162 Movies Like Don't Look Up (2021) (Page 2)

Chasing the feel of watching Don't Look Up ? Here are the movies we recommend you watch right after.

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16. West Beirut, 1998

Director Ziad Doueiri is one of the first filmmakers to successfully break through to the global stage out of Lebanon, and West Beirut, which was selected as the country’s entry for the Best Foreign Language Film at the 1999 Academy Awards, is one of his most accomplished films.

The film stars the director's son Rami Doueiri as Tarek, a young Lebanese boy who loves to shoot with his Super 8 camera and go on small adventures with his friends Omar and May in the streets of Beirut. But one day, he is faced with the ugly truth of the Lebanese civil war. As he learns more and more about the divided state of his country, he sets out on a mission in search of any lingering hope to help keep the beautiful idea he has of his country locked safe and sound in his brain. “Whoever asks about your religion, you tell them I’m Lebanese.”

Genre: Comedy, Drama, Romance

Actor: Carmen Lebbos, Fadi Abi Samra, Liliane Nemri, Mohamad Chamas, Rami Doueiri, Rola Al Amin

Director: Ziad Doueiri

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17. This Is Not a Film, 2011

Everything about This Is Not a Film revolves around state censorship. Documentarian Mojtaba Mirtahmasb records Iranian cinema giant Jafar Panahi’s life under house arrest, maneuvering through the legal loopholes on Panahi’s 20-year ban on filmmaking and screenwriting. Here Panahi describes one of his unmade films that was rejected by the Iranian ministry, creating makeshift sets out of tape and his apartment’s living room, further emphasizing the ridiculousness of the state-imposed limitations on his artistic freedom. The result is a quasi-documentary that functions paradoxically, its un-cinematic quality essential for aesthetics as well as narrative. That this film had to be smuggled from Iran to Cannes on a flash drive hidden inside a birthday cake is a testament to political cinema’s power to be a vessel of pro-democracy sentiments, a fist raised proudly against state censors.

Genre: Documentary, Drama

Actor: Jafar Panahi

Director: Jafar Panahi, Mojtaba Mirtahmasb

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18. There Is No Evil, 2020

	
Exploring morality, conscience, and the death penalty, There Is No Evil tells four interconnected stories about men tasked with carrying out executions. The film excels at creating a sense of unease and tension as their reality contends with their beliefs about capital punishment and loyalty to the state. Director Mohammad Rasoulof (known for his films that explore social and political issues in Iran) allows each narrative to center both the subject and the institution, maintaining suspense but never straying from its argument. The sum - and its part - are undeniably profound.Genre: Drama
Actor: Mahtab Servati
Director: Mohammad Rasoulof

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19. Prophet's Prey, 2015

Prophet’s Prey is a documentary on the sect known as Fundamentalist Latter-Day Saints and its leader, Warren Jeffs. Claiming to have inherited a direct connection to God, Jeffs has used this pretext to control a closed society of thousands of individuals on a shockingly personal level, as well as marry dozens of underage girls and harvest the community’s financial resources on behalf of “the church.”

The subject is deftly handled by filmmaker Amy Berg (Deliver Us From Evil). Here she presents most of the story via interviews with the people whose tenacity was instrumental in exposing Jeffs. Woven throughout the film, too, is the haunting, disembodied voice of Jeffs himself, in recorded words to his followers, along with film footage of present-day FLDS communities. What emerges is the picture of a terrifying madman who still wields a disturbing amount of power over thousands of active congregants. Absolutely riveting.

