Chasing the feel of watching Do the Right Thing ? Here are the movies we recommend you watch right after.
Genre: Animation, Comedy, Drama
Actor: Barry Humphries, Bethany Whitmore, Carolyn Shakespeare-Allen, Christopher Massey, Eric Bana, Ian 'Molly' Meldrum, Ian Meldrum, John Flaus, Julie Forsyth, Michael Ienna, Philip Seymour Hoffman, Renée Geyer, Renée Geyer, Toni Collette
Director: Adam Elliot
Fear of abandonment is at the heart of The Vanishing. Lovers Rex and Saskia are separated on their way to France after the latter vanishes without a trace. For the next three years, Rex dedicates his life to finding out what happened to Saskia in whatever way possible, endangering his own safety in the process. George Sluizer’s chilling psychological thriller shows the evils that curiosity and obsession can bring, and is a uniquely perverse look at the ugly side of truth-seeking.
Genre: Drama, Mystery, Thriller
Actor: Bernadette Le Saché, Bernard-Pierre Donnadieu, Gene Bervoets, Gwen Eckhaus, Johanna ter Steege, Pierre Forget, Roger Souza
Director: George Sluizer
Named for all the connections that form a functioning society, Threads is a harrowing look at what might happen when those ties are rent apart by nuclear war. This British TV movie — released during the Cold War — so violently seized on the nuclear anxieties of the time that its premiere was dubbed “the night the country didn’t sleep.” Depressingly, it hasn’t lost that initial resonance, and so it remains a panic attack-inducing watch.
Threads begins in the kitchen-sink vein of a Ken Loach movie. In the northern industrial town of Sheffield, a young couple from different social classes (Reece Dinsdale and Karen Meagher) discover they’re about to be parents — but looming above their small-scale drama are the clouds of war, as televisions and radios blare out the details of escalating tensions between the US and the USSR. And then, it happens: the town is strategically bombed, and Threads unfurls into an unrelenting nightmare. In the documentary-like approach that follows, it spares no graphic or emotional detail, charting both the personal devastation caused by the bomb and the annihilating impact of the nuclear holocaust on all the vital infrastructure we take for granted. In short, one of the bleakest, most terrifying movies ever made.
Genre: Drama, Horror, Science Fiction, War
Actor: Ashley Barker, Brian Grellis, David Brierly, Dean Williamson, Ed Bishop, Harry Beety, Henry Moxon, Jane Hazlegrove, Joe Belcher, Karen Meagher, Lesley Judd, Maggie Ford, Michael O'Hagan, Nat Jackley, Patrick Allen, Peter Faulkner, Phil Rose, Reece Dinsdale, Richard Albrecht, Rita May, Ruth Holden, Steve Halliwell, Ted Beyer
Director: Mick Jackson
Something is wrong with Carol White. She’s a well-off housewife living in the picturesque suburbs of Los Angeles. Her husband’s job is going well, her step-son is pleasant, and her social life consists of boutique lunches, fruit-filled diets, and lavishly pink baby showers—all is well on this side of the white picket fence.
Until Carol starts sneezing. Then she begins coughing, and she experiences a violent asthma attack while driving on the freeway. Afterward, Carol’s nose won’t stop bleeding. She starts having seizures. Struggling to breathe, Carol winds up in the hospital, seeing doctors and psychologists trying to diagnose what’s wrong and whether her mystery illness is physiological or psychological.
Todd Haynes’ Safe is an unnerving examination at our relationship with the environment—and in an increasingly modernized world, how much we can tolerate of what we create: white noise, toxins, busy work, everyday poisons, monotonous obligations. It’s also a complicated reflection on the ways in which women’s pain is disregarded and minimized, and what the loss of invisible agency looks like when it begins to manifest outward.
Genre: Drama
Actor: Allan Wasserman, April Grace, Beth Grant, Brandon Cruz, Cassy Friel, Chauncey Leopardi, Dean Norris, Francesca P. Roberts, James Le Gros, James Lyons, Janel Moloney, Jean St. James, Jessica Harper, Jodie Markell, John Apicella, Julianne Moore, Kate McGregor-Stewart, Lorna Scott, Martha Velez, Mary Carver, Peter Crombie, Peter Friedman, Rio Hackford, Ronnie Farer, Saachiko, Sarah Scott Davis, Steven Gilborn, Susan Norman, Tricia Dong, Xander Berkeley
Director: Todd Haynes
Martin Scorsese had just spent a year prepping for The Last Temptation of Christ when Paramount Pictures unceremoniously pulled the plug on the movie just one month before production was due to start. After Hours was Scorsese’s way of exorcising all that disappointment and frustration, and you can feel it: this black comedy vibrates with manic intensity as it charts a night from hell in the life of Paul (Griffin Dunne), a somewhat scuzzy yuppie living in ‘80s New York City.
