73 Best Romance Movies to WatchMovies Like Barbie (2023) (Page 2)

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Is love in the air? It sure is all over streaming platforms, where there’s no shortage of romance to cuddle up to. From intimate dramas to love-fuelled adventures, here are the best romance movies and shows to stream now.

Little England is one of those rare cases in small-nation cinemas, where a film was equally appealing to mainstream and arthouse audiences. Upon its release, it was box office success and 2013's Oscar submission for Best International Feature. Festival darling Pantelis Voulgaris equipped this interwar romantic drama with the attributes of an epic: it's two hours and a half long, spans across decades, and is based on a novel of a notable size. Written by renowned author Ioanna Karystiani, who is also Voulgaris's wife, "Little England" the novel was adapted in a riveting screenplay where love, jealousy, passion, and betrayal sizzle in a dangerous mix. As any good period drama, the emotional range is high, and the beauty in the premise—forbidden love—is a gift that keeps on giving. The film features two stellar lead performances, as Pinelopi Tsilika and Sofia Kokkali make their acting debuts as the two sisters, the latter being the face of a new, even more daring phase of Greek cinema today. 

Genre: Drama, Romance

Actor: Aineias Tsamatis, Andreas Konstantinou, Angeliki Papathemeli, Anneza Papadopoulou, Christos Kalavrouzos, Eirini Inglesi, Eleni Karagiorgi, Evangelia Adreadaki, Maximos Moumouris, Penelope Tsilika, Sofia Kokkali

Director: Pantelis Voulgaris

The curious link between smell and memory forms the basis of this intriguing — albeit uneven — exploration of the supernatural ties between mother and child. Eight-year-old Vicky (Sally Dramé), daughter of the unhappily married Joanne (Adèle Exarchopoulos) and Jimmy (Moustapha Mbengue), has a sense of smell so fine-tuned she can identify a catalog of notes in any scent. Smells are so evocative for Vicky that they can also send her hurtling into someone’s past, like her mother’s thorny teenage history with Jimmy’s sister Julia (Swala Emati).

The film makes mostly effective use of its fascinating premise and brilliant (partly non-professional) cast. Set in the glacial Alps, the film dives under icy exteriors to find the tension smoldering between the family and their tight-knit community. Like Céline Sciamma’s Petite Maman, it uses time-bending magical realism to articulate the elemental force of maternal bonds and a child’s shock at realizing their parents led a full life before them. It’s less illuminating about its central conceit, though, and some of the less fantastical elements are also underdone, coming off melodramatic in a way that clashes with its overall understatedness. Despite this, The Five Devils is a bewitching watch, particularly in its goosebump-inducing final shot.

Genre: Drama, Fantasy, Romance, Thriller

Actor: Adèle Exarchopoulos, Antonia Buresi, Daphne Patakia, Hugo Dillon, Moustapha Mbengue, Noée Abita, Patrick Bouchitey, Sally Dramé, Stéphanie Lhorset, Swala Emati

Director: Léa Mysius

Emily (Evanna Lynch), a strange, unique girl does not receive the long awaited letter from her father on her birthday. Sick of worrying, she decides to break away from home to visit him in the psychiatric institution where he stays. The plan requires the help of Arden (George Webster), a boy from school who is ready to drop everything and accompany her on a journey that quickly becomes as adventurous as it is heartfelt. In this film, director Simon Fitzmaurice take will take you on a trip through the beautiful Irish landscape to find nothing else but simple and true love.

Genre: Drama, Romance

Actor: Ali White, Ally Ni Chiarain, Barry McGovern, Cathy Belton, Declan Conlon, Deirdre Mullins, Evanna Lynch, George Webster, John Travers, Martin McCann, Meghan Jones, Michael Hough, Michael Smiley, Millie Donnelly, Stella McCusker

Director: Simon Fitzmaurice

Rating: Not Rated

, 2022

Of the three Brontë sisters—all of whom are accomplished writers in their own right—it’s Emily who remains the most enigmatic to this day. She died early and left in her wake just one work: her first and only novel, Wuthering Heights. The book shook England back then; it was rugged and sexual and violent, and the film honors that by filling the gaps in our knowledge of Brontë’s life with the excitement of her work. Emily, the film, may be historically inaccurate, but it is wildly enjoyable, even if it is pure fantasy. The cinematography is sensual and the sound production screeching; the vibe is equal parts erotic and eerie as Emily loses herself in the mysticism of the moors. It seems apt that a film about Emily leans more toward arthouse than commercial, but it’s also impressive that director Frances O'Connor is able to achieve all this while maintaining a universally romantic appeal about it.

