322 Movies Like Avatar: The Way of Water (2022) (Page 4)

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Mystery, domestic horror, and urgent true crime investigation rolled into one, Rewind sees filmmaker Sasha Joseph Neulinger revisiting his own abuse at the hands of a family member while remembering to let his case amplify into a call to action to protect children everywhere. His personal testimony would have been powerful enough, but he dares to put numerous members of his family in front of the camera, too, who begin to unravel a history of neglect and trauma rotting the core of this family over generations. Innocent home video footage turns sinister and seemingly inconsequential memories become warning signs that every adult should be on the lookout for, no excuses.

Genre: Documentary

Actor: Sasha Joseph Neulinger

Director: Sasha Joseph Neulinger

This immersive documentary is about a beloved independent record store that opened in front of a major music chain in Manhattan in 1995. Its founders called it Other Music, a jab at the chain and a reference to the music it would carry.

Other Music would go on to become a mecca that welcomes music fanatics from around the world. Its clerks would become legendary for their shaman-like knowledge, many famous bands would have their start at shows in the store, and Other Music would even re-issue artists who were forgotten.

But in today’s hostile world towards independent cultural institutions, can anything, however influential or successful it may be, live?

Genre: Documentary

Actor: Benicio Del Toro, Bill Callahan, Brian Chase, Chris Pappas, David Portner, Dean Wareham, Ezra Koenig, Georgia Hubley, Greta Kline, Ira Kaplan, James McNew, Janeane Garofalo, Jason Schwartzman, Jocelyn Samson, Keigo Oyamada, Martin Gore, Matt Berninger, Noah Lennox, Regina Spektor, Sharon Van Etten, Stephin Merritt, Stuart Braithwaite, Tunde Adebimpe, William Basinski, Yoko Ono

Director: Puloma Basu, Rob Hatch-Miller

It's difficult not to compare Of an Age to other beautifully shot and tenderly told queer love stories like Call Me By Your Name and Weekend. Like them, Of an Age gives its young lovers ample time and space for their relationship to blossom over a short while. And like them still, it's made of intimate moments that will haunt the lovers long after their first meet, crystallized as they are with affection, longing, and the knowledge that they might not feel as deeply about anyone ever again.

But if Call Me By Your Name is awash with Italy's grandeur and Weekend is snugged in Britain's cold embrace, then Of an Age is distinctly Australian, all humid suburbia and sunbaked roads. The film hones in on emotional and cultural specifics alike, and by doing so, it successfully captures the immaculate and unforgettable heartache of first love.

 

Genre: Drama, Romance

Actor: Elias Anton, Grace Graznak, Hattie Hook, Jack Kenny, Jessica Lu, Julia Harari, Milijana Cancar, Thom Green, Toby Derrick, Verity Higgins

Director: Goran Stolevski

Rating: R

Marona’s Fantastic Tale is a rich story about life and death and everything in between, told entirely through the eyes of a dog. With breathtaking visuals and unmatched empathy, the film implores us to think about what might count as joyous and heartbreaking for our four-legged friends. Told normally and in any other way, we might not care as much, but in a story as artful and compassionate as this, we can't help but listen. 

Unlike other films about pets, Marona’s Fantastic Tale isn’t cutesy—its art is dizzying and demanding, but beautiful nonetheless. And isn't afraid to confront tragedy (in fact, it begins with it). But it buoys reality with dreamy art sequences and even finds humor along the way. All in all, it’s a mature film that poses big existential questions that will intrigue adults as well as kids.

Genre: Animation, Drama, Family

Actor: Annie Mercier, Bruno Salomone, Georges Claisse, Isabelle Vitari, Lizzie Brocheré, Maïra Schmitt, Nathalie Boutefeu, Thierry Hancisse

Director: Anca Damian

Imagine a fanboy makes a film about his hero—you’d expect something mawkish and fawning, a tribute that praises the icon but sidesteps the flaws. Maybe in less expert hands, that could be the case. But despite being a longtime admirer of writer Kurt Vonnegut, Robert B. Weide’s documentary isn’t any of those things. Sure, it’s lovingly made, but it’s balanced and objective as it sketches a profile of Vonnegut not a lot of us have seen before. It’s also more than just a chronological account of his life; it’s simultaneously a film about this film, which has been in the making for 40 years, ever since Weide first met Vonnegut in 1988 and followed him through his death in 2007. At some point, their lives become tightly intertwined, and it’s impressive to see not just that friendship blossom but to watch it seamlessly fuse into the documentary. When Weide pitches the documentary to Vonnegut, he optimistically promises that it’ll be the definitive guide to his life. He’s right, it’s all that and a bit more.

