113 Movies Like Black Panther: Wakanda Forever (2022) (Page 3)

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.

Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.

Genre: Comedy, Drama

Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Nana Manu, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić

Director: Ruben Östlund

Rating: R

The curious link between smell and memory forms the basis of this intriguing — albeit uneven — exploration of the supernatural ties between mother and child. Eight-year-old Vicky (Sally Dramé), daughter of the unhappily married Joanne (Adèle Exarchopoulos) and Jimmy (Moustapha Mbengue), has a sense of smell so fine-tuned she can identify a catalog of notes in any scent. Smells are so evocative for Vicky that they can also send her hurtling into someone’s past, like her mother’s thorny teenage history with Jimmy’s sister Julia (Swala Emati).

The film makes mostly effective use of its fascinating premise and brilliant (partly non-professional) cast. Set in the glacial Alps, the film dives under icy exteriors to find the tension smoldering between the family and their tight-knit community. Like Céline Sciamma’s Petite Maman, it uses time-bending magical realism to articulate the elemental force of maternal bonds and a child’s shock at realizing their parents led a full life before them. It’s less illuminating about its central conceit, though, and some of the less fantastical elements are also underdone, coming off melodramatic in a way that clashes with its overall understatedness. Despite this, The Five Devils is a bewitching watch, particularly in its goosebump-inducing final shot.

Genre: Drama, Fantasy, Romance, Thriller

Actor: Adèle Exarchopoulos, Antonia Buresi, Daphne Patakia, Hugo Dillon, Moustapha Mbengue, Noée Abita, Patrick Bouchitey, Sally Dramé, Stéphanie Lhorset, Swala Emati

Director: Léa Mysius

If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

Somewhere near the border between Russia and Ukraine lies a shelter for kids coming from unstable homes. Their parents, either alcoholics or abusers, have nine months to prove that they’re fit to look after their children; otherwise, the kids are sent straight to the orphanage, with no chance of a goodbye. A House Made of Splinters is a documentary that quietly and closely follows the shelter’s occupants amid growing joys and pains, not to mention the ever-present danger of war.

Perhaps one of the most striking things about A House Made of Splinters is how attuned it is to the kids. It serves as a reminder of their immense sensitivity and observational skills (more than once, you’ll hear a child assess their home situation in the calmest of manners), as well as their clever ingenuity (there’s a lot of playing going on despite everything, which is heartwarming to watch.

Genre: Documentary, Drama

Director: Simon Lereng Wilmont

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

Documentaries about musicians — or anyone famous, for that matter — are often mythologizing puff pieces, essentially feature-length airings of PR material. But Against All Odds has more to it than flattery. It chronicles the rise of Australia’s first drill rappers, five young men of Samoan origin who soared to fame from their disadvantaged Sydney neighborhood after going viral and catching the eye of artists like the UK’s Skepta and Australia’s own The Kid Laroi. 

ONEFOUR’s rise from “the trenches” is compelling in itself — far more so than some of the dull origin stories that often pad out this kind of movie — but the documentary is given even more weight by its examination of the forces that sought to put out their fire: New South Wales police. ONEFOUR’s lyrics, which often reference violence, put them in the crossfires of a police tactical unit determined to, in one officer’s words, “make [ONEFOUR’s] life miserable until [they] stop what [they’re] doing.” Amazingly, the on-camera police interviews feature even more brazen admissions of the ways they “lawfully harass” ONEFOUR, a fact that makes this documentary an eye-opening portrait of both aggressive (and allegedly racist) policing and the resilience of the group in the face of it.

Genre: Documentary, Music

Actor: Celly, J Emz, Lekks, Spenny, The Kid LAROI, YP

Director: Gabriel Gasparinatos

Rating: R

It's difficult to portray Cinderella stories nowadays without making them feel cliche and irrelevant, but Mrs. Harris Goes to Paris seems to have achieved the impossible: it tells a well-worn tale without losing any of its charms, and Lesley Manville is the person to thank for this surprising triumph. As the titular Mrs. Harris, Manville is so sweet and likable —thoroughly convincing in her rags-to-riches journey—that it's impossible to watch her without grinning from ear to ear. Sure, the beats are predictable, polished to a fault even, but Manville makes every scene worth it. This is a feel-good movie if ever there was one, made even more enjoyable for fans of earnest performances, beautiful dresses, and clean, straightforward storytelling.