Genre: Drama, History, Romance

Actor: Adrian Dunbar, Alexandra Dowling, Amelia Gething, Emma Mackey, Fionn Whitehead, Gemma Jones, Gerald Lepkowski, Oliver Jackson-Cohen, Paul Warriner, Philip Desmeules, Sacha Parkinson, Veronica Roberts

Director: Frances O'Connor

Rating: R

It may seem like it’s targeted at a specific demographic, but Spoiler Alert is actually a universal tale about love, grief, and moving on. Jim Parsons affectingly plays Michael, a romantic and TV aficionado who has trouble separating fact from fiction. He views life as one big sitcom, but his cheery outlook is increasingly challenged by the tragedies he encounters, not least of which is the surprise diagnosis of his boyfriend Kit (Ben Aldridge). 

Spoiler Alert is very sweet, perhaps too sweet for some viewers, but if you enjoy the unabashed schmaltz of romantic dramas, then this comes highly recommended. Of course, for that extra fluff, Spoiler Alert is mostly set during the holidays, so it’s best to watch while cozying up with a loved one—just make sure you have spare tissues on-hand for those tearjerking moments.

Genre: Comedy, Drama, Romance

Actor: Allegra Heart, Antoni Porowski, Ben Aldridge, Bill Irwin, Christine Renee Miller, Eleni Yiovas, Erica Cho, Jeffery Self, Jim Parsons, Josh Pais, Kate Pittard, Nikki M. James, Paco Lozano, Sadie Scott, Sally Field, Scott Burik, Shunori Ramanathan, Supriya Ganesh, Tara Summers, Winslow Bright

Director: Michael Showalter

A great example of frank, emotionally honest filmmaking with three totally vulnerable lead performances, Passages takes a subject that can so easily be reduced into clichés—infidelity—and approaches it with a genuine sense of melancholy. It can still be frustrating to watch fully developed adults refuse to communicate more clearly about their feelings, but director and co-writer Ira Sachs also understands the nuanced gender dynamic that informs some of these bad decisions. Tomas understands that his commitment to Martin may not give him the "easy" satisfaction of a traditional romance, but there is also a sense that his attraction to Agathe (supposedly the first time he's truly fallen for a woman) might be more of an impulsive attempt to settle for something safer, something that he has more control over.

Ben Whishaw is reliably sympathetic as Martin, and Adèle Exarchopoulos carries herself with the unembellished authenticity that many of the best French actors do. And Franz Rogowski makes Tomas both entirely pathetic and still so very heartbreaking in the predicament he's put himself into. There are no cheap histrionics or outbursts of emotion here—just performers living fully within each moment and selling us on the situation they're in.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Arcadi Radeff, Ben Whishaw, Caroline Chaniolleau, Erwan Kepoa Falé, Franz Rogowski, Olivier Rabourdin, Radostina Rogliano, Théo Cholbi, William Nadylam

Director: Ira Sachs

Rating: NR

, 2004

Director Wong Kar-Wai made this loose sequel to one of the best films ever made, his 2000 classic In the Mood for Love. Much of the story is set around Christmas eve.

In the far future, people take a train to the world of 2046, where no sadness or sorrow can be experienced. No one has ever returned from that world except for a lonely Japanese writer, who narrates the first part of the film.

There are four acts to the story and as is common to Wong Kar-Wai, they are listed in non-chronological order. Not that you will care but 2046 is far from confusing. Instead, it functions as a dazzling visual poem on unreciprocated love.

Genre: Drama, Fantasy, Romance, Science Fiction

Actor: Akina Hong, Akina Hong Wah, Ben Yuen, Ben Yuen Foo-Wah, Benz Kong To-Hoi, Berg Ng, Carina Lau, Chang Chen, Chen Chang, Ching Siu-Lung, Dong Jie, Farini Cheung, Farini Cheung Yui-Ling, Faye Wong, Gong Li, Jie Dong, Li Gong, Maggie Cheung, Ping Lam Siu, Ronny Ching Siu-Lung, Siu Ping-lam, Takuya Kimura, Thongchai McIntyre, Tony Leung Chiu-Wai, Zhang Ziyi, Ziyi Zhang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

