163 Movies Like Barbie (2023) On Itunes Canada (Page 7)

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Based on the short story “God Sees the Truth, But Waits” by Leo Tolstoy, The Woman Who Left is a film about people with nowhere to go. Set in 1990s Philippines, the film follows Horacia, an ex-convict seeking revenge on her former lover who masterminded her unjust 30-year imprisonment. Along the way, she meets various people—a hunchback balut vendor, vagabonds, and an epileptic trans woman, among others—all downtrodden in their own unique ways and united only by their nightly wanderings, with whom Horacia’s true nature is revealed and reconfigured with every encounter.

Lav Diaz’s signature slow cinema minimalism and sharp chiaroscuro lighting allow for a meditative experience, further enhancing the film’s immersive quality. Despite its bleak atmosphere, The Woman Who Left remains hopeful amidst moral quandaries, where things eventually fall into their rightful place, albeit in unexpected ways.

Genre: Drama

Actor: Charo Santos-Concio, John Lloyd Cruz, Kakai Bautista, Lao Rodriguez, Mae Paner, Michael De Mesa, Nonie Buencamino, Shamaine Buencamino

Director: Lav Diaz

Most sports biopics are centered around winners– their drive, their spirit, and their determination to beat the competition, and maybe win some glory for their respective teams, hometowns, or countries. The Happiest Day in the Life of Olli Mäki instead focuses on a Finnish boxer that lost a match. Shot in 16mm black and white film stock, writer-director Juho Kuosmanen captures the man, not the legend, in sequences that feel like decades-old memories that draws you into his story, his humble character, and the motivations that drive him, a yearning for love rather than bragging rights, trophies, and nationalistic pride. It’s such a charming twist to the genre, one that recognizes a different kind of masculinity. While Mäki might not be the world’s best boxer, this film suggests that he might be one of the happiest, forgoing an important match for a marriage that ended up lasting his lifetime.

Genre: Drama, Romance

Actor: Aaro Airola, Anna Airola, Claes Andersson, Deogracias Masomi, Eero Milonoff, Elma Milonoff, Emilia Jansson, Esko Barquero, Heikki Metsämäki, Iiris Anttila, Jarkko Lahti, Jarmo Kiuru, Joanna Haartti, Joonas Saartamo, Leimu Leisti, Mika Melender, Olli Rahkonen, Oona Airola, Pia Andersson, Salla Yli-Luopa, Tiina Weckström, Viljami Lahti

Director: Juho Kuosmanen

Rating: NR

Swiss filmmaker Alexandre O. Philippe gave us the free-flowing fandom doc The People vs. George Lucas in 2010 and hasn't stopped obsessing over his favorite filmmakers ever since. Can you blame him? Dedicating years of your life to research of the the weird Lynch-verse is a mammoth task, especially since the kernel of his new doc can be found in a single line uttered by the director. At a Q&A in 2001, he said:"There is not a day that goes by that I don't think about The Wizard of Oz," and that was reason enough to conceive of the 1939 Technicolor film as a lens to read Lynch's whole filmography through. Philippe is dedicated beyond measure, which is both an advantage and a disadvantage for the whimsical exploration of such a fascinating body of work deserves complete devotion. Perhaps even bordering on obsession. A wildcard documentary for the Lynchheads, Lynch/Oz includes not only excerpts from shorts, features, and TV he made, but also clips from various appearances. Plus, the six chapters feature different filmmakers and critics who imbue the film with their own interpretation of the enigma that Lynchian cinema is.

Genre: Documentary

Actor: Aaron Moorhead, Amy Nicholson, David Lowery, David Lynch, Jack Paar, Jay Leno, John Waters, Judy Garland, Justin Benson, Karyn Kusama, Rodney Ascher

Director: Alexandre O. Philippe

Nowadays, more people might know the cartoon character Yogi Bear or the saying “It ain’t over ‘till its over,” more than they know Yogi Berra, the larger-than-life baseball player who originated the character and the phrase. But in his prime, Berra was one of the most recognizable faces of major league baseball. He was so beloved that he appeared in countless commercials and effortlessly won the hearts of Americans. It Ain’t Over, however, makes a case about Berra being more than just a public figure and how he was one of the best players of all time. The documentary, which is equal parts stats, archival footage, and anecdotes, is convincing without ever being forceful or desperate about its arguments. Berra’s innate warmth and charm carry over in this biography, regardless of whether he’s telling the stories himself or his friends and family regale us with tales of the icon. You don’t have to know much about baseball to enjoy Berra’s life story unfold; having a basic appreciation of storytelling and kindhearted people will suffice. 