Genre: Comedy, Drama, History

Actor: Alba Baptista, Anna Chancellor, Barnabás Réti, Ben Addis, Bertrand Poncet, Christian McKay, Csémy Balázs, Declan Hannigan, Delroy Atkinson, Ellen Thomas, Freddie Fox, Guilaine Londez, Harry Szovik, Igor Szász, Isabelle Huppert, Jade Lopez, Jason Isaacs, Jeremy Wheeler, Lambert Wilson, Lesley Manville, Lucas Bravo, Panka Murányi, Philippe Bertin, Rose Williams, Roxane Duran, Saruul Delgerbayar, Vincent Martin, Wayne Brett, Zsolt Páll

Director: Anthony Fabian

Generation-centric comedy is often of the “kids these days” variety — in which comedians make uninspired jibes about the youth of today while spectacularly lacking self-awareness of their own — but twenty-something stand-up Leo Reich thankfully upends that trend with his self-lampooning debut show. Reich takes a risk by unabashedly casting himself as a self-absorbed nepo baby in the opening — narcissism as a bit can become grating pretty quickly — but his perceptive abilities and readiness to both embody and commentate on Gen Z stereotypes are the saviors of this hour-long comedy special.

Stand-up isn’t the only medium he makes use of: the show is also part-musical, as Reich belts out wry musings on the contradictions of his generation — at once self-loathing but tending towards narcissism, cripplingly self-aware but no more enlightened for it — at intervals throughout. If there’s anything to lament here, it’s that Reich’s main character syndrome is so effectively paired with the doom-and-gloom context he paints (as he puts it, he’s spent way too much of his youth Googling "death toll") that the show’s aftertaste is a little too bitter — but then again, nihilism is another characteristic typically associated with zoomers, so you could argue this is simply supreme commitment to the bit.

Genre: Comedy

Actor: Leo Reich

Director: Thomas Hardiman

Rating: R

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Alfie Tempest, Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Roy Halo, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy's intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What's more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and '70s paranoid thrillers into a very contemporary Egyptian setting.

Genre: Drama, Thriller

Actor: Fares Fares, Jalal Altawil, Makram J. Khoury, Mehdi Dehbi, Mohammad Bakri, Sherwan Haji, Tawfeek Barhom

Director: Tarik Saleh

Judy Blume, the author behind enduring classics like Are You There God? It's Me, Margaret, Superfudge, and Forever, gifts us with her comforting presence and precise insight in Judy Blume Forever, a delightful documentary about a delightful woman.

Here, Blume looks back and lets us in on the eventful private life that inspired her prolific work life. Each book has a behind-the-scenes story, which the documentary pairs with commentary from well-known fans like Molly Ringwald, Lena Dunham, and Samantha Bee. Additionally (and most memorably), the documentary also features the years-old correspondence Blume has kept with the children who wrote and confided in her. Whether or not you’ve read her work, watching this film is a heartwarming experience that will soon have you grabbing the nearest Blume classic.

Genre: Documentary, Drama

Actor: Anna Konkle, Caitlin Kinnunen, Cecily von Ziegesar, Judy Blume, Lawrence Blume, Lena Dunham, Molly Ringwald, Samantha Bee, Tayari Jones

Director: Davina Pardo, Leah Wolchok

Rating: 16

Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Emilram Cossío, Enoc Leaño, Gina Morett, Martha Claudia Moreno, Mayra Batalla, Mercedes Hernández, Natalia Solián, Pablo Guisa Koestinger, Samantha Castillo, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

For the longest time, it was always about how wrestling was affected by David Arquette; this documentary finally turns it around and asks how Arquette was affected by pro wrestling. We get interviews from his family that mostly look down on his silly wrestling phase; and from established wrestling personalities that, despite dated fan perceptions, welcome him at every turn. We really get in the weeds of Arquette’s motivations, anxieties, and training for a comeback tour on the indies. The audio levels may be a little erratic, but the intangible rawness combined with its polished nature make this a very fitting film for the wild man.

Genre: Documentary

Actor: André Roussimoff, Aurelian Smith Jr., Bill Goldberg, Billy Corgan, Booker Huffman, Brett Giehl, Brian Yandrisovitz, Brian Zachary Pillman, Chris Jericho, Chris Klucsarits, Conan O'Brien, Courteney Cox, David Arquette, David Penzer, Dusty Rhodes, Elizabeth Hulette, Ellen DeGeneres, Eric Bischoff, George Murdoch, Harvey Levin, Hulk Hogan, Jack Perry, James Ellsworth Morris, Jay Leno, Jeffrey Jarrett, Jerome Saganovich, Jerome Young, Jerry Lawler, Jim Cornette, Jim Fullington, Joe Rogan, Joseph Ryan Meehan, Julian Micevski, Karen Yu, Ken Anderson, Kevin Nash, Kurt Russell, Lewis Arquette, Luke Perry, Mark LoMonaco, Maxwell Friedman, Michael Lee Alfonso, Mick Foley, Monty Sopp, Mr. T, Nathan Blauvelt, Nicholas W. Wilson, Noah Nelms, Oprah Winfrey, Page Falkinburg Jr., Patricia Arquette, Randy Savage, Ric Flair, Richmond Arquette, Rob Strauss, Rosanna Arquette, Scott Colton, Scott Hall, Tony Schiavone, Vince Russo, Wendy Williams

Director: David Darg, Price James

Rating: R