It’s always tricky translating literature to screen. In Shortcomings’ case, it struggles to make its Berkeley and New York settings appear more lived-in than just a few postcard-like frames. You could also tell that the conversations it stirs up about things like representation and mixed-race relationships began in the early aughts, when the novel it was adapted from was first released. But those lapses are small and forgivable in the face of a lovely ensemble cast and a whipsmart script. It also takes a special kind of skill to make a character as fiercely unlikeable as Ben (Min) watchable, to hold up a mirror to the audience and make them stay. Thankfully, it's a skill that Tomine and first-time director Randall Park display with such grace. Ben, Alice (Sherry Cola), and Miko (Ally Maki) are flawed and often pathetic, but they’re also honest reflections of who we become when the demands of self-preservation and romantic openness clash. It’s a little unnerving to hear them verbalize what we've always feared about ourselves, but it’s also exhilarating, not to mention comforting, knowing that we're not alone in feeling this way. Shortcomings works because it doesn't confine itself to genre: it's a character study first, and a romantic comedy second.

Genre: Comedy, Drama, Romance

Actor: Adam Enright, Adrian Tomine, Ally Maki, Boran Anh, Debby Ryan, George Deihl Jr., Jacob Batalon, Jess Nahikian, Justin H. Min, Melanie J. Newby, Mike Cabellon, Nikhaar Kishnani, Randall Park, Ronny Chieng, Scott Seiss, Sheldon Best, Sherry Cola, Sonoya Mizuno, Stephanie Hsu, Tavi Gevinson, Theo Iyer, Timothy Simons

Director: Randall Park

Rating: R

Unlike plenty of time torn films, Maboroshi is the kind of film that doesn’t have a straightforward explanation for the town of Mifuse standing still in time. But even when it doesn’t have a logical reason, the way the film unfolds has a distinct feeling as it explores the illusions the town either could cling to, or release to grow. This kind of storytelling would be familiar to fans of the prolific screenwriter Mari Okada, who just started directing in 2018 with Maquia: When the Promised Flower Blooms, but even those new to her work would appreciate the pure emotion driving Maboroshi, if they can let go of reality and enjoy MAPPA’s exquisite art for a moment.

Genre: Animation, Drama, Fantasy, Romance

Actor: Ayaka Saito, Daiki Kobayashi, Junya Enoki, Kento Hayashi, Koji Seto, Maki Kawase, Misaki Kuno, Reina Ueda, Setsuji Sato, Taku Yashiro, Tasuku Hatanaka, Yukiyo Fujii

Director: Mari Okada, Seimei Kidokoro

Rating: PG-13

This sensitive and elegantly crafted melodrama recognizes that a death in the family doesn't have to lead to the same expressions of mourning we expect from movies; there might not be any real sadness at all. But when different family members come together again and bring their own personal conflicts with them, suddenly everyone else's little griefs fill the space, and the road to recovery becomes even messier. Little Big Women understands all this with an understated touch and brilliant, naturalistic performances from its cast. It makes for a loving tribute to the generations of tough and complicated women who often hold a family together.

Genre: Drama, Family, Romance

Actor: Buffy Chen, Chang Han, Chen Shu-fang, Chen Yan-Fei, Chia-Kuei Chen, Ding Ning, Grace Chen Shu-Fang, Han Chang, Honduras, Hsieh Ying Shiuan, Hsieh Ying-xuan, Janine Chang, Lung Shao-Hua, Sara Yu, Siu Wa Lung, Sun Ke-Fang, Vivian Hsu, Weber Yang

Director: Joseph Chen-Chieh Hsu, Joseph Hsu

Rating: N/A

Based on co-writer Wu Nien-jen’s experiences, Dust in the Wind is a bittersweet coming-of-age story about lost love. The two sweethearts, Ah Yuan (Wang Chien-wen) and Ah Yun (Hsin Shu-fen), move out of their rural hometown to try to make a life in Taipei. Through day-to-day glimpses of the life they’re trying to make, it’s easy to root for their love in the beginning. As they go through the struggles of daily life, the lovers seem to glow only in each other’s presence, thanks to the gorgeous cinematography from Mark Lee Ping-Bin. However, love isn’t enough. Outside circumstances threaten their love, such as poor healthcare, theft, and the military draft. Director Hou Hsiao-hsien refuses to let us recognize this at the immediate moment, though. Like Yuan, the weight of each moment hits us belatedly, and it’s only in the end when he can’t do anything, that we realize it.

