19 Movies Like BARDO False Chronicle of a Handful of Truths (2022)

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Chasing the feel of watching BARDO False Chronicle of a Handful of Truths ? Here are the movies we recommend you watch right after.

In All the Beauty and the Bloodshed, documentarist Laura Poitras (Citizenfour, My Country, My Country) lends her empathetic and incisive lens to a subject so passionate and imaginative, she ends up collaborating with Poitras to co-create the documentary about her life. The subject is Nan Goldin, one of the most influential photographers of the late 20th century. 

The documentary captures Goldin’s work as a queer artist and anti-opioids activist, intertwining both aspects to tell a nuanced and incredibly important story about freedom, identity, and self-expression. This incredibly complex, encompassing, and vibrant feature won the top award at the Venice Film Festival, besting 19 other films from around the world.

Genre: Documentary, Drama

Actor: Annatina Miescher, Bernard Herrmann, Cookie Mueller, David Wojnarowicz, Harry Cullen, John Waters, Leonard Bernstein, Nan Goldin, Patrick Radden Keefe

Director: Laura Poitras

In Aftersun, Sophie recalls a holiday she took as an eleven-year-old in the ‘90s with her father. Video recordings help jog her memory, but she’s looking for more than just a blast from the past. Rather, she seems to be seeking answers to fill in the gaps between who she knew as her father and who he really was: an immensely nice but deeply troubled man.

At first, Aftersun looks like a simple but beautiful story about father and daughter bonding over the course of a summer trip. But within minutes, it’s clear that there are layers to Aftersun, emotionally and editorially, that aren’t always explained but nonetheless enrich the movie with profound meaning. Stirring, complex, and surprisingly inventive, it’s not surprising that Aftersun is one of the most beloved films of the past year. 

Genre: Drama

Actor: Celia Rowlson-Hall, Frankie Corio, Harry Perdios, Kieran Burton, Paul Mescal, Sally Messham, Sarah Makharine, Sophia Lamanova, Spike Fearn

Director: Charlotte Wells

Rating: R

This is the latest Oscar-nominated movie by Spain's highest-regarded director, Pedro Almodóvar. It's his most personal work to date, being a slightly fictionalized account of his youth and then the last couple of years. He is mostly portrayed by Antonio Banderas, who was also nominated for an Oscar for this role; while another star performance comes from Penélope Cruz who plays his mother in the flashback scenes. Pain and Glory is about life in the arts: how a tormented artistic personality is formed, the days of focusing on work over relationships, and dealing with the consequences later in life. It begs the question: in Almodóvar's life, was the glory that got him to making as great of a movie as this one worth the pain?

Genre: Drama

Actor: Agustín Almodóvar, Antonio Banderas, Asier Etxeandia, Asier Flores, Cecilia Roth, César Vicente, Constancia Céspedes, Esperanza Guardado, Esther García, Eva Martín, Fernando Iglesias, Julián López, Julieta Serrano, Leonardo Sbaraglia, Nora Navas, Paqui Horcajo, Pedro Casablanc, Penélope Cruz, Raúl Arévalo, Rosalía, Susi Sánchez, Xavi Sáez

Director: Pedro Almodóvar

Rating: R

Riceboy Sleeps looks like a fairy tale. Taken in 16mm and colored to pastel-grain perfection, it’s a captivating picture that moves like a happy memory. And occasionally, the action matches the air. Mother So-young (Choi Seung-yoon) and son Dong-hyun (Ethan Hwang) share a fierce, us-against-the-world bond as they strive to make it in a Canadian suburb without a lick of help. 

The film is beautiful that way, but it also importantly doesn't spare us from the harsh-edged realities of immigrant life. There are assimilation attempts, cultural divides, and on Dong-hyun’s part, a perpetual longing to know about an unknowable past. It’s a lovely picture, to be sure, but it’s also a tear-jerker, as heartbreaking as it is heartwarming. 

Coupled with writing and performances that are resonant but restrained (they never verge on melodrama), Riceboy Sleeps makes for a powerful debut and a truly unforgettable watch.

