123 Movies Like Barbie (2023) On Netflix Australia (Page 3)

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The directorial debut of Australian twin brothers Danny and Michael Philippou—more popularly known together as the YouTube creators RackaRacka—Talk to Me finds a surprisingly unique way of exploring themes that contemporary horror films have made commonplace. At its heart this is still a movie about one's inability to come to terms with loss, but the emotions that come with this experience are filtered through suburban ennui and the numbing effect that social media has on depictions of tragedy. It's in this specific milieu where Mia (a terrific Sophie Wilde) feels compelled to act irresponsibly and continue inviting a malevolent presence into her life. Her feelings are real, but because her peers and the adults around her aren't the best at being vulnerable, Mia begins to underestimate how destructive her grief really is.

Talk to Me only grows more despairing the longer it goes. But impressively, the film doesn't rely on the usual jump scares and excesses that would normally make a YouTube horror short go viral. The situations escalate organically (if you can suspend a little disbelief for the moments when the characters simply watch terrible things happen) and as the supernatural forces haunting these teenagers get stronger, so do Mia's isolation and her desperation to make up for her mistakes. It's bleak stuff, but sharp direction and great performances (especially from Wilde and young Joe Bird) make this a particularly exciting vision of horror.

Genre: Horror, Thriller

Actor: Alexandra Jensen, Alexandria Steffensen, Ari McCarthy, Chris Alosio, Ethan Payne, Harli Ames, Harry Lewis, Jacek Koman, Jodie Dry, Joe Bird, Josh Bradley, Kelly Butler, KSI, Leeanna Walsman, Marcus Johnson, Mark Duncan, Miranda Otto, Otis Dhanji, Robin Northover, Simon Minter, Sophie Wilde, Tobi Brown, Vik Barn, Zoe Terakes

Director: Danny Philippou, Michael Philippou

Rating: R

, 2024

To the untrained eye, a TV interview is just that: an interview, a simple (and at times rehearsed) back-to-back between a reporter and a subject. But Scoop is a thrilling reminder of how complex the process actually is, from the legwork to the questioning and even after airing. In the UK, that quest for truth is complicated by stringent palace rules and the fact that the BBC, which McAlister and her colleagues work for, is a publicly funded institution. How free is the free press when a Royal can call off a story, and how far are reporters willing to go to protect it? Scoop is bolstered by a smart script and a wealth of strong performance—Sewell is almost unrecognizable as Prince Andrew and Gillian Anderson is commanding as anchor Emily Maitlis. But the movie won’t be as strong as it is without Piper leading it; she’s relatable and entrancing as she works her way from underestimated underdog to compelling champion.

Genre: Drama

Actor: Alex Waldmann, Amanda Redman, Andrew MacBean, Aoife Hinds, Billie Piper, Charity Wakefield, Charlie Roe, Charlotte Avery, Christopher Fairbank, Colin Wells, Connor Swindells, Gillian Anderson, Gordon Warnecke, Harriet Benson, Jonathan Rhodes, Jordan Kouamé, Kate Fleetwood, Keeley Hawes, Lia Williams, Mark Noble, Mia Threapleton, Nicholas A. Newman, Nicholas Murchie, Paul Popplewell, Raffaello Degruttola, Richard Goulding, Romola Garai, Rufus Sewell, Tim Bentinck, Vangelis Christodoulou, Zach Colton

Director: Philip Martin

While most are familiar with Hollywood depictions of the transatlantic slave trade, there were also other countries that depicted this terrible time period, including countries from the African continent. Ethiopian filmmaker Haile Gerima self-funded and self-distributed Sankofa in its initial release, but despite the lack of screens, it still managed to become a landmark classic thankfully restored. Like plenty of films on the topic, Gerima creates a harrowing depiction of the slave owners’ evil, but unlike others, it’s more interested in the difficult dynamics between the enslaved, the ways they sought refuge and freedom in each other, and the inner lives of the community they shared despite the terror, all through Gerima’s striking images and the masterfully mixed soundscape, both in the soundtrack and various accents. It’s not perfect, and it’s definitely not easy to watch, but Sankofa has a distinct vision that needs to be seen.

