61 Movies Like American Beauty (1999) On Itunes (Page 3)

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The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn't a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider's point of view. It's a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.

Genre: Drama, Family

Actor: Cliff Curtis, Grant Roa, Keisha Castle-Hughes, Mana Taumaunu, Rachel House, Rawiri Paratene, Tahei Simpson, Tammy Davis, Taungaroa Emile, Vicky Haughton

Director: Niki Caro

In the West, South Korean film is largely defined by the ingenious (oft violent) bombast of directors like Park Chan-wook (Oldboy) and Bong Joon-ho (Parasite), but there is a quieter tradition championed by director Hong Sang-soo that is just as imaginative and worthy of your time. This fascinating film serves as a perfect entry point to a director whose filmography is full of similar riches.

A film director arrives in town to deliver a lecture, and having some time to kill, ends up sharing a day with a stranger. This simple set-up recalling Before Sunrise leads down a charming and quietly romantic route that would be delightful on its own, but Right Now, Wrong Then is about much more than just a chance encounter. It’s a film more concerned with how little moments here and there can change everything, and how much our lives are governed as much by chance and timing as the choices we make.

Genre: Comedy, Drama, Romance

Actor: Choi Hwa-jeong, Gi Ju-bong, Go A-sung, Go Ah-sung, Jae-yeong Jeong, Ju-bong Gi, Jung Jae-young, Ki Joo-bong, Kim Min-hee, Ko A-sung, Ko Asung, Min-hee Kim, Seo Young-hwa, Youn Yuh-jung, Yu Jun-sang, Yuh-jung Youn

Director: Hong Sang-soo, Sang-soo Hong

Is courage still courage when you have no choices left? What do you do when you're pressed to the wall and have no way to go? Maria, a pretty, modest and hardworking girl living in a small Colombian town, where the only career choice (thus not being a choice, really) is working in a floral plant, packing and distributing flowers - a dead-end job with killer hours and zero-tolerance boss. Yet, it's money. Until the day Maria gets pregnant and her choices become even more limited. By accident, she makes acquaintance with a guy who turns out to be her way out - and the way is out to become a drug mule, transporting drugs in your stomach across the border to the American soil. A job dangerous in many aspects, illegal and potentially deadly, but also paid well. Maria decides to take the only way out, a way that may be a one-way street. Maria Full of Grace is a gut-wrenching story about survival in a seemingly hopeless situation. It's about taking that one chance that has all the potential to go south, and investing in it all the hope you have left, and all the survival instinct you have in your heart and soul. And when everything that could go bad does, and everything turns from bad to worse beyond imagination, it's about standing strong and not giving up, no matter what. Though technically not a documentary, it's real beyond belief, and you can be sure Colombia is full of Marias - just hoping for a decent life, ready to sacrifice the very life itself to obtain it. It's a masterpiece of its genre and it also boasts one of the best posters in the history of the cinema. Highly recommended.

Genre: Crime, Drama, Thriller

Actor: Catalina Sandino Moreno, Charles Albert Patiño, Guilied Lopez, Jaime Osorio Gómez, Jhon Álex Toro, Johanna Andrea Mora, John Álex Toro, Orlando Tobón, Patricia Rae, Selenis Leyva, Victor Macias

Director: Joshua Marston

Rating: R

Twinsters is a documentary about a young Asian American actress, Samantha Futerman (also co-director), who is contacted over the internet by a young French-Asian woman, Anaïs Bordier, who has been shown a video of Samantha on the internet — and cannot believe their remarkably similar physical appearance. After initial perplexity and uncertainty, Samantha and Anaïs are soon embroiled in excited correspondence and travel to meet one another in their respective countries — eventually confirming via DNA testing that they are in fact long-lost twin sisters given up for adoption 25 years earlier in South Korea. A remarkable true story with a wonderfully beating heart, Twinsters does a lovely job of not just spelling out the amazing story of the sisters’ unlikely connection, but also finding and exploring the growing love and affection between both the two girls, as well as their extended families and groups of friends. A truly touching and humanistic film-viewing experience.

Genre: Documentary, Family

Actor: Anaïs Bordier, Kanoa Goo, Samantha Futerman

Director: Ryan Miyamoto, Samantha Futerman

Rating: PG-13

A Ken Loach type of vibe drives The Selfish Giant  to be an interesting mix between anger,  desperation, and the beauty and humor often found in tough circumstances (think I, Daniel Blake but with kids as main characters). This sort of contemporary fable tells the story of two friends who skip school and hustle for work from a local scrap-dealer.  As they get more and more involved with him and his entourage, the grim realities of what once seemed a way out start to cast a shadow over their lives. The script is based on a short story by Oscar Wilde, it's a beautiful, ultimately sad portrayal of the British underclass.

