15 Movies Like Creation of the Gods I: Kingdom of Storms (2023)

The British social-critical director of I, Daniel Blake and The Wind That Shakes the Barley, Ken Loach, delivers another scathing indictment of our economic system, the slashing of worker protection, and the gig economy. While these are indeed the themes of this affecting drama, Loach always makes it about the people. In this case, a struggling family man who tries to turn his life around by working in package delivery. Gig economy workers are usually freelancers who own their trucks and are made fully responsible for packages until they reach their respective recipients. From peeing in a bottle to save time to seamless monitoring by an overlord hand-held device, Sorry We Missed You manages to capture the indignity and gives you an intimate introduction to the human cost of having everything delivered to your doorstep at a moment's notice. Thanks to Loach's use of amateur actors, it has a raw and real feel to it without being melodramatic. Sorry We Missed You makes sure that the habitually unseen take center stage.

Genre: Drama

Actor: Charlie Richmond, Debbie Honeywood, Katie Proctor, Kris Hitchen, Maxie Peters, Rhys Mcgowan, Rhys Stone, Ross Brewster, Sheila Dunkerley, Stephen Clegg, Vicky Hall

Director: Ken Loach

Rating: 0, 12

You don’t need to know a lot about baseball to appreciate The Saint of Second Chances. It has enough going on to keep you hooked from start to end, beginning with Jeff Daniels’ inimitable voice as the narrator and Charlie Day’s inspired casting as the younger Veeck, all the way down to the Veecks’ fascinating ties with American sports history and Mike’s inspiring and heartwarming second-chance philosophy. It all gets a bit too much at times, as if the filmmakers themselves were overwhelmed with their abundant material and creative decisions, but it’s executed with so much care and love that it seems as if this is the only way it could’ve come out: a wonderful mess. 

Genre: Documentary

Actor: Agnes Albright, Bill Veeck, Charley Rossman, Charlie Day, Dan Barreiro, Darryl Strawberry, Don Wardlow, Eliza Hayes Maher, Gary Private, Howard M. Lockie, Ila Borders, Jeff Daniels, Joel Spence, Kalup Allen, Lamar Johnson, Lee Adams, Max Kassidy, Oscar Jordan, Stewart Skelton, Tom Billett, Tony LaRussa

Director: Jeff Malmberg, Morgan Neville

Rating: PG-13

Being an awkward comic is a very difficult trick to pull off; even self-deprecating humor and long, quiet beats in between jokes can't just be used over and over. But while Ralph Barbosa's incredibly chilled-out personality might not be for people who like their comedians loud and animated, his matter-of-fact punchlines and willingness to make himself sound like a bit of a wimp work like a charm. Cowabunga doesn't touch on any hot-button topics, but it doesn't have to. Throughout this hour-long special, Barbosa gives us a strong, frequently very funny view from the point of view of a guy who doesn't want any trouble, but feels no pressure just being himself—a relatable dude if ever there was one.

Genre: Comedy

Actor: Ralph Barbosa

Director: Eric Adams

With Marvel and DC monopolizing the superhero landscape with high budgets, big-name actors, and CGI graphics, Shin Kamen Rider feels like a breath of fresh air. Also known as Shin Masked Rider in other territories, the adaptation recalls the campy costumes and over-the-top action of the original 70s tokusatsu series. It’s fun, if a little bit silly, and slightly unhinged, albeit with a more modern polish. The bizarre action sequences tend to be paired with old 70s rock, blood oversplashing, motorcycle stunts, and exaggerated expressions, especially from the villains. It’s a fitting love letter for the series’ 50th anniversary.

