137 Movies Like Dune (2021) (Page 8)

The documentary sees WWE Superstar Cody Rhodes as a wandering journeyman, a prodigal son returning home. Cody—sharply dressed and occupying the center of a fancy studio hall—offers detailed insight into his bond with his late father and legendary wrestler Dusty Rhodes, various gimmicks and ventures that steadily refined his skills, and his ultimate goal to finish his father’s story and win the elusive WWE Championship. WWE slaughters a fattened calf for Cody, showing videos and photos of every major promotion he worked for outside the company, including their biggest competitor AEW. It’s a polished, surprisingly comprehensive film, that like many WWE documentaries, drags a bit too long and admits WWE was the bad guy in the story.

Genre: Documentary

Actor: Ashley Fliehr, Brandi Runnels, Chelsea Cardona, Christian Brigham, Cody Runnels, Colby Lopez, Dustin Runnels, Dusty Rhodes, Hulk Hogan, Joe Anoa'i, Kevin Steen, Mark Calaway, Matthew Massie, Nicholas Massie, Paul Michael Lévesque, Randy Orton, Ric Flair, Stephen Amell, Tyson Smith, Vince McMahon

Director: Matt Braine

Rating: PG-13

For a romantic comedy with a fairy tale premise (a star falls in love with a regular person, and a much older one at that), The Idea of You is surprisingly relevant. It interweaves its romance with discussions of ageism and sexism, making it more self-aware than other movies in the same genre. But with that relevance comes a certain dryness; The Idea of You, for all its steamy scenes, lacks the sensuality and charm of a legitimate romcom. Solene is overly cautious, which doesn’t give much way to mystery and mistakes. She makes for a wise role model sure, but not necessarily a rootable heroine. If you like your romcoms to be more on the smart and predictable side, then you’ll enjoy The Idea of You. But if you prefer more hearty laughs and big gestures, then you’re better off looking for another title to stream.

Genre: Comedy, Music, Romance

Actor: Angela Davis, Anne Hathaway, Annie Mumolo, Bethany Brown, Brent Bailey, Chandler Lovelle, Cheech Manohar, Demi Castro, Dustin Lewis, Ella Rubin, Grace Junot, Graham Norton, Hedy Nasser, Holly Morris, Jon Levine, Jordan Aaron Hall, Lauren Revard, Mathilda Gianopoulos, Meg Millidge, Melanie Kiran, Nicholas Galitzine, Nina Bloomgarden, Perry Mattfeld, Rashal James, Raymond Cham Jr., Reid Scott, Roxy Rivera, Tiffany Morgan, Trevor David

Director: Michael Showalter

Rating: R

With social media inextricably linked to our lives, the way we navigate relationships is different now. Kho Gaye Hum Kahan is a visually stunning debut that depicts this unique modern anxiety, and its different facets through three childhood friends. Adarsh Gourav, Siddhant Chaturvedi, and Ananya Panday have the easy, breezy dynamic that grounds the film. This, along with the chill soundtrack and stylish approach of writer-director Arjun Varain Singh took in depicting their issues, definitely match the aesthetic appeal we’re used to from the online world. The film’s conclusion doesn’t fully resolve things– after all, there’s no stopping the interconnectedness between real life and the online world– but Kho Gaye Hum Kahan’s struggles feel relatable, even if it’s as surface-level as the world it wishes to criticize.

Genre: Comedy, Drama

Actor: Adarsh Gourav, Ananya Panday, Anya Singh, Divya Jagdale, Farhan Akhtar, Ikhlaque Khan, Kalki Koechlin, Kartik Shah, Kashyap Kapoor, Mahathi Ramesh, Malaika Arora, Narendra Jetley, Rahul Vohra, Rohan Gurbaxani, Sapan Verma, Siddhant Chaturvedi, Sonali Sachdev, Suchitra Pillai, Vijay Maurya

Director: Arjun Varain Singh

Rating: PG-13

Hotel Salvation is a touching movie about a father asking his son for a last wish : let him die in the Holy city of Varanasi. This Indian drama will let you discover a modern Hindu philosophy, the power of the scenic Varanasi and the bonds of family. It faces the question of death in the light, gentle and humorous way that perfectly illustrates the contradiction in question: celebrating life while surrounded by death.

Genre: Comedy, Drama

Actor: Adil Hussain, Geetanjali Kulkarni, Lalit Behl, Navnindra Behl, Palomi Ghosh

Director: Shubhashish Bhutiani

Rating: Not Rated

Escape from Mogadishu follows diplomats from the North and South Korean embassies as they put aside their differences and work together to escape from an outbreak of civil war in Mogadishu, Somalia. Director Ryoo Seung-wan provides thrilling, high-budget action, especially intense car chases and suspenseful escape scenes that pump you with adrenaline and leave you on the edge of your seat. However, the Somali side of the story leaves much to be desired. Only existing to kill or be killed, the depiction of the Somalians is distasteful, and the country it’s set in seen as nothing more than a senseless warzone.

It’s in crafting a political thriller where Ryoo strikes a chord, following the tradition of South Korean films and dramas that question the current South/North relations. It’s also the aspect that pushed this film to win awards, given that it’s based on a true story from the 1991 civil war in Somalia, albeit with blockbuster flair. Sure, it’s a highly fictionalized story, but the political tensions and heightened atmosphere make good entertainment. And, as with all Korean thrillers, you’ll have to get on a certain wavelength of melodrama to be fully on board with the bonkers yet emotional escape.

