151 Movies Like Dune: Part Two (2024) (Page 10)

Staff & contributors

The latest installment of Ly Hai’s Face Off franchise has an entertaining premise with some terrible plot twists. With this premise, it’s almost expected to see the worst of the worst of people when given a jackpot, and it’s easy to feel distraught when this happens, because the initial dynamic between the six friends feels genuine. However, the fun and wacky hijinks devolve into seriously messed up plot twists. Some of these work, but certain scenes feel like it was just added for shock value at the expense of other characters. The film couldn’t choose between vilifying some characters and celebrating their friendship. Because of this, Face Off 6 feels like it missed its mark.

Genre: Action, Drama, Thriller

Actor: Huy Khánh, Huỳnh Thi, Lý Hải, Quốc Cường, Tiết Cương, Trung Dũng

Director: Lý Hải

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Better known as a podcast host, Stavros Halkias proves that he does have the writing ability and (the lack of shame and/or pride) to come up with effective jokes from his own perspective. But his momentum just doesn't hold throughout this hour-long special; he starts strong and keeps a coherent train of thought throughout the whole routine, but the latter sections begin to rely on gross-out comedy and potshots at the audience more than anything. Halkias knows who his audience is and he's very fortunate to be able to perform in front of people who seem to be very familiar with his style. But for a wider range of people watching through streaming, his more relaxed style of storytelling may come off as him simply droning on without particularly great timing.

Genre: Comedy

Actor: Stavros Halkias

Director: Ben O'Brien

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Plenty of missing people stories don’t get resolved, so understandably, all their loved ones can do is contemplate the potential horrors that could have happened to them, like being lost and needing to survive, or being kidnapped, or, of course, being dead. Primbon is a story where a missing girl returns home, though her return seems suspicious, at least, according to Javanese superstition. So much could have been made with this premise. They could have delved into Rana’s possible trauma from the reason she was lost, or the way these superstitions hinder these victims from receiving help from others. The film at least shines during the moments between Dini, her mom, and Rana, as they try to get back to normal. But in prioritizing the family, Primbon is torn between being a family drama versus being a supernatural horror film, and ultimately fails at being both.

Genre: Drama, Horror

Actor: Azela Putri, Chicco Kurniawan, Flavio Zaviera, Happy Salma, Jajang C. Noer, Nugie, Whani Darmawan

Director: Rudi Soedjarwo, Rudy Soedjarwo

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With its celebration of Thai dances, excellent costumes, and two male theater actor leads, ManSuang seemed like it would be something akin to a Thai Farewell My Concubine, especially as it starts off with what could have been sex scene interrupted by a murder. The addition of the espionage storyline, as well as the dynamics between the Chinese and the mainland Thai, seemed like the film would be subtle social commentary through historical drama. However, the story feels haphazardly assembled, with characters acting contrary to their goals, and sadly, the film doesn’t showcase as much of Thai culture as we would like. Instead, the film spends more time establishing an overly complicated mystery that gets too hard to follow with its multiple plotlines. ManSuang has beautiful set design, costumes, and a handsome cast, but the writing wastes the potential the story had.

Genre: Drama, Mystery

Actor: Asavapatr Ponpiboon, Chartchai Ketnust, Chertsak Pratumsrisakhon, Duangjai Hiransri, Gandhi​ Wasuvitchayagit, Nattawin Wattanagitiphat, Nonthakorn Chalermnai, Nutthasid Panyangarm, Ornanong Panyawong, Phakphum Romsaithong, Pongsakorn Ponsantigul, Pradit Prasartthong, Saifah Tanthana, Sornchai Chatwiriyachai, Sumontha Suanpholaat, Teerawat Mulvilai, Thanayut Thakoonauttaya

Director: Bhanbhassa Dhubthien, Chartchai Ketnust, Krisda Witthayakhajorndet

Rating: PG-13

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You can tell that Blaze director Del Kathryn Barton is an award-winning visual artist first and foremost. The images that she puts together in this film are frequently stunning—making use of the camera in fascinating, freeing ways, and with lots of practical and computer-generated/animated effects that paint her young protagonist Blaze's world in glitter and feathers and lush colors. The imaginary dragon, which acts as a shorthand to symbolize Blaze's complex psychological response to her trauma, is a wonderfully tactile life-size puppet that lead actress Julia Savage responds to in an entirely convincing way.

But you can also tell that this is Barton's debut feature. Ultimately her visuals don't do enough to shake off or give meaning to the graphic scene of rape and murder that occurs at the beginning of the film. And the way she structures the movie threatens to make it feel like a series of music videos or video art pieces. Despite its originality and the level of commitment displayed by both Savage and Simon Baker, Blaze has difficulty communicating a coherent message about trauma—the film strung together by heavy-handed scenes that spell out various ideas and lead to the most obvious conclusions.

