165 Movies Like Dune (2021) (Page 10)

Staff & contributors

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Cliff Ware, Dilone, Frank Alfano, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R

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Hipgnosis’s body of work is so rich, brilliant, and recognizable, that it’s hard not to at least sit in awe as they flash by you in this documentary. The accompanying stories behind their creation, sometimes told by Thorgerson and Powell, other times by their musician clients like Jimmy Page and Paul McCartney, are also pleasant and informative enough to paint, in whole, an interesting picture. But apart from the covers themselves, Squaring the Circle doesn’t have much else going for it. The co-founders’ history is too brief and plain to render drama, and their upbringing too upper-class and male to be relatable. A more broad, ambitious goal would’ve been to parallel the history of these artworks with the history of rock music itself, but this niche documentary seems uninterested in explaining itself to outsiders and newcomers. That said, it still serves as a precious account for those familiar with Hipgnosis’ pieces. 

Genre: Documentary, Music

Actor: David Gilmour, Glen Matlock, Graham Gouldman, Jimmy Page, Nick Mason, Noel Gallagher, Paul McCartney, Peter Gabriel, Peter Saville, Robert Plant, Roger Waters

Director: Anton Corbijn

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Depressingly, Scout's Honor isn't necessarily an exposé about the crimes of the Boy Scouts of America because—as the documentary reminds us—this institution has been caught red-handed many times over since its inception, and yet it evades real accountability. The film is more like a renewed call for justice, with its approach being one of blunt force. This means that the documentary can be sloppy, piling on one case after another without much synthesis, and taking out its anger on one current representative of the Boy Scouts, whom the filmmakers constantly interrupt and interrogate during his interview, That said, it's also hard to object to this kind of approach, as the patterns of abuse become too damning to ignore. Maybe a different film will be able to unpack the systems that allow the Boy Scouts to get away with this, but for now this cry of rage is enough.

Genre: Crime, Documentary

Director: Brian Knappenberger

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As a story, Knuckle Girl settles for the simplest beats, at times strung together by odd, obligatory choices (for example, a training montage that comes out of nowhere, or the film's abrupt ending). It's not particularly sophisticated as far as thriller narratives go. But taken as a showcase for boxing-centered action, the film really sets itself apart from many countless action movies on streaming. The fist-fights here are brutal and kinetic, shot through lots of dynamic footage and crunchy sound design—making every punch that's thrown feel desperate. And in the lead role, Ayaka Miyoshi makes for a convincing, everyman action star who always seems in over her head but perseveres all the same.

Genre: Action, Drama, Thriller

Actor: Ayaka Miyoshi, Eishin, Goki Maeda, Hideaki Ito, Kanata Hosoda, Kotona Minami, Masaki Miura, Narimi Arimori, Ruka Matsuda, Satoshi Jinbo, Yoshimasa Kondô, Yosuke Kubozuka, Yuichi Yasoda

Director: Chang

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“There is no ethical consumption under capitalism,” a famous socialist belief goes, but like many activists, Jo is trying to curb that. She marries her two conflicting passions, coffee and the environment, by establishing a vegan cafe that only serves plant-based drinks. If a customer so much as mentions dairy, they're humiliated before being kicked out of the place. It’s both impressively assertive and gratingly obnoxious, which is something you could also say about the tone the entire film strikes. It’s well-meaning in its attempt to shed light on the ongoing climate crisis, but rather tone-deaf in trying to place the blame on everyday consumers rather than large-scale corporations. The editing choices, while meant to be cheeky, also go overboard with the cuts and colors, making it more annoying than anything else. Which is a shame, because apart from a noble cause, Coffee Wars also has a funny script and engaging performances going for it. It also gives us an insightful look into the highly competitive coffee tournaments being staged around the world. If only Coffee Wars let things brew for longer, maybe removed some elements and expanded others—specifically, dwell more on the contradiction of wanting to change a system while participating in it—then it would’ve been even more enjoyable and educational than it is. 

Genre: Comedy, Drama

Actor: Freddie Fox, Hugh Dennis, Jenny Rainsford, Jordan Stephens, Kate Nash, Lydia West, María Conchita Alonso, Owain Arthur, Ray Fearon, Rosie Cavaliero, Sally Phillips, Saoirse-Monica Jackson, Tobias Forrest, Toby Sebastian

Director: Randall Miller

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Suzzanna: Kliwon Friday Night is the second part of a trilogy dedicated to Indonesia’s queen of horror, billed as Suzzanna New Generation. The trilogy recreates three of Suzzanna’s iconic films, and the second installment is based on the 1986 film Malam Jumat Kliwon. The supernatural horror isn’t exactly scary– the film takes a bit too long between the scares, and there are moments that are downright hilarious. However, fans of the original scream queen would appreciate Luna Maya’s take on her demonic role, shifting the sundel bolong into a woman rightfully out for revenge.

