119 Movies Like Black Panther: Wakanda Forever (2022) (Page 5)

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Chasing the feel of watching Black Panther: Wakanda Forever ? Here are the movies we recommend you watch right after.

At times of great societal turmoil, sometimes stars are born, not just to entertain the masses but to challenge the way things are done. Amar Singh Chamkila is one such star, and his music captivated all of Punjab in part due to his brash lyrics. His assassination remains unsolved, but director and co-writer Imtiaz Ali takes the event, and uses it to frame his life– the ways Punjab remembered him after death, the ways Chamkila showed his light as well as the ways he was limited by studio oversight and state censorship. The film isn’t a perfect contemplation of artistic freedom, nor is it the most comprehensive take on the singer’s life, but Ali’s direction challenges the way we view the artist and acutely recognizes the way stardom reveals the society's conflicting desires.

Genre: Drama, Music

Actor: Anjum Batra, Anuraag Arora, Apindereep Singh, Diljit Dosanjh, Jasmeet Singh Bhatia, Kul Sidhu, Kumud Mishra, Mohit Chauhan, Nisha Bano, Parineeti Chopra, Sahiba Bali, Vipin Katyal

Director: Imtiaz Ali

Though it doesn't proceed like most animal/nature-centered documentaries that you've seen, the Oscar-nominated All That Breathes is instantly memorable in the way it de-centers the human perspective from its all-encompassing study of New Delhi, India. The wildlife rescue team that features prominently in this film still only becomes a vessel through which director Shaunak Sen explores the environmental and political hazards being faced by the nation today. It's a movie that definitely challenges you to think for yourself, as any talking heads or on-screen explanations are traded for truly stunning shots of New Delhi as a biome teeming with life among the dirt. For those who want their documentaries unconventional, this is excellent stuff.

Genre: Documentary, Drama

Director: Shaunak Sen

If you’re familiar with the upscale Chinese restaurant chain owner, or that Chinese boy in old 60s British films, or with his paintings, Aka Mr. Chow might surprise you because they’re one and the same. Born with two names, Zhou Yinghua and Michael Chow, Mr. Chow is just so cool that telling his life story is already interesting. From the tough immigrant experience, living alone as a boy, to his current worldwide success in film, food, and painting, it’s interesting to know that it’s possible. But the documentary dives into it, using the film medium to mirror his own creative style and artistic sensibilities. The film is able to link each of his opinions, not just with his life, but also with the historic changes in his home country. It’s an intriguing approach, if a bit superficial in certain areas, but it’s very entertaining.

Genre: Documentary

Actor: Brian Grazer, Cecilia Zhou, China Chow, Ed Ruscha, Fran Lebowitz, Julian Schnabel, Maximillian Chow, Peter Blake

Director: Nick Hooker

A portrait of an Alabama high school wrestling team springboards from a sports documentary into an encompassing exploration of the American working class and institutional racism. The film operates on both levels as it zooms in on the lives of four students and their friendly yet overbearing coach. From the opening moments, Coach Sribner makes it clear that the State Championship is about much more than sport. A failing and underfunded school system all but ensures that a sports scholarship is one of the few chances for these youth to have access to higher education and a path out of poverty. 

This is further exacerbated by the racial dynamics at play, as we watch these mostly Black youth experience casual racism as well as institutional harassment from the police. Even their well-meaning coach is not exempt, he at once can acknowledge his white privilege but is not above baselessly accusing one of the boys of stealing his sunglasses. Herbert’s up close and personal style is immersive and passionate and builds to an exciting sports film climax while maintaining a piercing awareness of the severe economic realities that hollow out any victory on the mat.

Genre: Documentary, Drama

Actor: Chris Scribner, Jailen Young, Jaquan Rhodes, Teague Berres

Director: Suzannah Herbert

For people having difficulty bearing a child, artificial insemination is one way to go for parenthood, but going to sperm banks can be expensive, shrouded with too much anonymity, and have had many incidents of malpractice. Some people would rather take things into their own hands. Spermworld explores the journeys of three different internet sperm donors, who meet with hopeful parents. It can be awkward, even when the donors are fairly ordinary guys with fairly decent motives, but the way director Lance Oppenheim approaches the community is disarmingly human, acknowledging the strange quirks that come with the donation, but also the interesting parental desires human beings do have.

Genre: Documentary

Actor: Ari Nagel, Atasha Peña Clay, Rachel Stanley, Steve Walker, Tyree Kelly

Director: Lance Oppenheim

Rating: R

Primarily, Cha Cha Real Smooth follows Andrew (Cooper Raiff) as he figures out what to do with his life post-college. But peripherally, it’s also about love, friendship, coming of age, and parenthood. Sometimes the movie wobbles under the weight of all it wants to be and you start to wonder whether it would benefit from a leaner script and a tighter focus. 

