14 Movies Like Au Revoir les Enfants (1987)

Staff & contributors

Chasing the feel of watching Au Revoir les Enfants ? Here are the movies we recommend you watch right after.

There are moments in our childhood that we deeply regret, even if we didn’t know better, even if innocence can excuse us, and even if we weren’t the ones primarily responsible for the mistake. The memory of it can be haunting, but none has been as devastating as the memory depicted in Louis Malle’s semi-autobiographical period drama Au Revoir les Enfants. Malle brings us to the boarding school rhythms with ease, straightforwardly depicting it as is, but with the camera and the sequencing recognizant of the implications. With the natural dynamic between the unthinking Julien (Malle’s younger self) and the alert and afraid Jean formed through subtle moments, Au Revoir les Enfants culminates into the heartbreaking coming-of-age moment that Malle personally lived through in World War II.

Written and directed by the filmmaker Sylvain Chomet, this 2003 French film is, in the strictest sense, an animated comedy film. It's the one that introduced Chomet's name to an international audience. Triplets' visual style, however, it is unlike anything you have ever seen. Focusing on ugliness and imperfection, the characters are deliciously exaggerated, while the animation steers clear of the naturalist hyperrealism, cutesiness, or porcelain perfection of other animated movies. That doesn't mean it's not incredibly detailed. Without much of a dialogue, it tells the story of a young orphan boy, who loves to watch the vivacious jazz of the The Triplets of Belleville trio, and grows up to become a Tour de France racer. He gets kidnapped by sinister characters (the French mafia?) and the beloved jazz trio of his childhood and others come to his rescue. While this film is not for the causal movie watcher, it is a fiercely original piece of hand-drawn animation and a strange, surreal experience.

Genre: Animation, Comedy, Drama, Family

Actor: Beatrice Bonifassi, Betty Bonifassi, Charles Linton, Jean-Claude Donda, Lina Boudreau, Mari-Lou Gauthier, Michel Robin, Michèle Caucheteux, Suzy Falk

Director: Sylvain Chomet

Rating: PG-13

Autobiographical in nature, 120 BPM is French screenwriter Robin Campillo's first feature film. It revolves around the Parisian chapter of the AIDS advocacy group ACT UP, which Campillo was a member of in the early 1990s, and the love between Nathan, the group's newest member, who is HIV negative, and Sean, one of its founding and more radical members, who is positive and suffers the consequences of contracting AIDS. Using fake blood and spectacular direct action, ACT UP advocated more and better research of treatment, prevention, and awareness. This was at a time when many, implicitly or explicitly, viewed AIDS as a gay disease, even as a punishment for the gay community's propensity to pleasure and partying. The latter is reflected by the film's title, 120 bpm being the average number of beats per minute of a house track. Arnaud Rebotini's original score echoes the ecstasy-driven house music hedonism of the time with some effective original cuts, albeit with a melancholic streak. Because, for all the love, friendship, and emotion of the ACT UP crew that BPM so passionately portrays, anger and sadness pervade the lives of these young people as the lack of effective treatment threatens to claim the lives of their loved ones.

Genre: Drama

Actor: Adèle Haenel, Aloïse Sauvage, Antoine Reinartz, Arnaud Valois, Caroline Piette, Catherine Vinatier, Coralie Russier, Emmanuel Ménard, Félix Maritaud, François Rabette, Jean-François Auguste, Marco Horanieh, Naëlle Dariya, Nahuel Pérez Biscayart, Pascal Tantot, Saadia Bentaïeb, Sabrina Aliane, Samuel Churin, Simon Guélat, Théophile Ray, Yves Heck

Director: Robin Campillo

Rating: Not Rated

Even before any blood is inevitably shed during A Short Film About Killing (which serves as the expansion of another episode from director Krzysztof Kieślowski's Dekalog miniseries, alongside A Short Film About Love), there's something positively oppressive and sinister even just in the way the movie is shot. Kieślowski and cinematographer Witold Adamek use color filters to make the film deliberately ugly—as if the image is degrading right in front of us. Oftentimes shadows obscure the edges of the frame, shining a sickly yellow spotlight on the characters on screen. It's the perfect way to get right into the heads of these people existing in a lawless land driven by primal instinct.

