116 Movies Like Black Panther: Wakanda Forever (2022) (Page 4)

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Chasing the feel of watching Black Panther: Wakanda Forever ? Here are the movies we recommend you watch right after.

, 2022

Before anything else, Utama will knock you off your feet with its breathtaking beauty. Set in the Bolivian highlands, it captures the arid landscape both in gorgeous wide shots and in unique detail. Then, after you take it all in and remember the vastness of the world and the smallness of humanity, the film ushers you into the lives of Virginio and Sisa, an elderly couple who get by with llama grazing. 

Theirs is a small but peaceful life, but it is endangered when a drought in the area makes it harder for everyone—especially a sickly Virginio—to live. Underlying conflicts start to emerge, such as old vs. new and country vs. city, when everyone but Virginio considers leaving the mountains. It's a simple story told at a purposefully slow pace, but it's one worth viewing for the tender performances, the urgent themes, and of course, the stunning cinematography.

Genre: Drama

Director: Alejandro Loayza Grisi

Nicole is 22, just out of college, and adrift during her first summer as an “adult.” Tu Dors Nicole (“You’re Sleeping Nicole”) is a French-Canadian take on the late coming-of-age story. Nicole spends most of the summer is her small, sleepy Quebec town lounging around her parents house (they are gone for the summer), occasionally working at the local thrift store, trying to sleep (she’s developed insomnia), and wandering aimlessly around town and the Quebec countryside with her best friend Veronique. The two are joined at the hip (as evidenced by how their bikes are always locked-up together) but the arrival of Nicole’s brother and his bandmates threatens to upend the lifelong relationship between the two; because of this waning friendship Tu Dors has earned comparisons to films like Ghost World and Frances Ha which examine the complexities of young female friendships, particularly when one’s identity is in flux. The film was shot on gorgeous Black & White 35mm film , adding to it’s floating dream-like quality, and boasts a sweet and droll sense of humor. There are occasional touches of the surreal as well — my favorite running gag being the presence of the pre-pubescent Martin, a small boy whose voice has prematurely developed (the voice that comes out of his mouth sounds like that of a world weary 45-year-old) who attempts to woo Nicole with poetic insights such as, “the heart has no age.” This film is a true hidden gem.

Genre: Comedy, Drama

Actor: Alexis Lefebvre, Anne-Renee Duhaime, Catherine St-Laurent, Claude Despins, Fanny Mallette, Francis La Haye, Godefroy Reding, Julianne Côté, Luc Senay, Marc-André Grondin, Pierre-Luc Lafontaine, Simon Larouche

Director: Stéphane Lafleur

Rating: Not Rated, Unrated

, 2022

Till is a very political film. It’s charged with the kind of rage and electricity that enables thousands to mobilize for a cause. But before it explodes into something grand, it begins with the small details of everyday life. A mother admires her son as he dances to his favorite song. She buys him a new wallet and goes over the things they’ll do over the summer. These things seem trivial, but they reveal the humanity that sometimes goes overlooked in telling epic stories such as these.

To be sure, Till is a necessarily brutal film about grief and justice, but it’s also about how political movements are borne out of small and personal devastation. This nuance, along with a jaw-dropping performance by Danielle Deadwyler, makes Till a standout: a powerful entry in a long line of social-issue dramas.

Genre: Drama, History

Actor: Al Mitchell, Bradley King, Brandon P. Bell, Brendan Patrick Connor, Carol J. Mckenith, Danielle Deadwyler, David Caprita, Ed Amatrudo, Elizabeth Youman, Eric Whitten, Euseph Messiah, Frankie Faison, Haley Bennett, J.P. Edwards, Jackson Beals, Jalyn Hall, Jamie Renell, Jaylin Webb, Jayme Lawson, John Douglas Thompson, Jonathan D. Williams, Josh Ventura, Keisha Tillis, Kevin Carroll, Lee Spencer, Maurice Johnson, Mike Dolphy, Njema Williams, Phil Biedron, Princess Elmore, Richard Nash, Roger Guenveur Smith, Sean Michael Weber, Sean Patrick Thomas, Summer Rain Menkee, Tim Ware, Torey Adkins, Tosin Cole, Whoopi Goldberg

Director: Chinonye Chukwu

Rating: PG-13

In the words of the journalist Christo Grozev, Alexei Navalny isn’t just a politician; he’s also an internet personality, reporter, investigator, lawyer, and opposition leader who’s up against one of the biggest regimes in the world. He’s a dangerous man, a top Kremlin target, and the documentary gives us incredible access into the ins and outs of his daily operations. 

It’s always astonishing to see a hero humanized, especially since the documentary makes sure to balance newsworthy events with quiet moments of rest and reflection. But more than just a profile, Navalny is a valiant work of investigative journalism, as well as a timely reminder of the importance of activism. It's relevant, revelatory, and rousing; a must-watch in our ever-heating political climate. 

