2 Movies Like Cheaper by the Dozen (2003)

Staff & contributors

Spike Lee burst onto the filmmaking scene with this, his groundbreaking debut feature. Low in budget but high in confidence, She’s Gotta Have It fizzes with unadulterated energy and style, from its kaleidoscopic opening montage of stills depicting life in Brooklyn (where the film is set) to the joyous direct addresses of its credits sequence.

The film helped to kick off the independent movie movement in the US, and it’s not hard to see why: Lee and his collaborators (including members of his own family) do so much with so little here. Along with its visual and formal inventiveness — including ample fourth wall breaks and cinematographer Ernest Dickerson’s momentary, audacious switch from black-and-white to vibrant color — She’s Gotta Have It also broke new ground with Nola (Tracy Camilla Johns), the young, Black, unapologetically polyamorous artist whom the film’s forthright exploration of sexuality and feminism is centered on. Lee has since expressed regret about one scene in the film — an ill-judged moment that unavoidably dilutes some of its brilliance — but this aside, She’s Gotta Have It stands overall as a radical, exuberant, and impressively assertive lightning bolt of an entry into the medium that Lee changed forever.

Genre: Comedy, Romance

Actor: Bill Lee, Cheryl Burr, Eric Payne, Erik Dellums, Ernest R. Dickerson, Fab 5 Freddy, John Canada Terrell, Joie Lee, Monty Ross, Raye Dowell, Reginald Hudlin, S. Epatha Merkerson, Spike Lee, Tiziano Cortini, Tommy Redmond Hicks, Tracy Camilla Johns

Director: Spike Lee

Rating: R

This biopic of the little-known Chevalier de Saint-Georges, the world’s first prominent Black classical composer, opens with a fierce indictment of history’s ignorance of its subject. Even if it’s one example of the movie’s dramatic license-taking, the scene — in which the Chevalier (Kelvin Harrison Jr.) challenges his eminent contemporary Mozart to an onstage musical “duel” and easily bests him — is a dramatically thrilling statement of intent for the movie.

Unfortunately, the rest of its overlong runtime doesn’t quite fulfill the promise of that opener. That’s largely because of the writing, which leaves uber-talented performers like Harrison Jr. with only a limited range of notes to play. What’s more, Chevalier stops short of exploring some of the most fascinating facts of its multihyphenate subject’s life — like the role he played in the French Revolution, commanding the first all-Black regiment in Europe — in favor of hewing to a predictable screenwriting formula that demands a romantic element to the plot, even if the one in question is only thinly backed by actual evidence. Still, while some of Chevalier’s filmmaking choices seem to misjudge what makes its subject so interesting, the key facts of his life — his extraordinary skill at music and fencing, the role racism played in blocking his greatest ambitions — still get enough exposure here to make it an enlightening watch.

Genre: Drama, History, Music

Actor: Alec Newman, Alex Fitzalan, Ben Bradshaw, Henry Lloyd-Hughes, Jessica Boone, Jim High, Joseph Prowen, Kelvin Harrison Jr., Lucy Boynton, Marton Csokas, Minnie Driver, Ronkẹ Adékoluẹjo, Sam Barlien, Samara Weaving, Sian Clifford

Director: Stephen Williams