47 Movies Like Aftersun (2022) On Vudu (Page 3)

Staff & contributors

Chasing the feel of watching Aftersun ? Here are the movies we recommend you watch right after.

In Aftersun, Sophie recalls a holiday she took as an eleven-year-old in the ‘90s with her father. Video recordings help jog her memory, but she’s looking for more than just a blast from the past. Rather, she seems to be seeking answers to fill in the gaps between who she knew as her father and who he really was: an immensely nice but deeply troubled man.At first, Aftersun looks like a simple but beautiful story about father and daughter bonding over the course of a summer trip. But within minutes, it’s clear that there are layers to Aftersun, emotionally and editorially, that aren’t always explained but nonetheless enrich the movie with profound meaning. Stirring, complex, and surprisingly inventive, it’s not surprising that Aftersun is one of the most beloved films of the past year. 

Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise. 

The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.

Genre: Drama, Reality, Romance

Actor: Andrew Tiernan, Boran Jing, Dongyu Zhou, Jack Roth, Jing Boran, Liu Di, Qu Zhe Ming, Qu Zheming, Rene Liu, Shi Yufei, Sophie Colquhoun, Su Xiaoming, Tian Zhuangzhuang, Tim Bentinck, Zhang Zixian, Zheming Qu, Zhou Dongyu, Zhuangzhuang Tian

Director: Rene Liu

Rating: Not Rated

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.

Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.

Genre: Comedy, Drama

Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Nana Manu, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić

Director: Ruben Östlund

Rating: R

The Painter and the Thief opens with a great hook: an artist tracks down and confronts the man who stole her painting. In a surprising turn, the two become close and develop an intimacy that deepens when she begins to paint the troubled man.

Yet, director Benjamin Ree pushes past where other documentarians would have been content to stop, and instead begins to deconstruct the very narrative we’ve followed up till now. At its core, this is a film about the way we tell stories about ourselves and others, and how often people don’t fit into the neat categories we set out for them.

Genre: Documentary, Drama

Actor: Bjørn Inge Nordland, Karl-Bertil Nordland

Director: Benjamin Ree

, 2022

Leo and Remi are close. They play, eat, and sleep together, and in between those moments, they share every thought they have with each other, no matter how big or small. Theirs is a precious friendship, as pure and as intimate as can be, but all that changes when they begin middle school. Subject to heteronormative norms and preteen mockery, their friendship starts to crack as Leo and Remi’s different definitions of manhood emerge.

Subtle but evocative, quiet but deeply powerful, Close takes a closer look at boyhood and male friendships—how they’re lived, defined, and seen. Plenty of questions go unanswered in this film, but if you’re comfortable with simply empathizing with the characters rather than knowing every answer, then Close comes highly recommended.

Genre: Drama

Actor: Ahlaam Teghadouini, Cachou Kirsch, Eden Dambrine, Émilie Dequenne, Gustav De Waele, Hélène Theunissen, Igor van Dessel, Kevin Janssens, Léa Drucker, Léon Bataille, Marc Weiss, Serine Ayari

Director: Lukas Dhont

Rating: PG-13

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

Led by Rosy McEwen's commanding performance brimming with fear and self-loathing, Blue Jean pours all of the anguish and defiance felt by the LGBTQ+ community under Margaret Thatcher's administration into a single character. Writer-director Georgia Oakley keeps her plot light, but through conversations with other beautifully portrayed queer women (especially those played by Kerrie Hayes and Lucy Halliday), she piles on one conflicted emotion after another about what this lesbian woman's responsibility is toward herself and her community when they find themselves threatened. But even as the film takes a definite stance, it validates every response as authentic—borne out of a need to protect the people whom one loves.

Genre: Drama

Actor: Amy Booth-Steel, Aoife Kennan, Becky Lindsay, Deka Walmsley, Edmund Wiseman, Farrah Cave, Gavin Kitchen, Kate Soulsby, Kerrie Hayes, Lainey Shaw, Lucy Halliday, Lydia Page, Rosy McEwen, Scott Turnbull, Stacy Abalogun

Director: Georgia Oakley

A man returns to a town chasing the memory of a woman he loved years ago.