Genre: Drama, Fantasy, History, Science Fiction

Actor: Afemo Omilami, Alexandra Duah, Kofi Ghanaba, Mutabaruka, Mzuri, Nick Medley, Oyafunmike Ogunlano, Reggie Carter, Reginald Carter

Director: Haile Gerima

It’s very likely you already know about the fictional character Matilda, a clever but neglected child who discovers she has telekinesis and uses it for good. You may have even grown up watching the 1996 film multiple times, as I have, and secretly tried to move a random object with your mind to see if you somehow shared Matilda’s powers…as I have.

If so, I can assure you that you’ll enjoy the latest Matilda adaptation, aptly called Roald Dahl’s Matilda the Musical on Netflix. It’s pure energy, all bright colors and high-pitched emotions, but not overwhelmingly so. It is also funny and tender, and the techniques it uses to transition and transpose are eye-poppingly inventive. It stars Emma Thompson, once again prosthetic-ed to perfection; Lashana Lynch, a grounding and heartwarming presence; and Alisha Weir, a revelation of a child actor.

Genre: Comedy, Drama, Family, Fantasy, Music

Actor: Alisha Weir, Amanda Lawrence, Andrea Riseborough, Ann Firbank, Bebe Massey, Charlie Hodson-Prior, Emma Thompson, James Dryden, James Laurenson, Katherine Kingsley, Lashana Lynch, Leon Ung, Matt Henry, Meesha Garbett, Noah Leggott, Serrana Su-Ling Bliss, Sindhu Vee, Stephen Graham, Thomas Arnold, Tim Bentinck

Director: Matthew Warchus

Rating: PG

, 2023

War makes animals of men, and Filip is no exception. The film portrays a lone Jewish survivor who walks the streets of Frankfurt as if he doesn’t have anything to lose. He’s able to get away with it, with his work at a luxury hotel, but he’s unable to escape his trauma. He relieves this through trysts with the local women, treating them cruelly, the same way they would treat his people. It’s a uniquely stunning take on the ugly side of war, with its country club glamor and Filip’s lust for life. But it’s also a grim character study of an unlikeable, yet understandable protagonist, whose moral ambiguity comes purely from his own survival.

Genre: Drama, History, War

Actor: Caroline Hartig, Eryk Kulm, Eryk Kulm jr, Gabriel Raab, Julian Świeżewski, Jürg Plüss, Karol Biskup, Kinga Jasik, Mateusz Rzeźniczak, Nicolas Przygoda, Nicolo Pasetti, Robert Więckiewicz, Sandra Drzymalska, Victor Meutelet, Zoë Straub

Director: Michał Kwieciński

Rating: R

At times of great societal turmoil, sometimes stars are born, not just to entertain the masses but to challenge the way things are done. Amar Singh Chamkila is one such star, and his music captivated all of Punjab in part due to his brash lyrics. His assassination remains unsolved, but director and co-writer Imtiaz Ali takes the event, and uses it to frame his life– the ways Punjab remembered him after death, the ways Chamkila showed his light as well as the ways he was limited by studio oversight and state censorship. The film isn’t a perfect contemplation of artistic freedom, nor is it the most comprehensive take on the singer’s life, but Ali’s direction challenges the way we view the artist and acutely recognizes the way stardom reveals the society's conflicting desires.