Genre: Drama, Fantasy, Horror

Actor: Achmad Megantara, Baron Hermanto, Clift Sangra, Egy Fedly, Ence Bagus, Luna Maya, Max Yanto, Sally Marcelina, Taskya Namya, Tio Pakusadewo, Yurike Prastica

Director: Guntur Soeharjanto

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There’s a sense of disconnectedness in RedLife, as the film isn’t centered on one storyline, but rather two storylines that at first don’t seem connected. Ter, a young snatcher, marries a sex worker named Mild, while Som is a student who aspires to escape her prostitute mom’s poverty, especially after she falls for the more affluent Peach. At first, the film depicts their lives in stunningly framed, slice-of-life moments that captures a different side of Bangkok, one that’s tough to depict, but one people know about. But they do intersect, later on in the movie, in a series of events that leads them trapped in tragedy, despite all they did to escape it. The unexpected twist makes their lives surprisingly poignant, though RedLife’s journey might take too long to get there.

Genre: Drama, Thriller

Actor: Banlop Lomnoi, D Gerrard, Karnpicha Pongpanit, Krongthong Rachatawan, Pimvipa Thanarapatvanich, Ray MacDonald, Sumitra Duangkaew, Supitcha Sangkhachinda, Tanapak Jongjaiphar, Thiti Mahayotaruk

Director: Ekalak Klunson

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Ordinary people don’t choose to join a war, but oftentimes, they are dragged into it, forced to fight, and become victims of it because of people in power. Adrishya Jalakangal takes this idea in a dystopic future, where war has turned India into a police state, and mixes in a watchman who’s able to talk with the dead. While the message is necessary and the idea is novel, the execution feels uneven, as the anti-war and magic realist elements feel like elements from what should be two separate movies. Alongside the sluggish pace and the dialogue that’s a tad too on the nose, it’s hard to get through Adrishya Jalakangal when it can’t decide what it wants to focus on.

Genre: Drama, Thriller

Actor: Indrans, Krishnan Balakrishnan, Nimisha Sajayan, Tovino Thomas

Director: Bijukumar Damodaran

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As a sluggishly paced, three-hour spiritual drama with little dialogue and even less plot, Inside the Yellow Cocoon Shell certainly won't convert anybody who isn't already interested in slow cinema. Even those who don't mind these types of films in which "nothing happens" might feel that it doesn't weave its themes of faith and suffering tightly enough. But there's more than enough beauty to contemplate here, courtesy of Dinh Duy Hung's stunning cinematography, which invites us to simply inhabit the world and to stop looking for answers. This may sound like a copout, but it's quite the experience to have a film force you to rethink how you're viewing it, as you're viewing it.

Genre: Drama

Actor: Le Phong Vu, Nguyen Thi Truc Quynh, Nguyen Thinh, Vu Ngoc Manh

Director: Pham Thien An

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What Black Ice lacks in comprehensive research about the structures that maintain institutionalized racism inside major hockey leagues, it partly makes up for with one painful testimonial after another. This is a documentary that aims for the personal and the emotional over the intellectual—still an effective strategy as the film makes its point through repetition, to show just how commonplace racism is within hockey culture. And though it begins to feel somewhat plain in its execution (and without as much momentum leading into its concluding statements), Black Ice makes for a fiery, impassioned wake-up call especially to Canada's own seemingly "progressive" racial politics.

Genre: Documentary

Actor: Jashvina Shah, P.K. Subban, Sarah Nurse, Willie O'Ree

Director: Hubert Davis

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With plenty of films disavowing romance, sometimes, at the end of the day, you just want to curl up in bed to a cheesy romcom that earnestly believes in the power of true love. Wedding Games is one such romcom coming from Brazil, where the two lovers try to make their destination beach wedding perfect, despite multiple logistical mishaps along the way. It’s a totally generic wedding day story. It’s lighthearted fluff that doesn’t dive deep and contains all the familiar plot twists and comedic shenanigans, but it looks good and it’s done well. Wedding Games might not be particularly groundbreaking, but it’s not bad.

