322 Movies Like Avatar: The Way of Water (2022) (Page 18)

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Suzzanna: Kliwon Friday Night is the second part of a trilogy dedicated to Indonesia’s queen of horror, billed as Suzzanna New Generation. The trilogy recreates three of Suzzanna’s iconic films, and the second installment is based on the 1986 film Malam Jumat Kliwon. The supernatural horror isn’t exactly scary– the film takes a bit too long between the scares, and there are moments that are downright hilarious. However, fans of the original scream queen would appreciate Luna Maya’s take on her demonic role, shifting the sundel bolong into a woman rightfully out for revenge.

Genre: Drama, Fantasy, Horror

Actor: Achmad Megantara, Adi Bing Slamet, Baron Hermanto, Clift Sangra, Egy Fedly, Ence Bagus, Lela Anggraini, Luna Maya, Max Yanto, Opie Kumis, Sally Marcelina, Taskya Namya, Tio Pakusadewo, Yurike Prastica

Director: Guntur Soeharjanto

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There’s a sense of disconnectedness in RedLife, as the film isn’t centered on one storyline, but rather two storylines that at first don’t seem connected. Ter, a young snatcher, marries a sex worker named Mild, while Som is a student who aspires to escape her prostitute mom’s poverty, especially after she falls for the more affluent Peach. At first, the film depicts their lives in stunningly framed, slice-of-life moments that captures a different side of Bangkok, one that’s tough to depict, but one people know about. But they do intersect, later on in the movie, in a series of events that leads them trapped in tragedy, despite all they did to escape it. The unexpected twist makes their lives surprisingly poignant, though RedLife’s journey might take too long to get there.

Genre: Drama, Thriller

Actor: Banlop Lomnoi, D Gerrard, Karnpicha Pongpanit, Krongthong Rachatawan, Pimvipa Thanarapatvanich, Ray MacDonald, Sumitra Duangkaew, Supitcha Sangkhachinda, Tanapak Jongjaiphar, Thiti Mahayotaruk

Director: Ekalak Klunson

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In Marlowe, Liam Neeson joins the lofty lineup of actors who have stepped into the shoes of Raymond Chandler's titular detective, famously played by Humphrey Bogart, Robert Mitchum, and Elliott Gould. These are big boots to fill — and, if you’ve been paying attention to Neeson’s career over the last decade or so, you’ll be aware that he hasn’t exactly been stretching himself, dramatically speaking.

But Marlowe is something of a happy anomaly in Neeson’s filmography, because it has more than just adrenaline-pumping ambitions. Written by director Neil Jordan (of Michael Collins fame) and William Monahan (the screenwriter behind The Departed), the 1930s Hollywood-set plot is steeped in noir’s characteristic cynicism, giving it the seductive pull of that well-loved genre. It’s true that a not insignificant portion of the dialogue is so hard-boiled you can see the cracks — a clunkiness that’s repeated in a couple of the phoned-in supporting performances and the movie’s awkward action sequences. However, with a couple of bright spots in the starry cast, handsome production values, and a labyrinthine plot that just about passes muster as homage and not muddle, there are enough noir trappings here to keep the movie slinking along well enough, even if it ultimately isn't nearly as memorable as Marlowe’s previous screen incarnations.

Genre: Crime, Mystery, Thriller

Actor: Adewale Akinnuoye-Agbaje, Alan Cumming, Alan Moloney, Colm Meaney, Daniela Melchior, Danny Huston, Darrell D'Silva, Diane Kruger, François Arnaud, Gary Anthony Stennette, Ian Hart, Jessica Lange, Julius Cotter, Kim DeLonghi, Liam Neeson, Mark Schardan, Michael Garvey, Minnie Marx, Mitchell Mullen, Patrick Muldoon, Roberto Peralta, Seána Kerslake, Stella Stocker, Tony Corvillo

Director: Neil Jordan

Rating: R

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They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring '80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.

Genre: Drama, Family

Actor: Alfred Vargas, Euwenn Mikaell, Iza Calzado, Joel Torre, Joem Bascon, Juan Karlos Labajo, Markki Stroem, Meryll Soriano, Nico Antonio, Shaina Magdayao

Director: Benedict Mique

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Ijogbon is a straightforward thriller centered on a pouch of uncut diamonds, which bring chaos to the four teenagers that find it. With the film’s young cast, the ensemble, understandably, makes poor decisions when given a stack of cash. The way they and their families handle difficulties, like deciding who to get the gun, or deciding what to do when they find random dead bodies, actually feel humorous – there’s something to be said about how, given the right circumstances, both kids and adults make the same mistakes. Thematically, there’s also something here about how natural resources in Nigeria are made for high end technology they can’t afford. However, the film doesn’t really delve into its themes, or play up the comedic potential it has shown, deciding instead to play out the same way similar stories do.

