48 Movies Like Bones and All (2022) (Page 3)

Chasing the feel of watching Bones and All ? Here are the movies we recommend you watch right after.

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

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31. Guillermo del Toro's Pinocchio, 2022

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Alfie Tempest, Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Roy Halo, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

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32. Barbarian, 2022

Rarely do we get horror movies that are as dedicated to toying with audience expectations as Barbarian. Even rarer is a horror movie that pays so much attention to setting, and how men and women approach and interact with physical spaces in different ways. It's a film that's ultimately about entitlement—except it's delivered to us with jet-black humor and manic energy, shifting from romantic to ridiculous to raving mad. But with instantly charming performances from Georgina Campbell and Bill Skarsgård—and Justin Long doing a brilliant job playing an absolute jerk—Barbarian never leaves you grasping in the dark, even if it leads you deeper into hell.

Genre: Drama, Horror, Mystery, Thriller

Actor: Bill Skarsgård, Brooke Dillman, Derek Morse, Devina Vassileva, Georgina Campbell, J.R. Esposito, Jaymes Butler, JR Esposito, Justin Long, Kate Bosworth, Kate Nichols, Kurt Braunohler, Matthew Patrick Davis, Rachel Fowler, Richard Brake, Sara Paxton, Sophie Sörensen, Trevor Van Uden, Will Greenberg, Zach Cregger

Director: Zach Cregger

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33. Broker, 2022

Directed by Japanese filmmaker Hirokazu Koreeda, the Korean film Broker is a simple but tender story about chosen family. It follows Moon So-young (IU), a young mother who decides to drop her baby off at a church, seemingly for good. But when So-young decides to return for the child, she discovers that he’s been stolen by two brokers who’ve put the baby up for adoption on the black market. She joins them in the hopes of meeting her child’s prospective new parents (and staking a claim at the payment) but the more they spend time with each other, acting like a real family on the road as they do, the more it becomes real for her, and the more she feels conflicted about the decision she’s about to make.

As with any Hirokazu Koreeda film, Broker is an affecting, empathetic story that succeeds at humanizing its misunderstood cast of characters. Admittedly, it’s not the best Koreeda movie out there, even when the category is narrowed down to stories about found families (the best in that regard would be his 2018 film Shoplifters). And Koreeda fans will find Broker somewhat scrubbed and Disney-fied for a larger crowd, lacking the edge that his previous Japanese films had. But it is undeniably heartwarming and beautiful. The road trip setup allows the characters to build their rapport naturally, and the warm crisp tones capture the seabreeze ease of the film. Regardless of your view on Koreeda, Broker is well worth a watch.

Genre: Comedy, Crime, Drama

Actor: Bae Doona, Baek Hyun-jin, Bek Hyun-jin, Choi Hee-jin, Choi Hui-jin, Choi Hyo-sang, Choi Yoon-woo, Gang Dong-won, IU, Jeong Jong-yeol, Jong Ho, Jung Ji-woo, Kang Gil-woo, Kim Do-yeon, Kim Keum-soon, Kim Sae-byuk, Kim Soo-hyeon, Kim Sun-young, Kim Yae-eun, Lee Dong-hwi, Lee Doo-seok, Lee Ga-kyung, Lee Joo-young, Lee Moo-saeng, Lee Mu-saeng, Lim Seung-soo, Oh Hee-joon, Oh Hee-jun, Park Hae-jun, Park Kang-seop, Park Kang-sup, Ryu Ji-an, Ryu Kyung-soo, Seong Yu-bin, Song Kang-ho, Song Sae-byuk, Woo Sung-min, Yun Seul

Director: Hirokazu Kore-eda

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34. Beautiful Something Left Behind, 2021

Although (or because) it lacks structure and specific insights into death from the perspective of children, Beautiful Something Left Behind emphasizes what it believes is the more important thing to keep in mind when talking to kids. One cannot impose an adult's perspective on the way children choose to process their feelings, but one can and should be able to provide a protected space for those kids to speak freely. It's an incredibly kind film, one that fully believes that young people are already fully formed "characters" whose ignorance about the world isn't seen as a flaw nor as innocence to be romanticized.