In keeping with its title — which suggests the movie is suspended in temporal limbo — After Hours feels like it takes place in some mythological hellscape, a demonic underworld in which everyone Paul meets has been sent forth with the express mission to make his life more miserable. Surreal coincidences pile up, deepening his paranoia and turning his simple goal of returning home into a labyrinthine quest for survival on the deserted, rain-soaked streets of SoHo. It’s the kind of celluloid nightmare that terrorizes and thrills you at the same time (a la the Safdie brothers’ best works, which draw inspiration from After Hours). Only a director of Scorsese’s caliber could turn profound professional disappointment into such a win as this.
Genre: Comedy, Drama, Thriller
Actor: Bronson Pinchot, Catherine O'Hara, Charles Scorsese, Cheech Marin, Clarence Felder, Dick Miller, Frank Aquilino, Griffin Dunne, Henry Judd Baker, John Heard, Larry Block, Linda Fiorentino, Margo Winkler, Martin Scorsese, Murray Moston, Paula Raflo, Robin Johnson, Rocco Sisto, Rockets Redglare, Rosanna Arquette, Teri Garr, Tommy Chong, Verna Bloom, Victor Argo, Victor Magnotta, Will Patton
Director: Martin Scorsese
On their drive back from a Tinder date that was only average, a couple are pulled over by a racist police officer. Things escalate unexpectedly and the couple, one of whom is a lawyer aware of the corruptedness of the system, start a life on the run together. This thrilling set-up mixing social commentary and romance is a movie that's actually many movies in one. And almost as if to cut in-between the different tonalities, there are so many quiet and beautiful shots of the couple: silent, still or dancing - these moments are true cinematic magic.
Genre: Crime, Drama, Mystery, Romance
Actor: Andre De'Sean Shanks, Andy Dylan, Benito Martinez, Bokeem Woodbine, Brian Thornton, Bryant Tardy, Chloe Sevigny, Colby Boothman-Shepard, Daniel Kaluuya, Dickson Obahor, Flea, Gayle King, Gralen Bryant Banks, Indya Moore, Jahi Di'Allo Winston, Jodie Turner-Smith, Joseph Poliquin, Karen Kaia Livers, Lucky Johnson, Melanie Halfkenny, Robert Walker Branchaud, Soledad O'Brien, Sturgill Simpson, Thom Gossom Jr.
Director: Melina Matsoukas
Spike Lee burst onto the filmmaking scene with this, his groundbreaking debut feature. Low in budget but high in confidence, She’s Gotta Have It fizzes with unadulterated energy and style, from its kaleidoscopic opening montage of stills depicting life in Brooklyn (where the film is set) to the joyous direct addresses of its credits sequence.
The film helped to kick off the independent movie movement in the US, and it’s not hard to see why: Lee and his collaborators (including members of his own family) do so much with so little here. Along with its visual and formal inventiveness — including ample fourth wall breaks and cinematographer Ernest Dickerson’s momentary, audacious switch from black-and-white to vibrant color — She’s Gotta Have It also broke new ground with Nola (Tracy Camilla Johns), the young, Black, unapologetically polyamorous artist whom the film’s forthright exploration of sexuality and feminism is centered on. Lee has since expressed regret about one scene in the film — an ill-judged moment that unavoidably dilutes some of its brilliance — but this aside, She’s Gotta Have It stands overall as a radical, exuberant, and impressively assertive lightning bolt of an entry into the medium that Lee changed forever.
Genre: Comedy, Romance
Actor: Bill Lee, Cheryl Burr, Eric Payne, Erik Dellums, Ernest R. Dickerson, Fab 5 Freddy, John Canada Terrell, Joie Lee, Monty Ross, Raye Dowell, Reginald Hudlin, S. Epatha Merkerson, Spike Lee, Tiziano Cortini, Tommy Redmond Hicks, Tracy Camilla Johns
Director: Spike Lee
The '80s saw an influx of coming-of-age dramas, with John Hughes’ “Brat Pack” films reigning supreme. For better or worse, their most iconic scenes are embedded in pop culture, like students dancing in detention in The Breakfast Club or Sixteen Candles’ belated birthday cake. Perhaps the most iconic '80s movie moment comes not from Hughes, but from Cameron Crowe’s Say Anything…: Lloyd Dobler (John Cusak) in a trenchcoat, blue Malibu parked behind him, boombox raised over his head in defiant loyalty.