Genre: Drama

Actor: Aiden Finn, Anthony Shim, Bryce Hodgson, Choi Jong-ryul, Eric Keenleyside, Ethan Hwang, Hunter Dillon, John Cassini, Kendra Anderson, Lee Yong-nyeo, Ryan Robbins, Sean Poague, Vanessa Przada

Director: Anthony Shim

To Leslie follows the eponymous Leslie (Andrea Riseborough), a Southern woman who finds herself at the bottom of the barrel after finally using up every penny of her $190k lottery win. Out of work, friends, and family, she drowns herself in alcohol—that is until a kind soul in the form of motel owner Sweeney (Marc Maron) takes her in and gives her a shot.

To Leslie starts off a bit slow, and its premise may seem like it’ll give way to weepiness, but it’s worth sticking by till the end. The film only gets better, especially with the arrival of Maron, whose presence lends the film a much-needed buoyancy. It's also worth noting that unlike many of its kind, To Leslie avoids the poverty porn trap by depicting issues like addiction and indigence with nuance, honesty, and humanity.

Genre: Crime, Drama

Actor: Alan Trong, Alan Wells, Allison Janney, Andre Royo, Andrea Riseborough, Arabella Grant, Blake Robbins, Brandee Steger, Catfish Jean, Chris Coy, Derek Phillips, Drew Youngblood, Jack O'Connor, James Landry Hébert, Jeanette O'Connor, John Gilbert, Juan Carlos Cantu, Lauren Letherer, Mac Brandt, Maggie Carney, Marc Maron, Matt Lauria, Micah Fitzgerald, Owen Teague, Paula Rhodes, Pramod Kumar, Scott Peat, Scott Subiono, Sewell Whitney, Stephanie Wong, Stephen Root, Tom Virtue

Director: Michael Morris

Rating: R

Not much happens in Women Talking, but what it lacks in action it more than makes up for in message. As the wronged women of an insular Christian colony decide whether they should leave or stay in their community, valuable points on each side are raised and debated fiercely. Are the men at fault or is there a bigger problem at hand? Is it sacrilegious to refuse forgiveness? Will leaving really solve anything? 

The women of this ultraconservative and anti-modern community may not know how to read or write, but years of toiling away on land, family, and faith have made them wise beyond their years, which makes their discussion all the more captivating and powerful. Relevant themes, coupled with director Sarah Polley’s poetic shots and the cast’s all-around stellar performances, make Women Talking a uniquely compelling and timeless watch.

Genre: Crime, Drama

Actor: August Winter, Ben Whishaw, Caroline Gillis, Claire Foy, Eli Ham, Emily Mitchell, Frances McDormand, Jessie Buckley, Judith Ivey, Kate Hallett, Kira Guloien, Liv McNeil, Lochlan Ray Miller, Marcus Craig, Michelle McLeod, Nathaniel McParland, Rooney Mara, Shannon Widdis, Shayla Brown, Sheila McCarthy, Vivien Endicott Douglas, Will Bowes

Director: Sarah Polley

Rating: PG-13

The Fabelmans is often described as director Steven Spielberg’s semi-autobiographical movie about his inauguration into filmmaking, and while it certainly is that, I’d venture to say that it also functions as a universal coming-of-age tale, with protagonist and Spielberg stand-in Sammy Fabelman (Gabriel LaBelle) learning harsh truths about identity, family, and passion for the first time.

Here, we see how so much of filmmaking is intertwined with his life, and how the movies inspire his personality (and vice versa). Whether you’re a fan of Spielberg or not, this movie will surely win you over with its beautiful imagery, impressive technique, and big, big heart.