Genre: Documentary

Director: Katrine Philp

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35. Utama, 2022

Before anything else, Utama will knock you off your feet with its breathtaking beauty. Set in the Bolivian highlands, it captures the arid landscape both in gorgeous wide shots and in unique detail. Then, after you take it all in and remember the vastness of the world and the smallness of humanity, the film ushers you into the lives of Virginio and Sisa, an elderly couple who get by with llama grazing.

Theirs is a small but peaceful life, but it is endangered when a drought in the area makes it harder for everyone—especially a sickly Virginio—to live. Underlying conflicts start to emerge, such as old vs. new and country vs. city, when everyone but Virginio considers leaving the mountains. It's a simple story told at a purposefully slow pace, but it's one worth viewing for the tender performances, the urgent themes, and of course, the stunning cinematography.

Genre: Drama

Director: Alejandro Loayza Grisi

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36. Till, 2022

Till is a very political film. It’s charged with the kind of rage and electricity that enables thousands to mobilize for a cause. But before it explodes into something grand, it begins with the small details of everyday life. A mother admires her son as he dances to his favorite song. She buys him a new wallet and goes over the things they’ll do over the summer. These things seem trivial, but they reveal the humanity that sometimes goes overlooked in telling epic stories such as these.

To be sure, Till is a necessarily brutal film about grief and justice, but it’s also about how political movements are borne out of small and personal devastation. This nuance, along with a jaw-dropping performance by Danielle Deadwyler, makes Till a standout: a powerful entry in a long line of social-issue dramas.

Genre: Drama, History

Actor: Al Mitchell, Bradley King, Brandon P. Bell, Brendan Patrick Connor, Carol J. Mckenith, Danielle Deadwyler, David Caprita, Ed Amatrudo, Elizabeth Youman, Eric Whitten, Euseph Messiah, Frankie Faison, Friedman Twinkies, Haley Bennett, J.P. Edwards, Jackson Beals, Jalyn Hall, Jamie Renell, Jaylin Webb, Jayme Lawson, John Douglas Thompson, Jonathan D. Williams, Josh Ventura, Keisha Tillis, Kevin Carroll, Lee Spencer, Maurice Johnson, Mike Dolphy, Njema Williams, Phil Biedron, Princess Elmore, Richard Nash, Roger Guenveur Smith, Sean Michael Weber, Sean Patrick Thomas, Summer Rain Menkee, Tim Ware, Torey Adkins, Tosin Cole, Whoopi Goldberg

Director: Chinonye Chukwu

Rating: PG-13

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37. Great Freedom, 2021

	
Great Freedom is not an easy watch. Apart from the quiet stretches of time and the claustrophobic confines of its prison setting, it also has its lead, Hans Hoffman (played with delicate force by Franz Rogowski) imprisoned again and again and again, unjustly treated like dirt by both his warden and fellow inmates.

But as a Jewish gay man who has lived through the war, Hans is no stranger to these trappings. As such, he takes each day as it comes, open to love, pleasure, and friendship, or at least the potential of these, despite the circumstances. And so Great Freedom is also hopeful and romantic, glimmering with the human tendency to not just survive but to live. Slow but compelling, subdued but powerful, Great Freedom is an affecting balancing act that's well worth watching.Genre: Crime, Drama, Romance, War
Actor: Alfred Hartung, Andreas Patton, Anton von Lucke, David Burnell IV, Fabian Stumm, Franz Rogowski, Georg Friedrich, Thomas Prenn, Thomas Stecher, Thomas Wehling
Director: Sebastian Meise

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38. Aloners, 2023

The emotional sterility of modern life comes under the microscope of this understated Korean drama in which a young woman who has built self-preserving walls around her lonely existence begins to wonder if the trade-off is worth it. Outside of the soul-sucking call center job at which Jina (Gong Seung-Yeon) excels, her interactions with others are purely parasocial: she streams mukbangs on her phone as she eats alone, wakes up to the blare of her always-on TV, and checks in on her aging father via the security camera she’s surreptitiously installed in his home. When she reluctantly agrees to train the chatty, warm newbie (Jeong Da-eun) at work, Jina is confronted with a direct challenge to her aloofness, but the provocation is easily ignored until a similarly withdrawn neighbor is discovered long after his death.

This triggers a quarter-life crisis for Jina that’s predictably resolved, but Aloners transcends the neatness of this arc thanks to its quietly persistent challenging of the instinct to contort oneself to fit an inhumane world. Hong Sung-eun’s thoughtful first-time direction and Gong’s nuanced performance as a young woman waking up to the creeping dehumanization of herself make Aloners a genuinely thought-provoking reflection on 21st-century life.

