197 Movies Like Bohemian Rhapsody (2018) (Page 11)

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It’s easy to classify Destroy All Neighbors as B-movie schlock; it unabashedly pays tribute to the low-budget comedy horror movies that pervaded the ‘80s. But it also feels too good for that. Elevated by funny bits, easy chemistry, solid production design, and a lightweight but easygoing script, Destroy All Neighbors never really wastes your time. It may confuse and drag at times, but there’s always an element that delights. As the straight man anchoring all the absurdity and gore surrounding him, Ray is also surprisingly likable. He connects easily to the colorful ensemble of characters in the film. 

Destroy All Neighbors is stylish, trippy, nonsensical, and quite commendable in its creativity (the practical effects and prosthetics are the highlight). In all, it’s harmless good fun, just beware of the overflowing blood and guts! 

Genre: Comedy, Horror, Music

Actor: Alex Winter, Chase Kim, Christian Calloway, Deanna Rooney, DeMorge Brown, Franco Vega, Jon Daly, Jonah Ray, Kiran Deol, Kumail Nanjiani, Madara Jayasena, Pete Ploszek, Phil Hendrie, Randee Heller, Ryan Kattner, Thomas Lennon

Director: Josh Forbes

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From early footage of country-folk threshing their crops to blissed-out clubbers at a rave, there is a mesmerizing, insistent sense of rhythm and motion to Arcadia. Director Paul Wright has curated an astonishing array of archive material for this feature-length video montage examining the British and their sometimes uneasy relationship with the land.

Cut together in loosely chronological order, the footage is enigmatic, seductive, and disturbing, set to a haunting soundtrack from Adrian Utley of Portishead and Will Gregory of Goldfrapp. Watching Arcadia is hypnotic, like wading into the uncertain waters of time with a head full of shrooms. And that’s definitely a good thing.

Genre: Documentary

Actor: Ian Sexon

Director: Paul Wright

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There are certain things in a family that are kept secret from kids, especially when it paints the parents in a negative light. One such secret is that a parent betrayed the other, leading to the existence of another family. A Family Thing takes that secret in Arkansas, in a story of two brothers divided by race, that is more common than acknowledged in America. While the film could have delved deeper into the divide, Robert Duvall and James Earl Jones deliver great performances, crafting brotherhood slowly bridged by curiosity, despite its difficult beginnings. A Family Thing is an underrated family drama that could've gone wrong, but it works because of the writing and the performances.

Genre: Comedy, Drama

Actor: David Keith, Grace Zabriskie, Irma P. Hall, Jacqueline Williams, James Earl Jones, Mary Jackson, Meg Thalken, Michael Beach, Paula Marshall, Phillip Edward Van Lear, Reggie Hayes, Regina Taylor, Richard Lexsee, Robert Duvall, Rufus Thomas, Xander Berkeley

Director: Richard Pearce

Rating: PG-13

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Robert Downey Jr. and James Woods star in this movie about a Lawyer who, along with his staff, attempt to get an Asian man out of jail after their office is visited by the convicted man's mother. In my opinion, this is one of the best performances by James Woods in his entire career. This film went unnoticed by many, however it stands among some of the best films I have seen over the years.

Genre: Crime, Drama, Mystery

Actor: Charles Hallahan, Deborah Offner, Gerry Bamman, Graham Beckel, James Woods, Joel Polis, John Snyder, Kurt Fuller, Kurtwood Smith, Luis Guzman, Margaret Colin, Miguel Fernandes, Richard Fancy, Robert Downey Jr., Sully Díaz, Thomas Wagner, Tom Bower, Woody Harrelson, Yuji Okumoto, 柯特伍德·史密斯

Director: Joseph Ruben

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How much do you know about what’s inside the skincare and cosmetic products you use? This is one of the main questions Toxic Beauty addresses. The award-winning documentary features a series of powerful and insightful voices, including Deane Berg, the woman who took the American multinational corporation Johnson & Johnson to court to claim its body powder was a factor in her contracting ovarian cancer. As the film progresses, it becomes more and more apparent that the beauty industry is as unhealthy as the products it creates and promotes.

Genre: Documentary, Drama

Actor: Deane Berg, Mymy Nguyen

Director: Phyllis Ellis

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Thithi is a 2015 Kannada film from India that begins with the death of 101-year old Century Gowda, and follows his family as they prepare for his funeral celebration 11 days later. The story-line focuses on 3 generations of his descendants, as his son, grandson and great-grandson are caught up in individual dramas related to the impending funeral as well as their own personal aspirations. His son Gaddappa, an elderly wanderer, absconds with a traveling family of shepherds, his grandson Thammanna hatches an elaborate plan to claim the family land for himself, and his great-grandson Abhi becomes enamored by a young shepherd girl whom he pursues doggedly. Filmed using non-professional actors recruited from villages in the southern Karnataka state of India, Thithi is a humorous and enjoyable portrait of life in a rural part of South Asia rarely seen by the world-at-large. As a realistic slice-of-life, the film gives the viewer an outsider’s glimpse into not just the lifestyle of many residents of rural India, but also their elaborate customs and rituals related to death according to Hindu tradition. Thithi is the type of film that moves at its own deliberate pace, but ultimately provides a winning experience in both its storytelling and its cultural significance.

Genre: Comedy, Drama

Actor: Abhishek H.N., Channegowda, Pooja, Pooja S.M., Singri Gowda, Thamme Gowda, Thammegowda S.

