20 Movies Like Annie Hall (1977)

Éric Rohmer’s The Green Ray is the kind of film that you come away from being more honest with yourself. That effect is thanks to the contagious directness of its protagonist: Delphine (Marie Rivière), a newly single young French woman whose summer vacation plans have just been unceremoniously upturned after the friend she was going away with takes off with a man instead. Now at a loose end, the indecisive Delphine meanders between her home in Paris and several gorgeous holiday spots, but that old saying — “wherever you go, there you are” — proves true. Neither the beaches of Cherbourg and Biarritz nor the lofty beauty of an Alps resort can soothe her restlessness or give her what she’s looking for, probably because she doesn’t quite know what that is herself.

Delphine’s is an achingly familiar search for anyone who’s ever felt like they’ve drifted off of life’s path, but blessedly, the conversation-driven Green Ray doesn’t leave us wallowing in that despair. That’s partly thanks to its final moments — which rank among cinema’s most stunning — but mostly because Rivière, who improvised much of her incisive dialogue, puts into words things that so many have felt but few would admit. In that sense, The Green Ray feels as much like a miracle as its last shot does.

Genre: Drama, Romance

Actor: Béatrice Romand, Carita Holmström, María Luisa García, Marie Rivière, Rosette, Vincent Gauthier

Director: Éric Rohmer

Whilst a classic in some circles, Festen is many things, but it's definitely not mainstream entertainment. It was shot by Danish director, Thomas Vinterberg, who founded the Dogme 95 movement together with Lars von Trier in 1995, which sought to put the auteur director back at the heart of filmmaking, as opposed to the power of the studios or special effects. This was the first movie to come out from that group. You thought your family was messed up? Think again. This macabre, Poe-esque, gut-wrenching tale of debauchery will leave you feeling confused and slightly nauseous. This effect is exacerbated by Winterberg's directing style and the crazy camerawork of Anthony Dod Mantle. With a highly volatile tone and a great cast, the effect Festen has on you is not easily shaken off.

Genre: Comedy, Drama

Actor: Birgitte Simonsen, Birthe Neumann, Bjarne Henriksen, Erna Boas, Gbatokai Dakinah, Helle Dolleris, Henning Moritzen, Klaus Bondam, Lars Brygmann, Lasse Lunderskov, Lene Laub Oksen, Linda Laursen, Paprika Steen, Therese Glahn, Thomas Bo Larsen, Thomas Vinterberg, Trine Dyrholm, Ulrich Thomsen

Director: Thomas Vinterberg

Rating: R

Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did. This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.

Genre: Comedy, Drama

Actor: Alyssa Cheatham, Amaya Press, Caroline Martin, Danny Deferrari, Denis O'Hare, Desmin Borges, Emily Robinson, Fenton Lawless, Francesca Root-Dodson, Gabrielle Reidy, Hettienne Park, John Carroll Lynch, Kathryn Hahn, Katrine Hoyt, Kayli Carter, Kelly Miller, Kerry Flanagan, Lizzy DeClement, Maddie Corman, Molly Shannon, Paul Giamatti, Samantha Buck, Siobhan Fallon Hogan, Tracee Chimo

Director: Tamara Jenkins

Rating: R

A film written by screenwriter Charlie Kaufman, about screenwriter Charlie Kaufman as he struggles to adapt a book about poaching a rare plant into a successful movie. Through Kaufman's clever writing and Spike Jones' unique style of directing, the film unfolds using "mise en abîme" as the viewer sees the lessons the writer in film comes across to improve his script more or less subtly influence the events he encounters as the narrative advances. Nicolas Cage's performance is also particularly good as a highly intelligent and self-obsessed screen writer with low self-esteem.

Genre: Comedy, Crime, Drama

Actor: Bob Stephenson, Bob Yerkes, Brian Cox, Cara Seymour, Caron Colvett, Catherine Keener, Chris Cooper, Curt Clendenin, Curtis Hanson, David O. Russell, Donald Dowd, Doug Jones, Gary Farmer, Gregory Itzin, Jay Tavare, Jim Beaver, John Cusack, John Malkovich, Judy Greer, Larry Krask, Lisa Love, Litefoot, Maggie Gyllenhaal, Meryl Streep, Nancy Lenehan, Nicolas Cage, Peter Jason, Roger E. Fanter, Roger Willie, Ron Livingston, Sandra Lee Gimpel, Stephen Tobolowsky, Tilda Swinton

Director: Spike Jonze

Rating: R

Murdering your spouse is bad, so it’s slightly bizarre how Drowning by Numbers has an unbothered, even amused, attitude towards its murders. Moments seem randomly placed, like the first scene of a girl jumping rope while listing the stars by name, and the film can be hard to follow, even if the production design and cinematography keep you drawn in. But as the film progresses, and Madgett’s son Smut enumerates the fictional games as if he was a historian of sorts, writer-director Peter Greenaway meticulously crafts a quirky, twisty crime comedy, where, like children’s games and the men in their lives, the murdering wives do what they do because they can get away with it. Drowning by Numbers cleverly plays with the way we treat folklore, structure, and rules, even down to the very medium Greenaway works with.

