32 Movies Like Cocaine Bear (2023) (Page 2)

Staff & contributors
With a new, fast-paced media landscape, Call Me Chihiro might feel too slow for people new to the story. Composed of serene, slice-of-life moments, the film starts off feeling plotless, as the titular protagonist builds random interactions with the townspeople. She makes friends with people who seemingly don’t have much in common with her. Despite this, each interaction feels meaningful and genuine, thanks to the subtle acting of Kasumi Arimura. And as these scenes build up, and Chihiro’s friends begin to become friends with each other, these day-to-day moments form a character study of a lonely woman whose kindness and appreciation for life make her feel so admirable. For those wistful Sunday nights, Call Me Chihiro might be a great watch, but only if you’re in that certain mood.

Genre: Drama

Actor: Fusako Urabe, Hana Toyoshima, Itsuki Nagasawa, Jun Fubuki, Kasumi Arimura, Keiichi Suzuki, Lily Franky, Mitsuru Hirata, Miwako Ichikawa, Ryuya Wakaba, Shigeo Ôsako, Tetta Shimada, Toshie Negishi, Van, Wakaba Ryuuya, Yoichiro Saito, Yui Sakuma

Director: Rikiya Imaizumi

Rating: R, TV-14

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Matthew Cook, Christopher Winchester, Dave Davis, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, John Cihangir, Joshua Mikel, Keith Brooks, Krystal Tomlin, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Miles Doleac, Nicholas Hoult, Nicolas Cage, Oren Michaeli, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

Johnny is a story you’ve heard of a thousand times, but what makes it particularly endearing is that it’s all true and based on the real-life Father Jan Kaczkowski, a priest who went out of his way to help others. Kaczkowski led an extraordinary life, and the film honors that not by putting him on a pedestal but by emphasizing his humanness and humanity. As the misunderstood thief who befriends Kaczkowski, Piotr Trojan turns in a believable and realized performance, solidifying the film's credibility. 

Johnyy's premise is far from novel, but it is an effectively heartwarming film about forgiveness and second chances.

Genre: Drama, History

Actor: Anna Biernacik, Anna Dymna, Beata Bandurska, Beata Zygarlicka, Dawid Ogrodnik, Grażyna Bułka, Grzegorz Małecki, Hanna Klepacka, Iwona Sitkowska, Jakub Nosiadek, Jakub Sierenberg, Janusz R. Nowicki, Jerzy Nasierowski, Joachim Lamża, Jurek Owsiak, Katarzyna Anzorge, Katarzyna Z. Michalska, Konrad Beta, Kordian Rekowski, Łukasz Gajdzis, Maciej Kraszewski, Maciej Winkler, Magdalena Czerwińska, Maria Bednarska, Maria Pakulnis, Mariusz Bąkowski, Marta Stalmierska, Michał Kaleta, Mikołaj Osiński, Milena Lisiecka, Paweł Jusiński, Piotr Głuchowski, Piotr Łukaszczyk, Piotr Trojan, Ryszard Kluge, Witold Dębicki

Director: Daniel Jaroszek

Champions is as formulaic as it gets, but it’s impossible not to smile watching it. It’s based on a 2018 Spanish movie of the same name, but it feels a lot like the 2023 Korean movie Dream too. In both (and indeed a lot of other) films, we follow a sad sack antihero who, by virtue of being exposed to less fortunate people, is magically transformed into a good guy who gets all the glory he wished for by the end of the story. You know where it’s headed and you even know how it gets there, so it’s devoid of genuine twists and thrills. But the ways in which it gets there, however familiar, are sometimes funny and heartwarming. If you can stomach the cheesiness and predictability of it all, then Champions comes as an effectively hopeful and feel-good film that’s worth tuning into if you want a light laugh. Otherwise, it's all familiar fluff you can skip for better fare.

