344 Movies Like Avatar (2009) (Page 23)

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After Lola's miscarriage on her wedding day, she and her husband adopt orphaned twin siblings, Tin and Tina. However, the twins soon begin to exhibit strange and disturbing behavior, all influenced by their strict upbringing at the convent. Slow-burning and atmospheric, Tin & Tina uses the "evil child" trope to tackle the horrors of orthodox Catholicism and motherhood. While it does deliver on the bare bones of the conversations, the continuous disbelief that follows the provable, horrendous actions becomes tiresome. There is mention of Lola growing up in a convent, and the couple's insistence on not having a disabled child (even though Lola is disabled) creates more discussions that are never finished. Neither the story nor the scare is memorable enough.

Genre: Drama, Horror, Mystery, Thriller

Actor: Anastasia Russo, Carlos González Morollón, Chelo Vivares, Jaime Lorente, Milena Smit, Ruth Gabriel, Teresa Rabal

Director: Rubin Stein

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A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers discovered it in Jerry and Rita Alter’s estate sale. The Thief Collector is less interested in the painting itself  — in fact, it's openly dismissive about its artistic value — and more curious about how it fell into the hands of the mysterious couple, who frequently took exotic trips around the world despite their modest teacher incomes.

There are certainly intriguing questions raised by the Alters’ possession of the painting and compelling evidence that places them as the thieves, but this documentary can’t offer any convincing original theses of its own. It does try, by suggesting that the short stories Jerry wrote — about more thefts and gorier crimes — were thinly disguised autobiographical recollections, but it finds nothing to back these theories up except for a few loosely relevant anecdotes from relatives. With too many what-ifs to go on, it all makes for an intriguing but ultimately unsatisfying deep dive.

Genre: Crime, Documentary, Drama

Actor: Glenn Howerton, Sarah Minnich, Scott Takeda

Director: Allison Otto

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Being based on the 1989 Patrick Swayze movie, we weren’t expecting much from the new Road House on Amazon Prime. Like the original, it has fun fight sequences, shot in a way that brings us to the bar itself, and it’s amusing to see actual MMA fighter Conor McGregor acting as an antagonist. However, this adaptation rewrites the main character to be a former UFC fighter, turning the story into something more akin to an outsider cowboy Western rather than a bouncer action drama. It’s not outright terrible, but it just feels uneven, and the cast performances can’t make up for the thinly written characters. It also just doesn’t feel like Road House.

Genre: Action, Thriller

Actor: Arturo Castro, B.K. Cannon, Beau Knapp, Billy Magnussen, Bruce Buffer, Candy Santana, Catfish Jean, Chad Guerrero, Conor McGregor, Craig Ng, Daniela Melchior, Darren Barnet, Dominique Columbus, Gbemisola Ikumelo, Hannah Love Lanier, J. D. Pardo, Jake Gyllenhaal, Jay Hieron, Jessica Williams, Joaquim de Almeida, Jonathan Kowalsky, Kevin Carroll, Lukas Gage, Post Malone, Ruairi Rhodes, Travis Van Winkle

Director: Doug Liman

Rating: R

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With a premise that just seems inherently emotionally manipulative, it should take an especially sensitive touch to make a story like this work on screen. Unfortunately, See Hear Love—itself based on a South Korean webcomic—is both overdramatic and not nearly stylized enough in any meaningful way to help its subject matter evolve beyond melodrama. It remains a well-shot and decently acted film that, at the very least, treats its characters as adults and not as caricatures with disabilities. But the movie makes little effort to place these characters in believable situations that should shed a light on what it's like to live with blindness or as a Deaf person. See Hear Love takes the easiest (and slowest) way out, bringing its two lovers together under somewhat creepy circumstances, and having them endure cartoonishly exploitative "antagonists"—all for the sake of portraying the romance as grand and artificially tragic.

Genre: Drama, Romance

Actor: Dai Watanabe, Daikichi Sugawara, Mahiro Takasugi, Maika Yamamoto, Mari Natsuki, Masaya Kato, Motoki Fukami, Sayaka Yamaguchi, Tomohisa Yamashita, Tomoki Kimura, Yuko Araki

Director: John H. Lee

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Starting out with an ad for the protagonist’s practice, Irugapatru clearly advocates for couples therapy and marriage counseling. Dr. Mitra even recommends it as a preventative measure, not just as a cure. However, this well-meaning objective doesn’t feel like it’s been met. The film showcases common fights and situations that any couple might be familiar with, but these instances come and go without seeing any development within each marriage. It dumps a set of psychology theories and therapeutic strategies that might be useful, but it seems to come out of nowhere. But most of all, these relationships don’t feel real, because the characters themselves don’t feel like people, they feel like examples. Because of this, Irugapatru doesn’t really explore couples therapy, it only prescribes it without recognizing the love that was lost.