Director: Raam Reddy

Rating: N/A, Not Rated

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A beautiful, poetic and disturbing ode to the waters of the Chilean archipelago from the perspective of the stars and planets, its Indigenous inhabitants, and the bodies of those who were disappeared into it under the Pinochet regime. As Patricio Guzman tells us and shows us, water has a memory and a voice. The opening sequence is like Salgado's "Genesis" photos but in colour and moving on the screen, absolutely breathtaking.

Genre: Documentary

Actor: Adil Brkovic, Gabriel Salazar, Gabriela Paterito, Javier Rebolledo, Patricio Guzman, Raul Zurita

Director: Patricio Guzmán

Rating: N/A

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It might not teach you the basics of cricket but Fire in Babylon uses the sport as an entertaining entry point into the discrimination faced by Caribbean peoples around the 1970s. The footage we see of actual cricket games is kept to the simplest elements, but what ultimately leaves a stronger impression are the lively testimonials from the documentary's many talking heads, injecting this historical account with a generous amount of personality. From the hip West Indian soundtrack to the unabashed pride that fuels every anecdote, this feels like a film that's genuinely being told by its characters, and not from an outsider's point of view.

Genre: Documentary, Family

Actor: Bunny Wailer, Clive Lloyd, Colin Croft, Viv Richards

Director: Stevan Riley

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A documentary that reveals just how insane the men that compete in the MotoGP are. It follows Valentino Rossi, one of the best riders of all-time if not the best, in a very pivotal season for him, 2010-2011. An in depth look into his competitiveness but also his passion for the sport and for the machines in it, it's the kind of portrait that will make you feel you know the subject in person. And when it's not focused on Rossi, it becomes a a real-life thrill fest of bike-mounted cameras of riders going at it at 200+mph.  A must-watch for gear-heads and uninitiated fans alike that plays with the idea that "if you want to win it all...you have to risk it all".

Genre: Documentary

Actor: Andrea Dovizioso, Ben Spies, Casey Stoner, Colin Edwards, Dani Pedrosa, Ewan McGregor, Jorge Lorenzo, Marco Simoncelli, Nicky Hayden, Valentino Rossi

Director: Mark Neale

Rating: Not Rated, PG-13

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This documentary about the 2015 massacre at the Emanuel African Methodist Episcopal Church explores key questions around faith, justice, and forgiveness. It situates the massacre – which left nine African American churchgoers dead – within a bigger picture, with Emanuel being the first-ever freestanding black church in Charleston, a city in South Carolina with a highly charged racial history.

The film’s strengths lie in the stories of those who lost loved ones in the massacre, and the miraculous forgiveness some of the survivors offered the 21-year-old white supremacist responsible for the attack. Above all, it is a story about the power of faith.

Genre: Crime, Documentary, Drama

Actor: Dylann Storm Roof

Director: Brian Ivie

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Anna Kendrick and Blake Lively star in this crime-comedy as two opposite mom personalities: one a stay-at-home food vlogger, and the other an upper-class businesswoman.

Kendrick’s character (Stephanie, the vlogger mom) agrees to pick up her new friend’s kid from school. However, the kid’s mom disappears, leaving Stephanie to lead an investigation on her own into what happened.

This is a funny no-brainer carried by the two leads’ unlikely but genuine chemistry.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Andrew Moodie, Andrew Rannells, Anna Kendrick, Aparna Nancherla, Bashir Salahuddin, Blake Lively, Chris Owens, Corinne Conley, Danielle Bourgon, Domenic Cina, Dustin Milligan, Eric Johnson, Geoffrey Antoine, Gia Sandhu, Glenda Braganza, Henry Golding, Howard Hoover, Ian Ho, Jamie Jones, Jason Oliveira, Jean Smart, Jiah Mavji, Joshua Satine, Jung-Yul Kim, Katherine Cullen, Kelly McCormack, Lauren Peters, Lesleh Donaldson, Lila Yee, Linda Cardellini, Melissa O'Neil, Melody Johnson, Michael Park Ingram, Nicole Peters, Noorin Gulamgaus, Olivia Sandoval, Patti Harrison, Paul Feig, Paul Jurewicz, Roger Dunn, Ronnie Rowe, Rosanna Scotto, Rupert Friend, Sarah Baker, Stacey Coke, Sugenja Sri, Umed Amin, Zach Smadu

Director: Paul Feig

Rating: R

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Despite what its title suggests, the real thrill of this documentary isn’t the mysterious 1998 robbery of a royal Austrian jewel, but the many other criminal escapades of Gerald Blanchard’s that are chronicled here. Blanchard, who appears on camera for much of the doc, remains cagey (for legal reasons) about how exactly he orchestrated the titular crime, but even if he divulged his secrets, the jewel theft pales in comparison to his earlier exploits: his ballsy teenage shoplifting, slippery escapes from police custody, and subsequent spree of audacious bank heists.

The Jewel Thief benefits from a wealth of remarkable footage thanks to Blanchard's penchant for videotaping his criminal antics. This exhibitionist tendency is corroborated by testimonies from the many other interviewees featured here, including the two policemen who received taunting photos of Blanchard’s loot during their years-long cat-and-mouse chase. As indicated by the opening titles — “This is a true story… Mostly” — Blanchard also has a tendency to embellish his stories, which makes the fact-checking provided by these other participants a wise inclusion by the filmmakers. Ultimately, though, having such an unreliable subject isn’t a handicap — it’s a blessing, giving the documentary a winkingly ludicrous edge that helps it stand out in an overstuffed genre.

Genre: Crime, Documentary

Director: Landon Van Soest

Rating: R

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Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever, McKeever

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While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Drama, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

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Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred

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