Genre: Comedy, Drama

Actor: Adriel Porter, Alejandro Fuenzalida, Alex Quijano, Alina Brace, Ari Davis, Art Bonilla, Brinly Marum, Cameron Hennings, Carlos Javier Castillo, Chandler Lovelle, Chloe East, Cody Mitchell, Connor Trinneer, Cooper Dodson, Crystal the Monkey, David Lynch, Ezra Buzzington, Gabriel Bateman, Gabriel LaBelle, Greg Grunberg, Gustavo Escobar, Harper Dustin, Isabelle Kusman, James Urbaniak, Jan Hoag, Jared Becker, Jeannie Berlin, Jonathan Moorwood, Judd Hirsch, Julia Butters, Julyah Rose, Kalama Epstein, Keeley Karsten, Kendal Evans, Lane Factor, Larkin Campbell, Mason Bumba, Max David Weinberg, Meredith VanCuyk, Michelle Williams, Nicolas Cantu, Oakes Fegley, Orion Hunter, Paige Locke, Paul Dano, Rob Shiells, Robin Bartlett, Sam Rechner, Seth Rogen, Sophia Kopera, Stephen Matthew Smith, Taylor Hall, Tia Nalls, Trang Vo, Vera Myers

Director: Steven Spielberg

Rating: PG-13

, 2022

Filled with dense conversations about classical music and cryptic suggestions of a guilty conscience, Tár makes for a challenging watch that rewards patient viewing. The film is ultimately a study of power in an industry built on preserving centuries-old traditions—which makes the character of Lydia Tár, as a queer woman and as a proud, egotistical conductor, such an anomaly in this world. Certain strange choices by the end notwithstanding, this is a movie that leaves itself wide open to interpretation to its view on karma, accountability, and cycles of power. And Cate Blanchett is as good as the awards say: fully immersed in Lydia's ways of arrogant self-preservation, and twitching at every ambient noise that reminds her how fake she truly is.

Genre: Drama, Music

Actor: Adam Gopnik, Alec Baldwin, Alexandra Montag, Allan Corduner, Alma Löhr, André Röhner, Anselm Bruchholz, Artjom Gilz, Cate Blanchett, Chalee Sricharoen, Christoph Tomanek, Constanze Sandmann, Diana Birenytė, Dorothea Plans Casal, Ed White, Frank Röth, Jasmine Leung, Jessica Hansen, Johann von Bülow, Johanne Murdock, Johannes Pfeiffer, Julian Glover, Juliane Kettschau, Kaela Solene Spranger, Kenneth Won, Kitty Watson, Lee Sellars, Lucie Pohl, Lydia Schamschula, Marie-Anne Fliegel, Marie-Lou Sellem, Mark Strong, Mila Bogojevic, Murali Perumal, Nina Hoss, Noémie Merlant, Phongphairoj Lertsudwichai, Prapruttam Khumchat, Razvan Popescu, Sam Douglas, Sarah Bauerett, Somiko Singha-Sila, Songha Choi, Sophie Kauer, Sorawith Sorinchaipaisal, Sydney Lemmon, Sylvia Flote, Tamaki Steinert, Tanutt Tanavoravongsa, Tatjana Reuter, Teresa Philomena Schild, Tilla Kratochwil, Vincent Riotta, Vivian Full, Xenia Assenza, Zethphan Smith-Gneist

Director: Todd Field

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest. 

Genre: Crime, Drama, Horror, Thriller

Actor: Alice Rahimi, Arash Ashtiani, Ariane Naziri, Majd Eid, Mehdi Bajestani, Nima Akbarpour, Sara Fazilat, Sina Parvaneh, Zar Amir Ebrahimi

Director: Ali Abbasi

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. 

As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. 

It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

Genre: Drama, Horror, Romance

Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jenny McManus, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien

Director: Luca Guadagnino

Rating: R

The curious link between smell and memory forms the basis of this intriguing — albeit uneven — exploration of the supernatural ties between mother and child. Eight-year-old Vicky (Sally Dramé), daughter of the unhappily married Joanne (Adèle Exarchopoulos) and Jimmy (Moustapha Mbengue), has a sense of smell so fine-tuned she can identify a catalog of notes in any scent. Smells are so evocative for Vicky that they can also send her hurtling into someone’s past, like her mother’s thorny teenage history with Jimmy’s sister Julia (Swala Emati).