Genre: Drama

Actor: Ahn Jeong-bin, Geum Hae-na, Geum Hannah, Gong Seung-yeon, Jeong Da-eun, Ju Seok-tae, Kim Hae-na, Kwak Min-kyu, Park Jeong-hak, Seo Hyun-woo

Director: Hong Sung-eun

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39. Roald Dahl's Matilda the Musical, 2022

	
It’s very likely you already know about the fictional character Matilda, a clever but neglected child who discovers she has telekinesis and uses it for good. You may have even grown up watching the 1996 film multiple times, as I have, and secretly tried to move a random object with your mind to see if you somehow shared Matilda’s powers…as I have.

If so, I can assure you that you’ll enjoy the latest Matilda adaptation, aptly called Roald Dahl’s Matilda the Musical on Netflix. It’s pure energy, all bright colors and high-pitched emotions, but not overwhelmingly so. It is also funny and tender, and the techniques it uses to transition and transpose are eye-poppingly inventive. It stars Emma Thompson, once again prosthetic-ed to perfection; Lashana Lynch, a grounding and heartwarming presence; and Alisha Weir, a revelation of a child actor.Genre: Comedy, Drama, Family, Fantasy, Music
Actor: Alisha Weir, Amanda Lawrence, Andrea Riseborough, Ann Firbank, Bebe Massey, Carl Spencer, Charlie Hodson-Prior, Emma Thompson, James Dryden, James Laurenson, Katherine Kingsley, Lashana Lynch, Leon Ung, Matt Henry, Meesha Garbett, Noah Leggott, Serrana Su-Ling Bliss, Sindhu Vee, Stephen Graham, Thomas Arnold, Tim Bentinck
Director: Matthew Warchus
Rating: PG

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40. Richard Jewell, 2019

This crime drama based on a true story is directed by Clint Eastwood and produced by Leonardo DiCaprio among others. It's about a peculiar security guard who finds a bomb at the 1996 Atlanta summer Olympics moments before it exploded. But while first hailed as a hero, the authorities quickly suspect him of being behind the bomb. Just like Eastwood's other creation, Sully: Miracle on the Hudson, Richard Jewell is a simple story that if it wasn't for excellent directing, would not be enough to make a movie out of. But great performances and a great script make this movie not only worthwhile but a timely comment on the trustworthiness of law enforcement.

Genre: Crime, Drama, History

Actor: Alan Heckner, Alex Collins, Andrea Laing, Aubriana Davis, Beth Keener, Billy Slaughter, Brandon Morris, Brandon Stanley, Brian Brightman, Charles Green, Christian Adam, Dani Deetté, Daniel Annone, David de Vries, David Lengel, David Shae, Deja Dee, Desmond Phillips, Dylan Kussman, Eric Mendenhall, Franco Castan, Garon Grigsby, Grant Roberts, Greg Clarkson, Ian Gomez, Jesse Burt, Jill-Michele Meleán, John Atwood, Jon Hamm, Jonathan D Bergman, Josh Henry, Kathy Bates, Kelly Collins Lintz, Kendrick Cross, Kevin Patrick Murphy, Mallory Hoff, Maury Morgan, Max Bickelhaup, Megan Mieduch, Michael Otis, Mike Pniewski, Mike Wilson, Mitchell Hoog, Nicole Sellars, Niko Nicotera, Nina Arianda, Olivia Wilde, Paul Walter Hauser, Philip Fornah, Randy Havens, Robert C. Treveiler, Sam Rockwell, Tommy Kane, Victoria Paige Watkins, Wayne Duvall, Zack Shires

Director: Clint Eastwood

Rating: R

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41. Medusa Deluxe, 2023

The single-take conceit of this high-camp whodunnit set in the world of competitive hairdressing is not without its knots. Without the charity of a cut, it falls on the screenplay to pull us through the film’s murder mystery in real-time, and the result contains more than a few inorganic segues, despite the cast’s best efforts at smoothing things out. What’s more, when the mystery does eventually unravel, it feels unsatisfying in a way that even a heavy round of conventional editing couldn’t resolve.

