161 Movies Like Barbie (2023) On Itunes (Page 8)

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Golda Meir was Israel's only female Prime Minister and that's already reason enough a biopic celebrating her historical importance would be made. Oscar-winning Israeli director Guy Nattiv rose to the task and Meir's own grandson requested British actress Helen Mirren to play the role of his grandmother (a decision that was not left undisputed). However, Miren is a virtuoso of stoic, physically confined acting and delivers a strong performance as the elderly Golda in the wake of a militarized attack on Israel coming from Egypt and Syria. Instead of being caught in the web of global politics between the Arab world, Russia, and the United States, she navigates the terrain with sustained empathy, although not without failings. The film itself describes Golda as a hero outside of Israel and controversial in her own land, and it does well enough in embodying that very same controversy.

 

 

Genre: Drama, History, Thriller, War

Actor: Ben Caplan, Camille Cottin, Daniel Ben Zenou, Dominic Mafham, Dvir Benedek, Ed Stoppard, Ellie Piercy, Emma Davies, Helen Mirren, Henry Goodman, Jaime Ray Newman, Jonathan Tafler, Kit Rakusen, Liev Schreiber, Lior Ashkenazi, Mark Fleischmann, Muneesh Sharma, Ohad Knoller, Olivia Brody, Rami Heuberger, Rotem Keinan, Sam Shoubber, Sumit Chakravarti, Zed Josef

Director: Guy Nattiv

Rating: PG-13

Even with its haphazard construction and occasionally unnecessary and corny flourishes (what's with all the mellowed-out covers of pop songs?), there's a sense of intense, sincere pride and joy that shines through Every Body's many testimonials. Intersex people are barely represented whether in media or in legislation, and countless people still have very little understanding of what intersex is. But while this subject is usually viewed as uncomfortable—and this documentary definitely doesn't hold back in explaining the various ways intersex people are mutilated and mentally abused just to force them to conform to the gender binary—the film grounds everything by showing us how its main characters are as ordinary, creative, and full of good humor as the rest of us. So as Every Body skips through various aspects of the intersex experience, even its disorganization takes on the charm of a simple chat with friends. And either way, the discussions held here are the stuff of real courage—demanding our attention and earning our respect.

Genre: Documentary

Actor: Alicia Roth Weigel, Julie Cohen, River Gallo, Sean Saifa Wall, Steven Crowder

Director: Julie Cohen

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Chile 76 takes place three years after the dictator Augusto Pinochet took over the country and cracked down on dissenting groups and rebels. There was political strife and unnecessary violence, but almost none of this plays out explicitly in the film. Instead, we mostly follow Carmen, who seems to be going through a crisis of her own, albeit an internal one. She lives a well-to-do life as she decorates a new house and volunteers at the church, but there is a deep-seated melancholia about her, which is maybe why she’s so drawn to Elias (Nicolás Sepúlveda). She exits her comfort zone and aids in his covert exchanges across town, perhaps because she’s genuinely interested in Elias’ cause, but possibly because she sees it as a way out from the humdrum of her privileged life. The beauty of the film is that it melds the personal with the political in subtle and interesting ways, allowing us viewers to draw our own conclusions to the matter.

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amalia Kassai, Antonia Zegers, Elvis Fuentes, Ernesto Meléndez, Gabriel Urzúa, Germán de Silva, Graciela Tenenbaum, Julián Marras, Marcial Tagle, Mauricio Pesutic, Mora Recalde, Vilma Verdejo

Director: Manuela Martelli

For better or worse, The Reason I Jump isn't a documentary made for autistic viewers but for a neurotypical audience that may not be very knowledgeable about autism. This means the film doesn't really offer anything new to the conversation, and it misses the opportunity to truly let its main characters express themselves in their own unique ways, uninterrupted. That said, The Reason I Jump still structures itself smartly (with stunning filmmaking to boot) by having each of its five characters introduce us to different aspects of the autism experience, from sense and memory to communication and community.

Genre: Documentary

Actor: David Mitchell, Donna Budway, Emma Budway, Jeremy Dear, Jordan O'Donegan

Director: Jerry Rothwell

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For kids and kids-at-heart who find Jim Henson's technical mastery of puppets riveting, this documentary on the classic and still-contemporary Sesame Street provides a ton of behind-the-scenes footage that's endlessly fun to watch. Street Gang rebuts any arguments that could be made about children's TV being low-effort—showing just how much craft is needed in a show like this. But more importantly, the film's first act illustrates the risky process of building Sesame Street from the ground-up, specifically as programming for inner-city Black children who weren't getting the education they deserved. It's nothing short of an inspiration to see this ragtag group of creatives and communication experts—none of whom wanted to take sole credit—coming together like a superhero team to create one of the most iconic and enduring TV shows in American history.