Genre: Crime, Documentary, History

Actor: Nick Cave

Director: Amy J. Berg

Rating: TV-14

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20. Nightmare Alley, 2021

	
Wise, superbly acted, and gorgeously put together, all of these apply to Nightmare Alley. In a world where remakes are more in vogue than needed, Guillermo del Toro shows us how it's done. A sumptuous tale of a man's rise and fall guarantees some spectatorial pleasure, but having both Bradley Cooper and Cate Blanchett in the same film (plus unsung genius Toni Collette and all-round-favorite Willem Dafoe) pushes us into talent overload, in the best possible way. In addition to its thrilling plot and studded cast, Nightmare Alley is also psychologically literate enough to make a carnival out of the human soul. It's no surprise that in 2022, it got four Oscar nominations, including Best Picture where it certainly would have had my vote.Genre: Crime, Drama, Thriller
Actor: Bill MacDonald, Bradley Cooper, Caleb Ellsworth-Clark, Calvin Desautels, Cate Blanchett, Catherine McGregor, Charles Langille, Clifton Collins Jr., Clyde Whitham, Dan Lett, Dani Klupsch, Daniel Falk, Danny Waugh, David Hewlett, David Strathairn, Dian Bachar, Holt McCallany, James Collins, Jesse Buck, Jim Beaver, Lara Jean Chorostecki, Lili Connor, Linden Porco, Mark Povinelli, Martin Julien, Mary Steenburgen, Matthew MacCallum, Natalie Brown, Paul Anderson, Perry Mucci, Peter MacNeill, Richard Jenkins, Romina Power, Ron Perlman, Rooney Mara, Sarah Mennell, Stephen McHattie, Tim Blake Nelson, Tim Post, Toni Collette, Troy James, Vikki Ring, Walter Rinaldi, Will Conlon, Willem Dafoe
Director: Guillermo del Toro
Rating: R

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21. Finders Keepers, 2015

A wacky viral story — the kind that gets played for laughs at the end of news broadcasts — gets uncommonly deep consideration in this documentary gem. That’s not to say that Finders Keepers ignores the surreal comedy of the situation that John Wood and Shannon Whisnant, two star-crossed North Carolina men, found themselves in in 2007: battling over the custody rights of John’s mummified amputated leg. The humor in this bizarre tale and all the myriad eccentricities of its real-life characters is never left untapped, but to simply focus on that would add nothing new to the way the story had been told thus far.

Unlike the many clips from news segments and reality TV that we see in the film, Finders Keepers instead looks beyond the low-hanging fruit and finds deep pathos simmering under the surface of this wacky tale. What emerges is a complex, often tragic, and very American picture of the way traumas shape our lives, the addictive pull of drugs and attention, and fate’s habit of twisting nightmares into blessings and vice versa. It’s the kind of film that makes you wonder how many other unexpectedly poignant stories have been short-changed by our impulse to be flippant.

Genre: Documentary

Actor: John Wood, Shannon Whisnant

Director: Bryan Carberry, J. Clay Tweel

Rating: R

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22. Wojnarowicz: Fuck You Faggot Fucker, 2021

Even a straightforward documentary on the New York East Village visual artist David Wonjarowicz (pronounced VOY-nuh-ROH-vitch) would be thrilling, given the energy and the irreverence of his artworks especially during the AIDS epidemic from the 1980s to the 1990s. But director Chris McKim goes above and beyond, essentially imagining how Wojnarowicz would have directed his own film. McKim treats the movie like a collage in itself, expertly blending footage and sound together not just to capture the artist's fury, but to remember how deeply he loved, transcending space and sickness. As an account of the underground New York art scene at the time, a profile on a supposed enfant terrible, and a tribute to all those who lost their lives to a disease accelerated by discrimination, Wojnarowicz is a beautiful, complex tapestry.

Genre: Documentary

Actor: David Wojnarowicz, Fran Lebowitz, Nan Goldin

Director: Chris McKim

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23. There Are No Fakes, 2019

The highly unusual story of this documentary starts with Kevin Hearn, a member of the band Barenaked Ladies, realizing that his painting by famous Canadian Indigenous artist Norval Morrisseau is a fake. When he sues the collector he bought it from, he starts a series of inquiries that unravel a story that gets progressively darker: drug dealing, organized crime, addiction, sexual abuse, and completely crazy characters (reminiscent of Tiger King).

Behind all of that, There Are No Fakes is about the exploitation not only of Indigenous art but of Indigenous people in Canada in general.

Genre: Documentary

Actor: Kevin Hearn

Director: Jamie Kastner

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24. Another Round, 2020

	
Director Thomas Vinterberg (The Hunt) reunites with Mads Mikkelsen to tell the story of four teachers going through a mid-life crisis. They’re not sad, exactly—they have homes and jobs and are good friends with each other—but they’re not happy either. Unlike the ebullient youth they teach, they seem to have lost their lust for life, and it’s silently eating away at them, rendering them glassy-eyed and mechanic in their everyday lives.