The film makes mostly effective use of its fascinating premise and brilliant (partly non-professional) cast. Set in the glacial Alps, the film dives under icy exteriors to find the tension smoldering between the family and their tight-knit community. Like Céline Sciamma’s Petite Maman, it uses time-bending magical realism to articulate the elemental force of maternal bonds and a child’s shock at realizing their parents led a full life before them. It’s less illuminating about its central conceit, though, and some of the less fantastical elements are also underdone, coming off melodramatic in a way that clashes with its overall understatedness. Despite this, The Five Devils is a bewitching watch, particularly in its goosebump-inducing final shot.

Genre: Drama, Fantasy, Romance, Thriller

Actor: Adèle Exarchopoulos, Antonia Buresi, Daphne Patakia, Hugo Dillon, Moustapha Mbengue, Noée Abita, Patrick Bouchitey, Sally Dramé, Stéphanie Lhorset, Swala Emati

Director: Léa Mysius

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

It's difficult to portray Cinderella stories nowadays without making them feel cliche and irrelevant, but Mrs. Harris Goes to Paris seems to have achieved the impossible: it tells a well-worn tale without losing any of its charms, and Lesley Manville is the person to thank for this surprising triumph. As the titular Mrs. Harris, Manville is so sweet and likable —thoroughly convincing in her rags-to-riches journey—that it's impossible to watch her without grinning from ear to ear. Sure, the beats are predictable, polished to a fault even, but Manville makes every scene worth it. This is a feel-good movie if ever there was one, made even more enjoyable for fans of earnest performances, beautiful dresses, and clean, straightforward storytelling.

Genre: Comedy, Drama, History

Actor: Alba Baptista, Anna Chancellor, Barnabás Réti, Ben Addis, Bertrand Poncet, Christian McKay, Csémy Balázs, Declan Hannigan, Delroy Atkinson, Ellen Thomas, Freddie Fox, Guilaine Londez, Harry Szovik, Igor Szász, Isabelle Huppert, Jade Lopez, Jason Isaacs, Jeremy Wheeler, Lambert Wilson, Lesley Manville, Lucas Bravo, Panka Murányi, Philippe Bertin, Rose Williams, Roxane Duran, Saruul Delgerbayar, Vincent Martin, Wayne Brett, Zsolt Páll

Director: Anthony Fabian

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Alfie Tempest, Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Roy Halo, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

, 2022

Till is a very political film. It’s charged with the kind of rage and electricity that enables thousands to mobilize for a cause. But before it explodes into something grand, it begins with the small details of everyday life. A mother admires her son as he dances to his favorite song. She buys him a new wallet and goes over the things they’ll do over the summer. These things seem trivial, but they reveal the humanity that sometimes goes overlooked in telling epic stories such as these.

To be sure, Till is a necessarily brutal film about grief and justice, but it’s also about how political movements are borne out of small and personal devastation. This nuance, along with a jaw-dropping performance by Danielle Deadwyler, makes Till a standout: a powerful entry in a long line of social-issue dramas.

Genre: Drama, History

Actor: Al Mitchell, Bradley King, Brandon P. Bell, Brendan Patrick Connor, Carol J. Mckenith, Danielle Deadwyler, David Caprita, Ed Amatrudo, Elizabeth Youman, Eric Whitten, Euseph Messiah, Frankie Faison, Friedman Twinkies, Haley Bennett, J.P. Edwards, Jackson Beals, Jalyn Hall, Jamie Renell, Jaylin Webb, Jayme Lawson, John Douglas Thompson, Jonathan D. Williams, Josh Ventura, Keisha Tillis, Kevin Carroll, Lee Spencer, Maurice Johnson, Mike Dolphy, Njema Williams, Phil Biedron, Princess Elmore, Richard Nash, Roger Guenveur Smith, Sean Michael Weber, Sean Patrick Thomas, Summer Rain Menkee, Tim Ware, Torey Adkins, Tosin Cole, Whoopi Goldberg

Director: Chinonye Chukwu

Rating: PG-13