Genre: Documentary

Actor: Billy Crystal, Bob Costas, Derek Jeter, Don Mattingly, Hank Aaron, Jackie Robinson, Johnny Bench, Lindsay Berra, Mariano Rivera, Ron Guidry, Sandy Koufax, Vin Scully, Willie Mays, Willie Randolph, Yogi Berra

Director: Sean Mullin

Rating: PG

Hit Man is many things—a romance, neo-noir, comedy, and thriller. And though it sometimes feels like it doesn’t quite reach its full potential in all those areas, it’s hard not to be blown away by Powell’s Rolodex of characters and his palpable chemistry with Arjona. The story itself isn’t as sturdy as I hoped it would be, but it’s supported by a strong, funny script co-written by the ever-reliable Linklater (who I suspect is behind the deep existential ruminations) and Powell (who must’ve supplied the cache of modern jokes), ultimately making Hit Man a smart, funny, and deeply pleasurable watch.

Genre: Comedy, Crime, Romance

Actor: Adria Arjona, Anthony Michael Frederick, Austin Amelio, Bryant Carroll, Eleanor Threatt, Evan Holtzman, Glen Powell, Gralen Bryant Banks, Jo-Ann Robinson, Jordan Salloum, Julia Holt, Kate Adair, Kim Baptiste, Mike Markoff, Molly Bernard, Morgana Shaw, Retta, Richard Robichaux, Ritchie Montgomery, Roxy Rivera, Sanjay Rao, Sara Osi Scott, Stephanie Hong

Director: Richard Linklater

Rating: R

Though it doesn't provide a more holistic view of Chinese society even in the context of work and industry, Ascension remains an impressive collection of images that manage to be both awe-inspiring and disconcerting. The film deliberately chooses not to take a stance on any of the things we see on screen, which makes for a uniquely challenging experience for the active viewer; many images that we might initially describe as dystopian here are usually followed by scenes that remind us of the humanity working within these capitalist structures. What you really end up learning from Ascension may be limited in scope, but getting to see modern life presented this way is still a unique opportunity.

Genre: Documentary

Director: Jessica Kingdon

Though it doesn't proceed like most animal/nature-centered documentaries that you've seen, the Oscar-nominated All That Breathes is instantly memorable in the way it de-centers the human perspective from its all-encompassing study of New Delhi, India. The wildlife rescue team that features prominently in this film still only becomes a vessel through which director Shaunak Sen explores the environmental and political hazards being faced by the nation today. It's a movie that definitely challenges you to think for yourself, as any talking heads or on-screen explanations are traded for truly stunning shots of New Delhi as a biome teeming with life among the dirt. For those who want their documentaries unconventional, this is excellent stuff.

Genre: Documentary, Drama

Director: Shaunak Sen

Told in a playful mockumentary format, Pinball: The Man Who Saved the Game delivers precisely what the title promises and a bit more. Apart from imparting interesting information about pinball's complicated past (it was only declared legal in New York as recently as 1976), the film doubles as a touching family drama and a fun experiment on genre. As Robert Sharpe, the real-life games expert who helped decriminalize pinball, Mike Faist is winsome, compelling, and maybe the best thing about the film.

While Pinball could've leaned into its silliness more instead of just dipping its toes in avant-garde territory, the film is pleasant enough with plenty of fun and tender moments to enjoy. 

Genre: Comedy, Drama, History, Romance

Actor: Bryan Batt, Christopher Convery, Connor Ratliff, Crystal Reed, Damian Young, Dennis Boutsikaris, Donna Del Bueno, Eric William Morris, Hope Blackstock, Jake Regal, Kenneth Tigar, Michael Kostroff, Mike Doyle, Mike Faist, Rosa Arredondo, Supriya Ganesh, Toby Regbo, Zac Jaffee

Director: Austin Bragg, Meredith Bragg

A wonderful homage to the woman, actress, and mother based largely on her own archives and interviews with her four children. Bergman was an avid photographer, filmographer and letter writer. What emerges is a loving portrait of an adventurous, driven, complex, and loving woman. Not to be missed.

Genre: Documentary, History

Actor: Alan Marshal, Alberto Sordi, Aldo Fabrizi, Alfred Hitchcock, Alicia Vikander, Alma Reville, Anatole Litvak, Anna Magnani, Anthony Perkins, Cary Grant, Cecil Parker, Clark Gable, Ed Sullivan, Ernest Borgnine, Fiorella Mariani, Gregory Peck, Humphrey Bogart, Ingmar Bergman, Ingrid Bergman, Isabella Rossellini, Isotta Rossellini, Jack Weston, Jean Renoir, Jeanine Basinger, Jennifer Jones, Liv Ullmann, Lyle Talbot, Mel Ferrer, Merv Griffin, Mervyn LeRoy, Pia Lindström, Roberto Rossellini, Sigourney Weaver, Spencer Tracy, Victor Fleming, Ward Bond, Yul Brynner

Director: Stig Björkman

Rating: Not Rated

Written like a stage play, directed like the viewer is a fly on the wall, and shot with a love for deep shadows and warm candlelight, Flowers of Shanghai is about as immersive a chamber drama as one could ask for. Having most of the "action" take place off screen, director Hou Hsiao-hsien draws our eye instead to how his characters (including one played by an exceptionally stoic Tony Leung) continue to negotiate for their own freedom against patriarchal norms, pushing against cultural notions of proper decorum. It's a film brimming with repressed emotion, but without ever raising its voice. The vibes, as the kids say, are immaculate.