And yet, with its very game cast; razor-sharp one-liners; inspired hairdos; Robbie Ryan’s wheeling, smartly perspective-hopping cinematography; and a wry chamber-piece premise — in the midst of a cutthroat contest, a senior stylist is found with his scalp removed — Medusa Deluxe still bristles with passion and wit. It’s abundantly clear that first-time director Thomas Hardiman and his crew are as ostentatiously die-hard about their film as the catty characters are about their hair design, and the sheer force of their enthusiasm is enough to zhuzh up even the plot’s flattest moments. A feature debut doesn’t often come without flaws, but it’s equally as rare for one to be as boldly ambitious or as irreverently fun as this.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Anita-Joy Uwajeh, Clare Perkins, Darrell D'Silva, Harriet Webb, Heider Ali, John Alan Roberts, Kae Alexander, Kayla Meikle, Lilit Lesser, Luke Pasqualino, Michelle Parker, Nicholas Karimi

Director: Thomas Hardiman

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42. Babyteeth, 2020

This artistic Australian coming-of-age drama stars Eliza Scanlen (Little Women, Sharp Objects) as Milla, a teen from a dysfunctional family. The father is a psychologist and the mother suffers from depression, so he medicates her under the table. Meanwhile, Milla, a 16 year old, starts dating a charismatic almost-homeless 24 year old drug dealer. Unusual circumstances make the family tolerate the relationship in this story where every character feels like the main one.

If you're looking for something different, you will love Babyteeth. Something happens to Milla in the 10 minute mark that descriptions and reviews online all mention - but is definitely a spoiler. Just know that it's not all romance and coming-of-age, there is slow-burning darkness to this movie.

Genre: Comedy, Drama, Romance

Actor: Andrea Demetriades, Arka Das, Ben Mendelsohn, Charles Grounds, Eliza Scanlen, Emily Barclay, Essie Davis, Eugene Gilfedder, Georgina Symes, Jack Yabsley, Jaga Yap, Justin Smith, Michelle Lotters, Priscilla Doueihy, Quentin Yung, Renee Billing, Toby Wallace, Zack Grech

Director: Shannon Murphy

Rating: MA-17, Not Rated

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43. Take Care of Maya, 2023

It’s a bit on the sensational side, but this Netflix documentary about a family torn apart by the medical industry is fascinating and empathetic enough to bring justice to its delicate subject matter. Director Henry Roosevelt takes care to use as many angles as possible in presenting the documentary’s central mystery —why is the hospital so insistent on separating Maya from her mother Beata?—while also leaving enough room for the audience to come to their own conclusions. I only wish they would probe into that question a bit more and get experts to hypothesize, for instance, what exactly would the hospital get out of allegedly lying and if it’s an occurrence that’s been happening in many places other than Florida. Painting it as a systemic problem might’ve given it more punch, though admittedly, it’s already stirring and powerful as it is.

Genre: Documentary

Director: Henry Roosevelt

Rating: TV-14

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44. De Humani Corporis Fabrica, 2023

While primarily a showcase of endoscopic footage of various surgeries in different hospitals throughout Paris—which should already be enough to either make you queasy or inspire introspection into the fragility of our lives—this singular, experimental documentary places all this bloodshed in the context of the mundanity of the medical profession. Much of the film is taken up by muted conversation from the surgeons and footage of elderly patients wandering around, creating an even more surreal look into the lack of support these hospitals receive. It's far more abstract than it is educational, but its commitment to getting its hands dirty makes it an unforgettable experience.

Genre: Documentary

Director: Lucien Castaing-Taylor, Véréna Paravel

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45. Shun Li and the Poet, 2011

	
Life can get tough if you move to another country. You have to adjust to the language, to the culture, and to the community you choose to move to, and that’s just if you decided to make the move intentionally. But some of these difficulties can be made much easier to bear with a good friend. Shun Li and the Poet is centered on a friendship between two immigrants in a Venetian island town, and although they come from other sides of the world, the kindnesses they share as strangers, and the intimacy they keep when they share more of their life stories, prove to be lovely. It might be a tad slow for some viewers, but the contemplation and celebration of their shared humanity makes for a lovely watch.Genre: Drama
Actor: Giuseppe Battiston, Marco Paolini, Rade Serbedzija, Roberto Citran, Zhao Tao
Director: Andrea Segre

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