When crime and punishment finally occur, they're equally difficult to watch unfold, but in different ways. Kieślowski lingers on the details—the tools and processes that we tell ourselves will make the act of killing easier. And what he's ultimately able to expose is how capital punishment has been made to seem humane, just, or necessary, when it's often even more barbaric, cruel, and unproductive than a crime borne of desperation. The very government that does nothing to address the roots of crime is the same one most eager to kill criminals instead.

Genre: Crime, Drama

Actor: Aleksander Bednarz, Andrzej Gawroński, Artur Barciś, Barbara Dziekan, Elżbieta Helman, Henryk Guzek, Iwona Głębicka, Jan Tesarz, Jerzy Zass, Krystyna Janda, Krzysztof Globisz, Leonard Andrzejewski, Małgorzata Pieczyńska, Mirosław Baka, Olgierd Łukaszewicz, Władysław Byrdy, Zbigniew Borek, Zbigniew Zapasiewicz, Zdzisław Rychter, Zdzisław Tobiasz

Director: Krzysztof Kieślowski

Two angels wander the streets of a monochrome Berlin, invisible to the colorful world that bustles around them. When one of them falls in love, he begins to question his place and yearns to give up immortality to join the ranks of the living. Wim Wender’s exceptional film is a poetic meditation on faith, cinema, and a mournful tour of a city in the grip of the Cold War. Wings of Desire is bursting with poetry and heartbreaking humanism emphasized by the tender performances by Bruno Ganz, Otto Sander, and Peter Falk, while serving as a beautiful love letter to a city yearning for change. If you’ve only seen City of Angels, the loose American remake, then you owe it to yourself to experience the raw poetic power of the real deal.

Genre: Drama, Fantasy, Romance

Actor: Annelinde Gerstl, Beartice Manowski, Beatrice Manowski, Bernard Eisenschitz, Blixa Bargeld, Bruno Ganz, Chick Ortega, Christoph Merg, Curt Bois, Didier Flamand, Elmar Wilms, Erika Rabau, Hans Marquardt, Hans Martin Stier, Harry Howard, Johanna Penski, Jürgen Heinrich, Kid Congo Powers, Laurent Petitgand, Lina Otto, Matthias Maaß, Mick Harvey, Nick Cave, Olivier Picot, Otto Kuhnle, Otto Sander, Patric Kreuzer, Paul Busch, Peter Falk, Roland Wolf, Rowland S. Howard, Scott Kirby, Sigurd Rachman, Simon Bonney, Solveig Dommartin, Teresa Harder, Thomas Wydler, Ulrike Schirm, Wolf-Dirk Vogeley

Director: Wim Wenders

Rating: PG-13

Taking place entirely on beachside farmlands in Denmark, Land of Mine takes a particularly intimate—and visually distinct—approach to war. The fighting may be over, but the film remains a tense and emotionally distressing, with all the pain and violence being carried over onto these German boys being forced to clear the beaches of live explosives with their bare hands. The relationship between these young men and their vengeful Danish commanding officer may progress a little quickly for some, but their volatile bond only emphasizes that rage isn't meant to be felt forever, and that war is a destructive cycle that eventually needs to come to an end.

Genre: Drama, History, War

Actor: Aaron Koszuta, Anthony Straeger, August Carter, Emil Belton, Joel Basman, Johnny Melville, Karl Alexander Seidel, Laura Bro, Leon Seidel, Levin Henning, Louis Hofmann, Mads Riisom, Magnus Bruun, Maximilian Beck, Mette Lysdahl, Michael Asmussen, Mikkel Boe Følsgaard, Mikkel Boe Følsgaard, Oskar Belton, Oskar Bökelmann, Roland Møller, Roland Moller, Tim Bülow

