88 Movies Like American Beauty (1999) (Page 5)

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Vivid, sweeping landscapes surround the simple beauty of a Mongolian family navigating the pressures of globalization while still practicing their traditional nomadic lifestyle. Ostensibly it's about the charming, captivating relationship that forms between a young girl, Nansal, and a dog that she finds. However, the magic of this slow, enthralling film is that it captures the brilliance of familial relationships and power of culture and stories through this simple backdrop. And it is a simple film; everything you can learn from this film comes through its gentle storytelling that invites you to recognize the beauty and profundity that exists in everyday lives.

Genre: Drama

Actor: Babbayar Batchuluun, Batchuluun Urjindorj, Buyandulam Daramdadi, Nansal Batchuluun, Nansalmaa Batchuluun

Director: Byambasuren Davaa

Rating: G

This movie is pretty much in every regard a Norwegian Kill Bill. It’s a dark gory comedy where, naturally, the substitute for Uma Thurman doing damage is an emotionless Stellan Skarsgård. After his son is killed by a drug gang, Skarsgård’s character, fresh off a win of a “citizen of the year” award, embarks on a ruthless journey to track and kill the murderers. This takes place in one of the most remote areas in Norway, where the main character works as a snowplow driver. You guessed it, some people will get snowplowed. Seems familiar? That’s because this year it was turned into a horribly sub-par American movie called Cold Pursuit, with, ugh, Liam Neeson.

Genre: Action, Comedy, Crime, Thriller

Actor: Anders Baasmo Christiansen, Arben Bala, Arthur Berning, Atle Antonsen, Birgitte Hjort Sørensen, Birgitte Hjort Sorensen, Bjørn Moan, Bruno Ganz, David Sakurai, Espen Reboli Bjerke, Gard B. Eidsvold, Goran Navojec, Hildegun Riise, Jack Moland, Jakob Oftebro, Jan Gunnar Røise, Jon Øigarden, Jon Øigarden, Julia Bache-Wiig, Kåre Conradi, Kristofer Hivju, Leo Ajkic, Martin Furulund, Miodrag 'Miki' Krstović, Miodrag Krstović, Ola G. Furuseth, Pål Sverre Hagen, Peter Andersson, Sergej Trifunović, Stellan Skarsgård, Stig Henrik Hoff, Thomas Hildebrand, Tobias Santelmann

Director: Hans Petter Moland

Rating: R

In my own wished-for parallel universe, French actors Vincent Cassell and Emanuelle Devos are voted the sexiest actors alive. I find them both transfixing and appealing in every role they’ve performed, and they are quite the pair here. Devos plays Carla, a put-upon assistant at a property management company. While good at her job, there is little room for her to advance her career, as she is one of the only women at her company and also has a hearing deficiency. Into her humdrum life walks ex-convict Paul (Cassell), who Carla hires as a personal assistant. It turns out that what Paul lacks in secretarial skills he makes up for in other ways. The first half of the film plays almost like a dark workplace comedy, before taking a dangerous turn towards psychological crime thriller. Overall, it’s a dark and sexy character study of two mismatched outsiders who turn out to complement each other perfectly.

Genre: Crime, Drama, Romance, Thriller

Actor: Bernard Alane, Bô Gaultier de Kermoal, Celine Samie, Chloé Mons, Christophe Van de Velde, Christophe Vandevelde, David Saracino, Emmanuelle Devos, Francois Loriquet, Isabelle Caubère, Nathalie Lacroix, Olivia Bonamy, Olivier Gourmet, Olivier Perrier, Patrick Steltzer, Pierre Diot, Serge Boutleroff, Serge Onteniente, Vincent Cassel

Director: Jacques Audiard

Rating: R

A residential dispute spirals out of control into full, xenophobia-fueled tragedy in this straightforward and elegantly made film that comes from a now-bygone era of mid-budget dramas for adults. House of Sand and Fog may come off as excessively bleak to viewers today, but it manages to capture a very particular mood of paranoia and distrust common in post-9/11 American cinema. And if nothing else, the film is worth watching for a trio of powerful performances that never resort to overacting: from Iranian actress Shohreh Aghdashloo, English screen legend Ben Kingsley, and an always compelling Jennifer Connelly, who was arguably at the peak of her career in the early 2000s.

