427 Movies Like Avatar (2009) (Page 26)

Staff & contributors
Frankly, it’s a bad idea to rush into a marriage for a financial incentive, but there’s something sweet about A Soweto Love Story with the way the plot plays out. As the brothers race to win the family home, there’s the standard romcom shenanigans where secrets are revealed and sabotage happens, but the brothers never go too far, and the way they play out is just the right amount of playful and serious. And as they do so, it’s sweet to see the three relationships bloom without the problematic, not well-thought-out issues that plague these kinds of ensemble romance films. That being said, it would have been even better if they established a close, familial chemistry between the brothers, but the way it plays out isn’t too bad. A Soweto Love Story isn’t particularly unique or deep, but if you’re looking for a simple, lighthearted romcom to watch, this isn’t a terrible choice.

Genre: Comedy, Romance

Actor: Duduzile Ngcobo, Lunga Shabalala, Motsoaledi Setumo, Ray Neo Buso, Sparky Xulu

Director: Rolie Nikiwe

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With whole franchises dedicated to cars and motorcycles, cinema has often regarded these individually-piloted machines as intrinsically linked with masculinity. Ustaad is the latest Telugu love letter to motorcycles and planes, as these have shaped protagonist Surya Sivakumar’s life. In debut writer-director Phanideep’s hands, Surya’s journey to becoming a commercial airline pilot is a long one, as Ustaad details Surya’s first motorbike, first romantic relationship, and the way he overcame his fear of heights. It’s a fun drive, and there’s plenty of moments where Phanideep’s style feels free and unrestrained. However, it’s a drive that takes too long, with predictable beats that have been seen before.

Genre: Action, Comedy, Romance

Actor: Anu Hasan, Gautham Vasudev Menon, Kavya Kalyanram, Ravi Shiva Teja, Ravindra Vijay, Sri Simha, Sri Simha Koduri, Venkatesh Maha

Director: Phanideep

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Better than any movie starring a talking CGI gorilla has any right to be, The One and Only Ivan isn't so much a family adventure so much as it's a light character study that younger viewers should also enjoy. The film still runs into a number of the same problems you might expect—haphazard plotting, celebrity voice acting that adds nothing to the characters—but it's still remarkably thoughtful and has the maturity to explore much sadder territory. As much as movies originally released on Disney+ can at times feel like products churned out from an assembly line, this one feels far more sincere, with a real message behind it.

Genre: Comedy, Drama, Family

Actor: Angelina Jolie, Ariana Greenblatt, Betsy Graver, Brooklynn Prince, Bryan Cranston, Chaka Khan, Danny DeVito, Davina Sitaram, Dean Phillippi Sr., Eleanor Matsuura, Hannah Bourne, Helen Mirren, Indira Varma, Jacqueline Ramnarine, Jeremy Oliver, Kevin Mathurin, Kriss Dillon, Max Dowler, Mike White, Owain Arthur, Phillipa Soo, Ramón Rodríguez, Roberto Vivancos, Ron Funches, Sam Rockwell

Director: Thea Sharrock

Rating: PG

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As a documentary, The Darkness Within doesn't dig as deep as it probably could have. It doesn't offer a particularly specific account of how La Luz del Mundo has achieved its popularity and what exactly keeps it in power today. However, due to the fact that many church members seem to remain loyal to its corrupt, criminal leaders, a straightforward testimony is also exactly what this film needs to be. In direct, uncompromising detail—but always edited with a solemn respect for the survivors, who get to make their statements without the camera in their face—it lays out the mountain of damning personal experiences that too many La Luz del Mundo have suffered, as the rest of the church has turned a blind eye towards them.

Genre: Crime, Documentary

Director: Carlos Pérez Osorio

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A first feature by stuntman-turned-director Andy Armstrong, Squealer is supposedly based on real events that shook Canada in the 1990s. Robert Pickton or the Pig Farmer Killer was perhaps the inspiration for the eponymous Squealer in the 2023 film; the physical resemblance is uncanny. Extraordinarily cruel serial killers make good gore material and we love to see it, but the problem is that the audience today wants something new and fresher. Texas Chainsaw Massacre is a classic, but it's hard to make a film as misogynistic and hit the same charge as it used to. In Squealer, it is only female bodies that are shown dismembered, cut open, sliced, and diced; for men, all this happens off screen. This is only one example of how the film reiterates some of its onerous tropes, without really updating them. It's not exactly good taste to hammer bits of comedy in the dialogue too, as it feels  disconcerting amidst the rivers of blood and cruelty. 