Genre: Drama

Actor: Conner Chapman, Elliott Tittensor, Ian Burfield, Joseph Priestly, Lorraine Ashbourne, Macy Shackleton, Ralph Ineson, Rebecca Manley, Robert Emms, Sean Gilder, Shaun Thomas, Siobhan Finneran, Steve Evets

Director: Clio Barnard

Rating: Not Rated

This is a hard movie to describe, but I’ll do my best without giving too much away. The movie takes place in three separate segments that eventually come together. Half of the story takes place in Germany, half in Turkey, with almost all of the central six characters spending time in both countries while either searching for each other or trying to redeem themselves. Daughters search for their mothers (and vice versa) and one character’s actions will eventually bring everything more-or-less full circle. The film is as much about the characters though as it is about the cultural exchange happening between the two countries. If you have even a passing interest in films from this part of the world, I recommend giving this one a try.

Genre: Drama

Actor: Ali Akdeniz, Annette Uhlen, Baki Davrak, Cengiz Daner, Erkan Can, Feridun Koç, Gökhan Kıraç, Gürsoy Gemec, Güven Kiraç, Hanna Schygulla, İdil Üner, Lars Rudolph, Nejat İşler, Nurgül Yeşilçay, Nursel Köse, Önder Çakar, Öznur Kula, Patrycia Ziolkowska, Tuncel Kurtiz, Turgay Tanülkü, Yelda Reynaud

Director: Fatih Akin

Rating: Unrated

, 2011

A devastating depiction of sexual addiction, featuring Michael Fassbender in one of the most remarkable acting displays of the entire year. His performance is nearly matched by Carey Mulligan as his wayward sister, whose intrusion into his lifestyle sets the central conflict of the story in motion. To sex what Requiem for a Dream was to drugs, this is NOT a film to be viewed in any sort of mixed company (note the NC-17 rating). Director and renowned British artist Steve McQueen continues his ascension toward filmmaking royalty, in follow-up to his extraordinary 2008 feature Hunger (also starring Fassbender).

Genre: Drama

Actor: Alex Manette, Amy Hargreaves, Anna Rose Hopkins, Calamity Chang, Carey Mulligan, Carl Low, Charisse Bellante, Chazz Menendez, Deedee Luxe, Elizabeth Masucci, Hannah Ware, Jake Siciliano, James Badge Dale, Loren Omer, Lucy Walters, Mari-Ange Ramirez, Marta Milans, Michael Fassbender, Nicole Beharie, Rachel Farrar, Robert Montano

Director: Steve McQueen

Rating: NC-17

This gripping legal drama is based on a case we still don’t know the truth of — which might make it seem like a pointless exercise, were it not for the fact that it’s infectiously fascinated by greater questions than whether wealthy socialite Claus von Bülow (Jeremy Irons) really did attempt to kill wife Sunny (Glenn Close), who was left comatose by the mysterious event. After being convicted, Claus recruited for his appeal then-hotshot lawyer Alan Dershowitz (Ron Silver), now better known for personal allegations and his defense of men even more nefarious than Claus. Reversal follows the tricky legal argument-crafting process, embedding us with Dershowitz’s elite team as they meticulously comb through the prosecution’s theory to find the hairline crack they need to break the case open.

But why go to all this effort to exonerate an unlikeable and frustratingly enigmatic man like Claus, whom Dershowitz apparently doesn’t even believe himself? While we’re morbidly fascinated by unknowable cases like this, it’s the passion of the defense that’s really puzzling — something Reversal shrewdly gets as it wrestles with the ethical arguments for and against Dershowitz’s involvement, making for a pre-courtroom drama whose power extends beyond that of the particular case it documents.