Genre: Drama

Actor: Bimbo Manuel, Fawaz Aina, Ruby Akubueze, Sam Dede, Yemi Solade

Director: Kunle Afolayan

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With its wildly different shifts between the film’s chapters, Bad Education feels like it doesn’t know what to do with itself, like plenty of newly graduated teenagers. The first chapter holds such visceral revulsion that it first feels like it would be a serious cautionary tale, commenting on how, without guidance, teenagers will led each other astray. However, its next chapter takes a more comedic route as the kids try to escape from gangsters and the police. While director Kai Ko reveals an excellent sense of direction and imagery, his style feels like it’s been wasted on ill-thought intentions and a poorly written script. Bad Education at least has stunning visuals and a short runtime to get through it all.

Genre: Crime, Drama, Mystery, Thriller

Actor: Berant Zhu, Cheng Chih-wei, Chu-Ping Liu, Edison Song, Hong Yu Hong, Huang Hsin-Yao, Kai Ko, Kent Tsai, Kurt Hsiao, Leon Dai, McFly Wu, Ning Chang, Tzu-Chiang Wang

Director: Kai Ko

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Ordinary people don’t choose to join a war, but oftentimes, they are dragged into it, forced to fight, and become victims of it because of people in power. Adrishya Jalakangal takes this idea in a dystopic future, where war has turned India into a police state, and mixes in a watchman who’s able to talk with the dead. While the message is necessary and the idea is novel, the execution feels uneven, as the anti-war and magic realist elements feel like elements from what should be two separate movies. Alongside the sluggish pace and the dialogue that’s a tad too on the nose, it’s hard to get through Adrishya Jalakangal when it can’t decide what it wants to focus on.

Genre: Drama, Thriller

Actor: Indrans, Krishnan Balakrishnan, Nimisha Sajayan, Tovino Thomas

Director: Bijukumar Damodaran

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There are plenty of things that The Thicket does well. For starters, the performances are great, with Game of Thrones’ Peter Dinklage taking his charisma to a wintry Western, and Juliette Lewis matching this intensity as his raspy, iron-willed rival. The style is certainly great too, with excellent costumes, dynamic violins, and lingering, meticulously framed shots. But there’s just something off about the way everything comes together. This tale of misfits certainly takes familiar Western tropes, and brings them together in fairly interesting ways as it gets going, but it starts off with a disappointing start, without a compelling dynamic between Jack and his sister Lula, and without a compelling dynamic between everyone on the ride. The Thicket isn’t terrible, but it’s a tad uneven at times.

Genre: Crime, Thriller, Western

Actor: Andrew Schulz, Arliss Howard, Brent Stait, Caleb Ellsworth-Clark, David Midthunder, Esme Creed-Miles, Gbenga Akinnagbe, James Hetfield, Juliette Lewis, Leslie Grace, Levon Hawke, Macon Blair, Ned Dennehy, Peter Dinklage, Roger LeBlanc, Ryan Robbins, Teach Grant

Director: Elliott Lester

Rating: R

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As a supernatural horror, The Pope’s Exorcist doesn’t bring anything new to the table. It employs more or less the usual elements you’d expect from the genre, and to be fair, it does occasionally fright you with its bloody jumpscares and demonic screeches. But as a drama, the film is surprisingly watchable thanks to a committed and compelling performance from Crowe. The movie works best when it removes itself from its horror trappings and follows Crowe’s Gabriele as he moves through the ins and outs of the Vatican. When he challenges the church’s authority, when he defends his practice, when he inserts jokes in serious conversations because “the devil hates jokes,” these are when The Pope’s Exorcist shines and entertains. They’re also proof the film shouldn’t take itself too seriously when its star is having this much fun. 

Genre: Horror, Thriller

Actor: Alessandro Gruttadauria, Alex Essoe, Andrea Dugoni, Bianca Bardoe, Carrie Munro, Cornell John, Daniel Zovatto, Derek Carroll, Ed White, Edward Harper-Jones, Ella Cannon, Franco Nero, Gennaro Diana, Jordi Collet, Laila Barwick, Laurel Marsden, Marc Velasco, Matthew Sim, Pablo Raybould, Paloma Bloyd, Peter DeSouza-Feighoney, Ralph Ineson, Russell Crowe, Ryan O'Grady, Santi Bayón, Tom Bonington, Victor Solé

Director: Julius Avery

Rating: R

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For a film with virtually no plot, there’s a lot of fuss going on in Oregon. The characters are constantly yelling and complaining, but the noise—like the plot, the set, and everything else about the film—is empty. The beauty of a Turkish summer is reduced to indoor sets, where much of the film takes place, and there here’s barely any movement, leaving us stuck with dialogue and half-baked backstories that don’t seem to serve any real purpose other than to fill in the film’s overlong runtime. The problems are superficial and solved almost immediately, purely by talking it seems, and there’s no attempt to connect the many disparate stories it shows. A farce like this could’ve worked if it got sillier and more ridiculous by the minute, but Oregon just goes in repetitive, unfunny circles. 