On their last day of high school, Lloyd Dobler resolves to ask out the class valedictorian Diane Court (Ione Skye). Their summer-long relationship is awkward, intense, tender—and familiar to anyone who has ever opened themselves up to falling in love. Say Anything… emotionally outclasses its contemporaries, as Crowe’s writing lends itself to two authentic characters fleshed out beyond caricatures. And as Lloyd crushes hard on Diane, it’s hard not to feel like you’re falling in love with each of them, too.
Genre: Comedy, Drama, Romance
Actor: Amy Brooks, Bebe Neuwirth, Bill Stevenson, Chynna Phillips, Dan Castellaneta, Don Wilson, Eric Stoltz, Glenn Walker Harris Jr., Gloria Cromwell, Gregory Sporleder, Ione Skye, Jason Gould, Jeremy Piven, Jerry Ziesmer, Jim Ladd, Joan Cusack, Joanna Frank, John Cusack, John Hillner, John Mahoney, Johnny Green, Jonathan Chapin, Judy Prescott, Kim Walker, Lili Taylor, Lisanne Falk, Lois Chiles, Loren Dean, Montrose Hagins, Pamela Adlon, Philip Baker Hall, Polly Platt, Richard Portnow, Stephen Shortridge, Stone Gossard
Director: Cameron Crowe
A young Steve Buscemi leads this wry farce about a calamitous film set where nothing goes right. The sardonic script skewers the ins and outs of low budget film production and the various personalities on set from belligerent directors, pretentious cinematographers, and egotistic actors.
A playful three-act structure and trips into dream sequences keep things light, while a strong supporting cast, including a cheeky appearance by Peter Dinklage and the fantastic Catherine Keener, gives the film the backbone it needs.
Genre: Comedy, Drama
Actor: Catherine Keener, Danielle von Zerneck, Dermot Mulroney, Hilary Gilford, James Le Gros, Kevin Corrigan, Lori Tan Chinn, Norman Fields, Peter Dinklage, Rica Martens, Robert Wightman, Steve Buscemi
Director: Tom DiCillo
Spike Lee’s adaptation of Richard Price’s novel might appear lesser next to his best work, but it still a gorgeous showcase for all of his talents as a director. Its case is further bolstered by a stacked cast including Delroy Lindo, Harvey Keitel, Mekhi Pfifer, Isaiah Washington, and John Turturro.
Clockers is set in the world of small-time drug-dealers during the crack epidemic, and much like The Wire (which Price would go on to write for) applies a multifaceted lens to the material. Lee’s uncompromising and emphatic direction lends a gorgeous gravity to the taut drama while top-notch performances fuel the emotional furnace at its core.
Genre: Crime, Drama, Mystery, Thriller
Actor: Arthur J. Nascarella, Bray Poor, Brendan Kelly, Brian Konowal, Christopher Wynkoop, David Batiste, Delroy Lindo, Elvis Nolasco, Frances Foster, Fredro Starr, Ginny Yang, Harry Lennix, Harvey Keitel, Hassan Johnson, Isaiah Washington, J. C. MacKenzie, James Saxenmeyer, Jeff Ward, John Turturro, Keith David, Ken Garito, Lawrence B. Adisa, Leonard L. Thomas, Lisa Arrindell, Marc Webster, Maurice Sneed, Mekhi Phifer, Michael Badalucco, Michael Cullen, Michael Imperioli, Michael McGruther, Mike Starr, Norman Matlock, Orran Farmer, Paul Calderon, Paul Schulze, Peewee Love, Regina Taylor, Rick Aiello, Ron Brice, Scot Anthony Robinson, Skipp Sudduth, Spike Lee, Steve White, Sticky Fingaz, Thomas Jefferson Byrd, Tim Kelleher
Director: Spike Lee
Leave it to a master filmmaker like Krzysztof Kieślowski—known for the Three Colours Trilogy, The Double Life of Veronique, and the miniseries Dekalog (whose sixth episode was expanded into this film)—to take a premise as banal as that of a peeping tom and to turn it into something mysterious and poignant. There are definitely still parts to this story that may not hold up to scrutiny, like its belief in a romantic/spiritual connection that rewards the immature man for barging into a woman's life. In different hands, this subject matter would just be creepy. In Kieślowski's, the loneliness of these characters takes full shape.
As young postal clerk Tomek (Olaf Lubaszenko) quickly admits his spying to the older and more jaded Magda (Grażyna Szapołowska), the two are drawn to each other with a combination of fear, pity, and lust. And what Kieślowski does—with the help of cinematographer Witold Adamek's stunning, intimate frames; and his cast's subdued sorrow—is move the film away from concerns about consent and control, and to tell a story about what it means to truly be seen and acknowledged by another person. In an existence made up of meaningless routine and temporary relationships, seeing someone else at their most vulnerable feels like lightning.