Director: Martin Zandvliet

Rating: R

While many homophobic people like to think otherwise, there have been gay people all throughout history, some that have survived war and pandemics and persecution and even became widely renowned. Gods and Monsters is a more speculative than accurate biopic about Hollywood director James Whale, who was actually out during his career. That being said, it’s astounding how writer-director Bill Condon and lead Ian McKellen created such a bittersweet examination of the Lost Generation, not just of the loves that were lost but of the lives that could not be lived, the longing that could not be actualized. And the film takes a risky, but nuanced subversion in the way it examines the Hollywood system, subverting the roles Whale and Boone have placed on others and on themselves. It’s a daring portrayal of both homosexuality and of the film industry, one that’s emotionally poignant and ahead of its time.

Genre: Drama

Actor: Amir Aboulela, Arthur Dignam, Brendan Fraser, Celeste Lecesne, Cornelia Hayes O'Herlihy, Curtis Harrington, David Dukes, David Fabrizio, David Millbern, Ian McKellen, Jack Betts, Jack Plotnick, Jesse James, John Gatins, Judson Mills, Kent George, Kevin J. O'Connor, Lisa Darr, Lolita Davidovich, Lynn Redgrave, Mark Kiely, Martin Ferrero, Matt McKenzie, Michael O'Hagan, Owen Masterson, Pamela Salem, Rosalind Ayres, Sarah Ann Morris, Todd Babcock

Director: Bill Condon

Rating: R

Before The Rain is a very intriguing and unique film, to say the least. Its cyclical narrative structure may not be for everyone, it will puzzle most, leaving some in wonder while others fume at the illogicality of it all.

While the film's general production values have not aged very well, its intercut story of war and romance is a timeless one, makes this film one that is essential viewing for all international cinema lovers, and serves as a great introduction to Macedonian cinema as a whole.

Genre: Drama, War

Actor: Abdurrahman Shala, Aleksandar Mikic, Aleksandar Mikikj, Daniel Newman, Džemail Maksut, Gabrielle Hamilton, Grégoire Colin, Ilko Stefanovski, Jay Villiers, Josif Josifovski, Katerina Kocevska, Katrin Cartlidge, Kiril Psaltirov, Kiril Ristoski, Labina Mitevska, Meto Jovanovski, Milica Stojanova, Mladen Krstevski, Petar Mirčevski, Peter Needham, Phyllida Law, Rade Serbedzija, Rod Woodruff, Silvija Stojanovska

Director: Milcho Manchevski

Rating: Not Rated

, 2015

Shrooms director Paddy Breathnach has als dipped his toes in romcoms and thrillers, but this queer Bogota-set drama has a lot of tenderness in its heart. Micro-budget and full of life as the name suggests, Viva is an inspiring story that centers around Jesus (Héctor Medina) and his own individuation. A hairdresser with the talent of a drag performer, he assumes the role of Viva in the weekend cabaret. As warm and open as his father is detached and somber, Jesus is a likeable protagonist with the vulnerability and dedication to follow his dream, that no wonder the film made the Oscar shortlist in 2016.

Genre: Drama

Actor: Héctor Medina, Jorge Perugorría, Laura Aleman, Luis Alberto García, Luis Manuel Alvarez, Mark O'Halloran, Renata Maikel Machin Blanco

Director: Paddy Breathnach

A fun science fiction movie from the UK,  Frequently Asked Questions About Time Travel stars Chris O'Dowd and Anna Faris. The plot centers around two geeks and their cynical friend who go out for a couple of pints and end up having a night they won't soon forget. To go any deeper would court spoilers, but suffice to say there is time travel, witty banter, hilarious scenes and just an all-around good time.

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Anna Faris, Arthur Nightingale, Chris O'Dowd, Dean Lennox Kelly, John Warman, Marc Wootton, Meredith MacNeill, Nick Ewans, Ray Gardner

Director: Gareth Carrivick

Rating: Unrated

Charming and heartfelt, Caramel captures the spirit and beauty of Beirut and its diverse and complex society. The story follows a group of women who work at a beauty salon as they navigate their relationships, dreams, and struggles in a changing and often restrictive environment. The film's lush and colorful visuals, rich cultural references, and strong performances create a warm and intimate atmosphere that invites the audience to connect with the characters' joys and sorrows. Although the ending feels listless, it is a delightful and empowering celebration of women's friendship and resilience.