Genre: Drama

Actor: Aaron Frazier, Aki Aleong, Al Rodrigo, Ashley Edner, Ben Kingsley, Bonita Friedericy, Brian Reed Garvin, Carlos Gómez, Cooper Thornton, Dan Brinkle, David Carrera, Dennison Samaroo, Frances Fisher, Frank Gallegos, Izabella St. James, Jennifer Connelly, Joe Howard, Jonathan Ahdout, Joyce Kurtz, Karl Makinen, Ken Kerman, Kia Jam, Kim Dickens, Marco Rodriguez, Mark Chaet, Matthew Waite, Max Jansen Weinstein, Michael Papajohn, Namrata Singh Gujral, Nasser Faris, Navi Rawat, Pamela Shaddock, Ray Abruzzo, Ron Eldard, Scott Kinworthy, Scott N. Stevens, Shani Rigsbee, Shohreh Aghdashloo, Spencer Garrett, Tom Reynolds, Zoran Radanovich

Director: Vadim Perelman

Based on the comic book by Daniel Clowes, Ghost World is a dark comedy that follows the exploits of teenage outcasts Enid and Rebecca (Thora Birch and Scarlett Johansson) as they navigate the many complexities of burgeoning adulthood. Central to the story is the unlikely friendship that Enid strikes up with a lonesome older man (played by Steve Buscemi), a curious relationship that drifts through various humorous and melancholy situations. It’s an original and often poignant look at alienation and identity, with Birch delivering a wonderfully deadpan and often hilarious performance, despite her entirely pessimistic attitude. It’s the type of film that’s just right when you’re in the mood for something just a little bit different.

Genre: Comedy, Drama

Actor: Alex Solowitz, Anna Berger, Ashley Peldon, Bob Balaban, Brad Renfro, Brett Gilbert, Brian George, Brian Jacobs, Bruce Glover, Chachi Pittman, Charles C. Stevenson Jr., Charles Schneider, Daniel Graves, Danny Allen, Dave Sheridan, David Cross, Debi Derryberry, Debra Azar, Diane Salinger, Dylan Jones, Ezra Buzzington, Illeana Douglas, Jake La Botz, James Sie, Jerry Rector, Joan Blair, Joel Michaely, John Bunnell, Joseph Sikora, Joshua Wheeler, Joy Bisco, Kaileigh Brielle Martin, Lauren Bowles, Lindsey Girardot, Lorna Scott, Marc Vann, Martin Grey, Mary Bogue, Matt Doherty, Pat Healy, Patrick Fischler, Paul Keith, Rini Bell, Scarlett Johansson, Sid Hillman, Stacey Travis, Steve Buscemi, T. J. Thyne, Teri Garr, Thora Birch, Tom McGowan, Tony Ketcham, Venus DeMilo Thomas, Will Forte

Director: Terry Zwigoff

Rating: R

This emotionally rich biopic spans Reinaldo Arena’s lifetime, from his childhood and early embrace of the Cuban Revolution to his deportation via the notorious 1980 Mariel boatlift, and subsequent death in the United States. The story of Arenas’ life is told through using his own words, over director Julian Schabel's beautifully crafted images. In his first-ever English-speaking role, Javier Bardem renders a strong dramatic performance for which he deservedly received wide acclaim. Before Night Falls is a finely crafted portrait of a creative yet self-destructive poet who has to face the clash between his identity and the political environment surrounding him.

