213 Movies Like 1917 (2019) (Page 8)

This Mexican movie set between Queens, New York, and Monterrey, Mexico is a stunning and profound work of art.

Ulises is the leader of a street dancing group that loves Cumbia, an Afro-Colombian style of music. Dancing is an alternative to being sucked in into gang life, which Ulises and his bandmates have ties to.

Ulises is good, and his town starts noticing. But just when his community is flourishing and his dancing is becoming famous, a wrong-time/wrong-place situation has a gang force him to leave everything behind and immigrate to the U.S. He suddenly finds himself lonely and living a life of undocumented existence.

But that is not the progression of I’m no Longer Here, which intertwines scenes of Ulises thriving in Monterrey and alone in New York. The difference is stark and depressing, but the camerawork and great performances are a constant source of cinematic brilliance.

Genre: Drama

Actor: Fanny Tovar, Jonathan Espinoza, Juan Daniel Garcia Treviño, Luis Leonardo Zapata, Xueming Angelina Chen

Director: Fernando Frias, Luis Fernando Frías de la Parra

At first, The Tracker seemed to be a straightforward Australian Western with three white men tracking down a murderer, with the help of an Aboriginal man more familiar with the Outback. But The Tracker takes unexpected paths. First, no one is given an actual name– they’re referred to in the credits by titles (e.g. The Fanatic, The Follower, The Veteran, and of course, The Tracker). Second, the soundtrack seems to act as somewhat of a Greek chorus, with Archie Roach crooning the beliefs each player seems to hold. And third, the violence becomes more gripping because of the way it’s presented– intercuts to Peter Coad’s paintings depicting the violence inflicted upon Aboriginal people in just a frame. These choices craft an entirely unique approach. Rolf de Heer’s approach takes a familiar Western plot but doesn’t adhere to the genre’s conventions and it’s totally fitting for a film actively examining a part of Australian history that most of the country wouldn’t want to talk about. And of course, it’s all tied together by The Tracker himself, by David Gulpilil’s powerful performance.

Genre: Drama, History

Actor: Damon Gameau, David Gulpilil, Gary Sweet, Grant Page, Noel Wilton

Director: Rolf de Heer

A young lawyer has to defend a murderer after passing the bar only three months prior in this satisfying German drama. To make matters worse, the victim happens to be his mentor, a wealthy and seemingly kind-hearted business man. As for the perpetrator, he refuses to say a single word. Caspar, the lawyer, is from a German-Turkish background, which is a hint to where the complexity of this legal drama lies: in Germany's history and racial legacy. The Collini Case is satisfying to a fault, but if you’re looking for substance-filled entertainment, this is some of the best you’ll get.

Genre: Crime, Drama, Thriller

Actor: Alexandra Maria Lara, Anne Haug, Axel Moustache, Bettina Lohmeyer, Catrin Striebeck, Cem Sultan Ungan, Elyas M'Barek, Esther Maria Pietsch, Falk Rockstroh, Felix Everding, Franco Nero, Frederik Götz, Hannes Wegener, Heiner Lauterbach, Ilknur Boyraz, Jannis Niewöhner, Levi Kirchhoff, Ludwig Simon, Lutz Blochberger, Manfred Zapatka, Margarethe Tiesel, Max Wagner, Omid Memar, Peter Prager, Pia Stutzenstein, Rainer Bock, Sabine Timoteo, Sandro Di Stefano, Sina Reiß, Stefano Cassetti, Stephan Schad, Tara Fischer, Thomas Limpinsel, Thomas Stecher, Tom Jahn

Director: Marco Kreuzpaintner

Rating: Not Rated

Before her triumphant Oscar win for her role in Minari, Youn Yuh-jung starred in The Bacchus Lady as So-young, an aging sex worker strugglin to make ends meet. Youn brings a certain dignity to the role that’s rarely seen in typical depictions of sex work around the world. Her work isn't framed as something disgusting or immoral, but as something that's natural and normal. Writer-director E J-yong clearly sides with and respects the people that you don't normally see in K-dramas—characters that have been pushed aside in favor of the stereotypical “ideal” Korean. While meandering at times, the film's warm and bittersweet approach to these characters acts as a reprimand to Korean society on how they fail those at the margins.

