13 Movies Like All Your Faces (2023)

It’s a testament to Agnès Varda’s remarkable ability to glean so much raw beauty and truth from the world that this autobiographical documentary is such a rewarding watch, even for people unfamiliar with her. The Beaches finds the pioneering director in reflective mode as she looks back at her work and life, but her artistic impulses are by no means stagnant: she approaches the past with the same — if not more of the — generous candor and youthful spirit that colored her career.

It’s also a testament to Varda’s inimitable artistic touch that she turns a usually-bleak subject — mortality — into something this life-affirming. The Beaches was made when she was 81, aware of her own ticking clock and still nursing the decades-long loss of so many loved ones (chiefly, husband Jacques Demy). Just as her grief-stricken reflections don’t overwhelm the film with sadness, the whimsical impulses she indulges here — like constructing a beach on the street in front of her office — don’t blunt the sharpness of her candor. The overall effect is bittersweet and profoundly inspiring: as with the mirrors she places in front of the tide in the film's first scene, she’s showing us it’s possible to face the inescapable with a twinkle in your eye.

Genre: Documentary, Drama

Actor: Agnès Varda, Gérard Depardieu, Harrison Ford, Jane Birkin, Mathieu Demy, Robert De Niro, Rosalie Varda

Director: Agnès Varda

In All the Beauty and the Bloodshed, documentarist Laura Poitras (Citizenfour, My Country, My Country) lends her empathetic and incisive lens to a subject so passionate and imaginative, she ends up collaborating with Poitras to co-create the documentary about her life. The subject is Nan Goldin, one of the most influential photographers of the late 20th century. 

The documentary captures Goldin’s work as a queer artist and anti-opioids activist, intertwining both aspects to tell a nuanced and incredibly important story about freedom, identity, and self-expression. This incredibly complex, encompassing, and vibrant feature won the top award at the Venice Film Festival, besting 19 other films from around the world.

Genre: Documentary, Drama

Actor: Bernard Herrmann, Cookie Mueller, David Wojnarowicz, Harry Cullen, John Waters, Leonard Bernstein, Nan Goldin, Patrick Radden Keefe

Director: Laura Poitras

A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. 

Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. 

This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.

A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this. 

Genre: Drama, Romance, Thriller

Actor: Dylan Robert, Idir Azougli, Kader Benchoudar, Kenza Fortas, Lisa Amedjout, Nabila Ait Amer, Nabila Bounad, Sofia Bent

Director: Jean-Bernard Marlin

Rating: TV-MA

The gorgeous grain of Falcon Lake’s lush 16mm cinematography instantly gives it an air of nostalgia, as if the movie is an intimate reflection on a precious formative summer. That effect is confirmed over the film’s runtime: it takes place from the perspective of Bastien (Joseph Engel), a 13-year-old French boy whose family is being hosted at a Quebec lake cabin by their friend and her 16-year-old daughter Chloe (Sara Montpetit). The woodland setting could be idyllic or eerie, a duality brought explicitly to the fore by Chloe, whose interests lean towards the macabre.

It’s not long before Bastien becomes smitten with the assured older girl, and it's their dynamic that gives Falcon Lake its profoundly captivating effect. Though the movie’s gothic undertones do give it a troubling air of tension, the way they come to the surface in its ending feels a little inharmonious to the delicate human drama that the teens have built up until then. Both actors turn in performances so extraordinarily nuanced and naturalistic that Falcon Lake doesn’t need that twist — it already stands as a deeply affecting coming-of-age portrait, one in which tenderness and betrayal are raw new pleasures and pains to be discovered.

Genre: Drama, Mystery, Romance

Actor: Anthony Therrien, Arthur Igual, Éléonore Loiselle, Jacob Whiteduck-Lavoie, Jeff Roop, Joseph Engel, Karine Gonthier-Hyndman, Lévi Doré, Monia Chokri, Pierre-Luc Lafontaine, Sara Montpetit

Director: Charlotte Le Bon

Bad Lieutenant is no misnomer: Harvey Keitel’s policeman really is one of NYPD’s worst. Already corrupt, abrasive, and abusive at the film’s outset, the movie chronicles his coked-out descent into total depravity after he’s called to investigate a heinous crime amid rapidly worsening personal circumstances. The brilliance of Bad Lieutenant is therefore a counterintuitive one: as awful as the Lieutenant is, we can’t help but feel emotionally involved because, in Keitel’s bravura performance, we can see the glint of pain — and thus of a person — within.