Genre: Drama

Actor: Annie Shizuka Inoh, Carina Lau, Jack Kao, Michelle Reis, Michiko Hada, Moon Wang, Pauline Chan, Rebecca Pan, Stephanie Fong Shuan, Tony Leung Chiu-Wai, Vicky Wei

Director: Hou Hsiao-hsien

There's an elephant lurking in the room from the outset of Biosphere, in which two men are the last survivors of an apocalypse: how will humanity live on? Best friends Billy (Mark Duplass) and Ray (Sterling K. Brown) have only survived thanks to the ingenuity of Ray, who built the glass dome in which they live, insulated from whatever it is that’s keeping the sky perpetually black outside. But the dome’s protective glass increasingly needs patching up, and their last female fish (responsible for the continuation of their food supplies) has just died, setting their clocks ticking.

What happens next — to the remaining male fish and humans — is an astonishing evolution that speaks to the strangeness of nature, which will break its most rigid laws in pursuit of its ultimate goal: furthering the species. Biosphere undergoes a similar metamorphosis: while its zany twist (which we won’t spoil) seems to direct it towards gross-out bro-comedy territory, it transforms, surprisingly, into something more profoundly philosophical. Like the dome, Biosphere’s structure isn’t as solid as it could be — it often meanders — but, with its thoughtful meditations on gender, sexuality, and evolution in all its forms, it’s easy to forgive this quirky indie gem that flaw.

Genre: Comedy, Drama, Fantasy, Science Fiction

Actor: Mark Duplass, Sterling K. Brown

Director: Mel Eslyn

Time travelling movies tend to be flashy with its sci-fi wonder, but Aporia takes a more grounded approach to the time altering genre. Instead of time travelling, the protagonists have a mundane, almost lo-fi machine, that almost seems disappointing, but is no less life-altering. Of course, to the grieving Sophie, who lost her husband, it’s easy to understand why she would take the chance to get her husband back again. But the film takes a grounded and realistic approach as Sophie spirals into an unrelenting series of regret and trolley problems, each time she chooses to use the machine. While the pacing may be a tad slow, and the events can feel a bit mundane, Aporia is a startlingly poignant reminder of how each ordinary moment, if changed, can be completely life altering.

Genre: Drama, Science Fiction

Actor: Edi Gathegi, Faithe Herman, Judy Greer, Payman Maadi, Whitney Morgan Cox

Director: Jared Moshé

Rating: R

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War Pony is not easy to get through. The film, helmed by first-time directors Riley Kough and Gina Gammell, is slow to move and tackles weighty subjects like poverty, child abuse, and cultural appropriation. You’d be forgiven for asking if it was all too much, especially as the film makes its 12-year-old lead (a stellar LaDainian Crazy Thunder, who plays Matho) perform appalling things children are usually protected from. But ultimately, it also feels necessary. Kough and Gammell co-wrote the script with real-life Rez residents Franklin Sioux Bob and Bill Reddy, whose personal experiences inform much of the film’s story. Additionally, indigenous actors inhabit most of the screen and turn in naturalistic performances, adding to the film’s sense of urgency. And War Pony also weaves traces of magic into its realistic tale, making it an awe-inspiring and beautiful (albeit heavy) watch. 

Genre: Drama

Actor: Anjeliq Aurora, Ashley Shelton, Jordan Robinson

Director: Gina Gammell, Riley Keough

Rating: R

By all outward appearances, The Villages—a massive and manicured retirement community in Florida—looks like it does offer paradise to its aging residents, as promised. The list of activities is endless, the seniors are all partnered up. “It’s like going back to college,” as one of them puts it, where people from all over the country come together to create a new life with each other. 

But of course, nothing comes that easy, not even death. Some Kind of Heaven follows certain residents (and one committed trespasser) as they grapple with the slipperiness of fulfillment in their later years. It gets very eerie when the film's bleak messages are contrasted with the home's vibrant Floridian colors and the residents' plastered smiles. But the eeriness adds to the overall intrigue and pull of the documentary. Darren Aronofsky (Black Swan) co-produces this fascinating film.

Genre: Documentary, Drama

Director: Lance Oppenheim

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It would be easy to define Rose Plays Julie as a cross between Promising Young Woman and Killing Eve, but this psychological thriller turns the camp factor down to zero and makes even just the act of watching somebody else an existential experience. Directors Joe Lawlor and Christine Molloy treat this story with stone-cold intensity (perhaps to a fault), transforming their title character from a confused girl to somebody who relishes the power they have to disrupt other people's lives through her mere existence. There's something eerie about it that crawls under your skin if you let it, like a ghost story told among the living.

Genre: Drama, Thriller

Actor: Aidan Gillen, Alan Howley, Ann Skelly, Annabell Rickerby, Catherine Walker, Jack McEvoy, Joanne Crawford, Lochlann O'Mearáin, Orla Brady, Sadie Soverall

Director: Christine Molloy, Joe Lawlor