43 Movies Like Black Widow (2021) On Netflix Canada (Page 2)

There are two ways to sum up this documentary. One will make you decide against watching it. Here’s that pitch: This is the story of a homeless woman who was found dead.

Here’s the better pitch: That woman was highly educated and generally lived a happy life. But she also left behind a detailed journal that recounts her final days in one of the coldest winters on record. She lived on apples and rainwater and fought off insanity.

Her heartbreaking story is one of disappointment and betrayal by society at a time when she was most vulnerable. A haunting and compelling documentary that is sure to stay with you for a long time and, in a way, might help you take on adversity.

Genre: Documentary, Drama, History, Mystery

Actor: Doug Bixby, Joan Bishop, Kevin Carbone, Lori Singer, Michael Maggiani, Paul Appelbaum

Director: Jedd Wider, Todd Wider

Rating: N/A

It's slower and stranger than most comedies you may be used to, but there's still lots of heart to be found in the way Classmates Minus follows the lapsed hopes and wishes of its core characters. Beneath all its stereotypically male yearnings for control and romantic wish fulfillment, there are potent ideas here about how a tired economy and jaded political culture can turn those in their middle age into completely different people. Writer/director Huang Hsin-yao provides narration for his own film, but rather than being distracting or conceited, his words add a level of needed sympathy to everything we see on screen.

Genre: Comedy, Drama

Actor: Ada Pan, Chen Yi-wen, Chen Yiwen, Cheng Jen-shuo, Cres Chuang, Evelyn Yu-Tong Cheng, Evelyn Zheng Yu-tong, Hung Shiao-ling, Jacqueline Zhu, Jacqueline Zhu Zhi-Ying, Jennifer Hong, Joanne Yang, Kuan-Ting Liu, Lan Wei-Hua, Liu Kuan-ting, Lotus Wang, Ming-Shuai Shih, Na-Do, Nadow Lin, Rexen Cheng Jen-Shuo, Shih Ming-shuai, Taka Katou, Tong Chih-Wei, Yi-Wen Chen

Director: Huang Hsin-Yao

Based on the 13-episode series of the same name, Violet Evergarden tells the story of Violet, a scribe commissioned to write letters at a time when telephones and computers had yet to exist. Shell-shocked from her time in the war, Violet is exceptionally stoic, except when she remembers Gilbert, her military superior and sometime lover. His parting words were "I love you," and through her letters, Violet has been examining the meaning of the phrase since then. 

Fans of the series will have no trouble following the events of the film, but if you're going in cold without any prior exposure to the franchise, it might take a while for you to adjust to its world. More an amalgamation of multiple cultures than a reflection of just one, the imaginary Leidenschaftlich is filled with Japanese-speaking citizens, in modern-day-influenced clothes, with architecture and vistas that could fit right in 1800s Western Europe. Against this backdrop, Violet attempts to restart her life as a writer. Living often doesn't feel easy, especially when PTSD comes in the form of shocks and painful flashbacks, but loving, as she finds out, might be even harder. A tale of self-forgiveness and forging on, despite all odds, Violet Evergarden is a moving ode to life and love at a time of war. 

Genre: Animation, Drama, Fantasy, Romance

Actor: Aya Endo, Aya Saito, Ayako Kawasumi, Daichi Endo, Daisuke Namikawa, Emi Shinohara, Haruka Tomatsu, Hidenobu Kiuchi, Hisako Kyoda, Jouji Nakata, Kanako Sakuragi, Kaori Mizuhashi, Koki Uchiyama, Kozue Harashima, Mayuno Yasokawa, Megumi Matsumoto, Minori Chihara, Mitsuru Miyamoto, Mugihito, Rie Hikisaka, Rina Sato, Rina Satou, Sumire Morohoshi, Takehito Koyasu, Yasuhiro Mamiya, Yui Ishikawa, Yuuki Sanpei

Director: Taichi Ishidate

King of Clones tells the story of Hwang Woo-suk, a South Korean scientist once praised as a national hero for his pioneering work in cloning. However, Hwang's reputation was shattered in 2006 when it was revealed that he had falsified data in his research. The documentary follows Hwang's rise and fall, and it provides a fascinating glimpse into the world of scientific research and the ethical challenges that it raises. Through simplified explanations and testimonies from beneficiaries and journalists that exposed his fraudulent activities, the film remains accessible without losing its narrative. It also opens the conversation on the progress of cloning technology and the implications of not having ethics that can be agreed upon among the scientific community and the general public. 