Genre: Comedy, Drama

Actor: Aaron Hughes, Alex Hintz, Alexandra Castillo, Alicia Johnston, Ashton Gunning, Barbara Pollard, Champ Pederson, Cheech Marin, Clint Allen, Cory Wojcik, Eddy Norman, Ernie Hudson, Heath Vermette, Jacob Blair, Jalen Rose, Jean-Jacques Javier, Joshua Felder, Kaitlin Olson, Kevin Iannucci, Lauren Cochrane, Lois Brothers, Madison Tevlin, Matt Cook, Mike Smith, Ryan DeLong, Ryder Dueck, Scott Van Pelt, Seán Cullen, Stephanie Sy, Vance Halldorson, Woody Harrelson

Director: Bobby Farrelly

Rating: PG-13

Even if it follows nearly every trick in the playbook, American Underdog positions itself on a big enough scale that makes it work like a charm anyway. Following the story of legendary undrafted NFL quarterback Kurt Warner (Zahcary Levi), the film elevates its familiar beats through stunning, wide-angle football sequences that make the sport feel as thrilling as ever, and a particularly solid performance from Anna Paquin, as Warner's long-suffering partner. But what ultimately becomes American Underdog's real secret weapon is the fact that this isn't a sports movie about skill, strategy, or success; Warner becomes an inspiring figure because of how long he had to persevere with his dream just barely out of reach.

Genre: Drama, Family

Actor: Aaron J. Brooks, Adam Baldwin, Anna Paquin, Beau Hart, Bruce McGill, Chance Kelly, Cindy Hogan, Collin Taylor, Dennis Quaid, Jason Allen Wear, SerDarius Blain, Steven Chester Prince, Trisha Zarate, Zachary Levi

Director: Andrew Erwin, Jon Erwin

Inside is a technical wonder and a fascinating vehicle for Dafoe’s character Nemo, who holds the entire thing together with a singularly insane performance. It also poses interesting questions about art, namely, what value does it hold at the end of the day? When you’re seconds away from dying of hunger and thirst, what good is a painting, a sculpture, a sketch? Are they really only as good as what they’re materially made out of or can they contribute something more? Inside plays with these questions, but unfortunately, not in any engaging, thoughtful, or creative way. The movie stretches on and on, recycling the same ideas and leaning on the inevitably disgusting ways humans survive as a crutch. An argument could be made that that is the point, to reveal the emptiness and dullness of expensive art, but Inside tries so hard to capture that feeling that it becomes the thing it critiques in the end.  

Genre: Drama, Thriller

Actor: Andrew Blumenthal, Cornelia Buch, Eliza Stuyck, Gene Bervoets, Josia Krug, Vincent Eaton, Willem Dafoe

Director: Vasilis Katsoupis

Rating: R

 As glad as I am to see a film celebrating the complex joys of interracial love and debunking the stigma of arranged marriages, I can’t help but wonder how and why a film about love got to be so dry and passionless. Is dating really this painfully awkward? Is marriage really this burdensome? Realistically, yes, but when you’re trying to make a point about true love supposedly trumping it all, including cultural differences and age-old traditions, then you should at least make it seem like the winner. The movie tries to have its cake and eat it too by serving us heaps of realism and fantasy on one plate, failing to understand that you only have to pick one to be palatable. “Love Contractually” is the title of Zoe’s documentary, but it’s also the name this movie should’ve gone with, seeing as how everyone acts like they’re obligated to be here. 

Genre: Comedy, Romance

Actor: Alexander Owen, Alice Orr-Ewing, Asim Chaudhry, Ben Ashenden, Emma Thompson, Haqi Ali, Jamal Andreas, Jeff Mirza, Lily James, Michael Marcus, Mim Shaikh, Munir Khairdin, Nikkita Chadha, Nosheen Phoenix, Oliver Chris, Peter Sandys-Clarke, Ravi Aujla, Sajal Ali, Shabana Azmi, Shaheen Khan, Shazad Latif, Sindhu Vee, Taj Atwal, Wasim Zakir

Director: Shekhar Kapur

Rating: PG-13

Like the action thriller Cellular (2004), Unseen plays with the idea of saving someone only through a phone. This time, however, Yoko Okumura’s directorial debut has video call instead of just audio, with video used to help nearly blind Emily run away from her kidnapper ex. Through split screen shots, occasional open hazy irises, and tiny phone screens, Unseen takes us on a desperate escape, an escape made possible by Emily’s connection with random stranger Sam. While some parts feel absolutely ridiculous, the thriller still feels like a wild ride, especially when focused on its two leads. It’s still enjoyable, if you can accept its silliness and the shallow way it approaches certain themes.