Genre: Drama

Actor: Abel Woolrich, Alfredo Villa, Andrea Di Stefano, Antonio Zavala Kugler, Batan Silva, Carmen Beato, Claudette Maillé, Diahnne Abbott, Diahnne Déa, Diego Luna, Eduardo Arroyuelo, Ewa Piaskowska, Filiberto Estrella, Francisco Gattorno, Giovani Florido, Héctor Babenco, Javier Bardem, Jerzy Skolimowski, John Ortiz, Johnny Depp, Jorge Zárate, Jorge Zepeda, Julian Bucio, Khotan Fernández, Lia Chapman, Lola Schnabel, Loló Navarro, Manolo García, Mario Oliver, Marisol Padilla Sánchez, Matthias Ehrenberg, Maurice Compte, Michael Wincott, Najwa Nimri, Ofelia Medina, Olatz Lopez Garmendia, Olivier Martinez, Patricia Reyes Spíndola, Pedro Armendáriz Jr., René Pereyra, Rene Rivera, Santiago Magill, Sean Penn, Stella Schnabel, Vincent Laresca, Vito Schnabel, Zulema Cruz

Director: Julian Schnabel

Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Anne Flanagan, Bill Nunn, Bill Pullman, Bill Stevenson, Dean Norris, Donna W. Scott, Herb Mitchell, J.T. Walsh, Jack Shearer, Linda Fiorentino, Michael Raysses, Mik Scriba, Peter Berg, Walter Addison, Zack Phifer

Director: John Dahl

Rating: R

This Danish film which was the country's submission to the Oscars is about a delicate subject. A lawyer who specializes in defending children, and who is used to developing closeness with her clients including meeting with them in her home, starts having an affair with her teenage step-son.

There is inherent tension to this obviously very explicit plotline: how would a serious, non-erotic (or not-only-erotic) movie like this one portray such attraction. And of course, afterwards, what are the implications?

Genre: Drama

Actor: Carla Philip Røder, Elias Budde Christensen, Ella Solgaard, Frederikke Dahl Hansen, Gustav Lindh, Liv Esmår Dannemann, Mads Knarreborg, Magnus Kreppe, Magnus Krepper, Marie Dalsgaard, Mathias Skov Rahbæk, Nessie Beik, Preben Kristensen, Silja Esmår Dannemann, Stine Gyldenkerne, Trine Dyrholm

Director: May el-Toukhy

Jane Campion’s biographical drama about the poet John Keats derives its name from one of the latter’s greatest love sonnets: Bright star, would I were stedfast as thou art… / Still, still to hear her tender-taken breath/ And so live ever—or else swoon to death.

Keats remains one of the most celebrated and adored Romantic poets. His writing challenged the poetic form, and revered the world for what it is at its best: wondrous, surprising, sublime. Ben Whishaw’s portrayal of Keats is rightfully distant, as we encounter the poet’s incredible aloofness through the perspective of interested suitor Fanny Brawne (Abbie Cornish). Brawne’s relationship with Keats was short but intense, providing great artistic inspiration and devastating devotion. Campion perfectly captures their fleeting relationship in this deft, crushing drama.

Genre: Drama, Romance

Actor: Abbie Cornish, Adrian Schiller, Amanda Hale, Antonia Campbell-Hughes, Ben Whishaw, Claudie Blakley, Edie Martin, Eileen Davies, Gerard Monaco, Jonathan Aris, Kerry Fox, Lucinda Raikes, Olly Alexander, Paul Schneider, Roger Ashton-Griffiths, Samuel Barnett, Samuel Roukin, Sebastian Armesto, Theresa Watson, Thomas Brodie-Sangster, Vincent Franklin

Director: Jane Campion

Rating: PG

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

The lives of a single mother forced into prostitution and another woman who needs an operation to restore her virginity clash with the structure of Iran’s traditionally patriarchal society in Tehran Taboo.  The result is a story that sheds light on the double standards women face, especially surrounding sex and sexuality, and overall what it is like to be female in a society practically founded on institutional misogyny. 

To make up for not being able to shoot in Tehran, director Ali Soozandeh chose to use the method of rotoscope animation: an unconventional style of animation that involves first shooting live actors in a studio and then inserting extra sounds and backgrounds in the editing process. Tehran Taboo is fearless in its exploration of the social and sexual restrictions imposed in modern Iran.