Genre: Comedy, Crime

Actor: Arthur Spreckley, Bernard Hill, Bryan Pringle, David Morrissey, Edward Tudor-Pole, Ian Talbot, Jane Gurnett, Janine Duvitski, Jason Edwards, Joan Plowright, Joanna Dickens, Joely Richardson, John Rogan, Juliet Stevenson, Kenny Ireland, Michael Fitzgerald, Michael Percival, Natalie Morse, Paul Mooney, Roderic Leigh, Trevor Cooper, Vanni Corbellini

Director: Peter Greenaway

Rating: R

Often considered Claire Denis’ best film, Beau Travail is an epic exploration of both masculinity and colonialism. Inspired by Melville’s Billy Budd, she transplants the story to Djibouti where the French Foreign Legion run seemingly aimless drills in an arid desert landscape while largely alienated from the local community. 

Denis inverts the male gaze and imbues charged eroticism to the bodies in motion as the men train and wrestle. Accompanied by the music of Britten’s Billy Budd opera, these movements transform into a breathtaking modern dance. Underneath her jaw-dropping direction is a cutting allegory on repression, desire, and violence, working on both the individual and geopolitical level. This incredible tale is capped off by one of the best end credit sequences of all time. 

Genre: Drama

Actor: Adiatou Massudi, Bernardo Montet, Dan Herzberg, Denis Lavant, Gianfranco Poddighe, Grégoire Colin, Michel Subor, Mickael Ravovski, Nicolas Duvauchelle, Richard Courcet

Director: Claire Denis

Rating: Unrated

Although it opens on Janet Frame’s first steps as a baby, this Jane Campion-directed biopic of the celebrated New Zealand writer doesn’t take an exhaustive approach to its subject’s life. We frequently only learn of milestones — the many awards she won, the death of her mother — later on and in passing. In a beautiful gesture that feels like a tiny righting of the many wrongs done to Janet, it’s her perspective that guides the film. 

That embedded approach also makes the emotions that come with her heartbreaking yet uplifting story more profound. And there is much heartbreak here: alongside the several tragic losses Janet experienced as a child, she was misdiagnosed as schizophrenic as a young woman and spent eight harrowing years in psychiatric hospitals. Throughout all of this, she wrote fiction and poetry, work that saved her life in more ways than one: as well as being a rare constant source of joy, it won her a literary prize just days before she was scheduled for a lobotomy, prompting her doctors to reconsider. Neither Campion nor Janet allowed this experience to define her, however, and the film empathetically grants her real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch.

Genre: Drama

Actor: Alexia Keogh, Alison Bruce, Alistair Douglas, Andrew Robertt, Brenda Kendall, Brian Flegg, Celia Nicholson, Collette Cooper, David Letch, David Stott, Edith Campion, Elizabeth McRae, Faye Flegg, Fiona Kay, Francesca Collins, Gerald Bryan, Iris Churn, Jessie Mune, Jim Rawdon, Julia Calvo, Karen Fergusson, Katherine Murray-Cowper, Kerry Fox, Kevin J. Wilson, Lilian Enting, Mark Clare, Mark Morrison, Martyn Sanderson, Melina Bernecker, Natasha Gray, Paul Norell, Peter Needham, Robert Jayne, Ruth Dudding, Sarah Smuts-Kennedy, Sheryl Stewart, Tiffany de Castro, Timothy Bartlett, Willa O'Neill

Director: Jane Campion

Rating: R

This is a touching saga based on the plight of the women labelled as "fallen" that the Magdalene Laundries housed in Ireland. The movie grips you by the throat right from the first minute and the sense of injustice to women that characterizes the entire length of the film only rarely eases up to give you room to appreciate the emotional complexities that each individual character represents. The stories of Margaret, Bernadette and Rose and the people they meet inside the Magdalene Laundry will force you to ask time and again during the movie, "Why?" and "Who are they to?". You will share in Bernadette's sense of outrage, in Rose's compassion and Margaret's acute fear of the church, of speaking up and asking for justice. So much so, that you may even find yourself identifying with (or at least understanding) Crispina's questionable grasp on reality. Worst of all, the devout Catholic establishment that this was, hypocrisy and corruption ran through its every vein, adding to the shock and resentment that builds towards the, for the lack of a better word, captors of our protagonists. The Magdalene Sisters is a tribute to one of the forgotten chapters in a long history of injustice to women and an absolutely moving one at that. It does not fail to utterly horrify while it also warms your heart.