Always one for provocation, director Abel Ferrara pushes our empathy to — and maybe even beyond — its natural limits, only to break with the film’s hitherto unrelenting grit and dangle the glinting possibility of transcendent redemption in front of us. Anyone familiar with Catholic guilt cinema (movies like Martin Scorsese’s Who’s That Knocking At My Door and Mean Streets) will instantly recognize the same undercurrent running through Bad Lieutenant — even if Ferrara takes the idea of juxtaposing the profane with the sacred to the extreme here.

Genre: Crime, Drama

Actor: Bianca Hunter, Bo Dietl, Brian McElroy, Dana Dee, Darryl Strawberry, Ed Kovens, Eddie Daniels, Frank Adonis, Frankie Acciarito, Frankie Thorn, G. Elvis Phillips, Gene Canfield, Harvey Keitel, Heather Bracken, Iraida Polanco, Jaime Sánchez, John Steven Jones, Leonard L. Thomas, Minnie Gentry, Paul Calderon, Paul Hipp, Peggy Gormley, Penelope Allen, Phil Neilson, Stella Keitel, Stephen Chen, Victor Argo, Victoria Bastel, Vincent Laresca, Zoë Lund

Director: Abel Ferrara

Set in one of Morocco’s oldest medinas, Blue Caftan is a tender portrayal of pure love and the different forms it takes. It follows traditional tailor Halim (Saleh Bakri) and his wife Mina (Lubna Azabal) who, despite their imperfect marriage, prove their affection in small but moving ways. He peels tangerines for her and washes her hair, she preps his meals and defends his craft from demanding customers. When a third person, Youssef (Ayoub Missioui), enters the picture, even more manifestations of passion (and the lack and longing and excess of it) emerge. 

It’s a dramatic film, but never overly so. Like the silky fabric Halim handles with expert care, it’s rich but soft, detailed but delicate. In the face of poverty, sickness, and discrimination, the film mines moments of joy, friendship, and pleasure, subverting the expectation that tragic circumstances must mean tragic outcomes. 

Blue Caftan, even in its saddest moments—and there are plenty—is a film full of love, made even more memorable by the deft performances and palpable chemistry of its three leads.

Genre: Drama, Romance

Actor: Lubna Azabal, Saleh Bakri, Zakaria Atifi

Director: Maryam Touzani

As far as LGBTQIA+ stories go, 20,000 Species of Bees isn't the best at talking about its themes of identity and acceptance in a way that doesn't come off as clunky. But even with its on-the-nose dialogue and inconsequential subplots, director Estibaliz Urresola Solaguren gives everything the warmth and the softness it needs to feel sincere despite everything. And no matter what, the film is always drawn back to the lead performance by Sofía Otero, who provides such a vivid image of this young trans girl's interior life that the world around her character begins to feel either more suffocating or more beautiful to behold.

Genre: Drama

Actor: Ane Gabarain, Itziar Lazkano, Martxelo Rubio, Miguel Garcés, Patricia López Arnaiz, Sara Cózar, Sofía Otero

Director: Estibaliz Urresola Solaguren

There's a way to get tragedy right, in a way that keeps the drama engaging even as bad things continue to happen. The Damned Don't Cry gets its approach half-right, with the lead performances by Aïcha Tebbae and Abdellah El Hajjouji remaining sturdy all throughout, and never slipping into easy histrionics. But as the cycle of misfortune continues plaguing their characters, the filmmaking itself doesn't give us anything more to latch onto, with little progression in their arcs and a frustrating lack of insight into the very promising central relationship. There's no mistaking the film's good intentions, but the message arrives in an unfortunately clunky manner.

Genre: Drama

Actor: Abdellah El Hajjouji, Aïcha Tebbae, Antoine Reinartz

Director: Fyzal Boulifa