Genre: Drama, Music

Actor: Anjum Batra, Anuraag Arora, Apindereep Singh, Diljit Dosanjh, Kumud Mishra, Mohit Chauhan, Nisha Bano, Parineeti Chopra, Sahiba Bali, Vipin Katyal

Director: Imtiaz Ali

Funny, refreshing, and heartwarming, You Are So Not Invited to My Bat Mitzvah gives the seminal girlhood film Are You There God? It’s Me Margaret. a Gen Z update. Stacy and her friends are constantly on social media and watch each other for potentially politically incorrect terms, but they also struggle with period pain, crushes, and falling out with former friends. It’s a confusing time in a kid’s life, and  You Are So Not Invited, like Are You There God? before it, honors that. It never condescends, never strays far from the child’s perspective. It’s jubilant and heartwarming, and (to me at least) it’s always fun to see real-life families play themselves in movies. Judd Apatow experimented with this structure in his semi-autobiographical films Knocked Up and This Is 40, which first gave us a glimpse into his daughter Maude Apatow’s acting prowess. I feel You Are So Not Invited will do the same to its young star Sunny Sandler, whose effortlessly funny and charming performance will surely carve a path for a promising career in the future.  

Genre: Comedy, Drama

Actor: Adam Sandler, Allison McKay, Beth Hall, Briana Andrade-Gomes, Bunny Levine, Dan Bulla, Dean Scott Vazquez, Dylan Chloe Dash, Dylan Hoffman, Idina Menzel, Ido Mosseri, Jackie Hoffman, Jackie Sandler, Jean Edwards, Joseph Vecsey, Luis Guzman, Michael Buscemi, Miya Cech, Nigel Downer, Oscar Chark, Sadie Sandler, Samantha Lorraine, Sarah Sherman, Sunny Sandler

Director: Sammi Cohen

Rating: PG-13

After the La Manada rape case in 2016, it was necessary to document this event, especially since the widespread national outrage and demonstrations managed to move the country to change the way Spain defines consent. You Are Not Alone: Fighting the Wolf Pack documents this arduous journey. While it’s done through the familiar Netflix true crime approach, there’s some respect given to the victim that hasn’t been given previously by the media. The film sticks to the actual verbatim words used by the victim, albeit edited for clarity, but they ensured that their words were not accompanied with photos or similar looking actors, keeping the truth of their words without risking their safety. While the documentary’s direction isn’t new, the outrage is still felt, as well as the genuine hope of a country that came together to ensure justice.

Genre: Documentary

Actor: Carolina Yuste, Natalia de Molina

Director: Almudena Carracedo, Robert Bahar

Rating: R

They Cloned Tyrone is a genre-bending gem. It combines Deep State conspiracy theories with sci-fi and social commentary, all while looking like a futuristic 1970s Blaxploitation film. It’s outrageous good fun and pleasing to look at (here is a film that knows how to properly light Black actors), but there are times when it feels too far fetched. The science can get wonky and its commentary on gentrification lacking, but all is forgiven when you have such a strong trio of leads. One of the smartest things They Cloned Tyrone does is pair Boyega with Teyonah Parris, who plays the call girl Yo-yo, and Jamie Foxx, who plays the pimp Slick Charles. They have a fun-loving no-nonsense chemistry about them that makes them easy to attach to and root for. They’re also just very funny, which might be expected of Foxx but it comes as a pleasant surprise for Parris, whose popular turns in Mad Men and WandaVision prove that she’s been severely underutilized as a comic.

Genre: Action, Comedy, Mystery, Science Fiction

Actor: Adam Cronan, Al-Teron, Austin Freeman, Big Boy, Bricine Brown, Charity Jordan, David Alan Grier, David Shae, Elliott Dixon, Eric Robinson Jr., J. Alphonse Nicholson, Jamie Foxx, Jason Burkey, Jason Louder, Jessica Fontaine, John Boyega, Joshua Mikel, Juel Taylor, Justin J. Jordan, Kiefer Sutherland, Leon Lamar, Marc Inniss, Mark Pettit, Megan Sousa, Michael A. Dean, Nick Arapoglou, Osahon Tongo, Robert Tinsley, Ryan Dinning, Shariff Earp, Shinar Frazier, Suzanne C. Robertson, Swift Rice, Tamberla Perry, Tangela Large, Teyonah Parris, Trayce Malachi