Genre: Documentary

Actor: George W. Bush, Hwang Woo-suk, Jung Ho-seok, Kim Dae-jung, Kim Jong-il, Kim Tae-hyung, Park Ji-sung, Roh Moo-hyun, Son Heung-min

Director: Aditya Thayi

Rating: PG-13

A deep dive into African-American cinema in the 1970s, Is That Black Enough for You?!? may at times feel like an extended audiovisual Wikipedia article, but it convincingly sets up its ideas in breezy, entertaining fashion. And it successfully argues that Hollywood today just hasn't cashed in on the wealth of innovative Black art that already existed 50 years ago. At the center of this talking heads documentary is director and narrator Elvis Mitchell, who elevates the assembled footage with frank commentary that isn't afraid to make things personal or to throw shade at other filmmakers who've made a career out of appropriating Black film traditions.

Genre: Documentary

Actor: Antonio Fargas, Billy Dee Williams, Charles Burnett, Elvis Mitchell, Glynn Turman, Harry Belafonte, James Signorelli, Laurence Fishburne, Louise Archambault, Margaret Avery, Mario Van Peebles, Roscoe Orman, Samuel L. Jackson, Sheila Frazier, Stan Lathan, Suzanne de Passe, Whoopi Goldberg, Zendaya

Director: Elvis Mitchell

If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as disorienting as being in Barcelona feels for Mexican couple Juan Pablo and Val. However, this film feels like a new approach in adapting novels – the multiple perspectives and epistolary portions adeptly portrayed through typed up screens and alternating perspectives (and direction) between the couple. It doesn’t feel like something that you’ve likely seen before.

Genre: Comedy, Crime, Drama

Actor: Aimar Vega, Alexis Ayala, Ángel Zermen, Anna Castillo, Ariana Van X, Bel Gris, Bruna Cusí, Carmen Beato, Clara Roquet, Darío Rocas, Dario Yazbek Bernal, Jelen García, Juan Carlos Remolina, Juan Daniel Garcia Treviño, Juan Minujín, Natalia Portnoy, Natalia Solián

Director: Luis Fernando Frías de la Parra

Rating: R

Pollution disproportionately affects developing nations, and when governments continue to allow the lackluster waste management processes of large-scale industries, sometimes the only option is to leave. That’s what the six protagonists do in Blood Vessel, though escaping the situation isn’t as easy as it sounds. The first half starts out fairly slow, as we get to know the group, but it’s all to bring about emotional devastation as the film unfolds into violent ends. While certain plot elements don’t have a neat resolution, and certain technical aspects sometimes feel distracting, Blood Vessel works through the strength of its six lead performances.

Genre: Drama, Thriller

Actor: Alex Budin, Bimbo Manuel, David Ezekiel, Dibor Adaobi, Jidekene Achufusi, René Mena, Slyvester Ekanem

Director: Moses Inwang

Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

As a documentary, The Darkness Within doesn't dig as deep as it probably could have. It doesn't offer a particularly specific account of how La Luz del Mundo has achieved its popularity and what exactly keeps it in power today. However, due to the fact that many church members seem to remain loyal to its corrupt, criminal leaders, a straightforward testimony is also exactly what this film needs to be. In direct, uncompromising detail—but always edited with a solemn respect for the survivors, who get to make their statements without the camera in their face—it lays out the mountain of damning personal experiences that too many La Luz del Mundo have suffered, as the rest of the church has turned a blind eye towards them.

Genre: Crime, Documentary

Director: Carlos Pérez Osorio

Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

Genre: Drama, Romance

Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz

Director: Jaime P. Habac Jr.

If you’re expecting a twisty and thrilling look at a dangerous group of hackers who hide deep within a military bunker in Europe, and who refer to their entire operation as “straight from a James Bond movie,” then you might be disappointed with Cyberbunker, a dragging documentary that relies too heavily on talking heads for momentum. It takes 30 minutes to establish the relevance of these figures, and a full hour before it finally explains the actual crime and wrongdoings they’re complicit in. The most interesting parts of the case, like the FBI’s involvement, Cyberbunker’s links to the propagation of child pornography, and the group’s advocacy on internet privacy, are completely buried beneath a stack of unnecessary tidbits. I appreciate the effort of the filmmakers and the interviewees coming together to make something decently informative, but by the end of it, you’re left wondering whether all this was better off as a Wikipedia article.

Genre: Crime, Documentary

Director: Kilian Lieb, Max Rainer

Rating: PG-13

Suzzanna: Kliwon Friday Night is the second part of a trilogy dedicated to Indonesia’s queen of horror, billed as Suzzanna New Generation. The trilogy recreates three of Suzzanna’s iconic films, and the second installment is based on the 1986 film Malam Jumat Kliwon. The supernatural horror isn’t exactly scary– the film takes a bit too long between the scares, and there are moments that are downright hilarious. However, fans of the original scream queen would appreciate Luna Maya’s take on her demonic role, shifting the sundel bolong into a woman rightfully out for revenge.

Genre: Drama, Fantasy, Horror

Actor: Achmad Megantara, Baron Hermanto, Clift Sangra, Egy Fedly, Ence Bagus, Luna Maya, Max Yanto, Sally Marcelina, Taskya Namya, Tio Pakusadewo, Yurike Prastica

Director: Guntur Soeharjanto