Genre: Comedy, Drama, Romance

Actor: Adel Karam, Aziza Semaan, Dimitri Staneofski, Fatmeh Safa, Gisèle Aouad, Joanna Moukarzel, Nadine Labaki, Sihame Haddad, Yasmine Al Massri

Director: Nadine Labaki

The death of the matriarch is, of course, sad, but the countryside wake of May Fools seems to be the opposite at first. Just before the heat of summer, the family reunion seems quaint, idyllic, and occasionally eccentric with Milou’s penchant for beekeeping and crayfish catching. The inevitable family squabble over the estate also gets humorous, and this all seems unimportant to the larger May 68 protests that threatened to escalate into civil war. But director Louis Malle finds the small personal changes of Milou’s family and presents them, not as more or less important, but genuine all the same, finding the humanity within each of these characters.

Genre: Comedy, Drama

Actor: Bruno Carette, Dominique Blanc, Étienne Draber, François Berléand, Harriet Walter, Hubert Saint-Macary, Jacqueline Staup, Jeanne Herry, Martine Gautier, Michel Duchaussoy, Michel Piccoli, Miou-Miou, Paulette Dubost, Rozenne Le Tallec, Valérie Lemercier

Director: Louis Malle

We remember the idea of the tortured artist, in part due to many works depicting life’s sorrows, but also due to the fact plenty of the greats fit this trope well. Camille Claudel is one such tortured artist, but her anguish has not led her to artistic acclaim. Instead, Isabelle Adjani’s take on the sculptor contemplates the ways her genius has gone unrecognized, in part due to her bout of insanity, but in part due to the maddening ways her art has been cut short by those that claim to love her. While it does take nearly three hours, and, like in real life, the film focuses more on her relationship with Rodin than her own art, Camille Claudel nonetheless remains a fascinating character study of a woman that just wanted to make art on her own terms.

Genre: Drama, History, Romance

Actor: Alain Cuny, Aurelle Doazan, Danièle Lebrun, Gérard Baume, Gérard Depardieu, Hester Wilcox, Isabelle Adjani, Jean-Pierre Sentier, Katrine Boorman, Laurent Grévill, Madeleine Marie, Madeleine Robinson, Maxime Leroux, Philippe Clévenot, Roch Leibovici, Roger Planchon

Director: Bruno Nuytten

Rating: R

On one side, this is a look at the real-life efforts of local North Dakota Pastor Jay Reinke to provide shelter for Oil-working migrants in his Church for the course of well over two years – he ends up calling this The Overnighters Program. On another, it is the story of more than a thousand people living the broken American Dream, the pastor’s concerned, sensible neighbors, his well-meaning attempts backfiring, and all that’s in between. The Overnighters is an engaging, if not highly-aware, award-winning documentary that feeds on altruism, hope of redemption, and their ideal truth about the nature of human existence.

Genre: Documentary, Drama

Actor: Jay Reinke, Keegan Edwards

Director: Jesse Moss

Rating: PG-13

This documentary is about a unique program in Chicago called CeaseFire whose sole aim is to stop violent deaths in poor urban areas. CeaseFire is staffed by ex-gang members and ex-convicts who try to intervene in conflicts in their community, particularly those that may escalate into extreme violence or death. In these neighborhoods though, violent conflict can result from something as minor as someone making a funky comment about someone else’s shoes. This makes total success for a project like CeaseFire nearly impossible. It is not a totally depressing film though as the program and its practitioners are all pretty amazing, and director Steve James (who made Hoop Dreams) has unparalleled access to these struggling communities.

Genre: Documentary

Actor: Amanda Palmer, Ameena Matthews, Peter Ho-Sun Chan, Steve James, Tio Hardiman

Director: Steve James

Rating: Unrated