Director: Juel Taylor

Rating: R

Freediving is a particularly cinematic sport because it taps into something beyond what the human body is capable of. Skilled divers hold their breath for long enough to reach more than 100 meters deep, and watching footage of that incredible feat is exhilarating, to say the least. The Deepest Breath capitalizes on that very spectacle—being exposed to death and conquering it—and banks on using archival footage of world records and training. It's a smart move, as it keeps the spectator on edge, but it can also be a cruel way to put thrills over ethics. The editing is kept suggestive, but sometimes, shamefully, at the cost of misrepresenting Alessia Zecchini and toying with the viewer's expectations to the point of callousness.

Genre: Documentary

Actor: Alessia Zecchini, David Attenborough, Natalya Molchanova, Stephen Keenan

Director: Laura McGann

Rating: PG

It’s a bit on the sensational side, but this Netflix documentary about a family torn apart by the medical industry is fascinating and empathetic enough to bring justice to its delicate subject matter. Director Henry Roosevelt takes care to use as many angles as possible in presenting the documentary’s central mystery —why is the hospital so insistent on separating Maya from her mother Beata?—while also leaving enough room for the audience to come to their own conclusions. I only wish they would probe into that question a bit more and get experts to hypothesize, for instance, what exactly would the hospital get out of allegedly lying and if it’s an occurrence that’s been happening in many places other than Florida. Painting it as a systemic problem might’ve given it more punch, though admittedly, it’s already stirring and powerful as it is.

Genre: Documentary

Director: Henry Roosevelt

Rating: TV-14

As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

If you've never encountered Beth Stelling before, it might take some getting used to before her brand of comedy really hits. Her routine in this special isn't necessarily built around huge punchlines, animated delivery, or edgy subject matter. But there's plenty of oddly specific detail to her many, many anecdotes that gradually begins to feel warm and easy to connect with, whether or not you've ever been to Ohio. Stelling usually comments on the absurdity of many of these details herself—which, surprisingly, never ruins the joke but helps invite the audience in closer. Her storytelling is consistently engaging all throughout, painting this easygoing outlook on life, which just happens to be punctuated by the most bizarre memories that still remind us of the people we're fondest of.

Genre: Comedy

Actor: Beth Stelling

Director: Mo Welch

Rating: R

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Azuki Terada, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

In this French movie based on a true story, a med-school graduate from Congo is offered a job as the doctor to the president of Zaire. He refuses and chooses instead to move to a small town in France in hopes of getting French citizenship and securing a better future for his children.

The story, which starts in 1975, is set in a village where people had never seen a Black person. To that, Seyolo, the doctor, says: “so what? Now they will.”

The culture clash is both villagers-to-new-arrivals and the other way. Seyolo tells his family that he was hired in a village “north of Paris”, but all they hear is “Paris”, only to be shocked by the state of the rainy and muddy countryside village.

Genre: Comedy, Drama

Actor: Aissa Maiga, Bayron Lebli, Bernard Eylenbosch, Bwanga Pilipili, Christophe Lambert, Diogène Ntarindwa, Édith Le Merdy, Emilie Rouhart, Frédérick Bukolé, Ingrid Heiderscheidt, Jean Bediebe, Jean-Benoît Ugeux, Jean-Marie Barbier, Jean-Michel Balthazar, Jonathan Lambert, Julien Rambaldi, Kamini Zantoko, Laurent Caron, Marc Zinga, Marie-Philomène Nga, Marius Yelolo, Mata Gabin, Medina Diarra, Micheline Dieye, Narcisse Mame, Riton Liebman, Rodolphe Jonathan Lambert, Rufus, Stéphane Bissot, Stéphanie Crayencour, Sylvestre Amoussou, Tatiana Rojo, Thomas Vandenberghe, Thomas VDB, Vincent Lecuyer, Vincent Martin

Director: Julien Rambaldi

Rating: N/A