143 Movies Like Blade Runner (1982) (Page 4)

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A foreign film on par with City of God, and carrying its heritage of naturalistic performances and raw stories. Sin Nombre will take you into a world filled with gut wrenching violence, heart-breaking loss, and non-stop suspense. And while definitely a tough watch, it reports the horrors of immigration with humane and sometimes hopeful outlook. The profound and epic redemption in this movie will leave you thinking about it for days.

Genre: Action, Crime, Drama, Thriller

Actor: Édgar Flores, Benny Emmanuel, Catalina López, Damayanti Quintanar, Diana García, Diana García, Edgar Flores, Felipe Castro, Gabino Rodríguez, Gerardo Taracena, Guillermo Villegas, Héctor Jiménez, Harold Torres, Héctor Jiménez, Juan Pablo Arias Barron, Karla Cecilia Alvarado, Kristian Ferrer, Kristyan Ferrer, Leonardo Alonso, Lilibeth Flores, Luis Fernando Peña, Luis Fernando Peña, Marcela Feregrino, Marcela Macias, Marco Antonio Aguirre, Memo Villegas, Noé Hernández, Paulina Gaitán, Paulina Gaitan, Tenoch Huerta, Tenoch Huerta Mejía

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: R

Imagine a fanboy makes a film about his hero—you’d expect something mawkish and fawning, a tribute that praises the icon but sidesteps the flaws. Maybe in less expert hands, that could be the case. But despite being a longtime admirer of writer Kurt Vonnegut, Robert B. Weide’s documentary isn’t any of those things. Sure, it’s lovingly made, but it’s balanced and objective as it sketches a profile of Vonnegut not a lot of us have seen before. It’s also more than just a chronological account of his life; it’s simultaneously a film about this film, which has been in the making for 40 years, ever since Weide first met Vonnegut in 1988 and followed him through his death in 2007. At some point, their lives become tightly intertwined, and it’s impressive to see not just that friendship blossom but to watch it seamlessly fuse into the documentary. When Weide pitches the documentary to Vonnegut, he optimistically promises that it’ll be the definitive guide to his life. He’s right, it’s all that and a bit more.

Genre: Documentary

Actor: Edie Vonnegut, Kurt Vonnegut, Kurt Vonnegut Jr., Morley Safer, Robert B. Weide, Sam Waterston

Director: Don Argott, Robert B. Weide

It's uncanny how innocent love can resemble stalking and obsessiveness. We first see Lea’s (Alessandra de Rossi) perspective as she meets funny-man and friendly neighbor Tonyo (Empoy Marquez) out of the blue. Later, we see Tonyo’s perspective and follow his pathetic journey through the heartbreak that led to him shadowing and eventually speaking to Lea. By the time we see both perspectives, it’s too late to judge the surprising events that unfold. The premise seems simple: it follows a relationship that feels comically wrong as it involves a temporarily blind woman and a man who only develops his confidence from not being seen. But it comes alive thanks to the playful chemistry and casting of de Rossi and Marquez, who charm in this brilliantly self-aware Pinoy rom-com.

Genre: Comedy, Drama, Romance

Actor: Alessandra de Rossi, Carolle Urbano, Empoy Marquez, Junpei Yamamoto

Director: Sigrid Andrea Bernardo

This startling debut from Chinese director Bi Gan is a mesmerizing synthesis of cinema and poetry. A man searching for his nephew goes on a journey that blurs the boundaries between time and space, and dreams and reality. All this is expressed through gorgeous and understated camerawork reminiscent of Apichatpong Weerasethakul’s languorous lens. However, Bi Gan’s style is all his own, including spectacular long takes whose sophistication and complexity only become apparent once they are done. 

Kaili Blues’ hypnotic aesthetics are like a mud bath for you to soak and luxuriate in. There are no easy answers for putting together its past/present/future puzzle-box, and it’s best to leave the deconstructions for later viewings as repeated trips to Bi Gan’s dreamy recreation of his hometown will reveal even more.