Genre: Comedy, Romance

Actor: Ana Carbatti, Andre Mattos, Antônio Pitanga, Bruno Jablonski, Cristina Pereira, Dan Ferreira, Dandara Mariana, Estevam Nabote, Evaldo Macarrão, Gabriela Dias, Grace Gianoukas, Jean Pedro, Katiuscia Canoro, Leandro Léo, Lellê, Luellem de Castro, Marcello Melo, Maureen Miranda, Negra Li, Paulo Miklos, Raissa Chaddad, Roney Villela, Serjão Loroza, Stepan Nercessian, Tatiana Tiburcio, Thelmo Fernandes, Vilma Melo, Yuri Marçal, Zeze Motta

Director: Sílvio Guindane

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This film lays its foundation nicely: it’s got slapstick romance and an absurdly wholesome motivation, and juxtaposes it with a murder plot, telling you right away the kind of movie you’re going to get. Its mystery aspect is intertwined with comedy, and its comedy stems from an avoidance of direct confrontation, while being so casual with death. The combinations give the movie an exciting and comforting feeling, even with the awkward wrinkles and vaguely ominous pop of red and warm colors throughout. Still, it suffers from a lot of uneventful fluff and underwhelming payoffs. It's a good thing it's funny, then.

Genre: Comedy

Actor: Angela Finocchiaro, Antonino Bruschetta, Christian De Sica, Claudio Colica, Darko Peric, Dharma Mangia Woods, Fioretta Mari

Director: Giovanni Bognetti

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Sweetwater has a precious story in its hands, along with a sparkling cast of tried-and-true actors and a generous budget that allows them to go all in with the movie’s 1950s setting. But the parts are far greater than the sum here, because all together, Sweetwater is a mess. It promises to be a biopic about Clifton but fractures into many other things. During its duller parts, it’s a white savior story about basketball owners, and during its more vibrant parts, it’s a snapshot of the Harlem Globetrotters during their humble beginnings. The basketball matches themselves are playful and exciting to watch, but for every game, there is an overdramatic scene that cranks up the notch on sappy music and predictable dialogues. Often, it also feels like director Martin Guigui went to the Green Book School of Anti-prejudice, given his extremely elementary portrayal of racism and his preference for the white characters over the Black characters. Sweetwater isn’t watchable, but it’s a shame that the star of the film had to share the spotlight with less interesting personalities. 

Genre: Drama, History

Actor: Ashani Roberts, Billy Malone, Ca'Ron Jaden Coleman, Cary Elwes, Dahlia Waingort, Delijah McAlpin, Eric Etebari, Eric Roberts, Ernest Harden Jr., Everett Osborne, Gary Clark Jr., Jason Sklar, Jeremy Piven, Jim Caviezel, Jim Meskimen, Kevin Pollak, Mike Starr, Paul Hipp, Preston Galli, Richard Dreyfuss, Robert Ri'chard, Wayne Federman

Director: Martin Guigui

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For those familiar with the movie In Time, this German Netflix thriller has a similar premise, but with a few changes. Time is exchanged for money, instead of entirely replacing it. Time donation also acts more like blood donation – there needs some DNA compatibility to do so and more prominent individuals are prioritized for these exchanges. Paradise’s world also hasn’t figured out how to completely stop aging. These changes come with a side of more overt anti-capitalist commentary, so the movie could have had a more focused and critical approach to the time donation. However, like In Time, Paradise quickly devolves into the sci-fi thriller shenanigans we’re all familiar with, but without any of the spectacle.

Genre: Action, Science Fiction, Thriller

Actor: Aistė Diržiūtė, Aleyna Cara, Alina Levshin, Andreas Windhuis, Clovis Kasanda, Corinna Kirchhoff, Dalila Abdallah, Eglė Lekstutytė, Gizem Emre, Haley Louise Jones, Iris Berben, Kostja Ullmann, Lisa Loven Kongsli, Lisa-Marie Koroll, Lorna Ishema, Lucas Lynggaard Tønnesen, Lukas von Horbatschewsky, Marlene Tanczik, Matthias Ziesing, Numan Acar, Simon Amberger, Tom Böttcher

Director: Boris Kunz

Rating: R

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In Love and Deep Water is torn between multiple concepts. There’s a murder, sure, and a butler trying to figure out who’s the killer, but there also happens to be a romance plot where the same butler falls in love with the passenger that informs him of their partners’ infidelity. The film also tries to squeeze in comedy with the way the killers try to hide the dead body, the ridiculousness of some passengers, and cheeky but contextless commentary. While the romance is lovely, In Love and Deep Water isn’t the fun and chaotic murder mystery promised, as it drowns itself with interesting ideas that never really fully pans out.

Genre: Comedy, Mystery, Romance, Thriller

Actor: Airi Matsui, Aju Makita, Amane Okayama, Aoi Miyazaki, Hatsunori Hasegawa, Hidekazu Mashima, Ken Mitsuishi, Ken Yasuda, Kento Nagayama, Michiko Tomura, Miyu Hayashida, Nahana, Rinko Kikuchi, Ryo Yoshizawa, Saki Takaoka, Takashi Okabe, Tomu Miyazaki, Yasuomi Sano, Yoh Yoshida, Yoshimasa Kondô, Yuki Izumisawa

Director: Yusuke Taki

Rating: R, TV-MA

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