Genre: Documentary

Actor: Edie Vonnegut, Kurt Vonnegut, Kurt Vonnegut Jr., Morley Safer, Robert B. Weide, Sam Waterston

Director: Don Argott, Robert B. Weide

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest. 

Genre: Crime, Drama, Horror, Thriller

Actor: Alice Rahimi, Arash Ashtiani, Ariane Naziri, Majd Eid, Mehdi Bajestani, Nima Akbarpour, Sara Fazilat, Sina Parvaneh, Zar Amir Ebrahimi

Director: Ali Abbasi

Biographical documentaries tend to depict exceptional people– people who are so great that everyone wants to know about them, and people who are so terrible that they serve as a warning. Great Photo, Lovely Life depicts a serial sexual abuser in photojournalist Amanda Mustard’s family, able to get away with nearly all his crimes each time he skips over state lines. It’s not an easy film. It’s deeply uncomfortable. There are certain interviews that will trigger anger, despair, and bewilderment over how someone so evil can remain out of bars all his life. Great Photo, Lovely Life doesn’t provide any easy, comforting sequence as a balm to sexual abuse survivors around the world, but it’s an urgent reminder of the consequences of maintaining silence.

Genre: Documentary

Actor: Amanda Mustard

Director: Amanda Mustard, Rachel Beth Anderson

Frybread Face and Me is a little indie gem: though rough around the edges, it’s full of charm and heart. Drawn from its director's own childhood experiences, the movie charts a formative moment in the life of Benny, a city boy of Navajo, Hopi, and Laguna Pueblo heritage who’s carted off to his grandmother’s ranch on a Navajo reservation for a summer. It's suffused with all the specificity of real memories in a way that never distances us from it, only enfolding us closer into its nostalgic embrace. That effect largely comes from the tender bonds between Benny and his cousin Dawn (unsympathetically nicknamed Frybread Face and played by newcomer Charley Hogan), who acts as translator between him and their non-English-speaking grandmother (Sarah H. Natani, also a non-professional actor). Though he’s constantly berated by male family members for not being “masculine” enough, Benny finds unconditional acceptance from his grandmother and misfit camaraderie with Frybread, who also gives the film a dry comedic edge — a welcome touch in a usually saccharine genre. Ultimately, though, it’s the movie’s soft sweetness and intimate depths that are most distinctive: it’s so gently told, and with such genuine feeling behind it, that it’s impossible not to be swept away by its charms.

Genre: Comedy, Drama

Actor: Charley Hogan, Jeremiah Bitsui, Kahara Hodges, Keir Tallman, Leilani Taliaferro, Martin Sensmeier, MorningStar Angeline, Nasheen Sleuth, Sarah H. Natani

Director: Billy Luther

Rating: R

Aptly for a film partly set in a fortune cookie factory, Fremont deals with luck — specifically, the other side of good luck: survivor’s guilt. Donya (played by real-life Afghan refugee Anaita Wali Zada) is a former translator for the US Army who fled her home city of Kabul on an emergency evacuation flight when the Taliban took over in 2021. Now living a safe, if drab, existence in the titular Californian town, insomniac Donya struggles to embrace her freedom, tormented by the knowledge that she lost some of her old colleagues to reprisal attacks and that her loved ones are still living under repressive rule in Afghanistan.

As Donya shuttles between her little apartment in Fremont, her job writing cryptic one-liners for a fortune cookie factory in San Francisco, and appointments with her eccentric psychiatrist (Gregg Turkington), Fremont balances a moving study of her melancholy with deadpan humor. Despite its black-and-white cinematography and tight Academy ratio, this is no austere drama, but an endlessly warm and understated portrait of someone rediscovering themselves and all of life’s unexpected moments of connection, like chance romantic encounters and sudden tears at karaoke.

