22 Movies Like Anatomy of a Fall (2023) On Netflix Australia (Page 2)

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Chasing the feel of watching Anatomy of a Fall ? Here are the movies we recommend you watch right after.

You would expect a courtroom drama to be built around damning pieces of evidence, passionate speeches, or certain social issues lending weight to the investigation. But what makes Justine Triet's Palme d'Or-winning Anatomy of a Fall so remarkable is how direct it is. Triet doesn't treat this case like a puzzle for the audience to participate in solving; instead she fashions this trial into a portrait of a family being eroded by even just the suggestion of distrust. It ultimately has far less to do with who's responsible for the death of a man, and more to do with the challenge of facing the reality that the people we love are capable of being cruel and callous to others.Which isn't to say that Anatomy of a Fall doesn't still possess qualities that make it a great courtroom drama—doubt only continues to pile up with every new piece of information that's revealed to the audience, until we begin to interpret characters' expressions and actions in a contradictory ways. But the way Triet executes these reveals is just so skillful, choosing precisely how to let details slip and obscuring everything behind faulty memory, intentional dishonesty, or any other obstacles that usually come up during an investigation.

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

Pushing an already extreme activity even further beyond its limits, Ueli Steck and Dani Arnold have became the world champions of speed climbing—a variation of the sport that places much greater importance on direct competition over communing with nature. It's fascinating to hear what drives Steck and Arnold to courting death like this, and to see how their vastly different backgrounds and processes have still made them equals in the field. The documentary eventually runs out of ideas, however, as it clumsily shifts tones leading into its last third, and concludes abruptly without much synthesis of everything that had come before. It's still a worthwhile adventure whether or not one is into climbing; it's just disappointing that this story of such a unique rivalry settles into a more generic rhythm by the end.

Genre: Action, Adventure, Documentary

Actor: Dani Arnold, Ueli Steck

Director: Götz Werner, Nicholas de Taranto

Rating: PG-13

Nostalgia is a powerful emotion, and it’s the main reason why filmmakers keep cashing in with old media franchises. Archie has been reimagined before, with the bewildering twists and turns of the CW’s Riverdale, but this time, it’s India’s turn with the franchise, and Graphic India and Tiger Baby Films partnered with the original publication to reimagine the town as an Anglo-Indian community in The Archies. The production design is undoubtedly stunning, with the maximalist Bollywood spectacle borrowing from 60’s Americana, and the musical numbers aren't half bad either. However, it’s the story and characterization that falters, as it feels like the leads are just going through the motions of the familiar love triangles. The film is still fun to watch, but ultimately, it feels like The Archies relies on spectacle to make up for its shortcomings.

Genre: Comedy, Drama, Music, Romance

Actor: Aditi Saigal, Agastya Nanda, Alyy Khan, Ankur Tewari, Ashok Banthia, Avan Contractor, Delnaaz Irani, Deven Khote, Dianne Commissariat, Dot., Farhan Akhtar, Kamal Sidhu, Khushi Kapoor, Koel Purie, Lovely Sharma, Luke Kenny, Mihir Ahuja, Nikos Andritsakis, Prerana Poddar, Puja Sarup, Satyajit Sharma, Sheena Khalid, Suhaas Ahuja, Suhana Khan, Tara Sharma, Vedang Raina, Vikram Kapadia, Vinay Pathak, Yuvraj Menda

Director: Zoya Akhtar

With every new Aardman production, their stop motion animation technique becomes more and more seamless, looking practically indistinguishable from the work being put out by other animation studios that use CG. However, Chicken Run: Dawn of the Nugget also threatens to flatten into the same kind of entertainment churned out by other studios at a faster rate. There isn't as much personality to either the story or the art direction—which gave the first Chicken Run film such a sense of urgency—and any ideas about how one's radical beliefs are tested with age never really get off the ground. And yet, what Aardman is able to do with actual tactile models will never not be impressive, these rebellious chickens standing as a tribute to handcrafted storytelling that will never be replaced.

