693 Best Well-acted Movies to Watch (Page 46)

Staff & contributors

Usually, a good movie and great performances go hand-in-hand. If you’re looking to be blown away by acting talent, look no further. Here are the best movies and show featuring great acting.

While best known for his American action thrillers in the early 2000s, writer-director Lee Tamahori returned to his roots in 2016 with the critically acclaimed Māori-centric 1950s historical drama Mahana. Tamahori continues to explore his people’s stories with The Convert. Set right before Britain colonized New Zealand, the film explores the dynamics between the white settlers and the differing Māori tribes, with much more accuracy and sympathy than older films towards the indigenous community, culture, and characters. It’s shot quite beautifully, with stunning landscapes and decent fight scenes, and the performances, especially that of Guy Pearce, make the film watchable. That being said, the film still mostly stems from the white Thomas Munro, whose perspective mostly comes about by passive observation rather than active participation in the story.

Genre: Action, Drama

Actor: Aidee Walker, Antonio Te Maioha, Dean O'Gorman, Duane Evans Jr., Guy Pearce, Jack Barry, Jacqueline McKenzie, Jared Turner, Lawrence Makoare, Mark Mitchinson, Mark Sole, Matthew Chamberlain, Renee Lyons, Stephen Lovatt, Tania Nolan, Te Kohe Tuhaka, Tioreore Ngatai-Melbourne, Will Wallace

Director: Lee Tamahori

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They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring '80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.

Genre: Drama, Family

Actor: Alfred Vargas, Euwenn Mikaell, Iza Calzado, Joel Torre, Joem Bascon, Juan Karlos Labajo, Markki Stroem, Meryll Soriano, Nico Antonio, Shaina Magdayao

Director: Benedict Mique

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Crypto Boy may seem, at first, to primarily warn against the allure of cryptocurrency, but at heart, it’s a family drama centered around an ambitious man and his immigrant Egyptian father. The Dutch Netflix film is actually a whole family affair, with writer-director Shady El-Hamus casting his brother Shahine and their father Sabri Saad in a real and relatable struggle between generations. That being said, the film is definitely less interested in the actual cryptocurrency scam presented. It takes such a predictable route that the protagonist comes off as foolish, rather than understandably ambitious. With his parallel to the villain, the film seems like it wants its viewers to empathize with the rich Mark Zuckerberg-wannabe, rather than cathartically put him through the consequences. This makes the film feel as disappointing as the crypto promises, as viewers are lured into the film for this, but come out with another thing entirely.

Genre: Drama

Actor: Aus Greidanus, Hannah van Lunteren, Jonas Smulders, Kendrick Etmon, Leny Breederveld, Loes Schnepper, Manoushka Zeegelaar-Breeveld, Minne Koole, Raymond Thiry, Sabri Saad El-Hamus, Shahine El-Hamus, Tobias Kersloot

Director: Shady El-Hamus

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As a story, Bruiser isn't the most tightly written thing in the world, with a somewhat long-winded first half and a conclusion that feels too easy given the complicated things we learn about each character. But at its core, it remains impressively perceptive about how men perform their masculinity as a game of aggression and dominance—even if they feel that they're simply trying to protect the children closest to them. Bruise takes on quite a bit of suspense for a drama, as tempers slowly boil over and everybody involved in this supposed battle over who claims authority over a teenage boy reveals themselves to be right and wrong in equal measure.

Genre: Drama

Actor: Frank Oakley III, Gavin Munn, Jalyn Hall, Jay Santiago, Jonah Bishop-Pirrone, Kiah Alexandria Clingman, Moses Jones, Sarah Bock, Shamier Anderson, Shinelle Azoroh, Trevante Rhodes

Director: Miles Warren

Rating: NR

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Bad Lands isn’t exactly new. It has the romanticized con artist that manages to slip through the fingers of those more powerful than her, through quick wit and good sense. It has the successful con, and those that come out of the woodwork to take what they’ve stolen. The story isn’t even original, being based on Hiroyuki Kurokawa’s 2015 novel, Keiso. But it’s done well. It’s a well-executed character study focused on a grifter pushed into the business, and taking on a cold, ruthless mindset to survive. It juxtaposes her self-contained lifestyle with the skeevy, abusive tech billionaire ex and the police force he infiltrated. And it’s all the more powerful with Sakura Ando leading the story.