Poet turned filmmaker Bi Gan coats his idiosyncratic filmmaking with a thick layer of neo-noir in this sumptuous follow up to his remarkable debut Kaili Blues. This time around, Kaili City is a neon-drenched dreamscape dripping in style and calling to mind the work of Tarkovsky and Wong Kar-wai. 

He may wear his influences on his sleeve, but Bi Gan keeps his trademark moves like the bravado long takes and a poetic disregard for past and present, reality and dreams. This leads to an explosive and unforgettable sequence in the second half that while originally intended for 3D loses little of its mind-bending power when watched at home.

Genre: Drama, Mystery

Actor: Bi Gan, Bi Yanmin, Chen Yongzhong, Chloe Maayan, Duan Chun-hao, Feiyang Luo, Hong-Chi Lee, Huang Jue, Jue Huang, Lee Hong-chi, Ming Dao, Qi Xi, Sylvia Chang, Tang Wei, Tuan Chun-hao, Zeng Meihuizi, 张艾嘉

Director: Bi Gan

Rating: Not Rated

, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Drama

Actor: Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Mateusz Kościukiewicz, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

Great Freedom is not an easy watch. Apart from the quiet stretches of time and the claustrophobic confines of its prison setting, it also has its lead, Hans Hoffman (played with delicate force by Franz Rogowski) imprisoned again and again and again, unjustly treated like dirt by both his warden and fellow inmates.

But as a Jewish gay man who has lived through the war, Hans is no stranger to these trappings. As such, he takes each day as it comes, open to love, pleasure, and friendship, or at least the potential of these, despite the circumstances. And so Great Freedom is also hopeful and romantic, glimmering with the human tendency to not just survive but to live. Slow but compelling, subdued but powerful, Great Freedom is an affecting balancing act that's well worth watching. 

Genre: Crime, Drama, Romance, War

Actor: Andreas Patton, Anton von Lucke, Fabian Stumm, Franz Rogowski, Georg Friedrich, Thomas Prenn, Thomas Stecher

Director: Sebastian Meise

The emotional sterility of modern life comes under the microscope of this understated Korean drama in which a young woman who has built self-preserving walls around her lonely existence begins to wonder if the trade-off is worth it. Outside of the soul-sucking call center job at which Jina (Gong Seung-Yeon) excels, her interactions with others are purely parasocial: she streams mukbangs on her phone as she eats alone, wakes up to the blare of her always-on TV, and checks in on her aging father via the security camera she’s surreptitiously installed in his home. When she reluctantly agrees to train the chatty, warm newbie (Jeong Da-eun) at work, Jina is confronted with a direct challenge to her aloofness, but the provocation is easily ignored until a similarly withdrawn neighbor is discovered long after his death.

This triggers a quarter-life crisis for Jina that’s predictably resolved, but Aloners transcends the neatness of this arc thanks to its quietly persistent challenging of the instinct to contort oneself to fit an inhumane world. Hong Sung-eun’s thoughtful first-time direction and Gong’s nuanced performance as a young woman waking up to the creeping dehumanization of herself make Aloners a genuinely thought-provoking reflection on 21st-century life.

Genre: Drama

Actor: Ahn Jeong-bin, Geum Hae-na, Gong Seung-yeon, Jeong Da-eun, Ju Seok-tae, Kim Hae-na, Kwak Min-kyu, Park Jeong-hak, Seo Hyun-woo

Director: Hong Sung-eun

Even with its occasional technical hitches and structural rough edges (maybe because of how personal it is), Last Flight Home makes for a difficult but important look at the process of assisted death. The most important insight this documentary offers is how often and how certainly family patriarch Eli Timoner gives his consent to his family to help him die. It may be hard to fathom such a thing especially if one comes from a tightly-knit family or collectivist culture, but Last Flight Home emphasizes how this decision does come from a place of love, constant communication, and deep self-reflection.

