like grade schoolers trying to impress the principal. Of course, none of that is on the participants who are a joy to watch; and it’s fair to argue that over-dramatic flair is a staple of competition shows, but there are also many others that have utilized it much more pleasantly.

Genre: Reality

Actor: Kevin Bludso, Melissa Cookston

Rating: TV-PG

The success of Average Joe’s humor lies in showing how ordinary people realistically react to extraordinary events (in this case, being hunted down by the Russian mafia). Joe and his friends are blue-collar workers who barely make ends meet, so it makes sense that they won’t immediately know expert self-defense. They’re no John Wick, they don’t have combat skills hidden up their sleeves. And even with a police accomplice, they wouldn’t know how to hide bodies and launder money. But they’re forced to try, and those attempts are as clumsy as they are darkly funny. One of Joe’s friends fumbles over a body part they try to hide and vomits at the sight of blood. Meanwhile, his wife comes up with all sorts of uncanny solutions, like slathering peanut butter on dead bodies to attract hungry animals in the woods. The tonal shifts can be jarring sometimes, but the show is consistently funny and frightening. It’s also just refreshing to see everyday people go through all the fuss action stars do. What would we really do when placed in their shoes? Joe and his friends are just like us, but funnier and way more prone to gore.

Genre: Comedy, Crime

Actor: Ashani Roberts, Deon Cole, Pasha D. Lychnikoff, Patti Tippo

Rating: TV-MA

The docuseries simultaneously revolves around the precedent that spouses are suspect #1 when their partners go missing/are victimized, as well as the angle of Scott Peterson maintaining his innocence. It’s a heartbreaking, dark Christmas Eve case with a dash of classic Netflix sensationalism with the editing being a smidge extra at times. Still, some elements help, like the splendid visuals for the timeline that help the viewer take note of inconsistencies and red flags throughout the story, of which there can be a lot. But like most middle-of-the-road true crime, it drags. And you stay because the story itself is interesting, in spite of everything.

Genre: Crime, Documentary

Actor: Allen Brocchini

Rating: TV-14

African Folktales Reimagined is exactly what it says in the tin. The anthology isn’t exactly a cohesive, one-plot show – it’s a collection of folktale-inspired short films from six different countries, by six different filmmakers, funded by grants from a rare Netflix-UNESCO partnership. As such, the collection features a variety of genres and styles. If you like Westerns, you might want to watch Katera of the Punishment Island. If you’re into Afrofuturistic sci-fi, try watching Halima’s Choice first. Into supernatural stories? Watch Enmity Djinn. Katope and MaMlambo lean more on the fantastical side of the folklore, while Anyango and the Ogre feels like a straightforward drama. It’s a fairly varied collection, and there’s something here for everyone. African Folktales Reimagined takes a modern twist to the folktales that shaped the continent.

Genre: Drama, Sci-Fi & Fantasy

Rating: TV-MA

Based on the 1992 classic of the same name, A League of Their Own tells the story of the Rockford Peaches—how the women’s baseball team came to be, who its eccentric members are, and what life was like in wartime America, especially for driven women with unconventional goals.

More than a remake, 2022's A League of Their Own actually updates the premise to be more conscious of sexuality and race, making it feel very modern and up-to-date despite its period setting. It’s a funny and enlightening show with some anachronistic tendencies here and there (expect non-1940s pop music to play), which might rebuff historical purists but will likely charm everyone else.

Genre: Comedy, Drama, History

Actor: Abbi Jacobson, Chanté Adams, D'Arcy Carden, Dale Dickey, Gbemisola Ikumelo, Kate Berlant, Kelly McCormack, Melanie Field, Molly Ephraim, Priscilla Delgado, Roberta Colindrez

Rating: Not Rated

After wars and revolutions, there tends to be the nostalgia of the “good old days”– days before the terror and violence have completely and irreparably changed one’s course, whether that be of one’s life, or that of a whole country’s. A Gentleman in Moscow displays that same nostalgia for aristocracy and their way of life before the October Revolution, with Rostov remembering the old days through the classic aspect ratio. It’s a decently made show, and it’s helped by casting Ewan McGregor, who brings the same sort of whimsy he brought to Christopher Robin, and the impeccable soundtrack from Federico Jusid. It’s also helped by expanding the role of Anna Urbanova, performed by Mary Elizabeth Winstead. But this nostalgia feels a tad out of place, considering that nothing about the show, except perhaps some of the score, has been created by any Russian, or those that descended from the Russian immigrants that wanted a different life from the Bolshevik regime.

Genre: Drama

Actor: Alexa Goodall, Ewan McGregor, Fehinti Balogun, Jonny Harris, Marcus Hodson, Mary Elizabeth Winstead

Rating: TV-MA

Between 2017’s Death Note and this year’s critically acclaimed One Piece, it’s been a hit or miss for Netflix when it comes to live action anime adaptations. The latest one is YuYu Hakusho, whose supernatural scrimmages influenced 90s action manga. Yusuke Urameshi maintains that classic 90s delinquent with a heart of gold in the modern era now, and it’s easy to root for him because he shares the same intentions as anyone else would. The fights are fantastic, with Robot Communications at the helm, and the spirit world looks and feels so intriguing, even for viewers unfamiliar with the original story. However, with only five episodes, amounting to only five hours, it’s too short of a time to flesh out so many of the manga’s full ensemble. YuYu Hakusho might have the visuals, but fans of the original might be let down by the live action time spent with their favorite side characters.

Genre: Drama, Sci-Fi & Fantasy

Actor: Ai Mikami, Go Ayano, Goro Inagaki, Hiroya Shimizu, Jun Shison, Kanata Hongo, Keita Machida, Kenichi Takitoh, Kotone Furukawa, Meiko Kaji, Sei Shiraishi, Shuhei Uesugi, Takumi Kitamura

Rating: TV-MA