Genre: Action, Crime

Actor: Canon Nawata, Junichi Okada, Katsuhisa Namase, Ken Yamamura, Koki Maeda, Mitsuo Yoshihara, Namase Katsuhisa, Noriko Eguchi, Ryosuke Yamada, Ryudo Uzaki, Sakura Andô, Yasumasa Oba, Yasushi Fuchikami

Director: Masato Harada

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With its wildly different shifts between the film’s chapters, Bad Education feels like it doesn’t know what to do with itself, like plenty of newly graduated teenagers. The first chapter holds such visceral revulsion that it first feels like it would be a serious cautionary tale, commenting on how, without guidance, teenagers will led each other astray. However, its next chapter takes a more comedic route as the kids try to escape from gangsters and the police. While director Kai Ko reveals an excellent sense of direction and imagery, his style feels like it’s been wasted on ill-thought intentions and a poorly written script. Bad Education at least has stunning visuals and a short runtime to get through it all.

Genre: Crime, Drama, Mystery, Thriller

Actor: Berant Zhu, Cheng Chih-wei, Chu-Ping Liu, Edison Song, Hong Yu Hong, Huang Hsin-Yao, Kai Ko, Kent Tsai, Kurt Hsiao, Leon Dai, McFly Wu, Ning Chang, Tzu-Chiang Wang

Director: Kai Ko

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After Black Hawk Down (2001), the casual moviegoer would have thought that the rescue operation was only conducted by American soldiers. In reality, it was a multinational effort, and Malaysia’s side of the story has finally been depicted in MALBATT: Misi Bakara. Surprisingly, it doesn’t play out as a straightforward, action-packed rescue mission– writer-director Adrian Teh does deliver the action, but the film also contemplates about the team itself: how they made sense of their opposition towards a country they shared religions with, and how they experienced the ignorance from American soldiers that didn’t even know where Malaysia was. While some introductory sequences falter, and the film fumbles certain green screen moments, MALBATT: Misi Bakara brings both the spectacle and the drama that makes it stand out from other depictions of the rescue mission.

Genre: Action, Drama, History, War

Actor: Adlin Aman Ramlie, Adrian Teh, Bront Palarae, Dini Schatzmann, Fauzi Nawawi, Gambit Saifullah, Hairul Azreen, Iedil Putra, Musa Aden, Nafiez Zaidi, Paul Biddiss, Safwan Nazri, Shaheizy Sam, Shiqin Kamal, Syazwan Zulkifly, Taufiq Hanafi, Theebaan Govindasamy, Tony Eusoff, Virgile Mangiavillano, Yuna Rahim, Zahiril Adzim

Director: Adrian Teh

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When your parent decides to marry another person with kids, it can feel like you’re not really part of the family, more so, if you’re forced to move to a completely different country altogether. This is the unsettling feeling that drives Cuckoo, directly inspired by the way some cuckoo species engage in brood parasitism, or rely on other birds to raise their young. It’s an interesting concept, and the feeling of exclusion and being out of place is evoked expertly by Hunter Schafer of Euphoria fame, but why Gretchen’s antagonists would bother to do all of this is over-explained yet still feels quite nonsensical. For horror fans willing to go on this bizarre ride, Cuckoo is visually inventive, unnervingly scored, and decently performed, and would be enjoyable, as long as you don’t really think about the logistics of this strange parenting situation.

Genre: Horror, Mystery, Science Fiction

Actor: Astrid Bergès-Frisbey, Dan Stevens, Greta Fernández, Hunter Schafer, Jan Bluthardt, Jessica Henwick, Lesley Jennifer Higl, Marton Csokas, Mila Lieu, Proschat Madani

Director: Tilman Singer

Rating: R

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Set at a time when humans can travel as far into space as Jupiter, Spaceman looks delightfully retro-futuristic. It’s as if the people and tech of the ‘60s were transported to a faraway future where things like long-haul space flights and nebulous pink clouds exist, and so visually, Spaceman is not tiring to look at. Unfortunately, the same cannot be said about most of the film’s other elements, including its dialogue and story. Jakub is sent to space to collect mysterious ancient dust, but since we never know why he should exactly, it never feels consequential if at all necessary. In fact, this is less about his mission than it is about coming to terms with existential truths like pain, loss, and love. And what better way to confront all that than with a wise primordial arachnid? Now, the idea of a therapy session between a spaceman and a spider sounds intriguing enough, and with strong enough writing, it could fly. But the dialogue is too sparse to be thought-provoking. The main message, that you should appreciate what you have while you have it, is also too simple to carry the weight of this expansive film, especially since we have very few details about the story and character to go on with. But Sandler, Carrey Mulligan (who plays his wife), and even Paul Dano (who voices the spider) do the best with what they can, and if anything, you leave the film stunned by the visuals and moved by their empathetic performances.