Enter an experiment: what if, as one scholar suggests, humans were meant to fulfill a certain alcohol concentration in order to live as fully and present as possible? The teachers use themselves as the subjects and the tide slowly starts to turn to mixed effects. Are they actually getting better or worse?

With an always-satisfying performance by Mikkelsen and an instant classic of an ender, it’s no surprise Another Round took home the award for Best Foreign Film in the 2020 Academy Awards.Genre: Comedy, Drama
Actor: Albert Rudbeck Lindhardt, Christiane Gjellerup Koch, Diêm Camille G., Dorte Højsted, Frederik Winther Rasmussen, Helene Reingaard Neumann, Lars Ranthe, Mads Mikkelsen, Magnus Millang, Magnus Sjørup, Maria Bonnevie, Martin Greis-Rosenthal, Mercedes Claro Schelin, Michael Asmussen, Morten Thunbo, Niels Jørgensen, Per Otto Bersang Rasmussen, Silas Cornelius Van, Susse Wold, Thomas Bo Larsen
Director: Thomas Vinterberg
Rating: Not Rated

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25. Woman at War, 2018

A calm choir leader lives a secret life as eco-warrior in this visually stunning and intelligent story about our complex times. If you're familiar with Icelandic movies, this one has just the right amount of that Icelandic quirkiness - making it a proper feel-good movie with a message. This is added to the superb acting and an off-beat musical score. Not to be missed.

Genre: Comedy, Drama, Thriller

Actor: Björn Thors, Charlotte Bøving, Gunnar Bersi Björnsson, Halldóra Geirharðsdóttir, Hallgrimur Olafsson, Haraldur Ari Stefánsson, Helga Braga Jónsdóttir, Hilmir Snær Guðnason, Jóhann Sigurðarson, Jón Gnarr, Jorundur Ragnarsson, Juan Camillo Roman Estrada, Magnús Trygvason Eliassen, Margaryta Hilska, Olena Lavreniuk, Olena Lavrenyuk, Ómar Guðjónsson, Ragnheiður Steindórsdóttir, Saga Garðarsdóttir, Sólveig Arnarsdóttir, Thorir Sæmundsson, Þorsteinn Guðmundsson

Director: Benedikt Erlingsson

Rating: Not Rated

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26. Rosie, 2019

This emotional and moving story is about a mother of four who is forced into homelessness in Dublin. With her husband working in a demanding restaurant job, Rosie is left to take care of the children while trying to find anything resembling accommodation. She starts by seeking the help of the city council, but every facility she calls is full or refuses to welcome them.

As a viewer, the heartbreaking reality of the situation sinks in quickly: Rosie and her husband are priced out and there are too many people in their condition. Their car doesn't fit them. But to her children, relatives, and school officials, Rosie keeps up appearances and doesn't compromise on her overwhelming child care tasks.

Genre: Drama

Actor: Clare Monnelly, Darragh Mckenzie, Derbhle Crotty, Eva-Jane Gaffney, Ger Kelly, Johanna O'Brien, John Dalessandro, Killian Coyle, Lochlann Ó Mearáin, Lochlann O'Mearáin, Moe Dunford, Molly McCann, Natalia Kostrzewa, Pom Boyd, Ruby Dunne, Sarah Greene, Toni O'Rourke

