3 Movies Like 24 Hour Party People (2002)

Staff & contributors

Chasing the feel of watching 24 Hour Party People ? Here are the movies we recommend you watch right after.

Here’s a biopic that focuses on capturing the feel of the era it depicts, rather than all the facts — and is all the better for it. 24 Hour Party People takes the same punk approach to storytelling as its subjects did to music, playfully throwing off the dull constraints that often make based-on-a-true-story movies feel like uninspired celluloid translations of a Wikipedia page. In the film’s opening scene, Steve Coogan’s Tony Wilson breaks the fourth wall to address us directly and semi-spoil the movie’s ending. But it doesn’t matter, because the ride is so fun: we’re taken on an immersive trip through the heyday of the Manchester music scene: the births of Joy Division, New Order, the Happy Mondays, and Wilson’s Factory Records label and legendary Hacienda nightclub, an incubator for acid house and rave culture. The era’s hedonism is brought to life by the movie’s frenetic editing, documentary-style cinematography, and strobe-heavy visuals. For all its onscreen anarchy, though, the movie remarkably never feels loose or self-indulgent. Its irreverence is grounded by the ironic filter of the meta filmmaking, which frequently breaks the fourth wall to draw attention to its own conceits. A refreshing rejection of biopic tropes, but also a thrilling transportation into and evocation of the Madchester era.

I’m Not There is an unusual biopic in that it never refers to its subject, Bob Dylan, by name. Instead, Todd Haynes’ portrait of the singer mimics his constant reinvention by casting six separate actors to play as many reincarnations of the same soul. It’s an ingenious spin on a usually stale genre, one that liberates the film from the humdrum restrictions of a literal retelling of Dylan's life.

If there’s anyone who warrants such an inventive approach to biography, it’s Dylan, whose public and private personas are so numerous that it’s only by angling six different mirrors at him that Haynes can hope to catch some of his essence. Impressionistic editing toggles freely between these vignettes, each visually distinct: from the 11-year-old Woody Guthrie-obsessive (Marcus Carl Franklin) and the black-and-white Super 16mm-shot poet (Ben Whishaw) to the aging cowboy outlaw (Richard Gere), all by way of Christian Bale, Heath Ledger, and Cate Blanchett’s incarnations. To be sure, this is a somewhat challenging film, reflecting, in places, the enigmatic surrealism of Dylan’s lyrics and his refusal to be pinned down to one thing. But, as Blanchett’s embodiment says, “Mystery is a traditional fact,” and that’s no more true than of Dylan, making Haynes’ film a fascinatingly fitting spiritual biopic.

Genre: Drama, Music

Actor: Al Vandecruys, Alison Folland, Andrew Shaver, Andrew Simms, Angela Galuppo, Arthur Holden, Ben Whishaw, Benz Antoine, Bill Croft, Bob Dylan, Brett Watson, Bruce Greenwood, Cate Blanchett, Catherine Colvey, Charlotte Gainsbourg, Christian Bale, Clarice Byrne, Craig Thomas, Daniel Richard Giverin, Danny Blanco Hall, David Cross, David Gow, Dennis St John, Dominic James, Don Francks, Emmanuel Schwartz, Eric Newsome, Eugene Brotto, Fanny La Croix, Garth Gilker, Gordon Masten, Graham Cuthbertson, Greg Kramer, Heath Ledger, Hélèna Laliberté, Holly Uloth, Ivan Freud, Jane Gilchrist, Jane Wheeler, Jason Cavalier, Jean-Loup Yale, Jennifer Rae Westley, Jesse Todd, Jessica Kardos, Jim James, Jodie Resther, Joe Cobden, Joey Burns, John Koensgen, Julianne Moore, Kathleen Fee, Kathryn Kostlivy, Kim Gordon, Kim Roberts, Kris Kristofferson, Kristen Hager, Kyle Gatehouse, Kyle Switzer, Larry Day, Leif Anderson, Leigh Ann Taylor, Lina Roessler, Lisa Bronwyn Moore, Lorne Brass, Maggie Castle, Marcus Carl Franklin, Marie-Julie Rivest, Mark Camacho, Matt Holland, Matthew Boylan, Matthew Harbour, Max Walker, Melantha Blackthorne, Michelle Williams, Nathalie Girard, Noel Burton, Patrick Costello, Paul Cagelet, Paul Johnston, Paul Spence, Pauline Little, Peter Friedman, Phyllis Gooden, Pier Paquette, Pierre Leblanc, Pierre-Alexandre Fortin, Richard Gere, Richard Jutras, Richard Robitaille, Richie Havens, Rob Burns, Roc LaFortune, Sharlene Royer, Shaun Balbar, Shawn Baichoo, Steve Godin, Susan Glover, Terry Haig, Thiéry Dubé, Tim Post, Trevor Hayes, Tyrone Benskin, Vito DeFilippo, Wyatt Bowen, Yolonda Ross

Director: Todd Haynes

Rating: R

A hilarious comedy about politics in the UK and US. The secretary of State for Internal Development Simon Foster accidentally backs the plans for a war in the Middle East and suddenly finds he has a lot of friends in Washington. What follows is a difficult to follow maneuvering of pro- and antiwar factions in both governments. The harder it gets to follow what's going on in the movie the more it resembles our present day politics and the funnier it becomes.

Genre: Comedy

Actor: Alex MacQueen, Anna Chlumsky, Chipo Chung, Chris Addison, David Rasche, Del Pentecost, Enzo Cilenti, Eve Matheson, Gina McKee, Harry Hadden-Paton, James Doherty, James Gandolfini, James Smith, Janelle Schmidt, Joanna Brookes, Joanna Scanlan, Johnny Pemberton, Lucinda Raikes, Mimi Kennedy, Natasha Sattler, Olivia Poulet, Paul Higgins, Peter Capaldi, Rita May, Samantha Harrington, Steve Coogan, Tom Hollander, Will Smith, Zach Woods

Director: Armando Iannucci

Rating: Not Rated

Joy Division, formerly known as Warsaw, was a brilliant rock group that served its time and something that has lived through decades with the help of their songs, love for fans, and legendary performances – unfortunately for his band-mates and singer Ian Curtis, this picture-perfect scenery was cut short. Control is an exploration of his personal and professional musings, adding to the woes of his romantic troubles and inner desire to somehow break free from his deteriorating health. Thoroughly processed in black and white, this enthralling biopic starring the brooding, and then-relatively unknown Sam Riley is all parts gut-wrenching and borderline extraordinary.

Genre: Drama

Actor: Alexandra Maria Lara, Andrew Sheridan, Ben Naylor, Craig Parkinson, George Newton, Harry Treadaway, Herbert Gronemeyer, James Anthony Pearson, Joanna Swain, Joe Anderson, John Cooper Clarke, Margaret Jackman, Mary Jo Randle, Matthew McNulty, Monica Axelsson, Nicola Harrison, Paul Arlington, Richard Bremmer, Robert Shelly, Sam Riley, Samantha Morton, Tanya Myers, Tim Plester, Toby Kebbell

Director: Anton Corbijn

Rating: R