5 Movies Like An American Tail (1986)

Staff & contributors

One of Shakespeare’s most indelible works is brought roaring to life in this explosive adaptation. The action is transposed from the 1400s to brutalist 1930s England, with the bloody civil war between the houses of Lancaster and York being waged by tanks and planes instead of cavalry. The switch isn’t merely cosmetic, though: in an inspired move, usurper Richard is reimagined here as the fascist head of an army of Nazi-esque Blackshirts (an analog of real militant far-right leader Oswald Mosley). Ian McKellen, who also co-wrote the screenplay, gives an odious but brilliant performance as the titular Machiavellian schemer who will stop at nothing to seize the crown, even betraying his own blood.

McKellen is joined by a gluttony of acting talent: Maggie Smith plays the King's despairing mother, Annette Bening and Robert Downey Jr. are the unfortunate American queen and her brother, while the likes of Jim Broadbent, Bill Paterson, Kristin Scott Thomas, and Jim Carter fill up the royal court. All the richness of Shakespeare’s original writing is retained, charging the performances and the film around them with a grand sense of drama. Peter Biziou’s ostentatious cinematography is a perfect frame for it all, and helps cement this as much, much more than a piece of filmed theater.

Genre: Drama, War

Actor: Adrian Dunbar, Andy Rashleigh, Annette Bening, Bill Paterson, Christopher Bowen, Denis Lill, Derek Lyons, Dominic West, Donald Sumpter, Edward Hardwicke, Edward Jewesbury, Ian McKellen, James Dreyfus, Jim Broadbent, Jim Carter, John Wood, Kate Steavenson-Payne, Kristin Scott Thomas, Maggie Smith, Marco Williamson, Michael Elphick, Nigel Hawthorne, Robert Downey Jr., Roger Hammond, Tim McInnerny, Tres Hanley

Director: Richard Loncraine

Rating: R

The Fabelmans is often described as director Steven Spielberg’s semi-autobiographical movie about his inauguration into filmmaking, and while it certainly is that, I’d venture to say that it also functions as a universal coming-of-age tale, with protagonist and Spielberg stand-in Sammy Fabelman (Gabriel LaBelle) learning harsh truths about identity, family, and passion for the first time.

Here, we see how so much of filmmaking is intertwined with his life, and how the movies inspire his personality (and vice versa). Whether you’re a fan of Spielberg or not, this movie will surely win you over with its beautiful imagery, impressive technique, and big, big heart.

Genre: Comedy, Drama

Actor: Adriel Porter, Alejandro Fuenzalida, Alex Quijano, Alina Brace, Ari Davis, Art Bonilla, Brinly Marum, Cameron Hennings, Carlos Javier Castillo, Chandler Lovelle, Chloe East, Cody Mitchell, Connor Trinneer, Cooper Dodson, Crystal the Monkey, David Lynch, Ezra Buzzington, Gabriel Bateman, Gabriel LaBelle, Greg Grunberg, Gustavo Escobar, Harper Dustin, Isabelle Kusman, James Urbaniak, Jan Hoag, Jared Becker, Jeannie Berlin, Jonathan Moorwood, Judd Hirsch, Julia Butters, Julyah Rose, Kalama Epstein, Keeley Karsten, Kendal Evans, Lane Factor, Larkin Campbell, Mason Bumba, Max David Weinberg, Meredith VanCuyk, Michelle Williams, Nicolas Cantu, Oakes Fegley, Orion Hunter, Paige Locke, Paul Dano, Rob Shiells, Robin Bartlett, Sam Rechner, Seth Rogen, Sophia Kopera, Stephen Matthew Smith, Taylor Hall, Tia Nalls, Trang Vo, Vera Myers

Director: Steven Spielberg

Rating: PG-13

Satoshi Kon’s Perfect Blue is a chilling psychological thriller and a fantastic next step for those looking to explore anime’s dark side. Kon animates with Hitchcockian flair and is so successful at memorable compositions that Darren Aronofsky even lifted a scene from this into Requiem for a Dream. 

Mima is a pop idol who abandons her singing career to become an actress. Shaken by a series of murders, and a stalker who knows her every move, she begins to lose her grip on reality. The rest is a riveting ride into Mima’s unraveling psyche in the vein of Mulholland Drive or Black Swan. This 1996 film not only anticipates the reality busting thrillers of the early aughts but also presages the way our identities are splintered across the internet.

Genre: Animation, Drama, Thriller

Actor: Akio Suyama, Emi Motoi, Emi Shinohara, Emiko Furukawa, Hideyuki Hori, Jin Yamanoi, Junko Iwao, Kaori Minami, Kishō Taniyama, Kiyoyuki Yanada, Kōichi Tōchika, Makoto Kitano, Masaaki Okura, Masashi Ebara, Megumi Tano, Osamu Hosoi, Rica Matsumoto, Rofuto Purasu Wan Burazâzu, Shiho Niiyama, Shin-ichiro Miki, Shin'ichirō Miki, Shinpachi Tsuji, Shokkâ Ôno, Soichiro Hoshi, Takashi Nagasako, Teiya Ichiryusai, Tōru Furusawa, Yoku Shioya, Yosuke Akimoto, Yousuke Akimoto

Director: Kou Matsuo, Satoshi Kon

Rating: R

As far as LGBTQIA+ stories go, 20,000 Species of Bees isn't the best at talking about its themes of identity and acceptance in a way that doesn't come off as clunky. But even with its on-the-nose dialogue and inconsequential subplots, director Estibaliz Urresola Solaguren gives everything the warmth and the softness it needs to feel sincere despite everything. And no matter what, the film is always drawn back to the lead performance by Sofía Otero, who provides such a vivid image of this young trans girl's interior life that the world around her character begins to feel either more suffocating or more beautiful to behold.

Genre: Drama

Actor: Ane Gabarain, Itziar Lazkano, Martxelo Rubio, Miguel Garcés, Patricia López Arnaiz, Sara Cózar, Sofía Otero

Director: Estibaliz Urresola Solaguren

, 2017

This fun drama is about a 90-year-old who’s still searching for answers to life’s existential questions. Lucky smokes, drinks, and is pretty angry (a not-so-chill atheist); but he’s still around.

Harry Dean Stanton, in what feels like an extension to his character Lucky, passed away a year after the film premiered in 2017. This was the last role of the legendary Alien and The Godfather actor.

Genre: Drama

Actor: Ana Mercedes, Barry Shabaka Henley, Bertila Damas, Beth Grant, David Lynch, Ed Begley Jr., Harry Dean Stanton, Hugo Armstrong, James Darren, Ron Livingston, Tom Skerritt, Yvonne Huff

Director: John Carroll Lynch

Rating: Not Rated