Genre: Drama, Romance

Actor: Chien-wen Wang, Danny Deng, Grace Chen Shu-Fang, Hsin Shu-Fen, Lawrence Ko, Li Tian-Lu, Mei Fang, Wu Ping-nan, Yang Li-yin

Director: Hou Hsiao-hsien

Rating: Not Rated

New York, especially in older movies, seems to be an enchanting place with endless possibilities, as long as you’re willing to put in the work. With Hong Kong’s handover to China, it’s no wonder plenty of Hong Kong natives decided to emigrate to the Big Apple. That being said, this experience isn’t always smooth. Mabel Cheung’s An Autumn’s Tale is a fairly simple romance, but it also captures the rough times of the assimilation process of Hong Kongers, the way they have to toughen up to eke out a living, and the joy they manage to hold, even just for a while. And as the young Chow Yun-fat softens his edge to guide the blindsided, sweet Cherie Chung, we can’t help but root for them.

Genre: Drama, Romance

Actor: Brenda Lo, Cherie Chung, Chow Yun-fat, Danny Bak-Keung Chan, Danny Chan Bak-Keung, George Gerard, Gigi Suk Yee Wong, Gigi Wong, Huang Man, Wu Fu-Sheng, Yun-Fat Chow

Director: Mabel Cheung

Rating: N/A

Anyone who’s seen Pietro Marcello’s Martin Eden will likely recognize the director’s fingerprints all over Scarlet. There’s the same haunting collage of colorized archival documentary footage and fictional scenes here, the same fascination with physical labor and historical moments of transition, the same loose approach to literary adaptation. Scarlet’s story is drawn from a 1923 Russian adventure novel but the action is transposed to post-WW1 rural France, where soldier Raphaël (Raphaël Thiéry) returns from the war to discover his wife has died and left him with a daughter, Juliette (Juliette Jouan). The local townsfolk reject the duo, but they manage to keep their head above water thanks to a kindly landlady with a storybook belief in magic and Raphael’s Geppetto-like skills at whittling beautiful toys from blank blocks of wood.

The fairy tale touches don’t stop there: the color grading and bucolic setting give the movie the look and texture of a fable, while Juliette is enraptured by a prophecy — given to her by a witchy forest woman — that tells her she’ll one day be swept away by scarlet sails in the sky. It’s a charming, if airy, yarn, but the craftsmanship in front of and behind the camera makes Scarlet a gorgeous escape.

Genre: Drama, History, Romance

Actor: Anne-Lise Heimburger, Annette Trumel, Antonin Stahly-Vishwanadan, Arthur Orcier, Bernard Blancan, Boris Gillot, Ernst Umhauer, François Négret, Iliana Zabeth, Lolita Chammah, Louis Garrel, Natascha Wiese, Noémie Lvovsky, Pierre Nisse, Raphaël Thiéry, Rémy Roubakha, Vincent Pietton, Yolande Moreau

Director: Pietro Marcello

Making a good erotic thriller out on Wall Street is no easy feat, but Fair Play has just the right ratio of wit, sex, and sleaze to spice up a Friday night viewing. There's also undeniable pleasure in watching a fairytale love story corrode, especially under the influence of money and power—here's one for the romantic capitalists! And even if the script feels a bit uneven and Emily's character a bit too silent until the film's third act, it's a heightened yet realistic depiction of exactly how solidified heteronormative standards still are: in bed, at home, at the workplace. Who would have guessed that's where the true horror lies? 

Genre: Drama, Romance, Thriller

Actor: Alden Ehrenreich, Brandon Bassir, Buck Braithwaite, Eddie Marsan, Filip Todorovic, Geraldine Somerville, Greg De Cuir, Ivona Kustudić, Jamie Wilkes, Jelena Stupljanin, Jim Sturgeon, Katarina Gojković, Laurel Lefkow, Leopold Hughes, Linda Ljoka, Patrick Fischler, Phoebe Dynevor, Rich Sommer, Sebastian de Souza, Sia Alipour, Yacine Ramoul

Director: Chloe Domont

Blind Date Book Club packs many times unnatural mouthfuls of dialogue and writing, but at the same time conveys an incredibly wholesome, adorable earnestness at its core. The movie has such a pure meet cute, thanks to the chemistry of Meg Tompkins (Erin Krakow) and Graham Sterling (Robert Buckley), which is all it really needed to succeed. Writing critique scenes and author characters almost always come with a mild cringe—always seems like the lines are aimed at the work itself, or a tool for deflection—but when the world around it is wrapped in a nostalgic young love à la Flipped, that stuff makes it even better. It's light fun, and it stays tonally the same throughout, but it's so unapologetically sweet you've got to respect it.

Genre: Romance, TV Movie

Actor: Erin Krakow, Robert Buckley

Director: Peter Benson