Genre: Action, Drama, Thriller, War

Actor: Ahn Se-ho, Han Chul-woo, Heo Joon-ho, Jeong Man-sik, Jo In-sung, Joo Bo-bi, Kim Jae-hwa, Kim So-jin, Kim Yoon-seok, Koo Kyo-hwan, Lee Jin-hee, Park Kyung-hye, Park Myung-shin, Yoon Kyung-ho, Zo In-sung

Director: Ryoo Seung-wan

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

The atmosphere communicated within the title Hurricane Season comes off incredibly clearly on screen: this is a film that just feels humid and full of foreboding for a coming storm, with people feeling all manner of guilt while secluded in their own homes. Cinematographer María Secco's gorgeous colors and brown tones fill the 4:3 aspect ratio nicely, and director Elisa Miller lets events unfold with the stately pace of a long novel. There's something fascinating here about how each new "chapter" or perspective doesn't really lead to more answers, but simply to more anguish closing in from all sides.

So it would be understandable if some may be put off by how unrelentingly dark Hurricane Season is, especially as the trans woman whose death becomes the central event never enjoys the kind of characterization everybody around her gets. Apart from how the film illustrates that discrimination against women, against repressed "taboo" sexuality, and against access to proper reproductive health only threatens to grow under poverty, it can be difficult to grasp what point the movie is trying to make. Social realism certainly has its place in cinema, but the different perspective in this particular film still don't add up to more than the sum of its parts.

Genre: Crime, Drama, Thriller

Actor: Andrés Cordaz, Edgar Treviño, Flor Eduarda Gurrola, Guss Morales, Kat Rigoni, Mónica Martínez​, Norma Reyna, Paloma Alvamar, Rodrigo Corea, Said Sandoval

Director: Elisa Miller

Rating: R

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Dilone, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R

Depressingly, Scout's Honor isn't necessarily an exposé about the crimes of the Boy Scouts of America because—as the documentary reminds us—this institution has been caught red-handed many times over since its inception, and yet it evades real accountability. The film is more like a renewed call for justice, with its approach being one of blunt force. This means that the documentary can be sloppy, piling on one case after another without much synthesis, and taking out its anger on one current representative of the Boy Scouts, whom the filmmakers constantly interrupt and interrogate during his interview, That said, it's also hard to object to this kind of approach, as the patterns of abuse become too damning to ignore. Maybe a different film will be able to unpack the systems that allow the Boy Scouts to get away with this, but for now this cry of rage is enough.

Genre: Crime, Documentary

Director: Brian Knappenberger

As a story, Knuckle Girl settles for the simplest beats, at times strung together by odd, obligatory choices (for example, a training montage that comes out of nowhere, or the film's abrupt ending). It's not particularly sophisticated as far as thriller narratives go. But taken as a showcase for boxing-centered action, the film really sets itself apart from many countless action movies on streaming. The fist-fights here are brutal and kinetic, shot through lots of dynamic footage and crunchy sound design—making every punch that's thrown feel desperate. And in the lead role, Ayaka Miyoshi makes for a convincing, everyman action star who always seems in over her head but perseveres all the same.

Genre: Action, Drama, Thriller

Actor: Ayaka Miyoshi, Eishin, Goki Maeda, Hideaki Ito, Kanata Hosoda, Kotona Minami, Masaki Miura, Narimi Arimori, Ruka Matsuda, Satoshi Jinbo, Yoshimasa Kondô, Yosuke Kubozuka, Yuichi Yasoda

Director: Chang

“There is no ethical consumption under capitalism,” a famous socialist belief goes, but like many activists, Jo is trying to curb that. She marries her two conflicting passions, coffee and the environment, by establishing a vegan cafe that only serves plant-based drinks. If a customer so much as mentions dairy, they're humiliated before being kicked out of the place. It’s both impressively assertive and gratingly obnoxious, which is something you could also say about the tone the entire film strikes. It’s well-meaning in its attempt to shed light on the ongoing climate crisis, but rather tone-deaf in trying to place the blame on everyday consumers rather than large-scale corporations. The editing choices, while meant to be cheeky, also go overboard with the cuts and colors, making it more annoying than anything else. Which is a shame, because apart from a noble cause, Coffee Wars also has a funny script and engaging performances going for it. It also gives us an insightful look into the highly competitive coffee tournaments being staged around the world. If only Coffee Wars let things brew for longer, maybe removed some elements and expanded others—specifically, dwell more on the contradiction of wanting to change a system while participating in it—then it would’ve been even more enjoyable and educational than it is. 

Genre: Comedy, Drama

Actor: Freddie Fox, Hugh Dennis, Jenny Rainsford, Jordan Stephens, Kate Nash, Lydia West, María Conchita Alonso, Owain Arthur, Ray Fearon, Rosie Cavaliero, Sally Phillips, Saoirse-Monica Jackson, Tobias Forrest, Toby Sebastian

Director: Randall Miller

Suzzanna: Kliwon Friday Night is the second part of a trilogy dedicated to Indonesia’s queen of horror, billed as Suzzanna New Generation. The trilogy recreates three of Suzzanna’s iconic films, and the second installment is based on the 1986 film Malam Jumat Kliwon. The supernatural horror isn’t exactly scary– the film takes a bit too long between the scares, and there are moments that are downright hilarious. However, fans of the original scream queen would appreciate Luna Maya’s take on her demonic role, shifting the sundel bolong into a woman rightfully out for revenge.

Genre: Drama, Fantasy, Horror

Actor: Achmad Megantara, Baron Hermanto, Clift Sangra, Egy Fedly, Ence Bagus, Luna Maya, Max Yanto, Sally Marcelina, Taskya Namya, Tio Pakusadewo, Yurike Prastica

Director: Guntur Soeharjanto