Genre: Horror, Mystery, Thriller

Actor: Brett Baker, Jolene Purdy, Michael Patrick Lane, Midori Francis, Missi Pyle, Nicholas X. Parsons, Ren Hanami

Director: Yoko Okumura

Rating: NR

As a supernatural horror, The Pope’s Exorcist doesn’t bring anything new to the table. It employs more or less the usual elements you’d expect from the genre, and to be fair, it does occasionally fright you with its bloody jumpscares and demonic screeches. But as a drama, the film is surprisingly watchable thanks to a committed and compelling performance from Crowe. The movie works best when it removes itself from its horror trappings and follows Crowe’s Gabriele as he moves through the ins and outs of the Vatican. When he challenges the church’s authority, when he defends his practice, when he inserts jokes in serious conversations because “the devil hates jokes,” these are when The Pope’s Exorcist shines and entertains. They’re also proof the film shouldn’t take itself too seriously when its star is having this much fun. 

Genre: Horror, Thriller

Actor: Alessandro Gruttadauria, Alex Essoe, Andrea Dugoni, Bianca Bardoe, Carrie Munro, Cornell John, Daniel Zovatto, Derek Carroll, Ed White, Edward Harper-Jones, Ella Cannon, Franco Nero, Gennaro Diana, Jordi Collet, Laila Barwick, Laurel Marsden, Marc Velasco, Matthew Sim, Pablo Raybould, Paloma Bloyd, Peter DeSouza-Feighoney, Ralph Ineson, Russell Crowe, Ryan O'Grady, Santi Bayón, Tom Bonington, Victor Solé

Director: Julius Avery

Rating: R

The Dutch Netflix film Happy Ending means well, but its insistence on the heterosexual relationship limits the film’s potential. Centered on the concept of the orgasm gap, it’s understandable to see the main character Luna have difficulty in expressing this to her partner Mink, however, the film doesn’t fully explore their relationship, or even the reasons behind Luna’s hesitation. Because of this, it’s hard to root for their relationship, especially when the third of their threesome Eve proves to be able to rise to the challenge of Luna’s orgasm. Without spoiling too much, the end result feels as unsatisfying as the main relationship.

Genre: Comedy, Drama, Romance

Actor: Claire Bender, Gaite Jansen, Joy Delima, Martijn Lakemeier, Sidar Toksöz, Sinem Kavus

Director: Joosje Duk

Known best for his horror films, writer-director Christopher Smith’s latest stint in the genre has dropped on Hulu. Consecration is one of many supernatural horror films set in convents and churches, as the Catholic Church’s notorious silence is easy fodder for potential fears. There’s some of that here, as Grace, portrayed by the excellent Jena Malone, tries to uncover the truth, not just for her brother’s murder but for her own past. However, there’s no secrecy in this murder mystery with the dialogue holding no subtlety at all. Even as the cast makes the most of it, Consecration drags down any possible tension or intrigue with its painfully straightforward dialogue and incoherent timeline shifts.

Genre: Horror, Thriller

Actor: Alexandra Lewis, Angela White, Charlotte Palmer, Danny Huston, David Boyle, Eilidh Fisher, Emma Hixson, Ian Pirie, Janet Suzman, Jena Malone, Jolade Obasola, Kit Rakusen, Marilyn O'Brien, Steffan Cennydd, Thoren Ferguson, Will Keen

Director: Christopher Smith

Rating: R

, 2023

Sayen is the kind of film that ultimately feels like it was written by a focus group: ample representation for a worthy cause funneled into the sort of escapism that should theoretically hit the widest demographic possible. But even with its solid production values and a determined performance by Rallen Montenegro, the film lacks the emotional bite that a less corporate-driven project likely would've had. It's not that Sayen comes off insincere about the plight of Indigenous peoples in Chile; it's that its desire to appear sincere stops most of its good ideas halfway. The action isn't particularly thrilling, the story doesn't develop so much as it stretches itself thin, and its supposed representation begins and ends with some terribly obvious—borderline tokenistic—scenes and character types.