 

Genre: Action, Horror, Thriller

Actor: Danielle Burgio, Graham Greene, Holly Kaplan, Katherine Moennig, Ramona DuBarry, Rebecca Knox, Ronnie Gene Blevins, Sydney Carvill, Theo Rossi, Tyrese Gibson, Wes Chatham

Director: Andy Armstrong

Rating: R

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Loss can be straightforwardly heartwrenching, but it could also be bewildering, cryptic, and too sudden to even process. New Religion depicts a grieving mother, whose loss of her daughter, and her meet up with an eccentric photographer, causes her to behave strangely. The film goes through the events in a surreal, existential haze, with a skin-crawling scene that reveals the photographer’s nefarious reasons, but the sequences remain inscrutable and the themes and certain characters don’t mesh as well as they could have. New Religion might befuddle viewers just looking for a casual watch, but it’s definitely a thought provoking and promising debut from Keishi Kondo.

Genre: Drama, Horror

Actor: Daiki Nunami, Kaho Seto, Ryuseigun Saionji, Satoshi Oka, Yuki Nagata

Director: Keishi Kondo

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In depictions of organized crime, we’re used to the stone-cold crime boss, and the conflicted, unwilling crime lord, but Miss Shampoo presents a new version of the gangster– one that’s fallen head over heels in love. The film plays out in hilarious ways, with the humor expected from writer-director Giddens Ko, and Daniel Hong and Vivian Sung are able to inject some heart into their performances with surprising chemistry. That being said, the film is clearly more interested in mocking organized crime, so the film feels more skewed towards Tai rather than Fen. It’s still really entertaining, though Miss Shampoo had so much more it could have shown, had it focused equally on Fen’s perspective.

Genre: Comedy, Crime, Drama, Romance

Actor: Bai Jing Yi, Bruce He, Chih-ju Lin, Chu Chung-heng, Duan Chun-hao, Duncan Chow, Duncan Lai, Honduras, Hong Yu Hong, Hsia Teng Hung, Hsin-Ling Chung, Kai Ko, Ke-Li Miao, Kent Tsai, Mei-Man Jin, Teng-Hung Hsia, Tsai Chang-Hsien, Tzu-Chien Kuo, Vivian Sung, Wei-min Ying

Director: Giddens Ko

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The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

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There’s no easy way to talk about racism – it’s a nebulous set of ideas that shift and change and manifests in numerous ways that many people can’t even identify as racism because of how prevalent it is. But Dr. Ibram X. Kendi has been able to write down a fairly comprehensive narrative that outlines key historical moments that shaped the world’s concept of race and Blackness, and this narrative is brought to the screen through vivid animations and strategic sequencing by director Roger Ross Williams in new Netflix release Stamped from the Beginning. It’s a provocative, passionate investigation, and it’s one that should be required viewing.

Genre: Animation, Documentary

Actor: Alexa Rachelle Jennings, Angela Davis, Honorée Fanonne Jeffers, Ibram X. Kendi, Jennifer L. Morgan, Julian Joseph, Rafa Marinho

Director: Roger Ross Williams

Rating: R

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As a story, Knuckle Girl settles for the simplest beats, at times strung together by odd, obligatory choices (for example, a training montage that comes out of nowhere, or the film's abrupt ending). It's not particularly sophisticated as far as thriller narratives go. But taken as a showcase for boxing-centered action, the film really sets itself apart from many countless action movies on streaming. The fist-fights here are brutal and kinetic, shot through lots of dynamic footage and crunchy sound design—making every punch that's thrown feel desperate. And in the lead role, Ayaka Miyoshi makes for a convincing, everyman action star who always seems in over her head but perseveres all the same.

Genre: Action, Drama, Thriller

Actor: Ayaka Miyoshi, Eishin, Goki Maeda, Hideaki Ito, Kanata Hosoda, Kotona Minami, Masaki Miura, Narimi Arimori, Ruka Matsuda, Satoshi Jinbo, Yoshimasa Kondô, Yosuke Kubozuka, Yuichi Yasoda

Director: Chang

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“There is no ethical consumption under capitalism,” a famous socialist belief goes, but like many activists, Jo is trying to curb that. She marries her two conflicting passions, coffee and the environment, by establishing a vegan cafe that only serves plant-based drinks. If a customer so much as mentions dairy, they're humiliated before being kicked out of the place. It’s both impressively assertive and gratingly obnoxious, which is something you could also say about the tone the entire film strikes. It’s well-meaning in its attempt to shed light on the ongoing climate crisis, but rather tone-deaf in trying to place the blame on everyday consumers rather than large-scale corporations. The editing choices, while meant to be cheeky, also go overboard with the cuts and colors, making it more annoying than anything else. Which is a shame, because apart from a noble cause, Coffee Wars also has a funny script and engaging performances going for it. It also gives us an insightful look into the highly competitive coffee tournaments being staged around the world. If only Coffee Wars let things brew for longer, maybe removed some elements and expanded others—specifically, dwell more on the contradiction of wanting to change a system while participating in it—then it would’ve been even more enjoyable and educational than it is. 