Genre: Animation, Drama

Actor: Adem Karaduman, Aida Loos, Alireza Bayram, Arash Marandi, Elmira Rafizadeh, Gernot Polak, Hasan Ali Mete, Klaus Ofczarek, Morteza Tavakoli, Şiir Eloğlu, Thomas Nash, Zahra Amir Ebrahimi, Zar Amir Ebrahimi

Director: Ali Soozandeh

Fourteen-year-old Segundo dreams of being just like his father Noé, a revered tableau artist in their small Peruvian town. The teenage apprentice follows Noé's every move and instruction, that is until one day, he discovers a shocking truth about Noé's identity. Hurt, angered, and incredibly confused, Segundo starts detaching from his family, as well as from the life he thought he'd wanted to live. 

Retablo is a slow but vibrant film, set in Peruvian locales and spoken in the country's indigenous tongue, Quechua. Its limited dialogue smartly reflects the people's own silence when it comes to sex and gender ideas, although the movements themselves—from traditional parties to teenage fights—have a lot to say about masculinity, conservatism, and the dangers of their excess. Retablo might be a difficult watch for some, but it's just as necessary and enlightening.

Genre: Drama

Actor: Amiel Cayo, Claudia Solís, Coco Chiarella, Hermelinda Luján, Junior Béjar Roca, Magaly Solier, Mauro Chuchón

Director: Álvaro Delgado-Aparicio L., Alvaro Delgado-Aparicio

Rating: R

Stereotypically made to look like one-note villains in many other films, the kinds of characters who lead Land and Freedom are rightfully depicted as people acting out of a desire for something constructive and good. Through director Ken Loach's trademark approach to no-frills storytelling, the complex ideologies motivating each of these factions against the common enemy (and against each other) are laid out with crystal clarity. In fact, the most exciting confrontations in the film aren't the skirmishes between the fascists and the revolutionary militias, but the debates held between allies, as they figure out the next best steps forward for every liberated person involved.

Genre: Drama, History, Romance, War

Actor: Angela Clarke, Daniel Muñoz, Eoin McCarthy, Francesc Orella, Frédéric Pierrot, Ian Hart, Icíar Bollaín, Jordi Dauder, Pep Molina, Rosana Pastor, Suzanne Maddock, Tom Gilroy

Director: Ken Loach

Set in the 1930's English Countryside, the story of the eccentric Mortmain family is told from the daughter Cassandra's point of view. Her father, a once acclaimed and famous writer has written nothing in years, leading the family into bankruptcy. Themes such as first love and financial troubles are explored from Cassandra's comic and intelligent point of view. A classic and a must-see.

Genre: Drama, Romance

Actor: Alice Marie Crowe, Anna Paquin, Bijou Phillips, Bill Nighy, Billy Crudup, Christopher Ettridge, David Bamber, Dolly Wells, Eion Bailey, Eric Stonestreet, Fairuza Balk, Frances McDormand, Helena Little, Henry Cavill, Henry Thomas, James Faulkner, James Warrior, Jason Lee, Jay Baruchel, Jean Warren, Jimmy Fallon, Joe Sowerbutts, John Patrick Amedori, Kate Hudson, Kevin Sussman, Marc Blucas, Marc Maron, Michael Angarano, Noah Taylor, Patrick Fugit, Pauley Perrette, Philip Seymour Hoffman, Rainn Wilson, Ray Porter, Romola Garai, Rose Byrne, Sarah Woodward, Sinead Cusack, Sophie Stuckey, Tara Fitzgerald, Terry Chen, Zack Ward, Zooey Deschanel

Director: Cameron Crowe, Tim Fywell

Rating: R

Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.

Genre: Comedy, Drama, Romance

Actor: Alexie Gilmore, Bobcat Goldthwait, Bruce Hornsby, Cheri Minns, Daryl Sabara, Ellie Jameson, Evan Martin, Geoff Pierson, Henry Simmons, Jermaine Williams, Jill Talley, Krist Novoselic, Lorraine Nicholson, Mitzi McCall, Morgan Murphy, Naomi Glick, Rebecca Erwin Spencer, Robin Williams, Toby Huss, Tom Kenny

Director: Bobcat Goldthwait

Rating: R