Director: Paddy Breathnach

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27. Beautiful Boy, 2018

	
Steve Carrell delivers an amazing performance here. Beautiful Boy is a movie that is based on a true story that first appeared as a best-selling serialized memoir.
It’s about a son’s journey through drug abuse and how his relationship with his father evolves. The son is played by Timothée Chalamet (Call Me By Your Name), Carrell is the dad. 
As you can probably guess, the themes of drug addiction and family are made to induce tears, which this movie manages to do in a lot of ways. It can come across as somewhat emotionally manipulative at times. In those moments, it helps to remind oneself that it is based on a true story.
The performances and the exploration of the limits of the father-son relationship remain the reasons why you should consider watching this movie.Genre: Drama
Actor: Amy Aquino, Amy Forsyth, Amy Ryan, Anastasia Leddick, Andre Royo, Brandon James Cienfuegos, Carlton Wilborn, Cheska Corona, Christian Convery, David Mendenhall, Edward Fletcher, Jack Dylan Grazer, Julian Works, Justin Townes Earle, Kaitlyn Dever, Kue Lawrence, LisaGay Hamilton, Mandeiya Flory, Marypat Farrell, Maura Tierne, Maura Tierney, Minerva García, Nikki Snipper, Oakley Bull, Ricky Low, Seann Gallagher, Stefanie Scott, Steve Carell, TimothÃ©e Chalamet, Timothée Chalamet, Timothy Hutton, Tom Beyer, Zachary Rifkin
Director: Felix Van Groeningen
Rating: R

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28. This Much I Know to Be True, 2022

Whether or not you're a fan of Nick Cave's contemplative, idiosyncratic style of music, This Much I Know to Be True still works on a purely experiential level. There's confusion, then a rush of euphoria, then an overwhelming sense of peace when listening to Cave's (and musical collaborator Warren Ellis's) cryptic lyrics and delicate compositions—shot with breathtaking use of studio lights by director Andrew Dominik and cinematographer Robbie Ryan.

And things only get more emotional when you consider how far Cave has come, that these performances are happening several rough years from the untimely death of his son. And suddenly even all the unrelated B-roll footage included in the film—of Cave talking about his sculptures, talking to Ellis, answering profound fan emails—takes on a greater urgency. This sounds like music for mourning, but in its own way it's music for celebration, too, and gratitude despite everything.

Genre: Documentary, Drama, Music

Actor: Andrew Dominik, Earl Cave, Marianne Faithfull, Nick Cave, Warren Ellis

Director: Andrew Dominik

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29. Mister Organ, 2022

	
This documentary from journalist David Farrier, New Zealand’s answer to Louis Theroux, plays more like an out-and-out horror movie. But don’t be fooled by the serial killer connotations of its title — the real Mister Organ’s crimes are (mostly) psychological and have no obvious motive, making him quite a bit scarier than your usual screen villain. Described as a “parasite,” “terrorist,” and a “black hole” by the few traumatized victims of his who agree to talk on record about him, Organ is clearly a master at weaving a sticky web around everyone who comes near him — including, as it turns out, Farrier himself, who soon becomes a casualty of his own investigation.

Though the doc never really punctures the nebulous aura of this deeply creepy — and yet somehow deeply dull — character, that’s what makes it such an arresting watch: Farrier takes us along for the ride as he’s sucked into the disorienting orbit of an energy vampire, largely denying us the relief of a clarifying explanation so that we, too, get a taste of the claustrophobia and psychological torture that come with dealing firsthand with someone like Organ.Genre: Documentary
Actor: David Farrier, Michael Organ
Director: David Farrier

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30. Daughters, 2024

There are three threads in Daughters that directors Natalie Rae and Angela Patton weave beautifully together. The first thread follows the incarcerated men who gather every week to talk about fatherhood, mostly, because of the program that they’re in, but also: masculinity, race, systemic poverty, social mobility, and the skewed prison system in America. The discussions are raw and enlightening. “This isn’t normal, that we’re all in here,” one of the men wisely says, and it feels special to witness that moment of shared empowerment. The second thread follows the daughters, whose ages range from 5 to 15. In line with the film’s honesty, it shows us girls who miss their fathers and girls who don’t; girls who know everything about them and those who can’t even remember their faces. One is oblivious, the other suicidal. This part is enlightening in a different way: you hope the kids are too young to realize what’s going on, but that’s almost never the case. The final thread is where the two others meet: it offers the most heartbreaking parts of the film, but also the most beautiful. Both parties dress up, take pictures, move on the dancefloor, and say their inevitable goodbyes, and all this is captured in the same darklit, grainy color as the film cameras the fathers and daughters are given to document the dance. The direction and editing is artistic, but never in a gratuitious way. Instead, like other parts of the film, it’s filled with gentleness and empathy.

Genre: Documentary

Director: Angela Patton, Natalie Rae

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