Genre: Drama, Family, Romance

Actor: Abarnathi, Manobala, Saniya Iyyappan, Shraddha Srinath, Sri, Vidharth, Vikram Prabhu

Director: Yuvaraj Dhayalan

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The latest installment of Ly Hai’s Face Off franchise has an entertaining premise with some terrible plot twists. With this premise, it’s almost expected to see the worst of the worst of people when given a jackpot, and it’s easy to feel distraught when this happens, because the initial dynamic between the six friends feels genuine. However, the fun and wacky hijinks devolve into seriously messed up plot twists. Some of these work, but certain scenes feel like it was just added for shock value at the expense of other characters. The film couldn’t choose between vilifying some characters and celebrating their friendship. Because of this, Face Off 6 feels like it missed its mark.

Genre: Action, Drama, Thriller

Actor: Huy Khánh, Huỳnh Thi, Lý Hải, Quốc Cường, Tiết Cương, Trung Dũng

Director: Lý Hải

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Known for his comedy skits on Facebook, the comedian Kountry Wayne finally gets his own Netflix special to middling results. The character that he plays on the stand-up stage is meant to be highly irreverent, showing a callous disregard to everybody except himself. But while a more seasoned comic (which Wayne could become in good time) might find a way to build these predictable jokes into something truly novel or subversive, Wayne settles for shock value—often relying on exaggerated physical comedy to sell a flatly written punchline. But even this trick he relies on too often, which makes his already impressive stage presence seem cheaper than it should.

Genre: Comedy

Actor: Kountry Wayne

Director: Jeff Tomsic

Rating: R

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While investigating a gold heist in Johannesburg, Chili (S'dumo Mtshali) is jaded after an undercover operation fails spectacularly. With one chance left, he must choose between following the law and protecting the wealth of higher-ups or going against it and helping a heist crew dole out the riches to those in need. Wealth redistribution is at the heart of the film, with greed on all sides thwarting any prospects of prosperity for the city. The action-crime-thriller examines economic inequality via the lead cops trying to effect change, all while leaning into a warm visual style that shifts cameras to mirror the tensions. It's a nice touch to the average Robin Hood and "for the people" narrative, but the CGI choices and generic action scenes can get distracting at times.

Genre: Action, Crime, Thriller

Actor: Brenda Ngxoli, Deon Lotz, Presley Chweneyagae, S'Dumo Mtshali

Director: Donovan Marsh

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There's a powerful drama in here somewhere, where the toll of wrongful imprisonment tests the resolve of an Armenian repatriate, as he clings to traces of hope that he can see just beyond his prison cell window. Unfortunately, Amerikatsi constantly overstates itself through corny jokes and music choices, and it overestimates how compelling its mostly single-location narrative can be. This is a film that, for all its good intentions, relies far too heavily on fish-out-of-water quaintness and Rear Window-esque storytelling from a distance—downplaying the emotional and psychological toll of imprisonment and the violence inflicted upon other Armenians during this time. Amerikatsi doesn't really tell us much about the situation in the country at the time; it only ever tries too hard to make us feel something.

Genre: Comedy, Drama

Actor: Hovik Keuchkerian, Jean-Pierre Nshanian, Michael A. Goorjian, Michael Goorjian, Mikhail Trukhin, Narine Grigoryan, Nelly Uvarova

Director: Michael A. Goorjian, Michael Goorjian

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There's a novel idea at the center of World's First Christmas, but the film's unfortunately takes it through the least interesting route available. There's a rich opportunity here to unpack what the holiday season really means to people, or to poke fun at how this occasion for togetherness and celebration has been co-opted by corporations trying to make a buck. But the film never gets there, running through a series of occasionally funny scenarios only to end up becoming an unconvincing advertisement for Christmas as a consumer holiday. The main gag here is that everyone has been left miserable by the absence of Christmas, which is an idea that falls apart immediately once you start asking even the simplest questions about it.