But ultimately, Cha Cha Real Smooth is endearing and a breeze to watch. Andrew is relatable as a know-it-all who doesn’t actually know it all, and Domino (Dakota Johnson) is moving as a young mother consumed by both her envy and love for Andrew. Despite its occasional unevenness, the film’s big emotional heart triumphs, and sometimes that’s the best that you can hope for in a story about one’s 20s.

Genre: Comedy, Drama, Romance

Actor: Amara Pedroso, Brad Garrett, Chris Newman, Colton Osorio, Cooper Raiff, Corrie Danieley, Dakota Johnson, Davina Reid, Evan Assante, John Paul Hurley, Jonathan Berry, Kelly O'Sullivan, Leslie Mann, Lisa Velten Smith, Odeya Rush, Raúl Castillo, Tommy Lafitte, Vanessa Burghardt

Director: Cooper Raiff

Rating: R

There's an elephant lurking in the room from the outset of Biosphere, in which two men are the last survivors of an apocalypse: how will humanity live on? Best friends Billy (Mark Duplass) and Ray (Sterling K. Brown) have only survived thanks to the ingenuity of Ray, who built the glass dome in which they live, insulated from whatever it is that’s keeping the sky perpetually black outside. But the dome’s protective glass increasingly needs patching up, and their last female fish (responsible for the continuation of their food supplies) has just died, setting their clocks ticking.

What happens next — to the remaining male fish and humans — is an astonishing evolution that speaks to the strangeness of nature, which will break its most rigid laws in pursuit of its ultimate goal: furthering the species. Biosphere undergoes a similar metamorphosis: while its zany twist (which we won’t spoil) seems to direct it towards gross-out bro-comedy territory, it transforms, surprisingly, into something more profoundly philosophical. Like the dome, Biosphere’s structure isn’t as solid as it could be — it often meanders — but, with its thoughtful meditations on gender, sexuality, and evolution in all its forms, it’s easy to forgive this quirky indie gem that flaw.

Genre: Comedy, Drama, Fantasy, Science Fiction

Actor: Mark Duplass, Sterling K. Brown

Director: Mel Eslyn

If you've never encountered Beth Stelling before, it might take some getting used to before her brand of comedy really hits. Her routine in this special isn't necessarily built around huge punchlines, animated delivery, or edgy subject matter. But there's plenty of oddly specific detail to her many, many anecdotes that gradually begins to feel warm and easy to connect with, whether or not you've ever been to Ohio. Stelling usually comments on the absurdity of many of these details herself—which, surprisingly, never ruins the joke but helps invite the audience in closer. Her storytelling is consistently engaging all throughout, painting this easygoing outlook on life, which just happens to be punctuated by the most bizarre memories that still remind us of the people we're fondest of.

Genre: Comedy

Actor: Beth Stelling

Director: Mo Welch

Rating: R

Full of charm and nostalgia, Bang Woo-ri’s first feature film is a love letter to the late 90s—and to the heartstopping experience of first love, as high school student Na Bo-ra tries to get to know her friend’s crush Baek Hyun-jin. While at times immature, she comes across as endearing through Kim Yoo-jung’s charismatic, devoted performance. And as the Na Bo-ra goes through all the ways people wooed each other in the 90s—figuring out each other's phone numbers, filming each other through old camcorders, renting out VHS tapes—the film evokes memories of our own first loves. Even with some underdeveloped characters and certain contrived moments, 20th Century Girl is still a stunning picture of young love at the turn of the century.

Genre: Drama, Romance

Actor: Bang Woo-ri, Byeon Woo-seok, Choi Kyo-sik, Gong Myeong, Gong Myoung, Han Hyo-joo, Jeon Hye-won, Jeong Min-jun, Jeong Seok-yong, Jo Ji-hyeon, Kang Chae-young, Kim Nu-rim, Kim Sung-kyung, Kim You-jung, Lee Beom-soo, Lee Beom-su, Lee Cheon-mu, Lee Woo-sung, Ong Seong-wu, Park Hae-jun, Park Jung-woo, Roh Yoon-seo, Ryu Seung-ryong, Shin Dong-ryeok, Yoon Yi-reh

Director: Bang Woo-ri

Rating: TV-PG

The only Kundera film adaptation frankly hasn’t disproven that the source novel is unfilmable, but The Unbearable Lightness of Being is a pretty decent attempt. While Kundera’s meditations aren’t tackled in full depth, director Philip Kaufman manages to retain enough of the novel’s images to rein in the unwieldy plot, such as Sabina with the mirror, Tereza’s nightmare of naked women, their photography around Sabina’s studio and the black-and-white moment of Prague Spring, where editor Walter Murch adeptly inserts Tereza and Tomas within the historical footage. These images, along with the excellent cast, keep the wistful feeling that haunts Kundera’s novel.

