550 Best Well-acted Movies to Watch (Page 7)

Don’t be fooled by its obvious parallels to Ghost (not a bad film, but a very different one): Truly, Madly, Deeply isn’t much concerned with the supernatural logistics of its back-from-the-dead-boyfriend premise, and it doesn’t feature any psychics or murders, either. In fact, there’s an argument to be made that everything that takes place here happens in its protagonist's imagination — that’s how much it ignores the ‘how’ of it all.

Instead, this deeply warm rom-com from the great Anthony Minghella grapples head-on with the emotional challenges of grief and moving on. Juliet Stevenson’s performance as the bereft Nina is up there as one of the most moving portrayals of loss the screen has seen, and not just because of how believable her intense cry-acting is. When she realizes her deceased boyfriend Jamie (Alan Rickman, as seductive and sardonic as always) has returned to the land of the living, her euphoria brings to aching life the dream that everyone who’s ever lost a loved one must surely have dreamt: how joyous it would be to see them again. Blending such raw observations with wry humor — and anchored by two leads with genuine chemistry — this is a profoundly moving and rewarding movie.

Genre: Comedy, Drama, Fantasy, Romance, TV Movie

Actor: Alan Rickman, Arturo Venegas, Bill Paterson, Christopher Rozycki, David Ryall, Deborah Findlay, Eddie Vincent, Frank Baker, Heather Williams, Jenny Howe, Juliet Stevenson, Keith Bartlett, Mark Long, Michael Maloney, Nitin Ganatra, Richard Syms, Stella Maris, Teddy Kempner, Terry Molloy, Tony Bluto, Vania Vilers

Director: Anthony Minghella

In Things to Come, life tests a philosophy professor on the very same subject she teaches. For Nathalie (Isabelle Huppert) — who has two grown-up children, a husband of 25 years, and a recurring publishing contract — the future isn’t something she gives much thought, because she assumes it’ll be more of the same. When her students protest against a law to raise the pension age, this middle-aged ex-anarchist can’t bring herself to engage with their apparently far-sighted cause; unlike them, all she can think about is the present. But then a series of events overturn her life as she knew it and she finds herself, at middle age, staring at a blank slate.

This is a movie about our surprising ability to deal with disaster — the instincts that emerge when we least expect them to. What’s more, it’s about the insistence of life to keep going no matter how difficult a period you’re experiencing — something that might initially seem cruel but that is, actually, your salvation. The film’s academic characters and philosophical preoccupations never feel esoteric, because Hansen-Løve’s gentle, intelligent filmmaking puts people at its center as it explores human resilience — not through stuffy theory, but an intimate study of someone coming to terms with a freedom she never asked for.

Genre: Drama

Actor: André Marcon, Charline Bourgeois-Tacquet, Edith Scob, Edward Chapman, Elie Wajeman, Élise Lhomeau, Grégoire Montana-Haroche, Guy-Patrick Sainderichin, Isabelle Huppert, Jean-Charles Clichet, Julianne Binard, Lina Benzerti, Lionel Dray, Margaretta Scott, Olivier Goinard, Rachel Arditi, Ralph Richardson, Raymond Massey, Roman Kolinka, Sarah Le Picard, Solal Forte, Yves Heck

Director: Mia Hansen-Løve, Mia Hansen-Løve, William Cameron Menzies

Rating: Not Rated, PG-13

The Secret of the Grain is a saga of the immigrant experience and a packed 151 minutes of diverse storylines and themes that could have each been a film on their own. 

Slimane Beiji is a Tunisian immigrant in the French port city of Sète. His large family consists of two units: his ex-wife Souad, with whom he has many children, and his current partner Latifa who own a run-down hotel where Slimani lives. Slimani gets fired from his shipyard job and is pushed by the children from his first marriage to return to Tunisia, where he can lead a quiet life. But Rym, his current partner’s daughter, convinces him that he can still be happy in France if he pursues his dream: to open a restaurant on a boat he owns that would serve his ex-wife’s unique couscous with fish recipe. Slimani chooses to rekindle his immigrant dream.

It's a beautiful and rich slice-of-life film about immigrant life in Southern France. Slimani's charachter is based on the filmmaker's father. 

Genre: Drama

Actor: Alice Houri, Benaïssa Ahaouari, Bouraouïa Marzouk, Bruno Lochet, Carole Franck, Hafsia Herzi, Hatika Karaoui, Henri Cohen, Mélèze Bouzid, Olivier Loustau, Sabrina Ouazani, Sami Zitouni

Director: Abdellatif Kechiche

The Kid With A Bike is a deceptively simple title for a film this stirring. At 12 years old, Cyril (Thomas Doret) has been abandoned to social care by his father (Jérémie Renier) — but what’s really heart-wrenching is that he’s in denial about the finality of their separation. Cyril’s muscles are seemingly always coiled, ready to spring him away from his carers and onto the next bus that’ll take him to his disinterested dad, who has secretly moved away to “start anew.” It’s only through the random force of Cyril’s few words — like the moment he asks the first stranger to show him some kindness (Samantha, played by Cécile de France) if she’ll foster him on the weekends — that we get to sense the depth of his desperation, because neither the film nor Doret is showy in that regard.