Genre: Drama

Actor: Alan Pottinger, Annabella Sciorra, Bill Camp, Brian Delate, Bruno Eyron, Christine Baranski, Christine Dunford, Constance Shulman, Ericka Klein, Felicity Huffman, Fisher Stevens, Frederick Neumann, Glenn Close, Gordon Joseph Weiss, Jack Gilpin, Jad Mager, JD Cullum, Jeremy Irons, Jessika Cardinahl, Johann Carlo, Julie Hagerty, Keith Reddin, Larry Sherman, Leo Leyden, LisaGay Hamilton, Malachy McCourt, Mitchell Whitfield, Redman Maxfield, Ron Silver, Stephen Mailer, Tom Wright, Uta Hagen

Director: Barbet Schroeder

C.R.A.Z.Y. is crazy good, so to speak. A portrait of a French-Canadian family in 70's Quebec that will knock your socks right off, it's the story of a boy struggling with his identity and his relationship with his father. Featuring a killer soundtrack (including but not limited to Bowie, Pink Floyd, Rolling Stones), it received Best Canadian Film in 2005 at Toronto International Film Festival. There are many things I would like to say about C.R.A.Z.Y. but I fear it's one of those films you enjoy best when you go into them not knowing much.

Genre: Comedy, Drama

Actor: Alex Gravel, Anik Vermette, Claude Gagnon, Danielle Proulx, Denis Trudel, Élizabeth Adam, Francis Ducharme, Hélène Grégoire, Isabelle Pagé, Jean-Alexandre Létourneau, Jean-Louis Roux, Jean-Marc Vallée, Joël LeMay, Marc-André Grondin, Marie-Michelle Duchesne, Marie-Yong Godbout-Turgeon, Mariloup Wolfe, Maxime Le Flaguais, Maxime Tremblay, Michel Côté, Michel Laperrière, Mohamed Majd, Natasha Thompson, Pierre-Luc Brillant

Director: Jean-Marc Vallée

Rating: Not Rated

This movie is pretty much in every regard a Norwegian Kill Bill. It’s a dark gory comedy where, naturally, the substitute for Uma Thurman doing damage is an emotionless Stellan Skarsgård. After his son is killed by a drug gang, Skarsgård’s character, fresh off a win of a “citizen of the year” award, embarks on a ruthless journey to track and kill the murderers. This takes place in one of the most remote areas in Norway, where the main character works as a snowplow driver. You guessed it, some people will get snowplowed. Seems familiar? That’s because this year it was turned into a horribly sub-par American movie called Cold Pursuit, with, ugh, Liam Neeson.

Genre: Action, Comedy, Crime, Thriller

Actor: Anders Baasmo Christiansen, Arben Bala, Arthur Berning, Atle Antonsen, Birgitte Hjort Sørensen, Birgitte Hjort Sorensen, Bjørn Moan, Bruno Ganz, David Sakurai, Espen Reboli Bjerke, Gard B. Eidsvold, Goran Navojec, Hildegun Riise, Jack Moland, Jakob Oftebro, Jan Gunnar Røise, Jon Øigarden, Jon Øigarden, Julia Bache-Wiig, Kåre Conradi, Kristofer Hivju, Leo Ajkic, Martin Furulund, Miodrag 'Miki' Krstović, Miodrag Krstović, Ola G. Furuseth, Pål Sverre Hagen, Peter Andersson, Sergej Trifunović, Stellan Skarsgård, Stig Henrik Hoff, Thomas Hildebrand, Tobias Santelmann

Director: Hans Petter Moland

Rating: R

A residential dispute spirals out of control into full, xenophobia-fueled tragedy in this straightforward and elegantly made film that comes from a now-bygone era of mid-budget dramas for adults. House of Sand and Fog may come off as excessively bleak to viewers today, but it manages to capture a very particular mood of paranoia and distrust common in post-9/11 American cinema. And if nothing else, the film is worth watching for a trio of powerful performances that never resort to overacting: from Iranian actress Shohreh Aghdashloo, English screen legend Ben Kingsley, and an always compelling Jennifer Connelly, who was arguably at the peak of her career in the early 2000s.

Genre: Drama

Actor: Aaron Frazier, Aki Aleong, Al Rodrigo, Ashley Edner, Ben Kingsley, Bonita Friedericy, Brian Reed Garvin, Carlos Gómez, Cooper Thornton, Dan Brinkle, David Carrera, Dennison Samaroo, Frances Fisher, Frank Gallegos, Izabella St. James, Jennifer Connelly, Joe Howard, Jonathan Ahdout, Joyce Kurtz, Karl Makinen, Ken Kerman, Kia Jam, Kim Dickens, Marco Rodriguez, Mark Chaet, Matthew Waite, Max Jansen Weinstein, Michael Papajohn, Namrata Singh Gujral, Nasser Faris, Navi Rawat, Pamela Shaddock, Ray Abruzzo, Ron Eldard, Scott Kinworthy, Scott N. Stevens, Shani Rigsbee, Shohreh Aghdashloo, Spencer Garrett, Tom Reynolds, Zoran Radanovich

