65 Movies Like Encanto (2021) (Page 5)

It’s surreal to watch Congrats My Ex, because the Thai production feels inspired by Indian romance films, with its musical numbers, elaborate dance sequences, and maximalist sets and costumes. With both India and Thailand culturally linked for centuries, it’s interesting to see how this film celebrates their commonalities. That being said, this film isn’t too focused on this, on the difficulties of having an intercultural, long distance relationship– it knows that it wants to be an over-the-top wedding rom com. It does overly rely on the standard rom-com tropes, with a dash of slapstick shenanigans, over-the-top wedding dramatics, and one too many reckless driving accidents. It’s still a fun watch for fans of Bella and Bright though, but it’s nothing new.

Genre: Comedy, Romance

Actor: Anahita Bhooshan, Anjana Ghogar, Darina Boonchu, Mahir Pandhi, Passakorn Ponlaboon, Ranee Campen, Thongchai Thongkanthom, Vachirawit Chivaaree

Director: Prueksa Amaruji

While investigating a gold heist in Johannesburg, Chili (S'dumo Mtshali) is jaded after an undercover operation fails spectacularly. With one chance left, he must choose between following the law and protecting the wealth of higher-ups or going against it and helping a heist crew dole out the riches to those in need. Wealth redistribution is at the heart of the film, with greed on all sides thwarting any prospects of prosperity for the city. The action-crime-thriller examines economic inequality via the lead cops trying to effect change, all while leaning into a warm visual style that shifts cameras to mirror the tensions. It's a nice touch to the average Robin Hood and "for the people" narrative, but the CGI choices and generic action scenes can get distracting at times.

Genre: Action, Crime, Thriller

Actor: Brenda Ngxoli, Deon Lotz, Presley Chweneyagae, S'Dumo Mtshali

Director: Donovan Marsh

Girl in the Closet is a low-budget TV movie that gives us a peek into the lives of trafficked children, but nothing more beyond that. There is no compelling story or drama; no suspense as to how the children might possibly escape, or rousing speeches about how the system failed these kids. Instead of a real plot, the movie strings together one shocking abuse after the other and constantly jumps forward in time (one year later, five years later, nine months after) in an attempt to rush towards its predictable ending. It would’ve been thoroughly unwatchable if it weren’t for some dedicated performances, namely by Peters and Roman, who give much more than what the flimsy script and loose editing deserve. 

Genre: Drama, TV Movie

Actor: Daijah Peters, Danielle LaRoach, Remy Ma, Stevie Baggs Jr., Tami Roman, Teisha Speight

Director: Jaira Thomas

An interesting premise quickly sputters out in Fool’s Paradise, writer-star Charlie Day’s misfire of a directorial debut. Day plays a down-and-out Charlie Chaplin-esque mute who happens to be a dead ringer for a difficult method actor (also Day) who’s stalling production on a Billy the Kid remake — and so he’s brought in by the movie’s producer (Ray Liotta) to star instead. 

The rest of Fool’s Paradise follows in this vein, as things just happen to Latte Pronto (as he comes to be named). There’s wry satirical potential in this set-up: a lot can be revealed about someone (in this case, the self-serving stars, agents, and directors of Hollywood) by what they project onto a blank slate like Latte. The problem, however, is twofold: Fool’s Paradise doesn’t have anything especially sharp to say about the biz — and, in the absence of clever or indeed funny writing, the film’s weak center is exposed. Day’s wordless performance is understated to a fatal degree; presumably designed to highlight the ridiculousness of the Hollywood players he’s surrounded by, it only shows up the weakness of the material and the unfocusedness of some of the key supporting performances. Maybe the movie would’ve fared better had some of its other characters been silent instead.

Genre: Comedy

Actor: Adrien Brody, Aixa Maldonado, Alanna Ubach, Allison Paige, Andre Hyland, Andrew Leeds, Andrew Santino, Artemis Pebdani, Austin Zajur, Benito Martinez, Brett Wagner, Charles Grisham, Charlie Day, Christine Horn, Common, David Hornsby, Dean Norris, Drew Droege, Edie Falco, Eliza Coleman, Eric VanArsdale, George Lopez, Glenn Howerton, Harry Yi, Helen Geller, Jason Bateman, Jason Sudeikis, Jeremy Chu, Jillian Bell, Jimmi Simpson, John Ales, John Malkovich, Julia Cho, June Carryl, Kate Beckinsale, Katherine McNamara, Ken Jeong, Lance Barber, Leandra Terrazzano, Leonora Pitts, Lindsay Musil, Lisa Schwartz, Luvh Rakhe, Lyndon Smith, Marilyn Giacomazzi, Mary Elizabeth Ellis, Moses Storm, Peter MacKenzie, Ray Liotta, Ricky Wang, Robert Belushi, Romel de Silva, Roy Jenkins, Scott Allen Perry, Scott Pitts, Shane Paul McGhie, Steve Coulter, Steve DeCastro, Talia Tabin, Thomas Vu, Tom Beyer

Director: Charlie Day

Rating: R

From the Ashes is based on the real life fire tragedy, but upon searching, Netflix hasn’t mentioned which exact fire it was talking about. It’s possibly inspired by the 2002 Mecca girls' school fire, with the strict all-girl’s school, the closed gates and unattended cigarette, but the film starts off with a disclaimer saying that the characters and certain aspects of the story are fictional. One would think, with the freedom the film granted itself through fiction, the film would dare to critique certain controversial aspects of the tragedy that needs to be talked about – like the implications of emergency services being hindered due to modesty, or whether the media speculation was fair, or even the lack of safety regulations that the school administration failed to implement. Instead, most of the film plays out like an investigation, seemingly placing blame on fictional students, you know, the victims, for being the reason one fictional student wasn’t able to escape. Sure, it’s all fiction, but this is just not right.

Genre: Drama, Thriller

Actor: Adwaa Fahad, Aisha Al Rifaie, Alshaima'a Tayeb, Darin Al Bayed, Khairia Abu Laban

Director: Khalid Fahad