Genre: Documentary, Drama, Thriller

Actor: Alexei Navalny, Alexey Navalny, Angela Merkel, Christo Grozev, Dasha Navalnaya, Georgy Alburov, Kira Yarmysh, Leonid Volkov, Maria Pevchikh, Vladimir Putin, Yulia Navalnaya, Zakhar Navalny

Director: Daniel Roher

Rating: R

, 2024

Frida Kahlo is an iconic Mexican painter, not just because of her outstanding art, but also because of her outlook in life, despite her ill health and tragic accident. Because of this, she has been talked about in multiple books, movies, and exhibitions, but a new documentary has popped up, this time from her own words. Carla Gutierrez’s directorial debut is a revelation, voiced primarily in Frida’s native Spanish and paired with key archival footage, vivid animations of her paintings, and an excellent acoustic score plucked from classical guitar. Being a biographical documentary, fans of the artist would, of course, be familiar with her life events, but Gutierrez’s approach is still worth watching, mostly because it’s Frida’s own words driving the film.

Genre: Documentary

Actor: Fernanda Echevarría del Rivero, Frida Kahlo

Director: Carla Gutierrez

Rating: R

After working on Prime's TV series Verdict, Argentinian director Anahí Berneri has now made her Netflix debut with Elena Knows, a mother-daughter drama based on the book of the same name by famous novelist Claudia Piñeiro (International Booker Prize Shortlist). Berneri has not lost her arthouse touch, on the contrary, Elena Knows looks lush and minimal at the same time. With the use of shallow focus, the cinematography presents the world as an inhospitable place to the protagonist, Elena (Mercedes Morán, recently in Netflix's The Kingdom), whose advanced Parkinson's robs her of her agency, day after day. Very early on in the film, she loses her daughter and carer, Rita (Erica Rivas you might know from Wild Tales), and her absence leaves a gaping hole in the life of the grubby elderly woman. Berneri's newest film owns up to its investigative thriller elements as Elena insists her daughter has been murdered, but at its heart, it holds a paradox: that of maternal love and parental hatred. 

Genre: Drama

Actor: Agustina Muñoz, Erica Rivas, Marcos Montes, Mercedes Moran, Mercedes Scápola, Miranda de la Serna, Mónica Gonzaga, Susana Pampín

Director: Anahí Berneri

Less a documentary on Johannes Vermeer himself and more about the art scholar's mission to study ideas of beauty and aesthetics from various perspectives, this documentary successfully takes an admittedly very esoteric subject and makes it compelling. Director Suzanne Raes easily gets to the essence of the complex questions and insights that these Vermeer experts have, but without dumbing them down or reducing them into generic academic talking points. In fact, the thing that really comes through in the film's discussions is the emotion that these people feel in figuring out how Vermeer managed to paint such stunning images, and what the man was drawn to in human beings. It's oddly persuasive; whether or not you're a fan of 17th-century artists, watching Close to Vermeer feels like finally solving a puzzle.

Genre: Documentary, History

Actor: Abbie Vandivere, Anna Krekeler, Gregor J. M. Weber, Jonathan Janson, Pieter Roelofs

Director: Suzanne Raes

The particulars of the scandal are enough to shock, enrage, and move anyone, but the directors of BS High also put Johnson in the hot seat and skewer the guy until they wring all ego and delusion out of him. The result is a compelling and terrifying look into a con man’s mind. Johnson alternates between justifying and denying his fraudulent ways and even tries to draw empathy from the audience by explaining his upbringing. But cleverly, the directors intercut his wild speeches with heartfelt testimonies from the real victims of this scam: the young recruits who were promised a better life if they played in Johnson’s team, only to be abused and marked for life. It’s impossible not to feel for the young men, who even up until the documentary’s end, wonder out loud how they could possibly move on from such a traumatic experience. 

Genre: Documentary

Director: Martin Desmond Roe, Travon Free

Blind Date Book Club packs many times unnatural mouthfuls of dialogue and writing, but at the same time conveys an incredibly wholesome, adorable earnestness at its core. The movie has such a pure meet cute, thanks to the chemistry of Meg Tompkins (Erin Krakow) and Graham Sterling (Robert Buckley), which is all it really needed to succeed. Writing critique scenes and author characters almost always come with a mild cringe—always seems like the lines are aimed at the work itself, or a tool for deflection—but when the world around it is wrapped in a nostalgic young love à la Flipped, that stuff makes it even better. It's light fun, and it stays tonally the same throughout, but it's so unapologetically sweet you've got to respect it.

Genre: Romance, TV Movie

Actor: Erin Krakow, Robert Buckley

Director: Peter Benson

Sophie Compton and Reubyn Hamlyn's British-American documentary about the harm of deepfakes won the SXSW Special Jury Award for its innovative storytelling and deservingly so. The two filmmakers use a clever and considerate way to let a young woman fictitiously named Taylor share her story of how she found deepfake pornography of herself online. With testaments, desktop form reconstructions, and lots of deepfakes, Compton and Hamlyn alert the audience to how terrifyingly widespread this kind of abuse is, and even more: how unregulated it is. Across the globe and 48 US states deepfake pornography is legal to make and spread, while victims remain helpless and unprotected. More than 90% of them are women. These chilling statistics are only part of the reason this documentary takes an activist stance and wants to raise awareness against the uncontrolled spread of face-swapping algorhythms amidst heated discussions around AI and ethics.