The film pulls off transcendency because of these restrained performances and its unfussy realism. In the quietness of the storytelling, emotion hits unexpectedly — and deeply. The everyday tragedy and miraculous hope of Cyril’s life are set off by some enormously moving orchestral Beethoven, the very grandeur of which underscores the effect of the humanist filmmaking: affirming the inherent preciousness of his troubled, oft-rejected child.

Genre: Drama

Actor: Baptiste Sornin, Cécile de France, Fabrizio Rongione, Jérémie Renier, Myriem Akheddiou, Olivier Gourmet, Samuel De Rijk, Thomas Doret

Director: Jean-Pierre Dardenne, Luc Dardenne

Stand By Me follows four young friends as they journey around their small town searching for a rumored dead body. On the surface, it moves like an adventure story. The boys narrowly avoid guard dogs and leeches, speeding trains and tough teen gangs. But along the way, they also learn much about each other, in particular about the stark reality of their home lives and the growing depths of their inner struggles, so that beneath all the small-time thrill is a beating coming-of-age story. 

Based on a novella by horror master Stephen King, Stand By Me is terrifying in its ability to evoke the unique thorniness of passing through the gates of adulthood, but also warm and comforting in its reminder of the universality of this feeling.

Genre: Adventure, Crime, Drama

Actor: Bradley Gregg, Bruce Kirby, Casey Siemaszko, Chance Quinn, Corey Feldman, Dick Durock, Frances Lee McCain, Gary Riley, Jason Naylor, Jason Oliver, Jerry O'Connell, Jerry O'Connell, John Cusack, Kent W. Luttrell, Kiefer Sutherland, Korey Scott Pollard, Madeleine Swift, Marshall Bell, Matt Williams, O.B. Babbs, Richard Dreyfuss, River Phoenix, Scott Beach, Wil Wheaton, William Bronder

Director: Rob Reiner

Rating: R

Kathryn Bigelow has a knack for action-packed scenes without compromising on the affective qualities of film style. It is precisely this combination that makes her a rare gem in American cinema, where the values of entertainment soar high. Point Break is one such example of controlled chaos, impeccable framing, and a convincing use of fast-paced editing to really get you as close to the action as possible. But what gives the film its flavour is how developed and synced the characters are and the Reeves-Swayze duo here belongs in the pantheon of equally hot frenemies, providing an apt, but subtle comment on the dangers of toxic masculinity. 

Genre: Action, Crime, Thriller

Actor: Anthony Kiedis, Anthony Mangano, Betsy Lynn George, Bojesse Christopher, Chris Pedersen, Christopher Pettiet, Daniel Beer, Dave Olson, Debra Lamb, Galyn Görg, Gary Busey, Gary Roberts, Gloria Mann, Jack Kehler, James Le Gros, Jared Chandler, Jeff Imada, John Apicella, John C. McGinley, John Philbin, Julian Reyes, Julie Michaels, Keanu Reeves, Lee Tergesen, Lori Petty, Michael Kopelow, Mike Genovese, Patrick Swayze, Peter Phelps, Ping Wu, Randy Walker, Raymond Forchion, Richard Grove, Sydney Walsh, Tom Sizemore, Vincent Klyn

Director: Kathryn Bigelow

Rating: R

We love to see Colin Farrell playing an unlikeable guy, it feels like there is balance in the universe. Stu is quite annoying and often offensive, and he's been having an extra-marital affair, which he then gets punished for. Phone Booth carries over this remnant of 2000s morale with a sadistic twist, but that's not what defines it. Instead, the film is a rollicking ride that appeals to both cinephiles and entertainment-seeking viewers alike, a box-office hit that would be just as thrilling and triumphant if it was released today, with the added nostalgia value of the phone booth as a thing of the past. Could it be that in 2002, Schumacher pre-empted our fears regarding internet privacy and cancel culture?

Genre: Crime, Thriller

Actor: Arian Ash, Ben Foster, Billy 'Sly' Williams, Colin Farrell, Colin Patrick Lynch, Dean Cochran, Dean Tarrolly, Dell Yount, Django Craig, Domenick Lombardozzi, Forest Whitaker, Greg Finley, James MacDonald, Jared Leto, Jason Pace, John Enos III, John Vargas, Josh Pais, Juan Pope, Julio Oscar Mechoso, Karara Muhoro, Katie Holmes, Keith Nobbs, Kiefer Sutherland, Kimberly Bailey, Lanei Chapman, Maile Flanagan, Mary Randle, Nicole Prescott, Paula Jai Parker, Radha Mitchell, Ramón Franco, Richard T. Jones, Ruth Zalduondo, Seth William Meier, Shu Lan Tuan, Steve Alterman, Svetlana Efremova, Tanya Vidal, Tia Texada, Tom Reynolds, Tory Kittles, Tracy Metro, Troy Gilbert, Tyree Michael Simpson, Yorgo Constantine

Director: Joel Schumacher

Rating: R