8 Movies Like Appendage (2023)

Staff & contributors

Chasing the feel of watching Appendage ? Here are the movies we recommend you watch right after.

Horror likes to take a human fear and personify it. It's a winning move, materializing our worst nightmares, but what does a woman's self-doubt look like? In this case, extremely ugly and somewhat laughable, but surely not scary. The special effects team dropped the ball on this one, and the appendage's physical presence is more distracting than anything. Its concept and its aura, though, go a long way, and there are a few admirable twists and turns that make a curious point about female psychology and social expectations. Their interdependency then translates into the film's sparse backstory, tracing a journey of trauma that's surprisingly relatable. Interestingly enough, director Anna Zlokovic made a short of the same name in 2021 which teased the idea of a monster sucking your confidence in secret, but her latest feature film lacks that punch. 

Remember the creepy blind nun from the Spanish horror film Veronica? While many nun-related horror films have nuns as its horror element, this time it’s the nun that gets spooked in Sister Death. The new release expands on her backstory, taking the story back in history, in her start as a novitiate in the former convent, a location that’s been changed after the terrors inflicted towards the nuns during the Spanish Civil War. While the film doesn’t delve that deeply, focusing instead on the slowly building up the film’s terror, there is something here about the hidden violence and covered-up trauma that still haunt the Catholic church in Spain, especially to those that have taken vows. Director Paco Plaza meticulously frames each terrific sequence with the isolating doubt in one’s faith that Narcisa experiences.

Genre: Drama, Horror

Actor: Almudena Amor, Antonio Duque, Arantza Vélez, Aria Bedmar, Chelo Vivares, Consuelo Trujillo, Luisa Merelas, Maru Valdivielso, Olimpia Roch, Sandra Escacena

Director: Paco Plaza

Familiarity breeds contempt, and Swedish Netflix’s new horror-comedy takes this idea to the extreme. Based on the novel by Mats Strandberg, who’s known as the Swedish Stephen King, The Conference is centered around a group of employees on their company retreat. With its ensemble, the film crafts a relatable dynamic, with the exact petty back-and-forth and the same exact corporate politics many adults have to deal with. It’s no wonder one of them snaps, and takes them out one by one. The film isn’t exactly new, with the decades’ collection of slashers all over the world, but this Swedish thriller is a fun take on it, with match cut transitions, quick paced sequences, and the gruesome murders of the group most adults spend time with - their colleagues. It’s an interesting watch as the world gets back to the office.

Genre: Comedy, Horror, Thriller

Actor: Adam Lundgren, Amed Bozan, Bahar Pars, Cecilia Nilsson, Christoffer Nordenrot, Claes Hartelius, Eva Melander, Jimmy Lindström, Katia Winter, Lola Zackow, Maria Sid, Marie Agerhäll, Martin Lagos, Robert Follin

Director: Patrik Eklund

For better or worse, The Reason I Jump isn't a documentary made for autistic viewers but for a neurotypical audience that may not be very knowledgeable about autism. This means the film doesn't really offer anything new to the conversation, and it misses the opportunity to truly let its main characters express themselves in their own unique ways, uninterrupted. That said, The Reason I Jump still structures itself smartly (with stunning filmmaking to boot) by having each of its five characters introduce us to different aspects of the autism experience, from sense and memory to communication and community.

Genre: Documentary

Actor: David Mitchell, Donna Budway, Emma Budway, Jeremy Dear, Jordan O'Donegan

Director: Jerry Rothwell

Producer-turned director Sean King O'Grady has some fresh ideas about what can shake up the dystopia genre, but The Mill needs more than a corporate critique to lift it off the ground. Even with Lil Rel Howery's apt acting skills (you'll probably remember him from Get Out), the film falls flat in its second half, losing the momentum built up by the original idea of the gristmill as an exteriorization of the corporate grind and its meaningless nature. The issue is that, aside from this smart use of symbolism, The Mill plays it rather safe by relating dystopia to capitalism. It's almost like O'Grady hasn't the slightest clue that capitalism and dystopia have been one and the same thing for decades now; if only he would have taken the equation to much, much darker places...