Genre: Documentary, Family

Actor: Bob McGrath, Brian Henson, Caroll Spinney, Christopher Cerf, Dizzy Gillespie, Emilio Delgado, Fran Brill, Frank Oz, Fred Rogers, Holly Robinson Peete, James Earl Jones, Jesse Jackson, Jim Henson, Joan Ganz Cooney, Johnny Carson, Johnny Cash, Jon Stone, Lisa Henson, Lloyd Morrisett, Loretta Long, Matt Robinson, Muhammad Ali, Norman Stiles, Odetta, Orson Welles, Roscoe Orman, Sonia Manzano, Stevie Wonder, Will Lee

Director: Marilyn Agrelo

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Winchester, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, Joshua Mikel, Keith Brooks, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Nicholas Hoult, Nicolas Cage, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

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Logan Lerman (The Perks of Being a Wallflower) and John Hawkes (The Sessions) star in this easy road drama about a father who tries to rekindle with his son. After the mother passes away, they try to execute her dying wishes of spreading her ashes in her home country of Ireland. The son, Lerman's character, is freshly released from jail and accepts to take the trip on the one condition that he never sees his father again. This premise makes for a fun mix between a family drama and an adventure movie. Both characters have a lot to discover in Ireland: about the country, each other, and themselves.

Genre: Adventure, Drama

Actor: Aine Ni Mhuiri, Amy De Bhrún, Andrea Irvine, David Grant Wright, Denis Conway, Des Keogh, Emily Berry, Jack McEvoy, Joan Sheehy, John Hawkes, Lalor Roddy, Logan Lerman, Marion O'Dwyer, Mary McEvoy, Noella Brennan, Ólafur Darri Ólafsson, Sarah Bolger, Sean Mahon, Shaw Jones, Steven Blount, Zylan Brooks

Director: Elfar Adalsteins

Rating: Not Rated

Although limited by the timeframe in which it was released—that is, before its characters really got to finish organizing themselves in response to the film's subject matter—Aftershock still provides a detailed primer on the ways the American healthcare system has been manipulated to take advantage of the underprivileged. The documentary can get technical but since it grounds its reporting on two tragic stories of preventable loss, there's more than enough reason to pay full attention. It definitely isn't meant to answer every question about pregnancy care, but it definitely compels deeper inquiry into the ways we've been socialized into perceiving romantic notions about childbirth.

Genre: Documentary

Director: Paula Eiselt, Tonya Lewis Lee

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When travelling to another place, another city, another town, there’s a certain anonymity that frees one’s self. No one knows who you are, so you’re not expected to maintain a certain personality, and that can be necessary for young people trying to find their way. The Breaking Ice shows this in a fairly sentimental way, juxtaposing the wintry, snowy landscape with the warm but fleeting connection forming between three lonely adults, but there’s just something honest in the way the three try to hide but still share the same youthful ennui, even if they come from vastly different backgrounds. The Breaking Ice might not be daring enough to delve into the queer aspect of this trio, but it’s still a lovely, well-crafted drama contemplating the youth’s melancholy.

Genre: Drama

Actor: Liu Baisha, Liu Haoran, Qu Chuxiao, Ruguang Wei, Zhao Wenhao, Zhou Dongyu

Director: Anthony Chen

19-year-old Dominican pitcher Miguel Santos, a.k.a. Sugar, dreams of making it into an American baseball team and pulling himself and his family out of poverty. He gets a chance to train for a team in Kansas, but on arrival struggles to be accepted in his new community.

Poignant and beautifully performed, Sugar is not the usual film about chasing the American dream, and it’s far from a typical baseball movie. It’s an honest portrayal, one that avoids sports-movie clichés in favor of an exploration of identity and the immigrant experience.

Genre: Drama

Actor: Algenis Perez Soto, Alina Vargas, Andre Holland, Ann Whitney, Braulio Castillo, Eddie Martinez, Ellary Porterfield, Jaime Tirelli, Jamie Tirelli, Joendy Pena Brown, Jose Rijo, Karl Bury, Karolina Wydra, Marla Frumkin, Michael Gaston, Rayniel Rufino, Richard Bull, Sándor Técsy, Santo Silvestre, Walki Cuevas, Wilson Daniel

Director: Anna Boden, Ryan Fleck

Rating: R

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Shooting Stars may be based on LeBron James’ account of his teenage years, but this adaption by Chris Robinson is more than just a vanity project. In fact, James is hardly the lead here—every one of his friends gets a chance to shine in this coming-of-age story about brotherhood and friendship. It’s closer to films like Boyz N the Hood and Stand By Me in that way, but that’s not to say it’s a letdown in the sports department. The games are choreographed beautifully; the actors display wonderful athleticism and the filmmakers employ various camera techniques that never fail to surprise. There are times, though, that these techniques distract more than excite, and there is a sense that the film could’ve benefited from a more pared-down style. But this ultimately doesn’t take away from the film’s tender and thrilling story.