Genre: Adventure, Drama, Science Fiction

Actor: Adam Sandler, Carey Mulligan, Isabella Rossellini, Jessica Bechyňová, John Flanders, Kunal Nayyar, Lena Olin, Marian Roden, Mikuláš Čížek, Paul Dano, Sinéad Phelps, Sunny Sandler, Zuzana Stivínová

Director: Johan Renck

Rating: R

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Proof that even the most tired tropes (which the holiday genre is arguably entirely made up of at this point) can still be warm and enjoyable with above-average craft and a fun cast, Candy Cane Lane avoids the monotony that tends to plague other Christmas movies. Which isn't to say that the film is a new classic—it still concludes too easily and doesn't give its more emotional side the space to breathe. But with an entertaining fantasy premise (specifically, a sort of scavenger hunt based on The Twelve Days of Christmas) bolstered by strong visual effects and supporting actors who have been given free rein to improvise, the movie stays dynamic and lightly humorous, if a little lacking in substance.

Genre: Comedy, Family, Fantasy

Actor: Aidan Kennedy, Ali Astin, Amanda Schoonover, Amy Johnston, Anjelah Johnson-Reyes, Catherine Dent, Chris Redd, D.C. Young Fly, Danielle Pinnock, David Alan Grier, Eddie Murphy, Genneya Walton, Iman Benson, James DuMont, Jenly Crespo, Jillian Bell, Kelly Younger, Ken Marino, Kevin Olusola, Kimberly Christian, Kirstin Maldonado, Lombardo Boyar, Madison Thomas, Matthew Sallee, Mitch Grassi, Nick Offerman, Preston Galli, Reginald Hudlin, Riki Lindhome, Robin Thede, Scott Hoying, Stephen Tobolowsky, Tallie Brinson, Thaddeus J. Mixson, Tiago Roberts, Timothy Simons, Tracee Ellis Ross, Trevante Rhodes

Director: Reginald Hudlin

Rating: PG

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Centered on a unique marriage, Satyaprem Ki Katha could have reinvented the romance genre with its depiction of women’s trauma. The film does care about the issue, as it sides with the victim in this regard, and there’s a certain sweetness in the relationship being portrayed. Kiara Advani’s performance feels believable and she clearly makes the best of her existing scenes. However, the film is too afraid to be critical of the men in this film, especially as it’s too concerned with Sattu as a savior. On top of this, it relies too much on the standard Indian song-and-dance, which, while spectacular, takes away too much time from the issue at hand. Because of this, Satyaprem Ki Katha feels like a missed opportunity.

Genre: Drama, Romance

Actor: Anuradha Patel, Arjun Aneja, Gajraj Rao, Kartik Aaryan, Kiara Advani, Nirmiti Sawant, Rajpal Yadav, Shikha Talsania, Siddharth Randeria, Supriya Pathak

Director: Sameer Vidwans

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With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

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Love at its infancy can be pure and sweet, but sometimes, when it’s forced down, locked up inside without calm acceptance, this yearning can fester into something toxic, something too passionate to control. Ride or Die is based on the Gunjō manga, which portrays a relationship between two high school girl best friends made toxic when Nanae recruits Rei to seduce and murder Nanae’s abusive husband. Gunjō wasn’t a perfect representation of a lesbian relationship, but in the hands of a mostly male crew, the resulting lesbian road film adaptation is gorgeous, but feels a tad too long, and a tad too gratuitous with its sex and violence. Ride or Die has an intriguing, boundary-pushing premise about the dark side of devotion, but its execution makes the film an uneasy watch.

Genre: Drama, Romance, Thriller

Actor: Anne Suzuki, Artemis Snow, Honami Sato, Kiko Mizuhara, Sara Minami, Setsuko Karasuma, Shinya Niiro, Shunsuke Tanaka, Tetsushi Tanaka, Yôko Maki, Yui Uemura

Director: Ryuichi Hiroki

Rating: R

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Although the sequencing of the four segments makes sense, the overall result does not land in this new installment of the Lust Stories franchise. It shines with Konkona Sensharma's 'Mirror,' an unexpected take on voyeurism and camaraderie between women. It loses touch with Sujoy Ghosh's 'Sex with Ex,' which sticks out with a weak storyline and questionable use of a green screen. The bracketing stories are engaging if only for the stark difference in tone and conclusion. They round out the film well enough, allowing for an entertaining experience but a lukewarm memory after the credits roll. 

Genre: Drama, Romance

Actor: Amruta Subhash, Angad Bedi, Anushka Kaushik, Hemant Kher, Jeniffer Piccinato, Jugal Hansraj, Kajol, Kanupriya Pandit, Konkona Sen Sharma, Kumud Mishra, Maharshi Dave, Mrunal Thakur, Mukti Mohan, Neena Gupta, Prateek Pachori, Shrikant Yadav, Tamannaah Bhatia, Tarun Khanna, Tillotama Shome, Vibha Chibber, Vijay Varma

Director: Amit Sharma, Konkona Sen Sharma, R. Balki, Sujoy Ghosh

Rating: R

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