Genre: Comedy, Drama, Family, Fantasy

Actor: Fabiana Karla, Ígor Jansen, Ingrid Guimarães, Lázaro Ramos, Rafael Infante, Theo Mattos, Wilson Rabelo

Director: Gigi Soares, Susana Garcia

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There's no doubt that this documentary on Jolly Joseph ought to be more interesting to those who are closer to the actual events of the case; it definitely has enough mystery and intrigue to be a good story. But the way it's been presented here is just too tedious for its own good, sticking to the same-old true crime devices and eventually devolving into discussion that sounds more like gossip. It's understandable that the primary suspect isn't in this film to be able to provide some sort of counter perspective, but the interviewees who do get to say their piece don't add particularly memorable insight into the circumstances surrounding these details, which can just be read up online.

Genre: Crime, Documentary

Actor: Jolly Joseph, M. S. Mathew, Remo Roy, Renji Wilson, Rojo Thomas

Director: Christo Tomy

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At one point in The Whale, Brendan Fraser’s Charlie —  a morbidly obese, reclusive teacher — describes an act of abject cruelty as “not evil” but “honesty.” Darren Aronofsky seems to believe the same about his movie, but alas, he's gravely misled, because The Whale is flooringly glib. From the outset, the film actively and incessantly tries to choreograph audience disgust for Charlie, all so that it can pull off a manipulative “he’s human, actually” swing later on — a “twist” that won’t work if you, you know, already accept people’s humanity irrespective of their appearance. 

Cinematography, makeup, and score all conspire to paint Charlie as grotesque: the camera laboriously over-emphasizes his size and mobility issues, while histrionic music chimes in to frame trivial moments (like Charlie reaching to pick something up from the floor) as grand, tragic dramas. Even if you ignore all its needless cruelty, The Whale — which is adapted from a play — can never shed its stagy origins: the writing frequently reaches for transcendence, but its efforts are as subtle as its evidently retroactively-shoehorned-in-title. If it’s as sincere as it purports to be, this is one of the worst movies of recent years, and if it’s not — which is almost preferable — then it’s a landmark exercise in trolling.

Genre: Drama

Actor: Allison Altman, Brendan Fraser, Hong Chau, Jacey Sink, Sadie Sink, Samantha Morton, Sathya Sridharan, Ty Simpkins

Director: Darren Aronofsky

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Bogged down by a platonic best friendship with a suspicious lack of communication and the repetitive use of tacky nicknames, Seasons never gains enough momentum to justify 108 minutes of uninteresting romance tropes. Carlo Aquino and Lovi Poe's chemistry is overshadowed by the glaring mound of unoriginal dialogue and drawn-out story. The lack of awareness and childish antics that culminate at the tail-end of a 15-year-long friendship are more disappointing than believable. With no external (or personal) struggles of their own, every sequence reinforces how flat and underdeveloped our leads are, as if they only engage with the world when close to, or thinking about, each other. Love-me/Love-me-not is never enough to carry the film.

Genre: Drama, Romance

Actor: Carlo Aquino, Lovi Poe, Sarah Edwards, Sheenly Gener

Director: Easy Ferrer

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There is a clear and wide gap between what Maximum Truth wants to be and what it actually is. What it wants to be is a silly but smart sendup of right-wing activism and the rampant disinformation the movement propels. What it ends up being is an occasionally funny but mostly tiresome film that falls flat thanks to caricature performances and flimsy arguments that essentially work against the film's supposed ideals. In a self-contradictory twist, it actually helps the conservatives it claims to poke fun at by proving just how dumb liberal humor can be. The running gag about Rick being in the closet feels outdated at best and offensive at worst, while Simon being the typical airheaded jock does nothing to subvert the trope. It’s baffling that a film like this could come out in 2023; ultimately it just seems like a terrible waste of everyone’s time. 

Genre: Comedy

Actor: Andrew Friedman, Beth Grant, Blake Anderson, Brandon Wardell, Brenda Koo, Brianna Baker, David Stassen, Dylan O'Brien, Ike Barinholtz, Ithamar Enriquez, Jena Friedman, Jon Barinholtz, Josh Meyers, Kelvin Yu, Kiernan Shipka, Mark Proksch, Matt Corboy, Max Minghella, Mia Serafino, Robert Belushi, Scott MacArthur, Seth Rogen, Sunil Narkar, Tiya Sircar

Director: David Stassen

Rating: R

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