Genre: Action, Adventure, Drama, Fantasy, Science Fiction

Actor: Kanata Hongo, Ken Yasuda, Masami Nagasawa, Mikako Ichikawa, Minami Hamabe, Mirai Moriyama, Moriyama Mirai, Nanase Nishino, Nao Ōmori, Shinya Tsukamoto, Shuhei Uesugi, Sosuke Ikematsu, Suzuki Matsuo, Takumi Saitoh, Tasuku Emoto, Tori Matsuzaka, Toru Nakamura, Toru Tezuka, Yutaka Takenouchi

Director: Hideaki Anno

Rating: NR

Part sci-fi and part psychological horror, No One Will Save You is an impressive outing that serves as a vehicle for Dever’s one-woman show. She is a powerhouse, a nonstop show of talent that doesn’t seem to run out of fuel. The scenes are grueling and excruciating, they involve a lot of physical, mental, and emotional turmoil, but somehow, Dever rises to the challenge with unbelievable ease. Sure, sci-fi lovers will find much to discuss in these unearthly creatures, and cinephiles will appreciate how the film relies almost solely on sound design and a single line of dialogue. But it’s Dever who does the heavy lifting here, and it’s especially apparent when the film tries, weakly, to delve into Brynn’s psyche and the town’s sociological workings. It’s not as impressive in those regards, but Dever is strong enough an actress to make you forgive the movie’s frailer parts. 

Genre: Horror, Science Fiction, Thriller

Actor: Bridget Malbrough, Dane Rhodes, Dari Lynn Griffin, Elizabeth Kaluev, Emani White, Evangeline Rose, Geraldine Singer, Kaitlyn Dever, Lauren L. Murray, Zack Duhame

Director: Brian Duffield

Rating: PG-13

We would never know when we would die, but oftentimes, when faced with a deadline to one’s mortality, most would tie up loose ends, make the most of the time left, and reunite with their loved ones. 24 Hours with Gaspar is centered instead on the revenge of a grizzled, worn-out detective that only has one last regret: letting go of his childhood friend Kirana, not being able to find her. He hopes to enact his revenge by enlisting some friends and disgruntled victims of Wan Ali, who’s the most likely guy behind her disappearance. There are moments when the dialogue does falter, but Gaspar’s adventure is depicted in the most stylish way, complete with slick cinematography and a soundtrack that sets the mood for each turn in the mystery, even in a fairly depressing low tech dystopia. The film’s sci-fi might not be as hopeful as usual, and is mainly limited to Gaspar’s artificial heart, but 24 Hours with Gaspar is such a fun neo-noir mystery mash to watch, as long as you don't expect something akin to John Wick or Blade Runner.

Genre: Action, Crime, Drama, Mystery, Science Fiction, Thriller

Actor: Ali Fikry, Alleyra Fakhira Kurniawan, Dewi Irawan, Kristo Immanuel, Landung Simatupang, Laura Basuki, Reza Rahadian, Sal Priadi, Shenina Cinnamon, Shofia Shireen, Whani Darmawan

Director: Yosep Anggi Noen

Rating: R

Following the success of the Zom 100 manga and anime, Netflix quickly followed suit with a live-action film, which begs the question: why? Why bother, when the freshly released series is barely a month old and already a vibrant interpretation of the comic book it was based from? Why bother, when you’re not going to bring anything new to the table? The film, more than anything, feels like a rushed cash grab that hopes to capitalize on its predecessors’ success. The premise is clever and relatable—after years of living like a zombie, a jaded employee regains a lust for life when an outbreak threatens to kill him—but the film milks it to death, so much so that by the ending, when the characters finally reach this conclusion, they can’t help but seem slow for spelling out what we’ve already known from the start. The film also looks drab and dreary, a far cry from the series’ experimental wonders. Instead of multi-colored blood bursting with every kill, we simply get metallic confetti in the movie. Instead of dynamic action, we get barely believable stunts that seem more awkward than awe-inspiring. Zom 100: Bucket List of the Dead isn’t bad per se, but it doesn’t look so good next to its much-better counterparts on TV and in print.

Genre: Action, Comedy, Drama, Horror

Actor: Akari Hayami, Daiki Miyagi, Doronzu Ishimoto, Eiji Akaso, Jin Hisa, Kazuki Kitamura, Kenta Satoi, Kurumi Nakata, Mai Shiraishi, Mayo Kawasaki, Miwako Kakei, Mukau Nakamura, Reira Arai, Seijun Nobukawa, Shota Taniguchi, Shuntaro Yanagi, Yo Takahashi, Yui Ichikawa

Director: Yusuke Ishida

Rating: R, TV-MA

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Cliff Ware, Dilone, Frank Alfano, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R