4 Movies Like 13 Exorcisms (2022)

Staff & contributors

Just like with his mentor and contemporary, Fred Rogers, there are no dark secrets to Ernest Coombs' earnest belief in giving children the space to be gentle and creative. Even with relatively little "drama" throughout the life of the man called Mr. Dressup, it's still profoundly moving to see him put in the work to make the world a kinder place. Director Robert McCallum keeps this documentary exactly as straightforward as it needs to be, moving through Coombs's life with total reverence but plenty of modesty—making sure not to inflate the idea of Mr. Dressup into something Coombs himself would have disagreed with.

In its act of honoring this person with an everyman personality and a trunk full of quaint costumes, the film also serves as a tribute to low budget educational television. Working within a very small studio, with simple puppets and no strict script to follow, Coombs and his friends found any way possible to stick to their original idea of teaching very young kids that being kind and communicating one's feelings clearly were the best things one could achieve. Behind Mr. Dressup's softness is a remarkable work ethic, a deep respect for children, and a commitment to thoughtful, universal values.

Genre: Documentary, Family

Actor: Andrew Phung, Bif Naked, Bruce McCulloch, Catherine Tait, Ed Robertson, Eric McCormack, Ernie Coombs, Fred Penner, Fred Rogers, Graham Greene, Jim Creeggan, Jim Parker, Jonathan Torrens, Judith Lawrence, Kevin Hearn, Lynn Coombs, Michael J. Fox, Paul Sun-Hyung Lee, Peter Mansbridge, Scott Thompson, Terry McManus, Trina McQueen, Tyler Stewart, Yannick Bisson

Director: Robert McCallum

, 2022

Irish director Lorcan Finnegan's follow-up to the social dystopia Vivarium, too, centers around the trials and tribulations of a nuclear family. Overwhelmed by work and struck by an inexplicable disease, Christine (played by Eva Green) seems to have forgotten she employed a caretaker for her daughter Bobs. The plot thickens when a Filipino woman named Diana rings the door bell: what kind of mother forgets something like that? What follows is as nightmarish as it sounds, the film's visual potency summoning one's deepest fears and anxieties about reality slipping away. Green and Chai Fonacier (Diana) play an exquisite game of cat and mouse, but even the psychological thrill of that chase is not significant enough to overthrow the dubious racial politics at play. By the end, Nocebo makes an effort to position itself on the right side of history, but the power of its political critique wanes and wanes.

Genre: Horror, Mystery, Thriller

Actor: Anthony Falcon, Billie Gadsdon, Cathy Belton, Chai Fonacier, Eva Green, Mark Strong

Director: Lorcan Finnegan

Following the success of the Zom 100 manga and anime, Netflix quickly followed suit with a live-action film, which begs the question: why? Why bother, when the freshly released series is barely a month old and already a vibrant interpretation of the comic book it was based from? Why bother, when you’re not going to bring anything new to the table? The film, more than anything, feels like a rushed cash grab that hopes to capitalize on its predecessors’ success. The premise is clever and relatable—after years of living like a zombie, a jaded employee regains a lust for life when an outbreak threatens to kill him—but the film milks it to death, so much so that by the ending, when the characters finally reach this conclusion, they can’t help but seem slow for spelling out what we’ve already known from the start. The film also looks drab and dreary, a far cry from the series’ experimental wonders. Instead of multi-colored blood bursting with every kill, we simply get metallic confetti in the movie. Instead of dynamic action, we get barely believable stunts that seem more awkward than awe-inspiring. Zom 100: Bucket List of the Dead isn’t bad per se, but it doesn’t look so good next to its much-better counterparts on TV and in print. 

Genre: Action, Comedy, Drama, Horror

Actor: Akari Hayami, Daiki Miyagi, Doronzu Ishimoto, Eiji Akaso, Jin Hisa, Kazuki Kitamura, Kenta Satoi, Kurumi Nakata, Mai Shiraishi, Mayo Kawasaki, Miwako Kakei, Mukau Nakamura, Reira Arai, Seijun Nobukawa, Shota Taniguchi, Shuntaro Yanagi, Yo Takahashi, Yui Ichikawa

Director: Yusuke Ishida

Rating: R, TV-MA

, 2023

Sayen is the kind of film that ultimately feels like it was written by a focus group: ample representation for a worthy cause funneled into the sort of escapism that should theoretically hit the widest demographic possible. But even with its solid production values and a determined performance by Rallen Montenegro, the film lacks the emotional bite that a less corporate-driven project likely would've had. It's not that Sayen comes off insincere about the plight of Indigenous peoples in Chile; it's that its desire to appear sincere stops most of its good ideas halfway. The action isn't particularly thrilling, the story doesn't develop so much as it stretches itself thin, and its supposed representation begins and ends with some terribly obvious—borderline tokenistic—scenes and character types.

Genre: Action, Adventure, Thriller

Actor: Alejandro Trejo, Álvaro Espinoza, Aron Piper, David Gaete, Eduardo Paxeco, Enrique Arce, Loreto Aravena, Rallén Montenegro, Ramón González, Roberto García Ruiz, Serge Santana, Teresa Ramos

Director: Alexander Witt