Genre: Crime, Drama, Fantasy

Actor: Bernie Van Tiel, Heather Mitchell, John Waters, Josh Lawson, Julia Savage, Kristy Wordsworth, Morgan Davies, Neal Horton, Rebecca Massey, Remy Hii, Simon Baker, Stephen James King, Will McDonald, Yael Stone

Director: Del Kathryn Barton

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It's smart that If You Were the Last takes what's usually an overused romcom/fan-fiction scenario (two attractive people stuck in one place), acknowledges it, and uses it to fuel an entire a story. Unfortunately, the film also doesn't quite know where to go with it, insisting on having its cake and eating it too: that is, it wants to be annoyingly quirky and dead-serious about the consequences of infidelity at once, without the tonal balance to sell these contrasting sides. It's hard to feel for the central characters and their respective spouses still living on Earth because the film does so little to sketch out any of these people beyond surface-level feelings of desire and guilt. As much as it tries to convince us that big changes are happening within these protagonists, the film doesn't seem to be willing to enter any truly messy territory.

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Andrew Farrier, Anthony Mackie, Bernard Hocke, Geoff Stults, Jason Bayle, Kaleka, Langston Fishburne, Missi Pyle, Natalie Morales, Sarah Voigt, Taylor Shurte, Zoë Chao

Director: Kristian Mercado Figueroa

Rating: R

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This documentary could be commended for taking the time to set the stage of McNair’s importance to his football team and his bond with the interviewees. But the extended game footage really feels like a way to pad the runtime to make the full hour. Elsewhere, the work really captures the shock of it all, with interrogations that feel especially unsettling because the documentary is so bare and we spend all this time with the suspects. But as good as it handles the true crime portions, and though career tributes hammer home the final point that McNair's legacy is not his death, this did not need to be 58 minutes long, and it showed.

Genre: Crime, Documentary

Actor: Al Michaels, Brad Hopkins, Brian Williams, Dan Dierdorf, Eddie George, Jeff Fisher, Kurt Warner, Robert Gaddy, Sahel Kazemi, Steve McNair, Vincent Hill

Director: Rodney Lucas, Taylor Alexander Ward

Rating: PG-13

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Amid energetic lights and obnoxious airhorns, Katt Williams makes his way to the stage and quickly greets you with the gospel of crass. His descriptions and premises aren’t anything to write home about as his style is more a boisterous NSFW style that resembles a night of gossip. But for most of this set, you’ll just be thinking about how his performer voice sounds like a cartoon grandma, a southern Spongebob, and “Macho Man” Randy Savage preaching to you all at once. The set had a touchy mental health bit that sucked the life out the room for a moment, but would take an empowering turn in its final third as Williams talks about racism in 2024. It’s a mess, but it finishes strong, at least.

Genre: Comedy, Documentary, TV Movie

Actor: Katt Williams

Director: Troy Miller

Rating: R

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In TV and cinema, meeting your partner’s parents is a tried-and-tested formula that’s bound to generate relatable laughs. Meet the Parents, The Proposal, and Happiest Season are some modern classics that come to mind. Yet, French Girl fumbles this opportunity by peddling cliche after cliche with zero charm. Braff’s character is supposed to possess at least an inkling of likeability for us to root for him, but he can’t even manage that. His rival Ruby (Vanessa Hudgens) is so much more inviting that the film has to create a whole new evil arc for her in the third act to convince us to turn on her. This is all too bad because, beneath the rubble that is the film’s characters and plot lines, there is something true and endearing in the form of Sophie’s family. I wish we had more of those scenes because their interactions feel real and intimate. Unrestricted by formula and pressures to be funny, they soar.

Genre: Comedy, Romance

Actor: Alex Woods, Antoine-Olivier Pilon, Catherine De Sève, Chanelle Ouellette, Charlotte Aubin, Christian Paul, Ed Weeks, Evelyne Brochu, Georges St-Pierre, Isabelle Vincent, Jeanne Roux-Coté, Karl Farah, Luc Picard, Luc-Martial Dagenais, Marc Larrivée, Melia Charlotte Cressaty, Muriel Dutil, Olivier Gervais-Courchesne, Ralph Prosper, Rémi Goulet, Sylvie Potvin, Vanessa Hudgens, William Fichtner, Zach Braff

Director: James A. Woods, Nicolas Wright

Rating: R

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There is a world where all of Little Wing's ideas make thematic sense, as a story about a young woman reeling from the difficulty of her home life. But as it is now, the film just isn't tightly woven enough, with various characters and subplots making little effect on the whole and major conflicts barely leaving consequences for the characters to deal with afterwards. It's definitely unique; you aren't likely to find many movies about pigeon racing anywhere. But even then, Little Wing doesn't allow us to get an insider look into pigeon racing as a sport, nor how this underground network is even supposed to operate. Without a strong enough setting to support this story, it becomes much harder to suspend one's disbelief and enjoy the strange things it shows us.