 

Genre: Drama, Mystery

Actor: Chen Yongzhong, Feiyang Luo, Guo Yue, Linyan Liu, Lixun Xie, Yongzhong Chen, Yue Guo

Director: Bi Gan

Before gay marriage and gay adoption was legalized in America, people had plenty of hurdles to jump over when their same sex partner died. Partners weren’t guaranteed visits to their loved one, weren’t permitted to visit them at their last hours. They were the last to be informed and the last to be asked about their medical records, even though they would be the best source of knowledge after living together. Same sex parents weren’t guaranteed custody of their partner’s children. In The Family may depict these previous experiences in a dry, straightforward way for nearly three hours, but it’s a needed, respectful approach, with the lived-in knowledge of the quiet cruelties that was enforced just a decade ago.

Genre: Drama

Actor: Conan McCarty, Harriett D. Foy, Juliette Angelo, Lisa Altomare, Patrick Wang, Peter Hermann, Sebastian Banes, Susan Kellermann, Trevor St. John

Director: Patrick Wang

A marvelous combination of perfect casting and a sizzling script. William Hurt, Albert Brooks, and Holly Hunter are such natural talents they could make reading a dictionary watchable, but seeing them weave through James L Brooks punchy dialogue is a delight to behold. The three form the foundation of this drama that is as much about journalistic ambition as it is about love.

Hunter and Brooks are principled workaholics at a news station juggling a platonic friendship that seems destined for more but lacks a driving spark. Enter Hurt, a charming though self-admittedly stupid news anchor, who Hunter at once resents and yet can’t help falling for. What seems like a ready-built rom-com plot, however, churns into something else entirely. It’s a delicious film crackling with wit and character and is as funny as it is astute. 

Genre: Comedy, Drama, Romance

Actor: Albert Brooks, Amy Brooks, Christian Clemenson, Ed Wheeler, Frank Doubleday, Gennie James, Gerald F. Gough, Gerard Ender, Glen Roven, Holly Hunter, Jack Nicholson, Joan Cusack, John Cusack, Kimber Shoop, Leo Burmester, Lois Chiles, Luis Valderrama, Marc Shaiman, Marita Geraghty, Martha Smith, Nat Benchley, Peggy Pridemore, Peter Hackes, Raoul N. Rizik, Richard Thomsen, Robert Katims, Robert Prosky, Robert Walsh, Stephen Mendillo, William Hurt

Director: James L. Brooks

, 2019

This violent action-comedy miniseries is about a Massachusetts teenager who tries to retrieve a stolen 1979 Trans Am.

And the show is not nice to Wayne who, from the very first scene, takes a beating. Think of it as The End of the F***ing World but more violent and with Boston accents.

Genre: Action, Action & Adventure, Comedy, Drama

Actor: Ciara Bravo, Dean Winters, Francesco Antonio, Kirk Ward, Mark McKenna, Michaela Watkins, Mike O'Malley, Patrick Gallagher, Stephen Kearin, Zoé De Grand Maison

Director: Steve Pink

Even before Agnès Varda pivoted to documentary filmmaking, she was a pioneer of French cinema. Her film Sans toit ni loi (Vagabond) is one of her most harrowing dramas. 

Varda’s sensibilities as a burgeoning documentarian are apparent as the film opens on the corpse of a woman lying dead in a snow-covered ditch. Through flashbacks, we trace the titular vagabond’s steps to uncover how she ended up alone and dead. The camera follows its subject from a safe distance, as if tracking a wild animal. Alongside the woman, we hitchhike across the French countryside, encountering hostile men, treacherous winter weather, and occasional glimpses of hope, connection, and familiarity. Vagabond succeeds at portraying a complicated woman—Varda understood that women, above all else, are people, with dark interiors, difficult choices, and uncertain impulses. 