Genre: Comedy, Drama

Actor: Anaita Wali Zada, Boots Riley, Eddie Tang, Gregg Turkington, Hilda Schmelling, Jeremy Allen White, Siddique Ahmed

Director: Babak Jalali

Rating: NR

, 2022

Based on a true story, Darin J. Sallam’s controversial debut feature Farha is, at heart, a brutal coming-of-age film. Set in 1948, the film is about a girl who gets locked into her family’s storeroom at the start of the Nakba, the Palestinian Catastrophe. Sallam’s choice to limit most of the film’s perspective to that small storeroom is brilliant – in some ways, it echoes the surrounding discussion about the conflict. Most of what the world knows of Palestine is limited due to having to deal with censorship, lost records, and only hearing word-of-mouth stories from ancestors who just barely survived. But what we see is already too horrific to begin with. And what the film knows is the tragedy of losing your home - having to leave childhood, leave your dreams, and leave a vibrant and living culture in order to survive.

Genre: Drama, History, War

Actor: Ali Soliman, Ali Suliman, Ashraf Barhom, Sultan Alkhail

Director: Darin J. Sallam

Rating: TV-14

Although Descendant is built around the finding of the Clotilda—the last ship to bring African slaves to the United States—this documentary knows that there's so much more potent drama in the stories of the ordinary people of Africatown, Alabama. As this painful reminder of the roots of their community is salvaged from the water, their view of history itself begins to change. Now they face the responsibility of making sure that the Clotilda doesn't just become a tourist attraction, and that their call for reparations unites the Mobile region of Alabama more than anything else. Its a gripping, complex documentary that feels like reading a great novel.

Genre: Documentary, Drama, History

Actor: Cleon Jones

Director: Margaret Brown

Between its maximalist production design and increasingly dark comedic set pieces, the most striking thing about Damien Chazelle's critically misunderstood industry satire is how it strikes a tone closer to tabloid gossip than anything else. As opposed to the clockwork precision of Chazelle's Whiplash, or the dreaminess of La La Land, Babylon's restlessness doesn't resemble Hollywood spectacle so much as it begins to feel like an unscratchable itch, desperate to feel anything. The film ends up trying to say so much that it threatens to say nothing at all, but its vision of cinema becoming reality is so potent that just the experience is more than worth getting lost in.

Genre: Comedy, Drama

Actor: Aaron Oltman, Albert Hammond Jr., Alex Mansour, Alex Reznik, Alexandre Chen, Andrew Hawtrey, Anna Chazelle, Anna Dahl, Anthony Burkhalter, Ariel Flores, Armando Cosio, Avery Baylin, Azizi Donnelly, Benjamin Jacobson, Bob Clendenin, Brad Pitt, Bregje Heinen, Bryan Scott Johnson, Carson Higgins, Chloe Fineman, Chris Doubek, Christopher Allen, Cici Lau, Circus-Szalewski, Cyrus Hobbi, Dana Marcolina, Danny Jolles, David Abed, David Ury, Dean Anderson, Del Atkins, Diego Calva, Dorian Martin, E.E. Bell, Eamon Hunt, Eric Roberts, Ethan Suplee, Evan Greer, Evgeny Tonkha, Flea, Frederick Koehler, Freya Parker, Hansford Prince, Hayley Huntley, J.C. Currais, Jacob Scesney, James Crittenden, James Vincent, James Wellington, Jean Smart, Jeff Garlin, Jennifer Grant, Jeremy Roberts, Jim O'Brien, Jimmy Ortega, Joe Dallesandro, Joey de Leon, John Kerry, John Macey, John Mariano, John Polite, Johnny Britt, Johnny Hoops, Jonathan Ohye, Jonathan Thomson, Jordan Seigel, Jovan Adepo, Kaia Gerber, Karen Bethzabe, Karina Fontes, Karolina Szymczak, Katherine Waterston, Katia Gomez, Kelly Meyer, Kenajuan Bentley, Kevin Symons, Kevin Toney, Kyle Richter, Laura Steinel, Lewis Tan, Li Jun Li, Lukas Haas, Manny Liotta, Marc Platt, Marcos A. Ferraez, Margot Robbie, Mateo Pollock, Mather Zickel, Max Minghella, Michael Naishtut, Mike C. Manning, Miraj Grbić, Mykail McDade, Nana Ghana, Olivia Hamilton, Olivia Wilde, Oscar Balderrama, P. J. Byrne, Pat Skipper, Patrick Fugit, Pete Ploszek, Phoebe Tonkin, Ric Sarabia, Richard Clarke Larsen, Rickey D. Woodard, Robert Beitzel, Robert Morgan, Rory Scovel, Ryan Porter, Samara Weaving, Sarah Ramos, Sean Billings, Sean O'Bryan, Shane Powers, Sidney Hopson, Sol Landerman, Spike Jonze, Taylor Hill, Taylor Nichols, Telvin Griffin, Terry Walters, Tobey Maguire, Todd Giebenhain, Trisha Simmons, Troy Metcalf, Tyler Seiple, Vanessa Bednar, Walker Hare, William Roper