Genre: Comedy, Drama

Actor: Freddie Fox, Hugh Dennis, Jenny Rainsford, Jordan Stephens, Kate Nash, Lydia West, María Conchita Alonso, Owain Arthur, Ray Fearon, Rosie Cavaliero, Sally Phillips, Saoirse-Monica Jackson, Tobias Forrest, Toby Sebastian

Director: Randall Miller

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Right off the bat, Bad Things looks gorgeous. Shot in 16mm, it plays with dreamy pastels and 1970s aesthetics, all while having its all-queer cast roam around the hotel’s haunted halls in mesmerizing ways. The setup is straightforward, but not too obvious: Ruthie’s problems with her girlfriend and her mother are exacerbated by the hotel’s strange and haunted aura. At this point, Bad Things hints at being an arthouse, slasher, and psychological thriller all at once, fueling anticipation for what’s to come. But as it moves along, nothing noteworthy happens. The awkward chase scenes and the overdramatic reveals kill whatever momentum the film has built, but the real problem is that it tries to juggle too many things at once. It’s creepy, but never achieves true-fright status. It’s bloody, but never fully commits to the gore. It’s smart and weird, but never goes beyond answering the very questions it poses. It’s happy to leave a lot of things unanswered, which in turn leaves us all confused, much less satisfied with what we’ve just sat through. 

Genre: Drama, Horror, Thriller

Actor: Annabelle Dexter-Jones, Gayle Rankin, Hari Nef, Jared Abrahamson, Molly Ringwald, Patrick Klein

Director: Stewart Thorndike

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As the first original Filipino film on Prime Video, Ten Little Mistresses can often feel stuck as an entertaining pitch for a film rather than a fully fleshed out story. Like many mystery-comedies, this is a movie that relies on its star power and its big twists over any convincing narrative or thematic ideas. But oddly enough, the sooner you accept this, the easier the film goes down. As a loud and proud example of camp comedy, even its most ridiculous and incongruous elements feel like an authentic expression of Filipino humor; it never tries to pander to a Western audience that might be expecting something more familiar to their sensibilities. And with a cast this dedicated to out-chewing the scenery from each other, it's hard not to get swept up in the insanity of it all.

Genre: Comedy, Mystery

Actor: Adrianna So, Agot Isidro, Angie Castrence, Arci Muñoz, Carmi Martin, Cherry Pie Picache, Christian Bables, Dolly Dulu, Donna Cariaga, Eugene Domingo, Iana Bernardez, John Arcilla, Kate Alejandrino, Kris Bernal, Pokwang, Sharlene San Pedro

Director: Jun Robles Lana

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There’s a sense of disconnectedness in RedLife, as the film isn’t centered on one storyline, but rather two storylines that at first don’t seem connected. Ter, a young snatcher, marries a sex worker named Mild, while Som is a student who aspires to escape her prostitute mom’s poverty, especially after she falls for the more affluent Peach. At first, the film depicts their lives in stunningly framed, slice-of-life moments that captures a different side of Bangkok, one that’s tough to depict, but one people know about. But they do intersect, later on in the movie, in a series of events that leads them trapped in tragedy, despite all they did to escape it. The unexpected twist makes their lives surprisingly poignant, though RedLife’s journey might take too long to get there.

Genre: Drama, Thriller

Actor: Banlop Lomnoi, D Gerrard, Karnpicha Pongpanit, Krongthong Rachatawan, Pimvipa Thanarapatvanich, Punyapat Wangpongsathaporn, Ray MacDonald, Sumitra Duangkaew, Supitcha Sangkhachinda, Tanapak Jongjaiphar, Thiti Mahayotaruk

Director: Ekalak Klunson

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They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring '80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.

Genre: Drama, Family

Actor: Alfred Vargas, Euwenn Mikaell, Iza Calzado, Joel Torre, Joem Bascon, Juan Karlos Labajo, Markki Stroem, Meryll Soriano, Nico Antonio, Shaina Magdayao

Director: Benedict Mique

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