Genre: Drama

Actor: Agnès Varda, Macha Méril, Marthe Jarnias, Sandrine Bonnaire, Setti Ramdane, Stéphane Freiss, Yolande Moreau

Director: Agnès Varda

Rating: Not Rated

Artist and filmmaker Clio Barnard put herself on the map of new British talents with her 2010 debut The Arbor, a daring, genre-bending biopic about Bradford-born playwright Andrea Dunbar and her tragic personal and impressive artistic life. Coming from a poor working class family with seven siblings, Dunbar wrote her first play age 15. She died in 1990, aged 29, and left a legacy of three plays in total. Knowing how under-appreciated her work has been, Barnard decided to revive the life that imbued Dunbar's creations. Rather than staging a conventional documentary, the director features interviews with family and friends, performed and lip-synced by actors in front of the camera. She also adds re-enactments of the plays that feature the estate where Dunbar grew up, as well as archival footage of her TV appearances. The Arbor is an experimental documentary, but that doesn't prevent it from being touching, humane, and a special tribute to art flourishing in adverse circumstances.

Genre: Documentary, Drama

Actor: Christine Bottomley, Danny Webb, Gary Whitaker, George Costigan, Jimi Mistry, Jonathan Jaynes, Josh Brown, Kate Rutter, Kathryn Pogson, Kulvinder Ghir, Lizzie Roper, Manjinder Virk, Matthew McNulty, Moey Hassan, Monica Dolan, Natalie Gavin, Neil Dudgeon, Robert Emms, Robert Haythorne

Director: Clio Barnard

Widely regarded as one of the finest concert movies of all time, Stop Making Sense depicts musical innovators The Talking Heads at the height of their game. Directed by Jonathan Demme (The Silence of the Lambs, Philadelphia), and starring the eccentric and energetic David Byrne, the show is a marvel of perfectly executed choreography and mid-eighties musicality. Halfway through the set, one might think they've heard all of the hits, but they keep coming and coming. Before Beyonce was Queen, before Bieber was conceived, this film shows what is capable with a camera, a guitar, and some genius.

Genre: Documentary, Music

Actor: Alex Weir, Bernie Worrell, Chris Frantz, David Byrne, Ednah Holt, Jerry Harrison, Lynn Mabry, Steven Scales, Tina Weymouth

Director: Jonathan Demme

Rating: PG

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

Bill Forsyth, an acclaimed Scottish director best known for his films Local Hero and Gregory’s Girl, directs an underrated masterpiece with the 1987 drama Housekeeping. Adapted from Marilynne Robinson’s outstanding novel, Housekeeping is the story of two sisters, Ruthie and Lucille, who are orphaned and raised by their peculiar Aunt Sylvie. 

As the young sisters grow apart, Ruthie gravitates toward her transient aunt. This is a movie about not quite fitting in—about feeling like your life exists just outside of modern time, somewhere off to the side of railroad tracks running over frozen water. Sylvie shows Ruthie that there is more to life than their small, cold town of Fingerbone. In fact, there is a whole world out there, calling to misfits like them.

Housekeeping is deftly directed, balancing both humor and tragedy. Christine Lahti’s performance is also, with no exaggeration, one of the greatest of all times, as she conveys so much of Sylvie’s yearning to go, go, go with as little as a glance toward the beckoning horizon.

Genre: Comedy, Drama

Actor: Andrea Burchill, Anne Pitoniak, Betty Phillips, Bill Smillie, Bob Hughes, Brian Linds, Christine Lahti, Dolores Drake, Georgie Collins, Karen Elizabeth Austin, Leah Penny, Margot Pinvidic, Sara Walker, Sheila Paterson, Wayne Robson

Director: Bill Forsyth

Rating: PG

Watch this documentary and find yourself amazed at how much of Hollywood history was determined by one woman: legendary casting director Marion Dougherty. At a time when studios were casting actors based on “type,” Dougherty revolutionized the process with her preternatural ability to see the potential in budding actors like Al Pacino, Dustin Hoffman, Robert Redford, and Glenn Close. Her work in introducing NYC’s theater actors to the silver screen launched countless careers and indelibly shaped iconic films like Midnight Cowboy and Lethal Weapon.