Genre: Drama, History

Actor: Anne-Marie Duff, Britta Smith, Chris Patrick-Simpson, Daniel Costello, Dorothy Duffy, Eamonn Owens, Eileen Walsh, Eithne McGuinness, Frances Healy, Geraldine McEwan, Mary Murray, Nora-Jane Noone, Peter Mullan, Phyllis MacMahon, Stephen McCole

Director: Peter Mullan

Rating: R

Polytechnique directed by Denis Villeneuve, is a dramatization of the 1989 Montreal massacre of multiple female engineering students. This film focuses on a male student navigating the massacre for the majority of the film’s run time. The performances and minimal dialogue in this film certainly make this an unnerving film to watch. Littered with the screams of the actors portraying the engineering students, this could be mistaken as a gaudy horror film. However, this is far from a fictionalized horror.

This Villeneuve classic is undoubtedly one of the most emotionally brutal films of the 2000s, yet I appreciate the honesty of the storytelling. Polytechnique encourages its audience to ask itself if it truly understands the truth of misogyny. 

Genre: Crime, Drama, History, Thriller

Actor: Adam Kosh, Alexandre St-Martin, Alexis Lefebvre, Cynthia Wu-Maheux, Dawn Ford, Emmanuelle Girard, Eugénie Beaudry, Ève Duranceau, Eve Gadouas, Evelyne Brochu, Francesca Barcenas, François-Xavier Dufour, Johanne-Marie Tremblay, Jonathan Dubsky, Josée Lacombe, Julien Maranda, Karine Vanasse, Larissa Corriveau, Lily Thibeault, Louise Proulx, Manon Lapointe, Marc Gourdeau, Marc-André Brisebois, Marie-Évelyne Baribeau, Martin Watier, Mathieu Ledoux, Maxim Gaudette, Mireille Brullemans, Natalie Hamel-Roy, Nathalie Girard, Pierre Leblanc, Pierre-Yves Cardinal, Robert Reynaert, Sébastien Huberdeau, Sophie Desmarais, Stéphane Julien, Valerie Cadieux

Director: Denis Villeneuve

Rating: Not Rated

Starring Ryan Gosling, Emily Mortimer, Paul Schneider, Kelli Garner and Patricia Clarkson. Lars and the Real Girl is a funny and thought-provoking look at the psychology of loneliness and the healing power of love. I rented this a few years back because of Ryan Gosling - he had just blown me away in Fracture so I was trying to catch up on his other movies. It was an unexpected gem. One of the sweetest movies I have ever seen - it was kind of like a fairy tale. With a blow-up doll. Yes, that's right.

Genre: Comedy, Drama, Romance

Actor: Alec McClure, Angela Vint, Annabelle Torsein, Arnold Pinnock, Aurora Browne, Billy Parrott, Boyd Banks, Doug Lennox, Emily Mortimer, Joe Bostick, Joshua Peace, Karen Robinson, Kelli Garner, Lauren Ash, Liisa Repo-Martell, Lindsey Connell, Liz Gordon, Maxwell McCabe-Lokos, Nancy Beatty, Nicky Guadagni, Patricia Clarkson, Paul Schneider, R.D. Reid, Ryan Gosling, Sally Cahill, Tannis Burnett, Tommy Chang, Torquil Colbo

Director: Craig Gillespie

Rating: PG-13

Hassan Fazili and Nargis Fazili are two filmmakers who, faced with death threats, escape their home in Afghanistan and start a journey to Europe that millions of others have taken over the past few years. But unlike most others, the Fazilis filmed everything on their way.

The result is not only a portrayal of the dangers they go through but it's also about less obvious and possibly more common aspects of the refugee experience. It's about the wait in refugee centers (that can last many years), the anticipation and also what it means to do all of this with children. Because watch out for the little Fazilis, who travel with their parents, for they will steal your heart.

Genre: Documentary

Director: Hassan Fazili

Rating: Not Rated