Genre: Drama

Actor: Chon Moo-song, Hyun-jun Choi, Jeon Moo-song, Jo Sang-gun, Joo In-young, Jung Jae-woong, Kim Han-na, Kim Hye-yoon, Moon-Song Chon, Park Gyu-chae, Seo Hyun-woo, Ye Soo-jung, Ye Su-jeong, Yeo-jeong Yoon, Yoon Kye-sang, Youn Yuh-jung

Director: E J-yong, Je-yong Lee, Lee Je-Yong

Rating: N/A, Not Rated

Upon the first few minutes of Institute Benjamenta, or This Dream People Call Human Life, it’s obvious that the Brothers Quay’s first live-action film is highly unusual. First, it’s entirely black and white, with embellished, serif subtitles translating the initial German. Second, many of the film’s shots take the form of moody, gothic close-ups, reminiscent of 1920s silent films, like when Johannes examines his new pupil’s health, or when Lisa directs Jakob with an animal’s hoof next to his cheek. And third, the plot itself is strange, as the students are taught not to think anything of themselves, with only Jakob questioning their instruction. But there’s a certain beauty in the surreal approach the Brothers Quay takes in adapting the Swiss-German novel, a certain intuitive feel that allows the story to expand past its stilted movement, restrained frames, and the school’s oppressive tutelage. Institute Benjamenta is bizarre, but it’s undeniably a fascinating film, even at its most disturbing.

Genre: Drama

Actor: Alice Krige, César Saratxu, Daniel Smith, Gottfried John, Jonathan Stone, Joseph Alessi, Mark Rylance, Peter Lovstrom, Uri Roodner

Director: Stephen Quay, Timothy Quay

Nat Geo is still the champion of pristine nature documentaries: the skies, the seas, the snow, and the coloring everywhere is divine. But the serene seaside in Scotland, combined with the reflective, poetic musings about love from Billy and Susan isn’t just cutesy light viewing. I’m confident it can heal an exhausted person. This documentary is a mesmerizing meditation on love and connection, on the things that unite people and other creatures. It might feel like a chunky 77 minutes, especially in the latter half given the pace it goes by, but it’s a warm experience that you instantly know you’ll want to revisit.

Genre: Documentary

Actor: Billy Mail, Susan Mail

Director: Charlie Hamilton James

Rating: G

Hugh Jackman, Allison Janney, and Ray Romano star in this true story of a big academic corruption case. Hugh Jackman is (of course) excellent as a successful and dedicated superintendent with a complicated personal life. However, when a curious student with the school journal starts digging around in a project he promotes, she uncovers what will become the largest public school embezzlement in the history of the U.S. 

The performances stretch the story to its full potential, as this movie would be nothing without its incredible cast. It should be watched for the acting. Eventually, it suffers from a problem common to all movies based on newspaper articles: the story can be told in a single article.

Genre: Crime, Drama, History, TV Movie

Actor: Adriana Callori, Alex Wolff, Allison Janney, Annaleigh Ashford, Brent Langdon, Brian Sgambati, Catherine Curtin, Darlene Violette, Dina Pearlman, Doris McCarthy, Finnerty Steeves, Geraldine Viswanathan, Gino Cafarelli, Giuseppe Ardizzone, Halle Curley, Hari Dhillon, Hugh Jackman, Jane Ackermann, Jeremy Shamos, Jimmy Tatro, John Scurti, Jorge Chapa, Justin Swain, Kathrine Narducci, Kayli Carter, Larry Romano, Natasha Goss, Pat Healy, Peter Appel, Rafael Casal, Ray Abruzzo, Ray Romano, Rene Ojeda, Robert 'Toshi' Kar Yuen Chan, Stephanie Kurtzuba, Stephen Spinella, Steve Routman, Tia DeShazor, Victor Verhaeghe, Welker White, Will Meyers

Director: Cory Finley

Rating: TV-MA

The Platform is the closest thing to Parasite released so far. This interesting Spanish movie is about 90% a science-fiction drama and 10% a horror movie. It’s an allegory set in a future where prisoners live in vertical cells, and each cell has to wait for the cell above it to eat to get food. Depending on the floor where prisoners wake up, they might not get any food at all. This creates for disturbing situations that are hard to see as not representative of our modern societies.

Genre: Drama, Horror, Science Fiction, Thriller

Actor: Alexandra Masangkay, Algis Arlauskas, Antonia San Juan, Chema Trujillo, Emilio Buale, Eric Goode, Gorka Zufiaurre, Iván Massagué, Ivan Massagué, Mario Pardo, Miren Gaztañaga, Miriam Martín, Óscar Oliver, Txubio Fernández de Jáuregui, Zihara Llana, Zorion Eguileor

Director: Galder Gaztelu-Urrutia

Rating: TV-MA