And yet, Dougherty’s work — and that of those who followed in her steps — is criminally underappreciated, as this doc both lays bare and seeks to redress. A largely female profession, casting was long devalued by a casually misogynistic industry, the persistent legacy of which is subtly highlighted in some interviews here. Among the talking heads sharing appreciation and anecdotes are many of the actors and casting directors whose careers Dougherty launched, as well as filmmakers (including Martin Scorsese) testifying to the pivotal role casting has played in their work. Playing the villain is Ray director Taylor Hackford, who believes casting directors add little to the filmmaking process — an argument that the doc wryly disproves with the sheer weight of refuting evidence it offers up.

Genre: Documentary

Actor: Al Pacino, Amanda Mackey, Bette Midler, Buck Henry, Burt Young, Clint Eastwood, Cybill Shepherd, Danny Glover, David Rubin, Deborah Aquila, Diane Lane, Don Phillips, Dustin Hoffman, Ed Asner, Ed Lauter, Ellen Chenoweth, Ellen Lewis, Fred Roos, Glenn Close, Gretchen Rennell, Jeanine Basinger, Jeff Bridges, John Lithgow, John Papsidera, John Sayles, John Travolta, Jon Voight, Juliet Taylor, Linda Lowy, Lora Kennedy, Lynn Stalmaster, Marion Dougherty, Martin Scorsese, Mel Gibson, Mike Fenton, Nancy Klopper, Ned Beatty, Nessa Hyams, Norman Lear, Oliver Stone, Paul Haggis, Paul Mazursky, Paul Rudd, Peter Bogdanovich, Richard Donner, Richard Dreyfuss, Risa Bramon Garcia, Rita Hayworth, Robert De Niro, Robert Duvall, Robert Redford, Ronna Kress, Ronny Cox, Taylor Hackford, Tony Bill, Wallis Nicita, Woody Allen

Director: Tom Donahue

An incredible documentary about Matt Green, a man who decided to walk every street in New York City. That’s more than 8000 miles (more than the diameter of Earth) that he had been walking for six years up to the point of making this movie.  

Matt stops. And that’s the beauty of this documentary, where the filmmaker joins him for part of the journey. You quickly realize that the intrigue is not so much about Matt’s challenge, but about who he meets and what kind of experiences he goes through. You also realize (if you didn’t already) that New York is a place of unimaginable size, with incredibly lively and diverse human stories. Plus lots of other forms of life too: Matt doesn’t have a fixed place, so he cat-sits for shelter.

Fun fact: this is the first movie that actor Jesse Eisenberg ever produced!

Genre: Documentary

Actor: Matt Green

Director: Jeremy Workman

Rating: PG-13

A truly bizarre comedy that shoots far beyond the boundaries of what should probably be considered good taste, The Twentieth Century stands as one of the strangest movies ever made based on a historical figure. Adapted from the real Mackenzie King's (Canada's longest-serving prime minister) diaries, the film replaces any traces of reality with psychological projection and almost nonsensical stoner humor. It functions as a satire of the way Canadian society is often depicted as polite (when, according to writer/director Matthew Rankin, it's anything but) and as a portrait of how even the most powerful politicians are just little boys seeking approval and indulging in fetishes to compensate for the love they can never receive.

Genre: Comedy, Drama, Fantasy

Actor: Annie St-Pierre, Bernard Arène, Brent Skagford, Catherine St-Laurent, Charlotte Legault, Dan Beirne, Emmanuel Schwartz, Ève Duranceau, Gordon Masten, Guillaume Lambert, Jadyn Malone, Kee Chan, Louis Negin, Marie Brassard, Martin Dubreuil, Mikhaïl Ahooja, Richard Jutras, Sarianne Cormier, Satine Scarlett Montaz, Seán Cullen, Simon Lacroix, Trevor Anderson

Director: Matthew Rankin