Director: Vadim Perelman

This emotionally rich biopic spans Reinaldo Arena’s lifetime, from his childhood and early embrace of the Cuban Revolution to his deportation via the notorious 1980 Mariel boatlift, and subsequent death in the United States. The story of Arenas’ life is told through using his own words, over director Julian Schabel's beautifully crafted images. In his first-ever English-speaking role, Javier Bardem renders a strong dramatic performance for which he deservedly received wide acclaim. Before Night Falls is a finely crafted portrait of a creative yet self-destructive poet who has to face the clash between his identity and the political environment surrounding him.

Genre: Drama

Actor: Abel Woolrich, Alfredo Villa, Andrea Di Stefano, Antonio Zavala Kugler, Batan Silva, Carmen Beato, Claudette Maillé, Diahnne Abbott, Diahnne Déa, Diego Luna, Eduardo Arroyuelo, Ewa Piaskowska, Filiberto Estrella, Francisco Gattorno, Giovani Florido, Héctor Babenco, Javier Bardem, Jerzy Skolimowski, John Ortiz, Johnny Depp, Jorge Zárate, Jorge Zepeda, Julian Bucio, Khotan Fernández, Lia Chapman, Lola Schnabel, Loló Navarro, Manolo García, Mario Oliver, Marisol Padilla Sánchez, Matthias Ehrenberg, Maurice Compte, Michael Wincott, Najwa Nimri, Ofelia Medina, Olatz Lopez Garmendia, Olivier Martinez, Patricia Reyes Spíndola, Pedro Armendáriz Jr., René Pereyra, Rene Rivera, Santiago Magill, Sean Penn, Stella Schnabel, Vincent Laresca, Vito Schnabel, Zulema Cruz

Director: Julian Schnabel

Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Anne Flanagan, Bill Nunn, Bill Pullman, Bill Stevenson, Dean Norris, Donna W. Scott, Herb Mitchell, J.T. Walsh, Jack Shearer, Linda Fiorentino, Michael Raysses, Mik Scriba, Peter Berg, Walter Addison, Zack Phifer

Director: John Dahl

Rating: R

This Danish film which was the country's submission to the Oscars is about a delicate subject. A lawyer who specializes in defending children, and who is used to developing closeness with her clients including meeting with them in her home, starts having an affair with her teenage step-son.

There is inherent tension to this obviously very explicit plotline: how would a serious, non-erotic (or not-only-erotic) movie like this one portray such attraction. And of course, afterwards, what are the implications?

Genre: Drama

Actor: Carla Philip Røder, Elias Budde Christensen, Ella Solgaard, Frederikke Dahl Hansen, Gustav Lindh, Liv Esmår Dannemann, Mads Knarreborg, Magnus Kreppe, Magnus Krepper, Marie Dalsgaard, Mathias Skov Rahbæk, Nessie Beik, Preben Kristensen, Silja Esmår Dannemann, Stine Gyldenkerne, Trine Dyrholm

Director: May el-Toukhy

Jane Campion’s biographical drama about the poet John Keats derives its name from one of the latter’s greatest love sonnets: Bright star, would I were stedfast as thou art… / Still, still to hear her tender-taken breath/ And so live ever—or else swoon to death.

Keats remains one of the most celebrated and adored Romantic poets. His writing challenged the poetic form, and revered the world for what it is at its best: wondrous, surprising, sublime. Ben Whishaw’s portrayal of Keats is rightfully distant, as we encounter the poet’s incredible aloofness through the perspective of interested suitor Fanny Brawne (Abbie Cornish). Brawne’s relationship with Keats was short but intense, providing great artistic inspiration and devastating devotion. Campion perfectly captures their fleeting relationship in this deft, crushing drama.

Genre: Drama, Romance

Actor: Abbie Cornish, Adrian Schiller, Amanda Hale, Antonia Campbell-Hughes, Ben Whishaw, Claudie Blakley, Edie Martin, Eileen Davies, Gerard Monaco, Jonathan Aris, Kerry Fox, Lucinda Raikes, Olly Alexander, Paul Schneider, Roger Ashton-Griffiths, Samuel Barnett, Samuel Roukin, Sebastian Armesto, Theresa Watson, Thomas Brodie-Sangster, Vincent Franklin

Director: Jane Campion

Rating: PG