3 Movies Like Colors of Evil: Red (2024)

Staff & contributors

Chasing the feel of watching Colors of Evil: Red ? Here are the movies we recommend you watch right after.

It starts out easy and compelling enough, in the middle of a crime scene with a naked dead girl on the shore. But easy and compelling this refuses to be. The film seems to be a slow, painful look at the process of capturing a perpetrator, a detective’s effort to profile a killer. But it threw a lot more at the wall hoping a lot more would stick. The nonlinear storytelling spices up the action, but it just feels like the base story needed all the help it could get. If you do stick with the movie, you’ll see some gory details, some twists, and an unnecessarily complex story.

With the nostalgia and the twin love triangle, at first glance, You & Me & Me seems like nothing new. However, this Thai coming-of-age drama is done so well that it feels entirely unique. Taking inspiration from the childhood of twin writer-directors, You & Me & Me brings us to a summer vacation in Isan, north Thailand, where the twins, distinguishable only by a mole and by dual-sided acting of Thitiya Jirapornsilp, encounter a boy named Mark. Amidst test taking, phin lute playing, and rowing in lotus filled lakes, their summer evokes some nostalgia, but also some drama, as their first forays into love threaten their bond. While the pacing is slow, and it does focus on the love triangle, You & Me & Me cares about each twin as they start to delve into new experiences outside of their duo. The film is a sweet and nuanced tale of twin sisterhood, but also a love letter to the Hongvivatanas’ childhood summer home.

Genre: Drama, Romance

Actor: Anthony Buisseret, Karuna Looktumthong, Natee Ngamneawprom, Supakson Chaimongkol, Supakson Ruengsomboon, Thitiya Jirapornsilp, Yasaka Chaisorn

Director: Wanweaw Hongvivatana, Weawwan Hongvivatana

The Euro 2020 finals was a cultural event, a celebration, a riot. This documentary perfectly captures the weight of the attack on Wembley, which it takes the time to characterize as like a holy ground being desecrated. But for the most part, the story spotlights the thousands of destructive drunks that needed to make it inside Wembley because of the magic in the air that day that you felt from every car on the road, every passenger on the train, every exploding glass bottle, and every bleeding individual. It’s got accounts from diehard English and Italian fans, Wembley security, and media personnel, which when put together, creates a fascinating stampede control documentary that also takes a sad turn post-game.

Genre: Documentary

Actor: Bobby Moore, Boris Johnson, Bukayo Saka, Catherine, Princess of Wales, David Beckham, Diego Maradona, Emma Saunders, Gareth Southgate, Harry Kane, Leonardo Bonucci, Luciano Spalletti, Marcus Rashford, Paul Gascoigne, Queen Elizabeth II of the United Kingdom, Tom Cruise, Wayne Rooney, William, Prince of Wales

Director: Kwabena Oppong, Robert Miller

Rating: R

, 2024

Atlas is bad on every conceivable level. The writing is hackneyed, the cinematography is soulless, and the acting (save for a few) is one-dimensional. Only Jennifer Lopez and Sterling K. Brown are turning in serious performances, but somehow that makes the film worse, not better, because of how mismatched the energy is. If the acting wasn’t so serious, then Atlas could probably pass as camp—so bad and corny that it actually becomes fun to watch. If that’s the kind of film you’re looking for, then by all means, put on this Netflix film. But if you’re looking for genuine sci-fi fare, films with something meaningful and enlightening to say about the scary future of AI, then I suggest you look elsewhere.

Genre: Action, Science Fiction

Actor: Abraham Popoola, Amy Sturdivant, Briella Guiza, Gloria Cole, Gregory James Cohan, Howland Wilson, Jennifer Lopez, Justin Walker White, Lana Parrilla, Lesley Fera, Logan Hunt, Mark Strong, Mel Powell, Michelangelo Hyeon, Nicholas Walker, Paul Ganus, Samantha Hanratty, Simu Liu, Sterling K. Brown, Vaughn Johseph, Zoe Boyle

Director: Brad Peyton

Rating: PG-13