Director: Damien Chazelle

Rating: R

Asako is in love with Baku—deeply and almost delusionally, in a way that can only manifest in young love. But when the freewheeling Baku ghosts Asako for good, she moves from Osaka all the way to Tokyo to start a new life. Years later, she's startled to meet Baku's doppelganger in Ryohei, an office man whose solid dependability and lack of artfulness, while endearing, could not place him any further from Baku. Confused and lonely, Asako tiptoes around her feelings for Ryohei and, in the process, raises thought-provoking questions about the meaning, ethics, and true purpose of love.

 

Genre: Drama, Romance

Actor: Ariei Umefune, Atsushi Honma, Atsushi Kaneshige, Daichi Watanabe, Erika Karata, Fusako Urabe, Koji Nakamoto, Koji Seto, Maki Nishiyama, Masahiro Higashide, Misako Tanaka, Nao Okabe, Rio Yamashita, Ryotaro Yonemura, Sairi Ito, Takeshi Ōnishi

Director: Ryusuke Hamaguchi

Rating: Not Rated

On one level, Alcarràs is a story about land, about how inextricable it is to livelihood, about how ownership of it has bred conflict since time immemorial. Director Carla Simón emphasizes this even more by hiring actual Catalan farmers as the leads. We’re not just watching the Solés sing and fight for their land, but Alcarràs natives who are also very much at risk of losing what’s theirs in real life. The acting comes off as natural because it is. 

But on another level, Alcarràs is also a story about family, in particular about how family ties run so deep, they’re bound to coil around each other under the ground they’re rooted in. Like a family portrait come to life, Alcarràs shows us the beauty and the peril of loving your family and the legacy they leave behind as much as the Solés do. 

Genre: Drama

Actor: Ainet Jounou, Berta Pipó, Jordi Pujol Dolcet, Josep Abad, Xenia Roset

Director: Carla Simón

, 2019

Antoneta Kastrati’s debut feature film Zana follows Lume, who appears guarded and subdued as she goes about her daily routine: milking the cows, harvesting crops and flowers, hanging laundry out to dry. Part of Lume’s routine also includes visits to the doctor, accompanied by her mother-in-law and husband, who pressure her to conceive.

When conventional medical advice does not yield a viable pregnancy, Lume is brought to a witch doctor, and later a televangelist. The former suggests Lume may be cursed, while the latter insists she is possessed by a supernatural creature called a jinn. Lume appears largely apathetic, at least outwardly. But slowly, she starts to unravel—and with her undoing comes the reveal of the war that traumatized her. 

Kastrati’s family drama has elements of horror, but the real terror here is psychological. It makes for an important exploration of a deeply patriarchal society that is only beginning to heal the collective traumas of a complicated war, and how its violence continues to ripple through time and into domestic life. 

 

Genre: Drama, Horror

Actor: Adriana Matoshi, Alketa Sylaj, Astrit Kabashi, Bislim Muçaj, Çun Lajçi, Ilire Vinca Çelaj, Irena Cahani, Mensur Safqiu, Rozafa Celaj, Shengyl Ismaili, Vedat Bajrami

Director: Antoneta Kastrati