Genre: Drama, History

Actor: Algee Smith, Caleb McLaughlin, Chad L. Coleman, Dermot Mulroney, Joe Fishel, Katlyn Nichol, Khalil Everage, Mookie Cook, Natalie Paul, Scoot Henderson, Wood Harris

Director: Chris Robinson

Rating: PG-13

This taut chamber piece about NSA whistleblower Reality Winner (yes, that’s her real name) is based on the FBI’s account of her interrogation one June day in 2017. “Based on” doesn’t quite capture Reality’s exhaustive commitment to the facts, though, because this movie is essentially a dramatic reading of a verbatim transcript of the FBI agents’ recording that day. The only time it breaks with reality is when it reaches a redacted portion of the transcript, at which point characters glitch out of view, leaving us staring into the blank set around them. Otherwise, every cough, false start, and even every off-topic remark is recreated with exacting precision here, lending the film a paradoxically stilted, slightly stagy air. But rather than pull you out of the proceedings, Reality’s palpable artificiality only immerses us into the uneasy tension and surreality that its anxious protagonist must have been feeling that day.

That anxiety is contagious, thanks to the movie’s clinical style and central performance. The camerawork is largely unblinking, moving in uncomfortably close on Reality (Sydney Sweeney) as two FBI agents (Josh Hamilton and Marchánt Davis) subject her to their bizarre hot-cold interrogation, which ranges from seemingly friendly inquiries about her dog to jugular-aimed questions about the allegations against her. Sweeney shoulders all this pressure remarkably well, deftly keeping us as much in the dark as Winner tried to keep the FBI in — which makes not knowing the real story a benefit, rather than a barrier, to watching Reality.

Outside of Sweeney’s commanding performance, Reality feels somewhat limited by its absolute loyalty to the FBI’s transcript, though. Much of the film’s 83-minute runtime is dedicated to recreating the text, which leaves only a few minutes at the end for it to express its own point of view on Winner’s actions. Though these scant moments make for a compelling reframing of the charges against Winner, they feel overshadowed by and separate from the movie’s rigorous devotion to the transcript, which ultimately means Reality can’t quite transcend its status as merely an interesting filmmaking curio.

Genre: Drama, Thriller

Actor: Allan Anthony Smith, Benny Elledge, Bill Maher, John Way, Josh Hamilton, Marchánt Davis, Sydney Sweeney, Tucker Carlson

Director: Tina Satter

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Set in the 1930's English Countryside, the story of the eccentric Mortmain family is told from the daughter Cassandra's point of view. Her father, a once acclaimed and famous writer has written nothing in years, leading the family into bankruptcy. Themes such as first love and financial troubles are explored from Cassandra's comic and intelligent point of view. A classic and a must-see.

Genre: Drama, Romance

Actor: Alice Marie Crowe, Anna Paquin, Bijou Phillips, Bill Nighy, Billy Crudup, Christopher Ettridge, David Bamber, Dolly Wells, Eion Bailey, Eric Stonestreet, Fairuza Balk, Frances McDormand, Helena Little, Henry Cavill, Henry Thomas, James Faulkner, James Warrior, Jason Lee, Jay Baruchel, Jean Warren, Jimmy Fallon, Joe Sowerbutts, John Patrick Amedori, Kate Hudson, Kevin Sussman, Marc Blucas, Marc Maron, Michael Angarano, Noah Taylor, Patrick Fugit, Pauley Perrette, Philip Seymour Hoffman, Rainn Wilson, Ray Porter, Romola Garai, Rose Byrne, Sarah Woodward, Sinead Cusack, Sophie Stuckey, Tara Fitzgerald, Terry Chen, Zack Ward, Zooey Deschanel

Director: Cameron Crowe, Tim Fywell

Rating: R

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If you like movies without plot, you'll love Korean master Hong Sang-soo's work in Grass. Sang-soo likes to write the script for his characters and not the other way around: he hires actors, then writes a script that would fit them every morning of the shoot.

The result is a personal movie that feels improvised and experimental, despite being quite simple: it's about a small café and a woman who observes the interactions of the guests.

Genre: Drama

Actor: Ahn Jae-hong, B-Real, Damian Marley, Gi Ju-bong, Gong Min-jeung, Han Jae-yi, Han Jai, Jin-young Jung, Ju-bong Gi, Jung Jin-young, Kang Tae-u, Kang Tae-woo, Ki Joo-bong, Kim Min-hee, Kim Myeong-su, Kim Myung-soo, Kim Sae-byuk, Lee Yoo-young, Lee You-young, Seo Young-hua, Seo Young-hwa, Shin Seok-ho, Snoop Dogg, Steven Hager

Director: Fab 5 Freddy, Hong Sang-soo

Rating: N/A

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After the devastating Happy Old Year, we were excited to see the next of what Nawapol Thamrongrattanarit has to offer. Fast & Feel Love is a surprising one, purely because of how silly and unserious the entire film is. The satirical film follows a sport stacker whose passion to be the fastest blinds him to all the day-to-day tasks and life goals that have been pushed towards his girlfriend, and the film plays this basic conflict as dramatically as other action films would, with dynamic cinematography, an over-the-top soundtrack, and dramatic voice overs. The joke does get stretched a tad too long, but it humorously pokes fun at the infantile ways men in action films act, while still recognizing how this mindset is the way we cope in adulthood.

Genre: Action, Comedy, Drama, Romance

Actor: Anusara Korsamphan, Keetapat Pongruea, Napak Traicharoendetch, Nat Kitcharit, Urassaya Sperbund, Wipawee Patnasiri

Director: Nawapol Thamrongrattanarit

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