Genre: Drama, Romance

Actor: Anne Lonnberg, Bruce Myers, Clovis Cornillac, Consuelo De Haviland, Daniel Day-Lewis, Daniel Olbrychski, Derek de Lint, Donald Moffat, Erland Josephson, Jacques Ciron, Juliette Binoche, László Szabó, Lena Olin, Leon Lissek, Pascale Kalensky, Pavel Landovský, Pavel Slabý, Stellan Skarsgård, Tomasz Borkowy, Vladimír Valenta

Director: Philip Kaufman

Rating: R

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Azuki Terada, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

It would be easy to define Rose Plays Julie as a cross between Promising Young Woman and Killing Eve, but this psychological thriller turns the camp factor down to zero and makes even just the act of watching somebody else an existential experience. Directors Joe Lawlor and Christine Molloy treat this story with stone-cold intensity (perhaps to a fault), transforming their title character from a confused girl to somebody who relishes the power they have to disrupt other people's lives through her mere existence. There's something eerie about it that crawls under your skin if you let it, like a ghost story told among the living.

Genre: Drama, Thriller

Actor: Aidan Gillen, Alan Howley, Ann Skelly, Annabell Rickerby, Catherine Walker, Jack McEvoy, Joanne Crawford, Lochlann O'Mearáin, Orla Brady, Sadie Soverall

Director: Christine Molloy, Joe Lawlor

Set in the British colonial era, Captain Miller is more unapologetically violent than its counterparts, but it’s not mindlessly so. Sure, the film has plenty of spectacle with numerous battles between townsfolk versus British colonialists, some scenes having gruesome, gory deaths. But in between these battles is Dhanush as the central character, contemplating the oppression from his fellow countrymen, the dignity denied to him from both the colony and more privileged locals, and the choices he chooses to make in spite of this. It’s not a straightforward bad versus good anti-colonial film like RRR, and it may not be as emotionally compelling, but Captain Miller is certainly a unique take on British colonialism with all of director Arun Matheswaran’s signature style.

Genre: Action, Adventure, War

Actor: Abdool Lee, Aditi Balan, Alexx O'Nell, Ashwin Kumar, Bose Venkat, Dhanush, Edward Sonnenblick, Elango Kumaravel, Jayaprakash, John Kokken, Kaali Venkat, Mark Bennington, Nivedhithaa Sathish, Priyanka Arul Mohan, Shivaraj Kumar, Sumesh Moor, Sundeep Kishan, Swayam Siddha, Viji Chandrasekhar, Vinoth Kishan

Director: Arun Matheswaran

Funny, sweet, and tropey, Badhaai Do is a unique Hindi dramedy about a lavender marriage. Gay policeman Shardul (Rajkummar Rao) and lesbian teacher Sumi (Bhumi Pednekar) agree to wed in order to satisfy their family’s wishes without exposing their sexual orientations. Unfortunately, this doesn’t stop their family from other expectations, such as that of maintaining their marriage and having a child. After their immediate connection, Shardul and Sumi’s continuous bickering, through Rao and Pednekar’s chemistry, is hilarious, leading to elaborate lies about each other for their family. However, underneath their funny back-and-forth is an understanding between them that almost feels freeing. Their platonic partnership feels like a lifeline in an isolating closet. While India is portrayed here to have a thriving LGBTQ+ community, microaggressions, harassment, and legal discrimination are still present. Despite this, the film carves up moments where Shardul and Sumi actively seek connection, with each other and with other people, including their eventual lovers. The most touching of these moments come when they both allow themselves to be honest.

Genre: Comedy, Drama

Actor: Apeksha Porwal, Bhumi Pednekar, Chum Darang, Gulshan Devaiah, Loveleen Mishra, Nitesh Pandey, Rajkummar Rao, Seema Pahwa, Shashi Bhushan, Sheeba Chaddha

Director: Harshavardhan Kulkarni

Rating: PG

Bad Lands isn’t exactly new. It has the romanticized con artist that manages to slip through the fingers of those more powerful than her, through quick wit and good sense. It has the successful con, and those that come out of the woodwork to take what they’ve stolen. The story isn’t even original, being based on Hiroyuki Kurokawa’s 2015 novel, Keiso. But it’s done well. It’s a well-executed character study focused on a grifter pushed into the business, and taking on a cold, ruthless mindset to survive. It juxtaposes her self-contained lifestyle with the skeevy, abusive tech billionaire ex and the police force he infiltrated. And it’s all the more powerful with Sakura Ando leading the story.

Genre: Action, Crime

Actor: Canon Nawata, Junichi Okada, Katsuhisa Namase, Ken Yamamura, Koki Maeda, Mitsuo Yoshihara, Namase Katsuhisa, Noriko Eguchi, Ryosuke Yamada, Ryudo Uzaki, Sakura Andô, Yasumasa Oba, Yasushi Fuchikami

Director: Masato Harada