Genre: Action, Adventure, Thriller

Actor: Alejandro Trejo, Álvaro Espinoza, Aron Piper, David Gaete, Eduardo Paxeco, Enrique Arce, Loreto Aravena, Rallén Montenegro, Ramón González, Roberto García Ruiz, Serge Santana, Teresa Ramos

Director: Alexander Witt

, 2022

You can tell that Blaze director Del Kathryn Barton is an award-winning visual artist first and foremost. The images that she puts together in this film are frequently stunning—making use of the camera in fascinating, freeing ways, and with lots of practical and computer-generated/animated effects that paint her young protagonist Blaze's world in glitter and feathers and lush colors. The imaginary dragon, which acts as a shorthand to symbolize Blaze's complex psychological response to her trauma, is a wonderfully tactile life-size puppet that lead actress Julia Savage responds to in an entirely convincing way.

But you can also tell that this is Barton's debut feature. Ultimately her visuals don't do enough to shake off or give meaning to the graphic scene of rape and murder that occurs at the beginning of the film. And the way she structures the movie threatens to make it feel like a series of music videos or video art pieces. Despite its originality and the level of commitment displayed by both Savage and Simon Baker, Blaze has difficulty communicating a coherent message about trauma—the film strung together by heavy-handed scenes that spell out various ideas and lead to the most obvious conclusions.

Genre: Crime, Drama, Fantasy

Actor: Bernie Van Tiel, Heather Mitchell, John Waters, Josh Lawson, Julia Savage, Kristy Wordsworth, Morgan Davies, Neal Horton, Rebecca Massey, Remy Hii, Simon Baker, Stephen James King, Will McDonald, Yael Stone

Director: Del Kathryn Barton

Based on the autobiography of real-life evangelical pastor Greg Laurie, Jesus Revolution recounts how a Christian movement in the '60s turned lost hippies into dedicated Christians. It was an interesting moment in time, but instead of delving into the movement's peculiarities and intricacies, Jesus Revolution offers a myopic tale that paints Laurie as a hero and the movement as inspirational when, really, they are anything but. Laurie's story never feels significant enough to justify a feature film and the movement never seems as radical as the film thinks it to be. And even though it’s autobiographical, it never really digs into Laurie's spirituality and interiority deep enough to reveal complex truths. In fact, everyone’s a caricature in this simplistic film that feels more like propaganda as it paints religion as perfect and all-saving while glossing over its many imperfections and questionable rhetoric. It could have worked as commentary, satire, or maybe even a sincere memoir, but as it is, it just feels like a short-sighted attempt at telling history.

Genre: Drama, History

Actor: Alexia Ioannides, Anna Grace Barlow, Billy Graham, Charlie Morgan Patton, DeVon Franklin, Jackson Robert Scott, Joel Courtney, Jolie Jenkins, Jonathan Roumie, Julia Campbell, Kelsey Grammer, Kevin Downes, Kimberly Williams-Paisley, Matthew Montemaro, Mina Sundwall, Nic Bishop, Nicholas Cirillo, Paras Patel, Randall Newsome, Shaun Weiss, Steve Hanks

Director: Brent McCorkle, Jon Erwin

Rating: PG-13

Girl in the Closet is a low-budget TV movie that gives us a peek into the lives of trafficked children, but nothing more beyond that. There is no compelling story or drama; no suspense as to how the children might possibly escape, or rousing speeches about how the system failed these kids. Instead of a real plot, the movie strings together one shocking abuse after the other and constantly jumps forward in time (one year later, five years later, nine months after) in an attempt to rush towards its predictable ending. It would’ve been thoroughly unwatchable if it weren’t for some dedicated performances, namely by Peters and Roman, who give much more than what the flimsy script and loose editing deserve. 

Genre: Drama, TV Movie

Actor: Daijah Peters, Danielle LaRoach, Remy Ma, Stevie Baggs Jr., Tami Roman, Teisha Speight, Willie Raysor

Director: Jaira Thomas