101 Movies Like A Clockwork Orange (1971) (Page 7)

City Island is a lighthearted comedy/drama about the Rizzo family, residents of the titular fishing community in The Bronx, New York. Andy Garcia plays the patriarch of the family who works as a corrections officer, and who decides one day to bring home a young ex-con named Tony under somewhat mysterious circumstances. Tony soon becomes entwined in the dysfunctional household as he develops varying relationships with each family member, even as each of them lives their own secret life apart from the rest. This secrecy drives much of the plot, as their personal mysteries play out in an unexpected and often amusing ways. It’s a lively slice-of-life full of boisterous characters, comedic misunderstandings and ultimately a warm embrace of family unity.

Genre: Comedy, Drama

Actor: Alan Arkin, Andy Garcia, Bettina Bresnan, Carrie Baker Reynolds, Chad Hessler, Chazz Menendez, Curtiss Cook, Damian Achilles, Daniel Maldonado, Dominik Garcia, Dominik Garcia-Lorido, Emily Mortimer, Ezra Miller, Hallie Cooper-Novack, Hope Glendon-Ross, Ivy Jones, Jee Young Han, Julianna Margulies, Louis Mustillo, Louise Stratten, Lynn Collins, Marianne Ebert, Marshall Efron, Matthew Arkin, Mike Burke, Paul Diomede, Paul Marini, Paul Romero, Rick Aiello, Sarah Saltzberg, Sharon Angela, Steven Strait, Vernon Campbell, Yevgeniy Dekhtyar

Director: Raymond De Felitta

Rating: PG-13

With an ensemble cast featuring a young Natalie Portman and a less murderous Uma Thurman, Ted Demme's "Beautiful Girls" recreates the worries and woes that thrive in the minds of a tight knit group of working class friends stuck in their own small town Massachusetts world. Warm, quirky and filled with champagne diamonds, both metaphorical and tangible, for anybody who's ever walked the thirty something walk, it's a film that'll make you want to remember all the friends you wish you still had and actually still do.

Genre: Comedy, Drama, Romance

Actor: Adam LeFevre, Annabeth Gish, Anne Bobby, David Arquette, Frank Anello, John Carroll Lynch, John Scurti, Lauren Holly, Martha Plimpton, Matt Dillon, Max Perlich, Michael Rapaport, Mira Sorvino, Natalie Portman, Noah Emmerich, Oliver Osterberg, Pruitt Taylor Vince, Rachel Oliva, Richard Bright, Rosie O'Donnell, Sam Robards, Timothy Hutton, Tom Gibis, Tomas Settell, Uma Thurman

Director: Ted Demme

Rating: R

As a documentary, The Darkness Within doesn't dig as deep as it probably could have. It doesn't offer a particularly specific account of how La Luz del Mundo has achieved its popularity and what exactly keeps it in power today. However, due to the fact that many church members seem to remain loyal to its corrupt, criminal leaders, a straightforward testimony is also exactly what this film needs to be. In direct, uncompromising detail—but always edited with a solemn respect for the survivors, who get to make their statements without the camera in their face—it lays out the mountain of damning personal experiences that too many La Luz del Mundo have suffered, as the rest of the church has turned a blind eye towards them.

Genre: Crime, Documentary

Director: Carlos Pérez Osorio

Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

Genre: Drama, Romance

Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz

Director: Jaime P. Habac Jr.

Air Mata di Ujung Sajadah tugs at the heartstrings because it recognizes the pain of losing one’s child, whether that be to elopement, death, or to their biological parent. This, with a stirring score, and the tears of Titi Kamal and Citra Kirana, makes Aqilla and Yumna easy to root for, as they try to settle who would best be Baskara’s mother. It’s not an easy decision, and the film thankfully refrains from turning either woman to be an antagonist. However, all the sorrow, pain, and suffering hinges on Halimah’s decision, that, in the first place, shouldn’t have been possible. As the film plays out into its inevitable conclusion, the journey there is heartwarming, maybe even tearjerking, but it doesn’t feel as satisfying as it could have been if Halimah dealt with the consequences of her actions.

Genre: Drama

Actor: Citra Kirana, Dendy Subangil, Fanny Fadillah, Fedi Nuril, Jenny Rachman, Krisjiana Baharudin, Mbok Tun, Muhammad Faqih Alaydrus, Titi Kamal, Tutie Kirana

Director: Key Mangunsong

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

Sweet Dreams is supposedly a film about Patsy Cline, one of the most influential country and pop vocalists of the 1960s. To the film’s credit, Jessica Lange does a great job emulating the singer, though the vocal performances come straight from the source recordings, and Ed Harris, portraying the husband Charlie Dick, shares a believable chemistry with Lange. But sadly, Sweet Dreams is much more interested in her marriage than in her artistry, more interested in the accidents she’s gone through than in the way she recovered after the crash. Rather than focus on an inspiring life story that practically writes itself– a young woman who, despite what life has given, managed to teach herself music and become one of the greatest singers of all time– Sweet Dreams is not so sweet at all.

Genre: Drama, Music, Romance

Actor: Ann Wedgeworth, Bruce Kirby, Carlton Cuse, David Clennon, Ed Harris, Gary Basaraba, James Staley, Jessica Lange, John Goodman, John Walter Davis, Kenneth White, P.J. Soles, Robert Rothwell, Tony Frank

Director: Karel Reisz

Rating: PG-13

Jack Whitehall definitely has funny observations to make about life around him, and he clearly has a writer's ear for detail-oriented jokes. But he hardly allows his jokes to breathe during this special, constantly over-explaining the point or killing the momentum of a really smart, clever punchline with so many more unnecessary lines after the fact. This is really just Whitehall's style at this point, and those who already find his dorkiness endearing (which it really can be) should enjoy most of this. But for this writer, his jokes are just far too obvious and feel far too "performed." It feels like he's speaking at an audience, rather than for them.

Genre: Comedy

Actor: Jack Whitehall

Director: Chris Howe

Rating: R