Genre: Drama

Actor: Brian Cox, Brooklynn Prince, Che Tafari, Hank Cartwright, Ina Chang, Jason Rouse, Jeanine Jackson, Jonathan Togo, Kelly Reilly, Lowell Deo, Melanie Nicholls-King, Parker Hall, Trinity Bliss

Director: Dean Israelite

Rating: PG-13

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All the little twists in the case of Mirna Salihin's murder are intriguing enough to speculate over, so Ice Cold is definitely a true-crime case worth revisiting. The problem is in how the documentary indulges sensationalist arguments and pure speculation with the same level of urgency as it does with expert counsel. A large part of the film has to do with how this trial started to become such a fixture in Indonesian public life, but it feels as if the movie would rather provoke even more baseless conspiracies through its gossipy tone than provide smarter analysis. There's an appeal to how simple this case is relative to other true-crime stories, but this shouldn't be an excuse to haphazardly throw opposing perspectives at each other for the sake of drama.

Genre: Crime, Documentary

Actor: Edi Darmawan Salihin, Jessica Wongso, Marcella Zalianty, Mirna Salihin, Otto Hasibuan

Director: Rob Sixsmith

Rating: PG-13

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Sight is based on the extraordinary life of Dr. Ming Wang, a Chinese immigrant who fled Communist China and revolutionized his field of ophthalmology in the West. Because of his hardships, he’s sympathetic to the needy and often takes pro-bono cases. In the movie, he even helps partially restore a little girl’s sight, which was cruelly taken from her by an abusive stepmom. Obviously, Wang’s story is rife with intrigue, inspiration, and drama, but this film by Director Andrew Hyatt does him no justice. There is no conflict nor tension to be found here, no exciting twists or turns—just a perfectly bland story whose ending anyone could guess. The performances could’ve elevated it, but Terry Chen, who plays Wang, never compels. To be fair, he doesn’t seem to have a lot to work with; he’s just an all-around good guy who doesn’t find the need to grow past anything. But even in the simplest scenes, his delivery seems wooden, almost like he, too, is unconvinced by the strength of his lines. Looking equally bored is a squandered Greg Kinnear, whose presence makes me wonder whether he has some debts he needs to settle. But even if Chen and Kinnear gave it their all, it’s hard to imagine Sight as anything more than a lazy attempt to retell an inspiring true story.

Genre: Drama, History

Actor: Aaron Paul Stewart, Ben Wang, Danni Wang, Donald Heng, Fionnula Flanagan, Greg Kinnear, Jennifer Juniper Angeli, Ken Godmere, Mia SwamiNathan, Natalie Skye, Raymond Ma, Sky Kao, Terry Chen, Wai Ching Ho

Director: Andrew Hyatt

Rating: PG-13

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There is a clear and wide gap between what Maximum Truth wants to be and what it actually is. What it wants to be is a silly but smart sendup of right-wing activism and the rampant disinformation the movement propels. What it ends up being is an occasionally funny but mostly tiresome film that falls flat thanks to caricature performances and flimsy arguments that essentially work against the film's supposed ideals. In a self-contradictory twist, it actually helps the conservatives it claims to poke fun at by proving just how dumb liberal humor can be. The running gag about Rick being in the closet feels outdated at best and offensive at worst, while Simon being the typical airheaded jock does nothing to subvert the trope. It’s baffling that a film like this could come out in 2023; ultimately it just seems like a terrible waste of everyone’s time. 

Genre: Comedy

Actor: Andrew Friedman, Andrew Lopez, Beth Grant, Blake Anderson, Brandon Wardell, Brenda Koo, Brianna Baker, David Stassen, Dylan O'Brien, Ike Barinholtz, Ithamar Enriquez, Jena Friedman, Jon Barinholtz, Josh Meyers, Kelvin Yu, Kiernan Shipka, Mark Proksch, Matt Corboy, Max Minghella, Mia Serafino, Robert Belushi, Scott MacArthur, Seth Rogen, Sunil Narkar, Tiya Sircar

Director: David Stassen

Rating: R

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It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.

Genre: Comedy, Drama

Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz

Director: Manolo Caro

Rating: R

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This is confusing and not very good. The first line of the movie sounds like it should be something, cloaking everything in doubt. Turns out to be nothing. The movie really begins with the blurb, because that at least guides us toward a coherent story. What we end up with are a cast of unlikable characters and a bunch of twists that had little set-up or payoff to even register. I really don’t know what they’re trying to get at here. If the movie connects with you on a sexual level, I promise you there are shorter videos to watch. This is a better blurb than it is a movie, save yourself the time.

Genre: Crime, Drama, Thriller

Actor: Alfonso Herrera, Ana Wills, Fernando Cattori, Juan Pablo Fuentes, Renata Manterola, Ximena Lamadrid

Director: Humberto Hinojosa

Rating: R

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