5 Movies Like Baghead (2023)

Staff & contributors
After you get back home, and you tuck your kids to bed, we search for some easy entertainment in the late-night talk show. Quips about today’s news and intimate conversations with guests are just the thing to wind down, but theoretically, anything can happen at late night. Late Night with the Devil plays as a pseudo-documentary centered on late show host Jack Delroy on a Halloween night, pairing the charged, uncensored atmosphere with a supernatural twist. The film alternates between the color-toned show and black-and-white behind the scenes, and as Delroy tries to lead the show to safe entertainment, with David Dastmalchian’s genial aura, things don’t go as planned as Lily becomes host to a scary demon with Ingrid Torelli’s terrifying physicality. It’s creepy and slightly comedic, with the classic selling of the soul for fame interrupted with words from their sponsors, and it’s certainly a fun twist to the late night we’re used to seeing.

Genre: Horror

Actor: Adam Batt, Christopher Kirby, Clare Chihambakwe, David Dastmalchian, Elise Jansen, Fayssal Bazzi, Gaby Seow, Georgina Haig, Ian Bliss, Imaan Hadchiti, Ingrid Torelli, John Leary, John O'May, Josh Quong Tart, Laura Gordon, Michael Ironside, Miles Brown, Nicole Chapman, Paula Arundell, Rhys Auteri, Rik Brown, Steve Mouzakis, Tamala Shelton

Director: Cameron Cairnes, Colin Cairnes

Rating: R

The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.

Genre: Drama

Actor: Alfredo Castro, Camilo Arancibia, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro

Director: Francisca Alegría

Hit Man is many things—a romance, neo-noir, comedy, and thriller. And though it sometimes feels like it doesn’t quite reach its full potential in all those areas, it’s hard not to be blown away by Powell’s Rolodex of characters and his palpable chemistry with Arjona. The story itself isn’t as sturdy as I hoped it would be, but it’s supported by a strong, funny script co-written by the ever-reliable Linklater (who I suspect is behind the deep existential ruminations) and Powell (who must’ve supplied the cache of modern jokes), ultimately making Hit Man a smart, funny, and deeply pleasurable watch.

Genre: Comedy, Crime, Romance

Actor: Adria Arjona, Anthony Michael Frederick, Austin Amelio, Bryant Carroll, Eleanor Threatt, Evan Holtzman, Glen Powell, Gralen Bryant Banks, Jo-Ann Robinson, Jordan Salloum, Julia Holt, Kate Adair, Kim Baptiste, Mike Markoff, Molly Bernard, Morgana Shaw, Retta, Richard Robichaux, Ritchie Montgomery, Roxy Rivera, Sanjay Rao, Sara Osi Scott, Stephanie Hong

Director: Richard Linklater

Rating: R

, 2023

While gay acceptance has been improving in most of the world, unfortunately, this acceptance isn’t universal to all sexualities and queer gender identities, especially for people of color. Femme depicts this difference through the relationship of Jules, a black gay drag queen, and Preston, a white masculine closeted gay drug dealer. As Jules deepens their relationship for revenge, and Preston opens up and allows himself to become more vulnerable, the film explores the way toxic masculinity and violence still dictates most of their dynamic, through an unsettling, sexually charged, stylish approach from the debut co-writers and directors Sam H. Freeman and Ng Choon Ping. However, Femme is particularly uneven, more focused on humanizing the aggressor rather than prioritizing the survivor.

Genre: Drama, Thriller

Actor: Aaron Heffernan, Antonia Clarke, Asha Reid, George MacKay, John McCrea, Luis Torrecilla, Moe Bar-El, Nathan Stewart-Jarrett, Nima Taleghani, Peter McPherson

Director: Ng Choon Ping, Sam H. Freeman

Rating: NR

A first feature by stuntman-turned-director Andy Armstrong, Squealer is supposedly based on real events that shook Canada in the 1990s. Robert Pickton or the Pig Farmer Killer was perhaps the inspiration for the eponymous Squealer in the 2023 film; the physical resemblance is uncanny. Extraordinarily cruel serial killers make good gore material and we love to see it, but the problem is that the audience today wants something new and fresher. Texas Chainsaw Massacre is a classic, but it's hard to make a film as misogynistic and hit the same charge as it used to. In Squealer, it is only female bodies that are shown dismembered, cut open, sliced, and diced; for men, all this happens off screen. This is only one example of how the film reiterates some of its onerous tropes, without really updating them. It's not exactly good taste to hammer bits of comedy in the dialogue too, as it feels  disconcerting amidst the rivers of blood and cruelty. 

 

Genre: Action, Horror, Thriller

Actor: Danielle Burgio, Graham Greene, Holly Kaplan, Katherine Moennig, Ramona DuBarry, Rebecca Knox, Ronnie Gene Blevins, Sydney Carvill, Theo Rossi, Tyrese Gibson, Wes Chatham

Director: Andy Armstrong

Rating: R