Genre: Horror, Science Fiction

Actor: Allya F. Robinson, Blair Wilson, Getchie Argetsinger, Jaiden K. Brown, Karen Obilom, Lil Rel Howery, Pat Healy, Patrick Fischler

Director: Sean King O'Grady

Rating: R

Just like with its predecessor, it can be surprising how sober Street Flow 2 is. You expect stories about street gang life to be of a certain tone, but these films are more interested in the emotional and philosophical struggle to respond to violence and poverty in a just and proper way. This sequel continues this conversation from a more stable (but therefore less interesting) position: youngest sibling Noumouké is no longer torn between the influence of his older brothers, as all three try to move forward as a united front. But without a more distinct dilemma driving the action forward, the film ends up spinning its wheels—and rushes to an incomplete ending  that doesn't say enough about survival, lawfulness, or the African immigrant experience in France.

Genre: Crime, Drama

Actor: Alessandra Sublet, Alix Mathurin, Bakary Diombera, Cherine Ghemri, Foued Nabba, Georgina Elizabeth Okon, Jammeh Diangana, Kadi Diarra, Kery James, Krystel Roche, Mahamadou Coulibaly, Sana Sri

Director: Alix Mathurin, Kery James, Leïla Sy

Rating: R

Built on promising ideas revolving around toxic relationships, exploitation of Black bodies, and a fading African heritage, Jagged Mind comes up with reasonably diverting genre thrills but stops short of taking advantage of the rich material it has at its fingertips. In getting caught up with its own premise, the film isn't able to craft a compelling enough journey for its protagonist to break free of the cycles she finds herself in. As a result, it becomes something that's fun to watch in the moment—thanks to some playful, misleading editing and a solid lead performance by Maisie Richardson-Sellers—but not something that leaves a lasting impression or makes a full, compelling statement.

Genre: Horror, Mystery, Thriller

Actor: Casey Ford Alexander, Jimmy Jean-Louis, Kate Szekely, Maisie Richardson-Sellers, Rosaline Elbay, Shannon Woodward, Shein Mompremier

Director: Kelley Kali

Rating: R

With the success of Knives Out, many filmmakers have gone back to make new films in the whodunit genre, which reached its peak between the 30s and 40s with Agatha Christie. A Deadly Invitation is one of these new murder mysteries, based on the novel of the same name by Carmen Posadas. Unfortunately, this Mexican film feels ill-timed, releasing months after the Glass Onion. Even if the source novel has been released in 2010, this film feels like a pale imitation of the Knives Out sequel, as it possesses plenty of the same plot points – as an eccentric millionaire invites their potential murderers for a party in the middle of nowhere, along with someone to solve said murder. There are some differences, specifically, the death actually occurs here, but these differences, along with the careless way each info is revealed, aren’t enough to make A Deadly Invitation feel unique.

Genre: Comedy, Mystery

Actor: Aarón Díaz, Helena Rojo, José María de Tavira, Juan Pablo de Santiago, Julio Casado, Manolo Cardona, Mariana Cabrera, Maribel Verdú, Pedro Damián, Regina Blandón, Stephanie Cayo

Director: José Manuel Cravioto

After his brother's gruesome death at the infamous drug den, Trap House, Detective Grant Pierce is removed from the case to find its creator. He goes rogue and recruits a teenage drug dealer working for the Trap House with a plan to infiltrate. Whatever the film lacks in intrigue is not compensated by good writing or interesting traps/scares/twists that would befit its horror categorization. Even expectations to match its counterparts in the escape room genre are quickly lowered thanks to uninventive traps and shallow characters whose deaths weigh nothing in the grand scheme of the plot. The potential of a trap house horror/thriller to comment on addiction, race, poverty, or anything substantial outside of "crackheads are crazy" is ultimately wasted. Instead, there's stilted dialogue, caricatures of drug addicts, and a narrative that is hard to sit through, much less enjoy. 

 

Genre: Crime, Horror, Thriller, TV Movie

Actor: Anthony Timpano, Benjamin Wilkinson, Bruce Crawford, Fletcher Donovan, Gigi Saul Guerrero, Jaime M. Callica, Jason Tremblay, Peter Bundic, Ryan Mah

Director: Nicholas Humphries