27 Movies Like Big Hero 6 (2014) On Itunes Canada (Page 2)

This animated movie is absolutely wonderful. It’s an Irish production, and the drawings/graphics are so beautiful and different from what you usually see in this genre. This alone, along with the music, would be good reasons to watch this.

But what really makes this worth your time is the story – it’s about a boy dealing with the loss of his mother. He embarks on an adventure into a parallel world of feelings to save his sister.

I found it to be refreshingly original, sometimes quite intense (I cried, but I easily cry), and heartwarming. The details are great. And I love the way the story was interwoven with Irish mythology, making it magical.

Genre: Animation, Family, Fantasy

Actor: Brendan Gleeson, Colm ÓSnodaigh, Colm O'Snodaigh, David Rawle, Fionnula Flanagan, Jon Kenny, Kevin Swierszcz, Liam Hourican, Lisa Hannigan, Lucy O'Connell, Pat Shortt, Paul Young, Tomm Moore, Will Collins

Director: Tomm Moore

Rating: PG

Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

Stories We Tell got on everyone’s radar when, back in 2015, it made the list of the all-time top ten list of Canadian films. That speaks to both the caliber of this movie and its relevance to North America. It’s in fact a first-person account about (and made by) actress Sarah Polley (Mr. Nobody, Exotica, Away from Her, Take This Waltz). In the film, she investigates the rumor that she was the product of an affair, and that her father might not be her biological father. Her family and suspected fathers are all storytellers, and many of them Academy Award winners. Ultimately, the movie becomes about her family’s remembrance of her now-deceased mother (the famous actress Diane Polley). It’s an examination of how the same story can be told so differently by different people and across time. Lies get added and truths are hidden, and all of that enriches Polley’s pursuit.

Genre: Documentary

Actor: Alex Hatz, Alexandra "Allie" MacDonald, Allie MacDonald, Anne Tait, Cathy Gulkin, Christine Horne, Dave Kiner, Deirdre Bowen, Geoffrey Bowes, Harry Gulkin, Jeanie Calleja, Jeff Mallory, Joanna Polley, John Buchan, Lani Billard, Mairtin O'Carrigan, Marie Murphy, Mark Polley, Michael Polley, Mort Ransen, Pixie Bigelow, Rebecca Jenkins, Robert MacMillan, Sarah Polley, Susy Buchan, Thomas Hauff, Tom Butler, Tracey Ferencz, Wayne Curnew

Director: Sarah Polley

Rating: PG-13

Lauren Greenfield’s film follows the Siegel family’s decline from opulent abundance to gaudy ruin. Mega wealth, delusions of grandeur, and grotesquely opulent taste—the Siegel family were the perfect subjects for the film, which sets out to document their most lavish expense: their Versailles home, a mansion sprawling more than 85,000 square feet and modeled after the Palace of Versailles.

The Siegels, no doubt, are entirely out of touch with reality. David Siegel, the owner of one of the world’s largest timeshare developers, married Jackie, a former Mrs. Florida who is 30 years younger. The Versailles home is to be Jackie’s castle, an enormous home for her eight kids and numerous pets.

But the 2008 recession does not spare the Siegels, and their company is devastated. After layoffs and desperate attempts to recover financially, the family struggles to pay back the banks. Construction halts. The Versailles home remains vacant and unfinished.

While the film does not sympathize with the Siegels, Greenfield creates a space where pity is possible as well as criticism. And from there comes the universal: desperation, longing, hope for better, if not also more, more, more.

Genre: Documentary, Drama

Actor: Jacqueline Siegel, Virginia Nebab

Director: Lauren Greenfield

With a particularly empowering tenderness and resilience, The Divine Order explores a glossed-over chapter in history wherein Swiss women could not vote until 1971. The hillside Swiss farming village in which Nora Ruckstuhl lives seems picture-perfect. But under the village’s close-knit and idyllic surface, change is stirring. When an emerging sense of autonomy pushes Nora to question her identity beyond being a complacent housewife, she publicly declares herself in favor of women’s suffrage and draws attention from both outspoken opponents and quiet supporters.

As Nora discovers herself—what she does and doesn’t like; what her body looks like; what pleasure feels like—she also uncovers a yearning for better, for more: who is she not just as a spouse and mother, but also as a friend, a member of a greater community, an independent woman?

Genre: Comedy, Drama

Actor: Bettina Stucky, Ella Rumpf, Finn Sutter, Ingo Ospelt, Marie Leuenberger, Marietta Jemmi, Marta Zoffoli, Maximilian Simonischek, Nicholas Ofczarek, Noe Krejcí, Peter Freiburghaus, Rachel Braunschweig, Sibylle Brunner, Sofia Helin, Steffi Friis, Therese Affolter, Urs Bosshardt, Walter Leonardi

Director: Petra Biondina Volpe

Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.

Genre: Comedy, Drama, Romance

Actor: Alexie Gilmore, Bobcat Goldthwait, Bruce Hornsby, Cheri Minns, Daryl Sabara, Ellie Jameson, Evan Martin, Geoff Pierson, Henry Simmons, Jermaine Williams, Jill Talley, Krist Novoselic, Lorraine Nicholson, Mitzi McCall, Morgan Murphy, Naomi Glick, Rebecca Erwin Spencer, Robin Williams, Toby Huss, Tom Kenny

Director: Bobcat Goldthwait

Rating: R

A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers discovered it in Jerry and Rita Alter’s estate sale. The Thief Collector is less interested in the painting itself  — in fact, it's openly dismissive about its artistic value — and more curious about how it fell into the hands of the mysterious couple, who frequently took exotic trips around the world despite their modest teacher incomes.

There are certainly intriguing questions raised by the Alters’ possession of the painting and compelling evidence that places them as the thieves, but this documentary can’t offer any convincing original theses of its own. It does try, by suggesting that the short stories Jerry wrote — about more thefts and gorier crimes — were thinly disguised autobiographical recollections, but it finds nothing to back these theories up except for a few loosely relevant anecdotes from relatives. With too many what-ifs to go on, it all makes for an intriguing but ultimately unsatisfying deep dive.

Genre: Crime, Documentary, Drama

Actor: Glenn Howerton, Sarah Minnich, Scott Takeda

Director: Allison Otto