Genre: Adventure, Animation, Comedy, Family

Actor: Alison Dowling, Amy McAllister, Bella Ramsey, Daniel Mays, David Bradley, David Brooks, Harry McEntire, Imelda Staunton, Jane Horrocks, Josie Sedgwick-Davies, Julia Sawalha, Kate Harbour, Lynn Ferguson, Miranda Richardson, Naomi McDonald, Nick Mohammed, Peter Serafinowicz, Ramanique Ahluwalia, Rebecca Gethings, Romesh Ranganathan, Sam Fell, Sam Wilkinson, Sarah Counsell, Shobu Kapoor, Sudha Bhuchar, Tamaryn Payne, Thandiwe Newton, Tim Bentinck, Tom Doggart, William Vanderpuye, Zachary Levi

Director: Sam Fell

Rating: PG

In terms of the quality of the material delivered in Son I Never Had, this special is really just okay at best. Heather McMahan has charisma and personality, but she has a tendency to run directly into the set-ups for her jokes, without the kind of build-up between segments that would make the whole hour flow better. And the comedy here is pretty standard, lightly raunchy fare that's often amusing but never really cuts deep into the various topics McMahan brings up. Where she's really successful, instead, is in the way she uses humor to contrast the lingering but gentle grief she feels over her father's passing. Son I Never Had, in its own roundabout way, becomes a sort of extended eulogy, emphasizing how our loved ones remain with us in our every memory.

Genre: Comedy

Actor: Heather McMahan

Director: Jen Zaborowski

Rating: R

The messy, non-linear process of grieving is always tough to capture meaningfully on screen—and there are definitely parts of Good Grief that trail off without much feeling or go on for too long without making new points. But the good still outweighs the bad in Dan Levy's directorial debut, with the inherent impracticality of death taking center stage. At a certain age when one has too much going on in life, grief can become just another responsibility that needs to be managed, that often clashes with the priorities of one's friends. The film just falls short of making truly astute insights into loss or crafting complete characters, but it's reassuring all the same in how ordinarily it views something so tragic.

Genre: Comedy, Drama, Romance

Actor: Arnaud Valois, Celia Imrie, Cyrielle Debreuil, Dan Levy, David Bradley, Emma Corrin, Himesh Patel, Jamael Westman, Kaitlyn Dever, Luke Evans, Mehdi Baki, Nigel Lilley, Ruth Negga, Yoli Fuller, Zoé Bruneau

Director: Dan Levy

Rating: R

For almost the entirety of its runtime, Old Dads feels like it has something it's desperately trying to prove. But while the millennial generation and a newfound popular interest in political correctness are ripe for satire, this film chooses the lowest hanging fruit possible to make jokes about—inventing one senseless situation after another in order to laugh at people's "sensitivity" with little energy or wit. The main cast has tried and tested talent, but the material they're working with feels more artificial and whiny than truly perceptive of today's generational clashes. The movie tries to manufacture some sort of dramatic realization by the end, but it hardly changes the protagonists anyway. A film need not be PC to be good, of course, but it should at least stand for something instead of simply standing against so much.

Genre: Comedy, Drama

Actor: Abbie Cobb, Angela Gulner, Bill Burr, Bobby Cannavale, Bokeem Woodbine, Bruce Dern, C. Thomas Howell, Cameron Kelly, Carl Tart, Chelsea Marie Davis, Cody Renee Cameron, Dash McCloud, Erin Wu, Jackie Tohn, Josh Brener, Justene Alpert, Justin Miles, Katie Aselton, Katrina Bowden, Leland Heflin, Miles Robbins, Natasha Leggero, Paul Virzi, Paul Walter Hauser, Rachael Harris, Reign Edwards, Rick Glassman, Rory Scovel, Steph Tolev, Tom Allen

Director: Bill Burr

Rating: R