Genre: Drama, Romance
Actor: Artur Barciś, Grażyna Szapołowska, Olaf Lubaszenko, Piotr Machalica, Stanisław Gawlik, Stefania Iwińska
Director: Krzysztof Kieślowski
This fun drama is about a 90-year-old who’s still searching for answers to life’s existential questions. Lucky smokes, drinks, and is pretty angry (a not-so-chill atheist); but he’s still around.
Harry Dean Stanton, in what feels like an extension to his character Lucky, passed away a year after the film premiered in 2017. This was the last role of the legendary Alien and The Godfather actor.
Genre: Drama
Actor: Ana Mercedes, Barry Shabaka Henley, Bertila Damas, Beth Grant, David Lynch, Ed Begley Jr., Harry Dean Stanton, Hugo Armstrong, James Darren, Ron Livingston, Tom Skerritt, Yvonne Huff
Director: John Carroll Lynch
A poetic and peculiar movie from Senegal about a girl who is forced to marry a wealthy businessman instead of her love interest. The latter, a poor construction worker, embarks on a risky journey across the sea to Europe. The story takes a supernatural turn thereafter, one that is unlike anything seen before in stories around immigration, but one which makes sense. Still, the excellent acting and the long takes that immerse you in what life is like in Senegal, both in and out of the margins of society, are the reasons to watch here. Atlantics' characters are believable and will capture your interest throughout the usual and unusual parts of the movie. They provide rare insight into narratives that most of us have never been exposed to.
Genre: Drama, Fantasy, Mystery, Romance
Actor: Abdou Balde, Amadou Mbow, Amina Kane, Aminata Kane, Arame Fall Faye, Babacar Sylla, Coumba Dieng, Diankou Sembene, Ibrahima Mbaye, Ibrahima Traore, Mama Sane, Mame Bineta Sane, Mariama Gassama, Mati Diop, Nicole Sougou, Traore
Director: Mati Diop
In this neo-noir crime drama, John Cusack, Anjelica Huston and Annette Bening play a trio of con-artists in modern day (1990) California. Roy (Cusack) is a small-stakes hustler prone to swindling bartenders and drunken sailors for pocket money, while Lilly (Huston) plays his estranged mother who reappears in his life while working a series of horse track bluffs. Myra (Bening) notches in between the two of them as Cusack’s boisterous yet conniving girlfriend, and the instant mutual dislike between her and Lilly sets the film’s course of action in motion. It’s a fun, edgy thriller that will leave you guessing up until it's shocking finale. Elevated immeasurably by Elmer Bernstein’s old-fashioned, hard boiled music score, The Grifters is a real feather in the hat for both director Stephen Frears and producer Martin Scorsese.
Genre: Crime, Drama
Actor: Anjelica Huston, Annette Bening, Billy Ray Sharkey, Charles Napier, David Sinaiko, Eddie Jones, Frances Bay, Gailard Sartain, Gregory Sporleder, Henry Jones, Ivette Soler, J.T. Walsh, Jan Munroe, Jeff Perry, Jeremy Piven, Jimmy Noonan, John Cusack, Jon Gries, Juliet Landau, Lou Hancock, Martin Scorsese, Michael Laskin, Micole Mercurio, Noelle Harling, Pat Hingle, Paul Adelstein, Richard Holden, Robert Weems, Sandy Baron, Stephen Tobolowsky, Steve Buscemi, Sy Richardson, Teresa Gilmore, Xander Berkeley
Director: Stephen Frears
A deadpan anthology of three interconnected stories set in a run-down hotel in Memphis, Tennessee. The film's deliberate pacing, minimalist approach, and observational style are present throughout, capturing the essence of each character and their encounters with the city.
Director Jim Jarmusch's indie film displays its characters' quirks and desires, all underlined with a love letter to Elvis Presley. Each unique segment has some charm, humor, and soundtrack that creates a palpable sense of time and place even if the sum displaces the overall narrative.
Genre: Comedy, Drama
Actor: Calvin Brown, Elizabeth Bracco, Jim Stark, Jodie Markell, Joe Strummer, Masatoshi Nagase, Nicoletta Braschi, Richard Boes, Rick Aviles, Rockets Redglare, Rufus Thomas, Sara Driver, Screamin' Jay Hawkins, Steve Buscemi, Sy Richardson, Tom Noonan, Tom Waits, Vondie Curtis-Hall, Youki Kudoh
Director: Jim Jarmusch