Genre: Documentary

Director: Ondi Timoner

Romantically pairing up AI with humans is hardly new, and I'm Your Man is aware of that. Instead of spending way too much time explaining the advanced tech that makes the perfect mate possible, the movie zeroes in on its charismatic leads Tom the robot (Dan Stevens) and Alma the indifferent academic (Maren Eggert). Tom is the curious, humanoid automaton who is designed to worship Alma, and Alma is the disillusioned human who is conflicted with the authenticity of her growing feelings for Tom. I'm Your Man is smart and empathetic enough to stay afloat amidst its swirling genres and ethical dilemmas, but it is mostly the chemistry between Tom and Alma that anchors it to the love story that it actually is. 

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Annika Meier, Christoph Glaubacker, Dan Stevens, Falilou Seck, Hans Löw, Henriette Richter-Röhl, Inga Busch, Jürgen Tarrach, Karolin Oesterling, Maren Eggert, Mignon Remé, Monika Oschek, Sandra Hüller, Sebastian Schwarz, Victor Pape-Thies, Wolfgang Hübsch

Director: Maria Schrader

Rating: R

Although limited by the timeframe in which it was released—that is, before its characters really got to finish organizing themselves in response to the film's subject matter—Aftershock still provides a detailed primer on the ways the American healthcare system has been manipulated to take advantage of the underprivileged. The documentary can get technical but since it grounds its reporting on two tragic stories of preventable loss, there's more than enough reason to pay full attention. It definitely isn't meant to answer every question about pregnancy care, but it definitely compels deeper inquiry into the ways we've been socialized into perceiving romantic notions about childbirth.

Genre: Documentary

Director: Paula Eiselt, Tonya Lewis Lee

Even if it follows nearly every trick in the playbook, American Underdog positions itself on a big enough scale that makes it work like a charm anyway. Following the story of legendary undrafted NFL quarterback Kurt Warner (Zahcary Levi), the film elevates its familiar beats through stunning, wide-angle football sequences that make the sport feel as thrilling as ever, and a particularly solid performance from Anna Paquin, as Warner's long-suffering partner. But what ultimately becomes American Underdog's real secret weapon is the fact that this isn't a sports movie about skill, strategy, or success; Warner becomes an inspiring figure because of how long he had to persevere with his dream just barely out of reach.

Genre: Drama, Family

Actor: Aaron J. Brooks, Adam Baldwin, Anna Paquin, Beau Hart, Bruce McGill, Chance Kelly, Cindy Hogan, Collin Taylor, Dennis Quaid, Jason Allen Wear, SerDarius Blain, Steven Chester Prince, Trisha Zarate, Zachary Levi

Director: Andrew Erwin, Jon Erwin

While the film attempts to depict teenage sexuality, Dear David misses the mark due to certain plot points. At the heart of the film, Dear David is all about expression – that teenagers actively seek for ways to explore their sexuality like fanfiction, photos, and clothing. In taking on this premise, the hope for these kids would be to be able to to express these feelings through safe and constructive spaces. But because the film only presents Laras’ work as porn without plot, her relationship with David doesn’t feel like it stems from genuine affection. David isn’t characterized as popular enough for everyone to have a good concept of him, to have a positive canon narrative about him, and so, as Laras’ work spreads, it’s only his objectified self people have in mind. Her creative work comes across as some form of sexual harassment, rather than innocent expression.

Genre: Comedy, Drama, Romance

Actor: Agnes Naomi, Caitlin North Lewis, Chanceline Ebel, Claudy Putri, Emir Mahira, Frans Nicholas, Izabel Jahja, Jenny Zhang, Lutesha, Natalius Chendana, Palestina Irtiza, Restu Sinaga, Ricky Saldan, Shenina Cinnamon

Director: Lucky Kuswandi