Genre: Comedy, Drama, Romance

Actor: Ali İpin, Alper Baytekin, Alper Saldıran, Aslı İnandık, Burcu Biricik, Ferit Aktuğ, Gün Akıncı, Melisa Doğu, Nazlı Bulum, Nejat İşler, Nevra Serezli, Onur Özaydın, Özgür Emre Yıldırım, Selen Uçer, Serkan Çayoğlu, Zihni Göktay

Director: Kerem Ayan

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When injustice takes away the ones you love, and when what you relied on abandoned you, it can be hard to open up again. Breath of Life is a story of a man that has gone through this, a man betrayed by both God and the colonial powers that once celebrated his talents, but he finds new purpose when his hired househelp enters his life. While the cast is great, the choice to stick completely in English feels disarming, some of the events that follow go down cliche paths, and the solutions found feel contrary to its intended message. Breath of Life has an interesting point, but the themes don’t mix as well as they could have.

Genre: Drama

Actor: Ademola Adedoyin, Chimezie Imo, Genoveva Umeh, Wale Ojo

Director: Bodunrin Sasore

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As a sluggishly paced, three-hour spiritual drama with little dialogue and even less plot, Inside the Yellow Cocoon Shell certainly won't convert anybody who isn't already interested in slow cinema. Even those who don't mind these types of films in which "nothing happens" might feel that it doesn't weave its themes of faith and suffering tightly enough. But there's more than enough beauty to contemplate here, courtesy of Dinh Duy Hung's stunning cinematography, which invites us to simply inhabit the world and to stop looking for answers. This may sound like a copout, but it's quite the experience to have a film force you to rethink how you're viewing it, as you're viewing it.

Genre: Drama

Actor: Le Phong Vu, Nguyen Thi Truc Quynh, Nguyen Thinh, Vu Ngoc Manh

Director: Pham Thien An

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Susie Searches begins intriguingly for two reasons: first, there’s the strange disappearance of popular college student Jesse Wilcox (Alex Wolff), and then there’s the fact that that mystery is solved in the film's first 20-ish minutes. With over an hour left of its runtime at this point, Susie Searches seems to suggest Jesse’s disappearance was only a red herring, and that we’re in for something juicier now.

Alas, the rest of the movie — which stars Kiersey Clemons as the titular socially awkward student sleuth who finds Jesse — never lives up to this promise. An encouraging cast list is let down by thin characters; this isn’t true just for the supporting parts played by Rachel Sennott, Jim Gaffigan, Ken Marino, Dolly Wells, and Wolff, but, far more detrimentally to the film, Susie herself. Her motivations are complicated by more than just a desire for the truth, but, despite Clemons’ best efforts, this not-quite Nancy Drew is never all that psychologically compelling or believable. In a film that hinges on big twists revolving around its protagonist, that’s a fatal flaw, because we’re only ever half-invested. Though it may play better with younger audiences, anyone else will likely find its promising cast to be the biggest red herring of all.

Genre: Comedy, Mystery, Thriller

Actor: Aaron Costa Ganis, Alex Moffat, Alex Wolff, Ana Cruz Kayne, Ana Kayne, Chris Sheffield, David Walton, Dolly Wells, Ellie Reine, Geoffrey Owens, Isaac Powell, Jammie Patton, Jared Gilman, Jim Gaffigan, Juliette Goglia, Kat Foster, Ken Marino, Kiersey Clemons, Mellanie Hubert, Neal Bledsoe, Rachel Sennott

Director: Sophie Kargman

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Whodunnits are the cornerstone of murder mysteries, and their occasional resurgence is usually a reprieve from films with more complicated structures and twists. See How They Run gives the Agatha Christie mystery spoof a go, dissecting the cozy mystery conventions anew. With quirky British humor, solid acting, and good period-piece visuals, the familiarity and predictability culminate into an easy, well-paced watch. With no desire to reinvent the genre, the film seems to implore its audience to indulge in self-indulgence. Enjoy watching a piece of cinema for the sake of it.

Genre: Comedy, Crime, Mystery, Thriller

Actor: Adrien Brody, Angus Wright, Ania Marson, Charlie Cooper, David Oyelowo, Gregory Cox, Harris Dickinson, Jacob Fortune-Lloyd, Kieran Hodgson, Laura Morgan, Lucian Msamati, Maggie McCarthy, Oliver Jackson, Paul Chahidi, Pearl Chanda, Philip Desmeules, Pippa Bennett-Warner, Reece Shearsmith, Ruth Wilson, Sam Rockwell, Saoirse Ronan, Shirley Henderson, Sian Clifford, Tim Key, Tolu Ogunmefun

Director: Tom George

Rating: PG-13

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Parenting is tough. Of course, everyone should try to do a good job at it, and shouldn’t be abusive, but sometimes, especially when frustrated, some find themselves snapping. Sometimes, they would do anything just to make kids behave, even if it’s just to give them an iPad or place them in front of the television. Mr. Crocket takes this behavior as a portal for an evil entity. It’s a clever premise, with a campy execution of 90s aesthetics and Elvis Nolasco is especially menacing as the titular host, but while the film crafts a creeping sense of terror, it feels less terrifying when the film barely devotes time to the mother and son at the center. Mr. Crocket still manages to be a fun horror film to watch despite that.

Genre: Horror

Actor: Adam Mucci, Alex Alomar Akpobome, Alex Morf, Ayden Gavin, Elvis Nolasco, Jermaine Rivers, Jerrika Hinton, Kristolyn Lloyd

Director: Brandon Espy

Rating: R

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