Genre: Documentary

Director: Reuben Hamlyn, Sophie Compton

Rating: NR

The emotional sterility of modern life comes under the microscope of this understated Korean drama in which a young woman who has built self-preserving walls around her lonely existence begins to wonder if the trade-off is worth it. Outside of the soul-sucking call center job at which Jina (Gong Seung-Yeon) excels, her interactions with others are purely parasocial: she streams mukbangs on her phone as she eats alone, wakes up to the blare of her always-on TV, and checks in on her aging father via the security camera she’s surreptitiously installed in his home. When she reluctantly agrees to train the chatty, warm newbie (Jeong Da-eun) at work, Jina is confronted with a direct challenge to her aloofness, but the provocation is easily ignored until a similarly withdrawn neighbor is discovered long after his death.

This triggers a quarter-life crisis for Jina that’s predictably resolved, but Aloners transcends the neatness of this arc thanks to its quietly persistent challenging of the instinct to contort oneself to fit an inhumane world. Hong Sung-eun’s thoughtful first-time direction and Gong’s nuanced performance as a young woman waking up to the creeping dehumanization of herself make Aloners a genuinely thought-provoking reflection on 21st-century life.

Genre: Drama

Actor: Ahn Jeong-bin, Geum Hae-na, Gong Seung-yeon, Jeong Da-eun, Ju Seok-tae, Kim Hae-na, Kwak Min-kyu, Park Jeong-hak, Seo Hyun-woo

Director: Hong Sung-eun

It’s very likely you already know about the fictional character Matilda, a clever but neglected child who discovers she has telekinesis and uses it for good. You may have even grown up watching the 1996 film multiple times, as I have, and secretly tried to move a random object with your mind to see if you somehow shared Matilda’s powers…as I have.

If so, I can assure you that you’ll enjoy the latest Matilda adaptation, aptly called Roald Dahl’s Matilda the Musical on Netflix. It’s pure energy, all bright colors and high-pitched emotions, but not overwhelmingly so. It is also funny and tender, and the techniques it uses to transition and transpose are eye-poppingly inventive. It stars Emma Thompson, once again prosthetic-ed to perfection; Lashana Lynch, a grounding and heartwarming presence; and Alisha Weir, a revelation of a child actor.

Genre: Comedy, Drama, Family, Fantasy, Music

Actor: Alisha Weir, Amanda Lawrence, Andrea Riseborough, Ann Firbank, Bebe Massey, Charlie Hodson-Prior, Emma Thompson, James Dryden, James Laurenson, Katherine Kingsley, Lashana Lynch, Leon Ung, Matt Henry, Meesha Garbett, Noah Leggott, Serrana Su-Ling Bliss, Sindhu Vee, Stephen Graham, Thomas Arnold, Tim Bentinck

Director: Matthew Warchus

Rating: PG

Even with its occasional technical hitches and structural rough edges (maybe because of how personal it is), Last Flight Home makes for a difficult but important look at the process of assisted death. The most important insight this documentary offers is how often and how certainly family patriarch Eli Timoner gives his consent to his family to help him die. It may be hard to fathom such a thing especially if one comes from a tightly-knit family or collectivist culture, but Last Flight Home emphasizes how this decision does come from a place of love, constant communication, and deep self-reflection.

Genre: Documentary

Director: Ondi Timoner

Nowadays, more people might know the cartoon character Yogi Bear or the saying “It ain’t over ‘till its over,” more than they know Yogi Berra, the larger-than-life baseball player who originated the character and the phrase. But in his prime, Berra was one of the most recognizable faces of major league baseball. He was so beloved that he appeared in countless commercials and effortlessly won the hearts of Americans. It Ain’t Over, however, makes a case about Berra being more than just a public figure and how he was one of the best players of all time. The documentary, which is equal parts stats, archival footage, and anecdotes, is convincing without ever being forceful or desperate about its arguments. Berra’s innate warmth and charm carry over in this biography, regardless of whether he’s telling the stories himself or his friends and family regale us with tales of the icon. You don’t have to know much about baseball to enjoy Berra’s life story unfold; having a basic appreciation of storytelling and kindhearted people will suffice. 

Genre: Documentary

Actor: Billy Crystal, Bob Costas, Derek Jeter, Don Mattingly, Hank Aaron, Jackie Robinson, Johnny Bench, Lindsay Berra, Mariano Rivera, Ron Guidry, Sandy Koufax, Vin Scully, Willie Mays, Willie Randolph, Yogi Berra

Director: Sean Mullin

Rating: PG

In 2003, NASA launched twin rovers Oppy (short for Opportunity) and Spirit into Mars expecting them to last for only 90 days. But equipped with almost human-like perseverance and personality, the rovers lasted for years, tracing terrain and reporting extraterrestrial findings back to Earth until Oppy’s final goodbye in 2018.

Good Night Oppy follows the rovers and the team who made their journeys possible, discovering warmth and emotion in the daunting task that is finding life on Mars. It’s as informational as it is inspirational, a gratifying watch on all accounts.

Genre: Documentary, Drama

Actor: Angela Bassett

Director: Ryan White